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#maybe one day i’ll get there
mistertellevision · 2 years
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More Hanna Barbera MASH this time with Beej <3
Feel free to suggest simple clips for me to animate next, I'm having a ball with these
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Back on my high effort joke bullshit
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ubercharge-the-sniper · 2 months
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Been making some SFM posters and really happy with how this one turned out
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zsbrainrot · 5 months
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More Clothing Practice ft. Kazurei ❤️💙
Happy Buddy Daddies Friday!
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theflyingkipper · 11 months
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can you two back me up here instead of laughing!!
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crismakesstuff · 5 months
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I love that all the reactions to nolan in s2 ep4 can be boiled down to:
“YOU SHOULD KILL YOURSELF NOW!!”
vs
“Omg don’t kill yourself you’re so sexy ahaha”
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friendlyengie · 4 months
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Obsessing over the dynamic of Spy using Decoy as a distraction bc it’s like he saves him a lot .,., smiles
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This ask makes me feel very strongly. Assholes with just enough time to save that damn clown.
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miahasahardname · 7 months
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some of the sillies!!
(unfortunately i cannot fit the kadie drawing i also did D: )
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quotidianish · 1 year
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I love extrapolating ideas about the merc’s parents based off of what little is mentioned of them (me w/ heavy’s dad lol). Don’t let your boy drink, even though he’s already 13 (big boy number).
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flowercrowngods · 11 months
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ronance yearning hours
Mornings like this are becoming Nancy’s favourite thing, with the rising sun painting the room in golden light that always, always lands on Robin, who usually sleeps long past sunrise when she can. Nancy lets her; there’s nowhere for her to go anyway on this slow Saturday morning in Steve’s house, and the boys will only wake in an hour or so.
Nancy has taken to using that time to watch the picture of absolute serenity that is a sleeping Robin, with her cheek smushed into the pillow and her hair falling over her face in a way that never fails to make Nancy smile.
It also never fails to make her fingers twitch, itching to reach out and brush that hair behind her ear and see if her cheek is as smooth to the touch as it looks.
It gets stronger, this urge, with every slow Saturday morning that she wakes in the same bed as her. The journalist inside her wants to find a better word for it, a stronger one, to avoid repetition and ensure clarity. But all the words are big and carry implications for which Nancy is not yet ready.
She refuses to call it longing, this need inside her to touch and linger. She refuses to call it yearning, the way she looks forward to Friday nights at Steve’s with Robin and Eddie, or the way it fills her chest with excitement and giddiness just to think about sharing a bed and waking next to her and watching as all the things that overwhelm Robin on a daily basis are held off for at least another hour yet.
What’s in a word? she’ll scoff when it comes to interviews and articles and hours of agonising over sentence structure and synonyms.
But it’s on mornings like this that she realises that some words require bravery and tenderness rather than simple contemplation and calculation. Some words take time.
Beside her, Robin sighs quietly in her sleep, and Nancy shuffles closer. Because if she can’t be brave with words yet, not even with herself, she can at least be closer.
Using the momentum of a moment unguarded, her right hand comes up before she can stop it, finding a home on Robin’s cheek as she slowly, reverently brushes the hair out of her face and behind her ear. Her touch is light, fingertips ghosting over soft, warm skin — and feeling that softness upon her touch, she wonders if falling in love with Robin would be just as soft, just as gentle; just as warm.
Not a second later, Nancy pulls her hand away as if burned, her heart racing in her chest as if it were signalling her to run, you should be running, i’m racing like you’re running for your life before you’re caught and found out. Nancy balls her hand into a fist and scoots further back on the bed, feeling a heaviness inside her chest that has only been there for a few of these mornings. A fear. A panic.
Because terrible things happen when Nancy Wheeler wonders about love and touch and tenderness. And worse things still, because it’s not supposed to be like this. Not with Robin.
So she stays on her side of the bed, watching the sun dance along Robin’s skin, her hand still warm, the ghost touch of Robin’s soft cheek still present. And she watches, hand cradled to her chest to stop herself from reaching out again. She watches and wonders if maybe she should start using bigger words, because the pit in her chest is growing larger with every passing second and she needs something to fill it.
~*~
It happens again the next week. And the week after that. It seems like the first time broke something in Nancy, or maybe it came alive, but either way she can’t really stop reaching for Robin now. And her repertoire of words is growing with each Saturday morning, too. Longing, aching, yearning — they are classics. But there’s basking, too. Hoping, wishing, and imagining. God, does she imagine.
She imagines Robin’s lips turning up into a smile with Nancy’s hand on her cheek, she imagines her hand coming up to capture Nancy’s and just holding it. Or an image that makes her heart race again: kisses brushed to her knuckles. Or her lips.
