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#maybe im just nervous
ruporas · 1 year
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getting the attention of the humanoid typhoon
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obsob · 2 years
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something something i am made up of multitudes
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puppyeared · 8 months
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mmmkay
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ladyofthenoodle · 8 months
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i realized the other day that i haven’t really talked all that much about the last handful of episodes of season 5 and haven’t really touched on the ending of chloe’s story at all. and i really only see people who are upset about it talk about her last few scenes so i do want to offer an alternative take on it, which is basically: to me, chloe’s story ended in tragedy. i don’t really care what astruc has said on twitter or what was leaked in bibles or scripts. i’m looking at the story we actually got, the one that ended with this moment.
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does marinette tell her off right before this? yes. and this should be a moment of victory for marinette, right? she’s finally free from chloe, in every way.
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but we don’t see marinette after this. this is the last shot of marinette in the episode before it cuts to chloe’s reaction. marinette’s face is still there, but only as the contact image on chloe’s phone. marinette herself is gone. the rest of the episode only shows us chloe and lila. from here on out, we are not in marinette’s story. we’re in theirs.
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and it’s here, when we move out of marinette’s story, that we see chloe’s is tragedy. chloe is the villain in marinette’s story and the victim in her own. this is not just about protagonist centered morality, though that plays a role. it’s about not just whose side the story takes but also what marinette is allowed to know and see. marinette only ever gets the smallest glimpse of chloe’s home life and family, but as the viewers we get to see more. and it is after marinette dismisses her and hangs up in revolution that chloe stops being a part of marinette’s story, and, in that moment, loses the role of the villain. freed from marinette’s story, we see her alone, sobbing, because she’s left with only her own story, where she is the victim.
and it’s notable that chloe tried to reject that story. she chooses marinette’s story, again and again. that’s why she called marinette in the end. chloe would rather play the villain. calling sabrina, asking for comfort, would be accepting that she’s a victim, which chloe isn’t ready for. unfortunately, marinette doesn’t give her a choice: marinette’s story doesn’t have room for chloe anymore. she’s fought her demons and has new ones to face. the only role left for chloe to play in marinette’s story is the girl ladybug couldn’t save.
so yeah, this ending is tragic. and i genuinely hurt for chloe in that moment. but i never once thought we were supposed to see her as unredeemable or celebrate her being sent off to her mother. i don’t know what the story plans to do with chloe next - whether she’s gone for good or she’ll come back worse or come back better. but i know this moment, by taking us out of marinette’s perspective, asked us to sympathize with a girl suffering at the end of her downward spiral.
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jazzzzzzhands · 6 months
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Ohh i could not stop thinking about the one commercial with the Wally plush!! Where he says "Groovy", "Far out", and such!! And if you look up "70's background" There is just soooo much aesthetic suiting of Wally!! So i really really wanted to dress him up in some Groovy clothes!! The fish shoes were his original shoes, but i made them an alt cause they are hard to draw! pfffft! Wally can Dance! He can teach You how to Dance!
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Alternate blue glasses, i could not decide on the color of his John Lennon's, so he can have many pairs! Oh and he definitely has a wide wardrobe!!
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oconist · 1 year
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Oscar Wilde, A Few Maxims for the Instruction of the Over-Educated / Albert Camus, The Fall / Fredrik Backman, Us Against You / Ally Condie, Matched
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ourfag · 5 months
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i think part of the resistance i’ve seen in response to the view of ed as an abuse victim—not just the view of izzy as someone who abused ed, but of ed as someone who was abused by him, as opposed to interpretations that pursue an image of Nuance and Complexity (unnecessarily, because their dynamic has heaps of both, but there seems to be a popular impulse to conflate complexity with shared culpability) by characterizing their relationship as being toxic/unhealthy in equal reciprocity, or as “mutually abusive” (oxymoron)—i definitely see the influence of racism there, but i think the racism is also working to amplify an adjacent issue where we tend to receive very specific cultural messaging about What An Abuse Victim Looks Like, and ed is excluded from a lot of that criteria.
he’s outspoken. he’s boisterous. he’s Very Cool and he Wears Leather. he’s physically bigger and browner than the person mistreating him. he spends the first season with a big grey beard, he’s covered in tattoos, he projects the image of A Man’s Man, to say nothing of his being a man in the first place. we see him get aggressive and we see him get angry (and sometimes we even see both at the same time). we see moments where he’s surly, prickly, insensitive, arrogant. his survival techniques and trauma responses incur collateral damage to other people, and in the second season this extends into affecting people we actually sympathize with. he’s extremely private about expressing fear. without examination, his professional relationship to izzy seems to position him as the one with the power slanted in his favor.
