Fluent Freshman - Part 19
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There’s a couple things about FF that might be good to know at this point.
1. There are few things in the world he hates doing more than asking for clarification or admitting he doesn’t understand / know something. The thought of going up to someone and admitting that he hasn’t perfectly comprehended the situation upon the first explanation is something makes his stomach twist like he’d just eaten Mango-Habanero ice cream.
He has figured out his own math theorems in the pursuit of not having to ask the math teacher to explain he doesn’t understand. He got lost in an Ikea once for over 6 grueling hours where he considered making a home there and living among the display rooms until his grandma grabbed him by the ear and dragged him to safety (the food court) and let him regain his strength (eat Swedish meatballs). He, to this day, is not sure about one of his foreign language friend’s names (how embarrassing he just keeps waiting for someone else to say it but they go by some insane nickname).
So he has become a master of piecing shit together on his own. He sometimes gets it wrong (Andrew, god how embarrassing) but for the most part 8 times out of 10 he can get to the right answer if he just has a couple pieces to work with. No one had ever actually explained to him how Exy works and he was too embarrassed to ask after the third week of practice in middle school so he just pieced together what he was and was not allowed to do through the art of trial and error. He’s even mostly pieced out the rules for the other positions.
So with the information he has gotten through people being bound and determined to talk in foreign languages in front of him he has an idea about the tenuous situation some of the older Foxes find themselves in.
He’s heard Kevin Day and Jean Moreau talk in French.
He’s heard that the anxiety in both of their voices as they talked about their futures and owing 80% of their salaries to the ‘Moriyamas’ and how nervous they were about getting on professional teams or else they’d be killed.
Captain Neil and Andrew are not always using Russian to talk dirty.
He’s heard Andrew soothe Captain Neil’s worries about playing for a professional team. He’s heard Captain Neil mention that at least ‘Ichirou’ would likely just kill him and not make a game out of it like his father did.
Organized Crime might have more to do with Exy than FF had originally thought.
(He had thought it. Plenty of times he had thought it but his Gran had warned him that he was overthinking things. That he wasn’t playing a sport invented by the Mafia. That he had caffeinated coffee instead of decaf. “It’s going to be okay sweetie. Just take a deep breath.”)
This leads into the second thing you should know at this point.
2. Before he had signed with Wymack he had known the broad strokes of Captain Neil’s life. There had been a lot of news articles about it and Gran (bless her) loved trashy gossip magazines.
After he had signed with the Foxes he had done a bit of a deep dive on as many of their controversies as he could find. There’d been things from brawls on the court (worrying), player overdoses (concerning), a straight up MURDER (Oh god), and the very public breaking of the King of Exy’s arm resulting in his suicide (Warranted, that wacko was going to take off Captain Neil’s HEAD.)
But the thing that had made him actually a little bit, dare he admit, excited to go to Palmetto was the fact that Captain Neil was there.
For someone who froze for almost a decade, who just took it and didn’t have the balls to even react? Neil Josten is an inspiration.
This is someone who got away, who lived a life completely unlike FF’s, someone who knew how to run and more impressively someone who learned how to FIGHT. Captain Neil was being hunted but he still ripped people to shreds in interviews. Captain Neil was probably more scared of the Butcher than FF had been of anything in his entire life but Captain Neil was way braver than FF could ever hope to be.
Captain Neil was taken and tortured but he still fought. FF had seen the scars and Captain Neil is right to wear them proudly (though based on some conversations he has unfortunately overheard he is sure Andrew may have a role in Neil’s positive feelings about them).
FF had thought that he was being lead to his death down in a basement of a club (Don’t cringe. Don’t cringe. Don’t cringe. Don’t-) and he just trailed right behind the two of them without even an illusion of a fight.
Neil Abram Josten was a bit of a personal hero.
He’s proud to call him Captain Neil. He wishes Andrew hadn’t been there when Greg had mentioned wanting autographs because FF wants an autograph from Captain Neil but now Andrew has probably mentioned it to Neil.
Long story short, FF had looked into a lot of details on Captain Neil’s case.
Including two of the Butcher’s top men who were still on the loose.
Romero Malcolm and Jackson Plank.
He keeps his presence low but no matter how many times he blinks the man grumbling in Italian next to him continues to be Romero Malcolm.