She imagines, and she wishes, and she longs. But there’s also belonging. In fact, there’s a whole novel Nancy feels she could write in those early morning hours. A thousand pages dedicated to all the words that exist around Robin Buckley. Words that live inside Nancy; that part is important.
Four weeks have passed and the feelings have only grown stronger, developed more words that will forever remain between her and the morning sun. And Nancy can’t stop herself from trailing the back of her finger along smooth, warm skin, the touch too light to disturb the sleeping beauty.
Sleeping Beauty, who stills and stiffens minutely, but Nancy is too mesmerised to notice until it’s too late.
“You’ve gotta stop this,” Robin whispers, her voice hoarse from sleep, and Nancy’s heart leaps out of her chest in panic and embarrassment.
“Sorry,” she whispers, pulling her hand back toward her chest. She’ll explain. Robin had something on her face that Nancy brushed away, that’s all. It’s fine, it’s fine, it’s—
“Or I’ll fall madly in love with you if you don’t.”
Oh. Oh?
Oh.
Nancy swallows as her thesaurus dissolves and all words escape her. She blinks. Robin’s eyes are still closed but there’s a shadow of a smile on her lips, dimpling the skin that Nancy caressed just seconds ago.
There is the chance to just ignore that this ever happened, with Robin not looking at her, not making this moment real yet, on the brink of sleep and wakefulness. All she’ll have to do is wait. It’s the best chance she’s ever going to get, to forget about all this and get over it. Over her. Over whatever she has been building inside herself under the light of the rising sun over the past weeks.
All she’d have to do is remain still and silent and wait for Robin to fall back asleep.
But there was something about big words and bravery, and even though her thesaurus has left her and the thousand pages of things to feel, to say, to do, to think around Robin have torn themselves up because they were bleak and bland and not enough, Nancy feels brave on this particular morning.
Because the world hasn’t ended yet in all those weeks that she’s been thinking about Robin. In fact, the world has stopped ending since she started seeing Robin for who she is. And in a world where bravery is not about surviving, it is always about love.
And maybe that’s what she feels, maybe that’s what she wants, what she allows herself to want when she lays her hand on Robin’s cheek to caress the softest skin and gently comb back the strands of hair that are threatening to fall back over her face again. Her beautiful face that’s pulling up into a smile now — and Nancy is not imagining it. In fact, she’s smiling, too. She’s smiling so wide that a tiny little laugh bubbles past her lips.
Robin scoots closer, eyes squinting open now, as if to make sure this is real. As if she’s feeling the same. As if she meant it, what she said just now.
Nancy swallows thickly when Robin tucks her head under her chin, her body curling into Nancy’s, finding one of her hands to hold it. She still feels too raw, too vulnerable, and she wants to ask. Wants to be sure. Wants it to be real.
“Five more minutes,” Robin says, already on her way back to a deep sleep. “And then we’ll talk about this. I’ll tell you all about this girl I like. Think she might like me back. And she’s so warm.” She buries a little deeper into her side to chase that warmth that is now filling her whole body.
And Nancy gasps out a laugh this time, a tiny one, gentle and tender and all those words that are slowly coming back to her now that Robin is curled into her side and holding her hand. Her free hand comes up to comb through Robin’s hair in steady motions to lull her back into a slumber.
“Sleep,“ she breathes. “I’m not going anywhere.”
Robin hums, cuddling impossibly closer, and Nancy feels herself drifting off again, too. With a smile on her face. For the first time in years.
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ashenburst · 4 months
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A Not So Brief Analysis Of Dracule Mihawk
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Wondering if Mihawk's distrust of others correlates with the fact he is basically a one-man crew. Wondering just how self-reliable he must've become in order to be self-sufficient. Wondering what is the cause behind it all.
I wonder if, similarly, he has trouble being vulnerable around others. There is an undeniably stoic attribute to his character, but there is a common pitfall practitioners of stoicism (or those who lean towards it) are susceptible to: emotional disregard under the guise of control of emotions, or even worse, reprimanding empathy.
Therefore, could it be the case Mihawk is emotionally detached? It would be easy to draw such a conclusion with what little we’ve been shown of him. While an individualist, he accepts those who come to/at him (Zoro and Perona), and he reaches out to others (Shanks); it might be true that he’d lost interest in Shanks after his injury, but he still committed the sweet act of showing him Luffy’s bounty and apologizing to him upon testing Luffy. There’s also the moment where he tells Perona to take care, upon her departure. So, while aloof, Mihawk is not reserved to the point of stoic cold. He wouldn’t sacrifice company in order to be alone (even if in the case of his pact with Crocodile, there was an utilitarian aspect to the choice; in keeping Perona and Zoro, and in visiting Shanks, there was none other than being nice). One could attribute these acts to an emotional attachment because it does take a drive to complete these very active feats. For Shanks, it could be respect, too. I don’t believe the detached attitude Mihawk possesses would let him take care of those two for two years, especially since he values peace so much; something had to override this desire for peace. I say, the reason could be empathetic in its roots.