most damningly, we see him react multiple times to izzy’s abuse with physical violence. this is behavior that gets referenced all the time in the construction of narratives condemning subjects of physical abuse, let alone emotional abuse. which is why writing that intends for its audience to interpret a character as being unambiguously A Victim Of Abuse will often, for simplicity’s sake, avoid showing the character regularly engaging in anything of the kind.
and again, all of these departures from the image of The Model Victim are compounded by his being a man of color.
without any of the shorthand designed to point a big flashing arrow at his mistreatment, all we have left to work with are the words and actions we see from ed and izzy onscreen. who instigates conflict, and how does the other respond? how are they able or allowed to respond? how do we see them speak about each other to outside parties? does one go out of their way to control or isolate the other? what consequences does either party stand to face in saying “no” to the other? in acting against the other’s wishes? in trying to leave the relationship? when either of them attempts these things, how do we see the other respond?
i realize and appreciate what people are driving at when they garnish their analysis with disclaimers that they’re not saying ed’s just a poor innocent abuse victim, they’re not saying he’s a perfect angel who’s never done anything wrong, and that’s true, but these are points already contained implicitly in statements like “this show’s protagonists act like human people” and “ed’s emotional struggles are portrayed in a realistic and believable way.” my assumption is that these disclaimers are anticipatory responses to worst-faith interpretations of any discussion that attributes any victim status to ed whatsoever, so i definitely sympathize with their inclusion, but a (very small) part of me still worries about them potentially reflecting or reinforcing a belief that there is any way for someone to behave towards their abuser that imparts a responsibility for them to make right whatever damage the abuser receives, or for that matter any degree of ambiguity over their status as an abuse victim in the first place.
part of what i find so gratifying about ed as a character is that i don’t feel like the show’s writing is pressuring me to consider that ambiguity at all. which was a really nice thing for me to discover!
and tbh—did using ed to deconstruct The Model Victim even factor into the writers’ agenda?? ive got no clue. im guessing no? ??maybe?? probably not?? but if you create a main character whose central premise is that he feels trapped in a performance of exaggerated masculinity that he’s desperate to escape, and then you set him up with a character premised on embodying a tangible obstacle against that escape, then i guess that’s the natural shape your story’s gonna be inclined to take
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skunkes · 3 months
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About to drop a bunch of money on some good quality gouache
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triptych-of-voids · 5 months
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very well. im committing to the bit <<
come join the movie night!! we're watching emesis blue. again. participation not mandatory of course but a lot of people seemed interested so!! its happening now. will be going live on my youtube channel :]
[ https://www.youtube.com/@triptychofvoids ]
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You ever think about what's gonna happen when the Welcome Home website updates in December? Hopefully, at least for what I think, we'll get to see the fabled Julierella! Or any visual parts of the show in general. Probably something fit for the holiday spirit.
Maybe wondering about their relatives and loved ones living outside the neighborhood, and the fact that the residents haven't left to see them in some time.
Stuff like that! Maybe even some new recipes!
i try not to think about it or i'll become so nervoucited that i'll get nauseous
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chaosandthe-deadblog · 3 months
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okay, ENOUGH GAMING!
if youre interested, fill out this google form below :) thanks in advance!
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vamprnce · 1 year
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here we go, I doodled him as a fox 🤲🦊
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i put a ton of tags on a thing and realized maybe i should just make a post because i wanna know what other ppl think…
thinking about how if izzy had continued/forced his confession onto ed would've gone bc with eds mental state probably backing off on it and being more vague was a good choice. when izzy confesses ed is at his lowest and fully unable to accept that someone loves him and that he can love someone else and ed might have used violence to reenforce these beliefs.
ed dismissing it was probably the best outcome for izzy at that point because if ed was convinced that it was true (although i suspect he did believe that bc he shot izzy to kill the love) i'm not sure what he would have done to end that love.
i’m also thinking about the scene where ed is sobbing and playing with the wedding toppers after having shot izzy. i'm not sure when ed realized that izzy wasn't dead but if he had before that time an aspect of that breakdown could have been him grieving izzys love for him because he did think izzy stopped after the gunshot. which is why he went to izzy to be killed he thought “well, izzys done it for me before and there's no way he still loves me so he will be willing to kill me”
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technicalthinker · 14 days
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before the full ep is out i just need to say that on a more personal note that sneak peek clip of buck on the date with tommy hits a bit too close to home as an adult bi who lately has been very nervous, on edge and self-critical about having my first real explicit gay flirt with someone within reach. the way he was all like 'im chill about this' in the least chill way possible. the defensive 'i'm not lying to anyone' while nobody said he was. do you get me.
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23meteorstreet · 1 year
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“i don’t know how you guys live with yourselves.” “one day at a time.” it’s always sunny in philadelphia - season 1
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frootietoots · 1 month
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trying different colors :o)
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