Moreover Romero Malcolm continues to grumble about the fact that he is having a hard time finding ‘Nathaniel’ and that he’ll have to grab one of ‘The Wesninski brat’s friends’ to draw him out.
FF is a recently confirmed friend of Captain Neil.
FF who is standing next to this man, with his dick out, and trying to remain as invisible as possible.
After two shakes (Yes he was watching but only because he had to! He wonders briefly if he goes to the FBI if they would accept a description of Romero Malcolm’s penis for the wanted poster? Probably not but it is BURNED into his retinas.)
He watches as Romero tucks, zips, and then bypasses the sink entirely.
FF shivers at how unhygienic that is. Who RAISED him?
The door shuts and FF needs to get out of here ASAP but his hands are shaking with the sudden adrenaline of ’One of the FBI’s Most Wanted just took a piss next to me and is looking for me friend’. He pulls his phone from his pocket and ducks into one of the stalls. Even if there’s no door it’ll at least FEEL a little safer, a little more private. He needs to warn Neil, Warn Andrew, and warn-
The door to the bathroom SLAMS open and music blares in (palms are sweaty, knees weak, arms are heavy-) and his phone slips out of his hands and into the toilet. There are footsteps coming towards him and FF digs deep.
He’s in ultra stealth mode. He is the wall behind the wallpaper. Mantis shrimp can only dream of the color he becomes, the United States military have the CIA on the look out for him because he’s fallen off all conventional forms of radar and tracking.
He is a bargain fruit platter on a dessert table at a kid’s birthday party.
He is ULTRA stealth.
Romero’s gaze glides over him.
Then the man leaves (STILL DID NOT WASH HIS HANDS).
His heart is hammering in his chest but he manages to reach down and grab his phone. Well, Coach Wymack had gotten the extended warranty at least. (“Do you know what these fuckers do to phones? Josten crushed his last year in a fight with the Baseball team captain.”)
His phone’s extended dip into the toilet water had not done it any favors in working properly.
Well fuck.
He wipes his phone down the best he can. He wipes his phone down with some toilet paper before cramming it into his pocket (Sorry Nicky, he’ll wash the toilet water pants if they survive).
He sees a flyer on the wall of the bathroom and starts to think of a plan.
He rushes out of the bathroom (he still washes his hands because he will not have something in common with a man on the FBI’s most wanted list and he just dipped his hand into a CLUB TOILET) and clocks Nicky’s wild arm movements and WORSE clocks Romero just 10 clubbers away.
He sees Romero’s eyes lock onto Nicky and a smile that terrifies him.
He’s out of Ultra Stealth Mode even if every atom in his body wants to run.
He is so stressed and panicked that he has gone beyond his body’s ability to process that so all that is left is determination. He’s got a head full of a half-baked plan, a hand going to his pocket, a second hand on the only ‘weapon’ he has on him, and a stomach full of acid.
He’s pulling his phone out of his pocket before he can really let himself think about it and walking up next to where Romero is standing. He holds his toilet water phone up to his ear and does the one weird social anxiety thing that he had never done before.
He pretends to be on a phone call.
“Hey Captain Neil,” he says and in the corner of his eye he can see Romero’s gaze shift from Nicky (surrounded by an adoring public, covered in sweat and therefore difficult to grab - a difficult target) to himself (alone, shorter, and probably looking like he’s about to pass out). “Yeah I think I’m going to take a break outside after I grab quick drink and then a water at the bar.” He says because he has to be the easier target and he has to go to the bar. “Yeah, yeah, okay I’ll mention it to that bartender guy.” He says and pretends to hang up.
He turns and he walks towards the bar and feels his pulse in his throat go to the beat of the music (success is my only motherfucking option, failure’s not).
He only knows about the alley because in the car ride to Sweetie’s Nicky had mentioned that he wouldn’t let FF’s first time be out there. He had been embarrassed but it was the only way he knew to get Romero out of the club and away from where he could hurt Captain Neil or anyone else in the pursuit of that.
He spots the bartender who had gotten the drinks for their table and his mind completely blanks on the name but the bartender sees him and smiles. “Oh you’re Neil and Andrew’s new friend! What can I help you with? I thought you were-“
“Hi, yes I am Captain Neil and Andrew’s friend.” He says a little loudly because he can feel Romero behind him and he does NOT want the man to know anything about where Captain Neil was.
“Captain Neil? Oh wow that’s adorable.” The man gushes. “What can I help you with? I won’t ask for ID for one of their friends.” He winks.