Perhaps his self-reliance is misread as distrust? To distrust someone would imply that one is uncertain of their motivations/actions. Mihawk, as someone with Observation Haki, someone who views his enemies with curiosity, who allies himself with whoever is willing to offer him the most peaceful residence… would he be so distrusting? In the little glimpses of his internal monologue we get, there is no distrust and no hesitation. In general, he is confident in his judgement.
But on a more personal level, does he fear his more delicate feelings would be betrayed, if shown too much? There is a possibility for that. We haven’t seen him in such state, as he does rely on himself only. Perhaps Crocodile knows of it. On the flipside, this would imply that Mihawk has a deep, unburied emotional core, one he nurtures and protects – and perhaps one that was taken advantage of. Observation Haki can’t save him from heartbreak, can it? It can sense the emotions of others. It can’t predict his own.
In either case, there very likely is a softer core to the world’s strongest swordsman. Establishing that he isn’t emotionally exempt, but knowing that there’s still a strong individualist quality to him, I wish to look at more of Mihawk’s internal processing.
For an arguably isolated character, he isn't close-minded at all. He possesses curiosity towards his foes; he asks, and he indulges, and he encourages. Think of the entirety of his fight with Zoro.
Then, later on, he is more than anything amused at Zoro’s request. But he obliges. Have the rare panel where he laughs.
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When he assesses the strengths of his opponents, he doesn’t do so with any negativity in his mind. Oddly, he goes great lengths to assess them (thinking of his encounter with Luffy). Imagine, it was worth disturbing his peace! Linked here are several reasons why he might’ve done so.
One thing all of these cases have in common is ease. One could argue that it stems from absolute confidence that he is unbeatable, therefore he acts out of boredom, but then again… he trains Zoro because he recognizes valiant traits in him, not because he has nothing better to do. While, yes, there might be some boredom in his life...
Could boredom be Mihawk’s internal motivator? Can we classify his actions as so random/pointless that they serve a sort of entertainment to his otherwise dull living? Personally, I don’t gravitate towards that take. He actively works to preserve his ‘boring’ way of life. For a man so unimpressed, he isn’t trying to change himself at all – nor his routine, not much – in order to appease any need for excitement. The only time he expresses he feels excitement is when trouble heads his way. He does not seek it. Therefore, I presume he is content with the way things are. Quiet.
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How does one pinpoint and rationalize these very complex stances? It could be summarized as the opposite of what Mihawk told Zoro.
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Could it be that the world’s strongest swordsman became one for he hasn’t developed himself merely in swordsmanship, but in wisdom of living as well? For his domain extends beyond the puddle. There’s an excellent post on Reddit that details the reference this entire phrase comes from, related to Zen.
In addition, I like that during training, Mihawk hasn’t pushed any ideologies or mantras on Zoro, beyond that of basic swordsmanship honor and shame. As far as we know, of course, but I argue such a lesson would be explicitly stated due to its importance. Anyway, these two do not have that moment. Mihawk gets closest to it with his ‘frog’ comment.
It could be assumed that, in not pushing any creed on Zoro (but that to expand his views), Mihawk is leaving room for Zoro to know himself beyond swordsmanship, while also respecting his dream.
Taking into account this ideological emptiness, the ‘frog’ comment, and Mihawk’s general disposition: confidence, ease, peace, I argue that they all stem from the fact Mihawk has found his place in life and has achieved his dream, doing it his way. Now, his current goal of sorts is to be outbested in terms of swordsmanship, a goal he is willing to help Zoro with.
And there is such honor and beauty to it! To sacrifice the goal of his life to help another person achieve theirs. Just how much at peace with themself would one have to be, to be able to give away so much of themself? It's mindblowing. Being able to dynamically balance so many internal and external factors (achieving a dream certainly isn't enough to teach or in any way emulate that; it takes vast wisdom to do so) to finally reach that stage of contentment: to let another have it, at the cost of your own, on a basis entirely factual and wholly fulfilling. It's once again reminiscent of stoicism, and its postulate that a life well-lived is one lived in accordance to nature. One lived in moderation. Now, Mihawk doesn't seem to be very emotionally expressive, does he?
In the aggressive tug-of-war that is the One Piece world, he remains steady, firm on his feet. He knows where he stands, and he’s where he wants to be.