“I’d like to order the uh…” he tries to remember the exact drink name from the flyer, “…the deluxe chocolate martini?” He asks and knows he got it right when the bartender’s expression shifts ever so slightly.
“Oh yeah, how do Andrew and Neil feel about that?” He asks and oh great a coded conversation. It’s nice to actually be having a real one of these for once instead of just perceiving normal conversations to have hidden meanings.
“They don’t know. They probably prefer that I order it instead of Nicky or Aaron.” He lets his eyes dart to the wide where he believes Romero is watching him.
“I don’t know if that’s true.” The bartender says, “Nicky knows how to handle a drink and Aaron’s not a lightweight either.” He adds.
FF struggles to find a coded way to say ‘It’s not that someone’s hitting on me too hard like the flyer mentioned. It’s that there’s a mafia hitman in your club.’
Finally after a moment, “It’s not the usual kind of drink they get.” He tries and the bartender looks confused by the statement, dammit. He struggles to find a different way to say it before the bartender smiles.
“Y’know you’re really cute.” He reaches under the bar top and grabs a piece of paper and a pen. “How about you write down your number for me cutie? We can meet up sometime.” He says. “I’ll get started on that chocolate martini for you.” He says.
HE COULD KISS THIS MAN.
“I’d like that.” He says.
He writes out a quick message on the small note paper.
‘Armed. After Neil. Looked at Nicky. I’m going to the back alley. Phone is dead.’
The bartender comes back and looks at his note. “We’re out of chocolate martini mix, can I get you something-“ He hopes the club lighting obscures how pale the man got, “something else?” He asks and FF can SEE his pulse.
“Can I just get some water then?” He asks.
The bartender nods and pulls up his phone and hopefully is dialing the police and hands FF a water. His hand grabs hold of FF’s “You don’t need to go out into the alley. You could hang in the backroom with me?” He offers.
There really are some kind people in the world.
“I think it’s better if I’m not in here for a bit.” He says back and honestly he needs this kindness and he has a spare bit of courage, “What’s your name by the way? Sorry I missed it.” He says.
The bartender swallows, “It’s Roland.” He says.
“Thanks Roland.” He twists the cap off of the water bottle and takes a sip.
He turns and pretends not to notice how Romero is trying to be inconspicuous pretending to be on his phone.
He makes his way over to the alley door and notices that Romero is tracking his movements but is not following him like he did to the bar.
His heart is pounding and he can’t BELIEVE he’s doing this. He wants to run, wants to hide somewhere, wants to become imperceptible but…but…
He opens the door to the alley as the bass of the remixed song finishes.
(You can do anything you set your mind to, man)
He lets the door slam behind him and he is alone in the alley.
He was not expecting a van to come to a screeching halt in front of the entrance and for a different face to appear climbing out of the car.
Jackson Plank.
FF looks at the ugly smile on the man as he walks towards him with a knife in hand.
Okay now what genius?
MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
5/26/23: EDITED. Can’t believe I forgot to put the Captain in front of Neil’s name on the meme. I’m blaming the accidental early awakening.
Per your requests:
@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie
@theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lillyndra @themugglemudperson @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo @next-level-mess @youreonlylow @interstellarfig @notprocrastinatingatalltoday @percyjacksonfan3 @queenofcrazy27 @bsmr261 @ghostlyscares @spencellio @adinthedarkroom @harpymoth @sufferingjustalilbit @anxietymoss @oddgreyhound @ohno-myhyperfixation-itsbroken @ken22789 @atiredvampire @isoldescorner @not--a--pipedream @azure-wing @bushbees @roonilwazlib-main @crumplelush @foldedaces-paperbirds @thesenseinnonsense @let-tyrants-fear @ketchupfriesandallthingsnice @legowerewolf @deadlydodos @but-we-respect-his-craft @cariniqe @zanypersonapricotbiscuit
The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.
As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly?
Lillyndra it worked this time!!!
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TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽
Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.
I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.
Area 51:
Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.
I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.
When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.
Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.
The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.
Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.
Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained.
(i.e. truth potion.)
Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.
Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.
Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?
Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.
Tyler's voted out, yada yada yada.
The Jet:
Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.
Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.
Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.
"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.
Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.
"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."
Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.
"Does that mean you don't like Al?"
"I never said that."
"Well, how do you feel about him, then?"
Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.
"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.
"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."
Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.
He's always been the type to play his cards close to his chest, so why...?
"I, uh, didn't mean to go off like that."
And he also didn't mean to admit it, either. What was going on?
The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.
"Sounds like someone has a cruuuush!~"
What? No? No! Not at all, where would Owen even get that idea?!
Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.
Alejandro has a lot to think about in regards to a certain cynic, it seems.
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I'm talking about trolls again and all I'm gonna say is
An au where clay did actually visit baby branch shortly after grandma rosiepuff died and branch actually had someone with him for his childhood
And it can be all hurt/comfort and dealing with grief...
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Would love to hear any thoughts on the codification of the poet-persona over time? 👀
Ok so in the spirit of the ask game, I am not checking any citations on this whatsoever, but if you want those lmk (though they uh. largely do not exist for rímur-poets specifically, because only me and Hans Kuhn have ever cared).
This is going to require some context because, as established, the number of living people who know and care about medieval rímur can be counted on my two hands. Probably without thumbs. So, rímur are a poetic form that developed in 14th cen Iceland, which look kind of ballad-y, in that they often use four-line stanzas with ABAB end-rhyme, though actually the ballad tradition in Iceland is quite distinct (on which, see Vésteinn Ólason, The Ballads of Iceland). End-rhyme was very exciting for Icelandic poets because it was only previously a thing in some uncommon types of skaldic metres, but rímur (as their name suggests) have end-rhyme as a defining feature and rapidly become The dominant form of poetry in Iceland until well into the 19th cen.
There are two very distinctive things about rímur, other than their metres: 1) they almost never tell 'new' stories; almost all rímur narratives are attested earlier in other forms, usually in prose, which can sometimes lead to the fun cycle of saga -> rímur cycle -> old saga is lost, new version is written based on the rímur -> more rímur are written based on the new saga -> repeat until the heat death of the universe; 2) as the form develops, it acquires introductory stanzas known as mansöngvar, a term which elsewhere usually means 'love poetry', although that's not really what they're doing here.
Mansöngvar are verses, sometimes in a different metre to the rest of the canto they're attached to, in which the poet speaks directly to the audience. In the medieval period, they're pretty short and often don't say more than 'look, I made you some poetry', but as time goes on, they get more and more elaborate, and the character of the poet begins to develop some quite distinctive traits. What's interesting here is that rímur were (certainly in the medieval period; less certainly later on) performed aloud, presumably by the poet, so there's definitely some questions to be asked about how accurate the poets' self-descriptions are when presumably the audience could go 'you're not pining away for love, Jón Jónsson, I've met your wife!'
So anyway, these mansöngvar are often linked to the medieval German Minnesänger tradition (er. The actual German word might be slightly different because I still don't speak German despite my PhD supervisor's pointed remarks), which is more overtly love poetry and which sometimes features the poet as an abject and despised lover of some cruel lady. This is something rímur-poets from the later medieval period and onwards have an incredibly good time with. You may be familiar with the story of Þórr wrestling with Elli, the personification of old age in the form of an old woman. There are at least two medieval rímur poets who have a whole extended passage about 'oh alas, when I was young I was a terrible flirt but now I'm old and no women like me, except oh no, I am being courted by this ugly old giant lady; Elli is the only ladyfriend for me now, wah'. it's very playful, it's very fun, it's drawing on this general sense that the poets put forward that they're poetically gifted, but romantically unlucky, which is kind of a Thing for poets across a lot of European literature (and probably more broadly, but I don't know much about that), and is especially pronounced in the earlier Icelandic sagas about poets, which usually feature poets failing to win the love of their life for various reasons (sudden attack of Christianity; sudden attack of magic seals; sudden attack of Other Guy With Sword; etc). So in evoking this, rímur-poets are situating themselves in this existing Image of the Ideal Poet, but doing so in a way that ties them into the specifics of the Norse literary/mythological tradition as well. Poets are also frequently old and tired (same, bro), and a statistically improbably number of them are also blind (although that might just be two guys we know about who were really prolific; most rímur are anonymous so it's hard to say. But it is perhaps convenient that this also links them to A Great Poet of Old, namely Homer).