Deeply in tune with himself like that, it could be interpreted that Mihawk has reached a state akin to ataraxia (Greek, meaning freedom of trouble or anxiety; tranquility of mind dependent on the mind), a viable path to one’s happiness as regarded in stoicism. Related, I find it very enjoyable that he is a character who has achieved his dream. Because one must ask: what comes after the dream is achieved? For Mihawk, there is simple contentment. Nothing ‘great’ after he’s reached his grand dream. Farming, napping, cooking, drinking wine, reading? How humble! Not much to indulge in, but he is fulfilled.
And so, his trail continues, he is aware of that, but he doesn’t chase happiness down it. And even if it gets rough and he has to deviate a little, he is on the right path. He knows it, and feels it. That's all that matters.
As Seneca said, “It is not that virtue is chosen because it pleases, but that, if chosen, it also pleases.” Mihawk delved into the wisdom of living, then chose his spot back in his own puddle, still occasionally gazing beyond it.
How exactly did Mihawk come to this mindset? Now that is mental work I reckon he deserves rest from.
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puddii-ng · 3 months
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a shu doodle i forgot to post…..,,,,
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muncedes · 10 months
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a blue
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stuckinapril · 2 months
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I’ve always loved medicine bc it’s the perfect intersection of science and humanity—the two things I value above all else in this world. Truly adored it since I was in the cradle. But now I’m thinking about how so much of my journey to neurosurgery will have to involve KILLING my feelings essentially bc how do you survive otherwise
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woah-uhuh-uhuh-uhuh · 5 months
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Furry Jeremy is very fun to me but only when you go all in on it. It’s a whole subculture! And another harmless thing about him that makes people think he’s weird or pervy. And if I may add, perhaps particularly appealing to people who feel dehumanized by society and/or people who wish they had a simpler life where you make less decisions.
+ I don’t headcanon either Jeremy or Michael to be good at drawing, but I also didn’t want to bother coming up with art styles for them so I just drew it lol. If it’s not clear, first is what Jeremy thinks their fursonas would be (or probably, it’s his fursona, Juno, plus one he made up for Michael), and the second one is what Michael (somewhat jokingly) makes for their fursonas. Presumably fed on the dataset of cool furry art Jeremy has shown him.
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artheresy · 3 months
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No but I don’t think anyone understands how deeply I need to witness Blade identity crisis content like, the focus on identity usually with the HCQ and the struggles usually centers around Dan Heng because of course! We get the content in canon touched upon, expanding on it with your own view is so much fun and I want to do it myself at some point.
But the potential of Blade? And exploring his fucked relationship with his identity and with Yingxing? MWAH, delicious, and not done enough compared to something I do see a bit whenever the topic comes up which no hate to anyone for but I have my own opinions on it
Like, shit Blade has HUGE issues with dehumanizing himself as a result of Jingliu’s teaching in which she projected her own self dehumanization onto him and taught him to turn his body into a weapon and remember the feeling of death. He doesn’t view himself as being a person, he is nothing more than a sword for slaying, a weapon whose path is soaked in the blood of both his victims and himself. And UGH listen, I’ve already ranted about this so many times that y’all are probably tired of hearing me talk about it.. it truly is one of my favorite topics, the disconnection between Yingxing and Blade that does exist in canon to certain extent. Though he takes on the weight of his sin as his own and his duty to repay it (and make sure Dan Heng repays it too), the ways in which he doesn’t connect to Yingxing in other matters is used in such a tragic way when you peel back the layers upon layers that can relate to the simplest things. Like fucking hell, not to mention it again but the use of craftsmanship between the two of them is heartbreaking as crafting represents not only what he happened to do as apart of the HCQ and in the end his legacy, but how it is used as a representation of his passion that Blade does not share, how it represents the revenge that dominated his life as Yingxing built on the pain and trauma of losing his entire family and home while still such a young child which Blade probably doesn’t even fully remember anymore let alone connect with. I swear, that hurts, it hurts me every time I think about it.
I also just have a lot of my own headcanons that I firmly don’t think are canon, but are things I instead sprinkle in like finishing salt into my wounds to make myself even more sad. Like thinking about Blade in a way constantly being in mourning, not solely for Baiheng, but genuinely in mourning for Yingxing as well. Although he used to be Yingxing, that man is still dead and gone and never coming back, never in a way that will actually be Yingxing. So I like to imagine he mourns for him as well. Not just his death but mourns the severed connection between them. The passions he cannot submerge himself in, the pure dedication he cannot fathom, the love and happiness he cannot even begin to imagine the feeling of. Or at least not the warmth of them, he only feels the bitter shards of those feelings left within him, making his hatred all the more agonizing and deep set.
Hm… I wonder how we’re going to see Blade progress as the story keeps going on. I do truly hope we get more of an exploration of this. I need to see what happens to him. I need to see how his mindset ends up evolving or instead of evolving, the sheer amount of shit it ends up getting him into. God do I love this man, sorry that my love manifests in needing to see him suffering. It just comes with the territory
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