The other thing that rímur-poets really like to bring up in their mansöngvar is the myth of the mead of poetry, which I will not recount here except to say that Óðinn nicked it from a giant, and also that some dwarves used it to buy safe passage off a skerry once, so it's poetically termed 'ship of the dwarves' because it's the thing that brought them safely across the sea. Every single medieval mansöngur, if one exists at all, refers to this myth in some way, even if it's just by having the 'I made you some poetry' bit use a kenning for 'poetry' that references the myth.* And poets have a lot of fun with this too! Iceland's a coastal community, they know about boats, so you get these extended metaphors about poets trying to board a boat to sample the mead of poetry and finding only the dregs because other, better poets got there first. Or they will describe the process of poetic composition in terms of ship-building: 'Here I nail together Suðri's [a dwarf name] boat'; 'Norðri's ship sets out from the harbour [= I'm about to start reciting the main bit now]'; 'the fine vessel has now been wrecked on the rocks [=I'm going to stop reciting now]'. They'll also speak of poetry as smíð, which means a work of craftsmanship, usually physical craftsmanship (obviously cognate with smithing in English), and of brewing the ale of Óðinn, so they're really into metaphors of physical craft when it comes to the intellectual craft of poetry, which I think is really neat.
*kennings = poetic circumlocutions, e.g. 'snake of the belt' is a sword because swords are vaguely snake-shaped and hang from a belt. Common poetry kennings are '[drink/liquid/ale/wine/mead] of [any of Óðinn's literally dozens of names]' e.g. 'Berlingr's wine', and the aforementioned 'ship of the dwarves' - poetic Icelandic has literally dozens of words for different kinds of ships and also literally dozens of dwarf names, so you can get a long way without repeating yourself.
So all these things that I've mentioned that poets like to bring up - old age, unluckiness in love, poets as craftsmen - become more and more tropified as time goes on, which in turn leads to these imaginative and extended reworkings of the metaphor. No longer can you just say 'I'm old and no one fancies me', no, it's 'My only assignations now are with Elli, wink wink, here's a long description of our date'. So you end up with this very codified image of The Ideal Rímur-Poet as an old man,* ideally blind, ideally unmarried, incredibly self-deprecating about his poetry, and because that's how everyone else talks, it's self-reinforcing.
*there is one (1) known female rímur-poet from the medieval period, the poet of Landrés rímur, who unfortunately didn't write many mansöngur stanzas but is doing her best with the 'unlucky in love' bit, although her lover (male) seems to have died rather than ditched her, which is a novelty.
Anyway, it's cool and weird and fun and as I say, only me and Hans Kuhn care, academically speaking.
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tough pill i have to swallow is realizing that “getting better” doesn’t mean “getting to do more things,” getting better for me means taking better initiative in protecting myself. and THAT means making sure i do LESS things
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also the 'fans of 13 are bitchy and mean' thing is really funny bc i knew Lots of 13 fans on the internet who were nice and kind and charitable to people being aggressive towards them by answering them calmly and logically when they weren't approached as such, who dealt with the stupid takes clearly rooted in prejudice calmly and firmly with an aim to teach out of a belief that people were accidentally pedalling this stuff and not being deliberately malicious and trying to help, but people who hate it were so cruel, and so obsessive about not letting people live and like in peace to the point of harassing them, that it drove the nice ones off, either gone totally or to other fandoms because it wasn't worth putting up with it over a stupid kids tv show. So you were left with the stubborn and pissed off ones who aren't inclined to be chased off, and the same people have the gall to act confused as to why people aren't nice.
The level of shit and bullshit over the years i've gotten and/or seen over a stupid kids tv show you'd think i enjoyed the recreational era of kitten skinning and the stories i get from people who use twitter are at least twice as bad. Add the people who think dressing up rude sentiments or demands in polite language makes them any less rude (it doesn't) and it's just a nightmare.
Shockingly, while a hostile environment will not necessarily Produce hostility, it will ward the nice ones off. And it will also produce hostility. That too.
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i hope all the terfs looking at my blog rn are able to grab me a beer and maybe make me a sandwich perhaps while they’re at it
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and for my next trick i present... my Grand Tv People Freakout Extravaganza!!! *falls to the floor weeping violently*
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this is your reminder that 99.9% of employers care more about money than you and even if they are kind and fair now they WILL at the end of the day put profits over your well being so absolutely do not sacrifice your life for them.
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Anyone else think short form social media based on algorithms designed to promote topics that create more engagement instead of more joy, the idea of fast fashion but conveyed through social media, and the fact you can monetize suffering and outrage better than ever has largely resulted in the death spiral of media literacy and the mass emergence of bad faith readings?
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mineral 6* collection is COMPLETE!!!!
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Do you mind dumping all of your thoughts on ebina for us?
i dont even know where to begin on ebina he just sucks major horse cock and i cant be swayed on this but ill put it under the cut for everyones sake. this is rambly as hell too idc i refuse to spend any more time thinking about ebina more than i already do
like what is his purpose. like i KNOW his purpose but it sucks- him being a Plot Twist baby is the dumbest shit in the world and they dont even ATTEMPT to do anything meaningful with it i do not care what anyone says
why even HAVE HIM be related to ichiban if he never even interacts with ichi in a meaningful way, esp when ichi's whole theme is family-- WHEN THE GAME IS LITERALLY ABOUT ICHI MEETING HIS MOM (or it was until they decided they didnt care about akane in the plot anymore)
like we mentioned it before here but if you have to have ebina related to a yakuza from the past for his ol Bring Down The Yakuza gig then why not make him an orphan from kazama's orphanage ???? literally nothing wouldve changed except it would've made more sense with how much kiryu deals with him instead of ichi. it wouldve been a great way to round things off with kiryu's saga too, what with having to confront the consequences of kazama's actions directly and finally and officially burst that fanatic bubble of his (i dont wanna HEAR nothing about gaiden that's not enough for me im GREEDY). theres something in here too about kiryu and daigo but i cant articulate it... i just know that wouldve been better too .... something something kiryu brought daigo into this life and now that he sees kazama 'bring' ebina into this life hes projecting ... idk ..
the game def didnt seem to give a fuck that ebina was arakawa's son considering they fucking revealed it in a bland-ass in-game cutscene FROM DAIGO OF ALL PEOPLE daigo respectfully why the fuck do you know this
i dont know how many people watch my streams but i was so obnoxious about ebina's villain monologue before his fight because its just ...... it just SCREAMS Hey You Guys Remember Aoki Right. fucking Masumi Arakawa Had Two Sons: One Who Loved Him And One Who Hated Him LITERALLY SHUT UP AND DIE I HATE YOU MASATO ARAKAWA WAS RIGHT THERE AND HE DID IT BETTER THAN YOU fucking stealing his bleach japan shit too. you might be able to steal bleach japan and piss me off about it the entire time because fucking everyone and their grandmother besides zhao seems to have forgotten fucking bleach japan but you can NOT steal Number One Hater Son from masato arakawa GET AWAY FROM HER 🗣️🗣️🗣️ 'why did masumi arakawa have to get himself killed' BECAUSE HIS NUMBER ONE HATER SON HAD HIM KILLED BECAUSE HE WAS A BETTER HATER THAN YOU SHUT UP
another thing that pissed me off to no end was the sawashiro shit fuckin Oh He Kept Him Alive Because He Wanted Him To Stop Him SHUT UP SHUT UP SHUT UP SHUT UP I HATE YOU . i really wouldve preferred if they just killed sawashiro like old man why are you here- WE DIDNT EVEN GET TO SEE YOUR EYE GET GOUGED but im getting off topic. NOTHING bout what we've seen from ebina could convince me he Wanted To Be Stopped like absolutely nothing i dont want to hear this bullshit excuse. it is MERELY just reminding me of ichi being like 'i wish i couldve been there to stop you' @ aoki and its making me pissed
like im the only person who cares this intensely because im the only person who likes aoki enough like this and im trying NOT to mention him so much and just focus on ebina but its just so annoying... like its impossible NOT to see the parallels, especially when the game is practically bashing it into my brain every three seconds. like if we're talking aoki/masato-adjacent antags then i like eiji so its not the fact that HE IS aoki adjacent that pisses me off its just that he has no agency OUTSIDE of being a ghost of him. like there's nothing interesting about him in the slightest and he's barely even on screen why are you forcing me to give a fuck about this twat. if anything the one aoki thing i wish they did mirror onto him was dying at the end i do not care about this man
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i don't know how to be merely acquaintances when we used to be friends. or i think we used to be. i don't know how to yearn for a simple hello when you've been heaping your affection on me months ago, and i don't know how to talk to you when you won't say anything. when suddenly it's all about me. you know i have nothing to say, you know my brain is void of everything but horribleness and i cannot tell you about my day because i don't even know about my day. i cannot tell you about my day when i know you won't listen, when i know you'll apply your philosophy to my world and don't believe me when i say that everything is terrible. i don't know how to be the person you seem to think i am, or the person you want in your life. i don't know if you want anyone else in your life now that you're in love and sappy, found another recipient for your affections, leaving me empty and wounded and yearning.
you said you missed me. said it many times, while i was gone. now i'm back, have been back, and i wonder how you missed me, why you missed me, when you won't talk to me. i think you mistook missing for worrying. i think you mistook caring for a feeling of obligation. i think you like missing me more than talking to me.
and i think i can't breathe with how much that hurts
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Saw the tags on the Toshinori post and do you have more to share?? Any insights? If so I’d welcome hearing them 😭 He really is so self-sacrificial and it hurts but it’s truly at the core of who he is
This has been sitting in my inbox for almost a week because I needed to make a futile effort at organizing my thoughts into something coherent--but this is as organized as they're going to get for now! Thank you so so much for the ask though bc I do love to yell about MHA <3
(Obligatory reminder that I'm watching this show in such a confusing order so if what I'm about to rant about has been addressed before and I'm harping on it unnecessarily I Am Sorry.)
(For anyone curious, this is the post btw)
SO. It feels relevant to mention that my sister and I were talking about All Might in the first place because we were talking about MHA Moments That Haunt Us. For me, it's the 'I am not here' sign hanging around the neck of the All Might statue in Kamino Ward after the Paranormal Liberation War. It literally lives in my brain rent-free 24/7 365 days a year, especially with the AM vs AFO fight being relatively fresh in my mind. The reversal of All Might's catchphrase and all it represents hurts, but to display it at the site of his 'last stand' in Kamino? That's brutal.
All Might vs All For One and how that rematch plays out is so so important to the story for so many reasons, but one of them is that the fight itself is a sacrifice. Toshinori gives everything he has, short of his life, to defeat All For One. He gives up his physical strength, his public image as the unbeatable Symbol of Peace, and, effectively his Quirk ("Goodbye, All For One. Goodbye, One For All" haunts my every waking moment, still!)
This battle is also the culmination of years of All Might's life and heroic philosophy (because Toshinori has been both practicing AND preaching self-sacrifice in the name of the greater good since we met him. It's what he thinks a hero does). Kamino is the sacrifice to end all sacrifices, if you will. Yes, he does get to walk away from the fight with AFO, but he walks away irrevocably different, almost unrecognizable. He's forced to totally change his focus and his mindset and his life. Everything he has given up is made literally visible in the deterioration of his body.
But most most importantly, All Might's sacrifice at Kamino was... all for nothing. Even if AM defeated him in that moment, All For One is free less than a year later. The world is in shambles. People are afraid, and their faith in heroes is crumbling. Heroes are afraid, and this time, they have no idealized symbol to rally behind. When Dostoevsky wrote "Your worst sin is that you have destroyed and betrayed yourself for nothing," he was talking about All Might btw.
Toshinori gave this fight (and his career, and being All Might) everything he had, and it still wasn't enough. He sacrificed so much of himself, and so much of how he perceived himself and his purpose, and he didn't even save the world. He just bought them time--and not much of it. I think that's why he's so desperate to keep fighting, no matter the cost, no matter what condition he's in--even 'quite literally half-dead.' He can't let Kamino be the Symbol of Peace's final stand, because Kamino was ultimately for nothing. Instead of saving the world, it has been reframed through the sign on the statue as All Might abandoning the world. And ever since then, he's been scrambling to prove that he is still here.
(There's also probably something here about Sir Nighteye telling him that he was going to die. Since Nighteye used his Quirk on him, Toshinori has been anticipating sacrificing his life for good. Knowing that his entire hero career is effectively a fight to the death has probably maximized his self-sacrificial tendencies.)
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TW Abuse
Aren feels guilt over clinging to his abuse, because he’s looked up to his Pops for so long as a role model, as someone who he should aspire to be.
But then he interacts with a toddler, or a little kid, or even people his own age. He can’t help but think about how fragile they are, how easy their skin would give way to bruises and blood, and he wonders how you could have something so precious and vulnerable, one that looks up to you with adoration and unadulterated trust, and tear it to shreds.
And he knows it was wrong, but he still tries to convince his friends otherwise. Because if they agree, that means it’s something he has to let go. He doesn’t have to look it in the eyes and ask questions that he won’t ever get an answer to.
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