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#maybe this is a REACH
will80sbyers · 2 years
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the concept of "slow motion break up" representing also the writers keeping Mitskivan until s5 lol
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outfatuating · 2 years
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there’s a trend on the show (especially in the 4th season) where ladybug will disregard chat noir’s emotions and continue to push him away even though he’s told her before that it makes him feel bad.
she can acknowledge his hurt and apologize and try to make him feel better, but eventually, the same problem of chat noir feeling as if he’s not really a trusted and equal partner of ladybug repeats again. and while it’s understandable why ladybug still has an insistence to rely solely on herself or to rely less on chat noir, it’s also important to see WHY it keeps happening on chat’s side.
adrien comes from a household where he has to continually forgive his father over and over again whenever his father disappoints and disregards him. it’s to the point where adrien doesn’t feel like he can stand up to his father about what he wants. BUT! it’s adrien’s complicated relationship with his dad which explains why he keeps forgiving ladybug again and again (even when there’s no change in ladybug’s actions). on one hand, he completely adores her so he can overlook a few grievances. but on the other, he’s just been raised to forgive without really addressing the extent of his pain. so it’s this cycle of being hurt, forgiving, hoping that ladybug/his dad will change (disclaimer: which is not to say that the way ladybug treats him is the equivalent to the abuse he experiences from his dad), and being hurt again.
again, i need to STRESS that ladybug is completely valid in her fears and the way she treats chat noir makes sense. in NO way does ladybug abuse chat noir. but it’s just interesting to note how adrien’s relationship with his dad has shaped how he deals with conflict. i feel like season 4’s finale is a culmination of ladybug’s fears coming true, and hopefully it’s in season 5 that we see some character growth for both ladybug and chat noir. it’s when ladybug finally lets chat noir in about chat blanc and allows him to share her burdens that the duo can grow stronger. and it’s when chat noir can effectively hold ladybug accountable that he can also find the courage to stand up to his father as well.
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isthispetrichor · 1 year
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the romans condemned and crucified christ as hannibal took away all of will's credibility and put him in prison. years later, the romans became christian and worshipped christ and went along his teaching — the same way hannibal has become a lifelong devotee of will graham
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and if we follow this little parallel, then jack crawford is god as he was the one who sent will graham to hannibal.
will graham suffered the same sorrow and troubles of the killers he empathised with, as jesus christ experienced what its like to live as a man and go through the troubles of a mortal body.
jesus died for the sins of mankind in order to save them, but the only difference is that:
in order for will graham to save hannibal, he must die with him. not for him.
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kimquatz · 1 month
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process of drawing an OC: - you design them - you get attached to them - their hair gets bigger without you realizing it
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lotus-pear · 3 months
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it doesn't matter how babygirl ur fav man is, he will ALWAYS be ten times sexier as a woman
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sualne · 9 months
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i imagine Mihawk doesn't know how to act around children.
(timeline)
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If this gets a two thousand notes I’ll ask my mom for a binder
GOAL REACHED no need to spam anymore
you have till may 1st (had to change it it was way to long of a time period I apologize)
go on tumblr
You can do it
I don’t believe in you
Just try not to spam reblog (keep it under 20 okay?) but tag comment to your hearts desire (but y’know….dont spam me over 50 times with comments by one person maybe? I have no doubt someone would do that)
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tennant-davids · 10 months
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SUCCESSION 2018 - 2023
Is that why you're paying a billion dollars for a gay little website?
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ryllen · 7 months
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🌾 . 🍚
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shibaraki · 8 months
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please write your reader insert however you want to. unabashedly!! write fat reader. black reader. asexual. masculine. tall. trans. disabled. you’re allowed to see yourself reflected in these spaces!!! sometimes your fic won’t be for everyone—it will be for all the people who look, think, love and experience life the way you do and that’s ok! it’s wonderful, actually.
it is not your job to make sure the shoe comfortably fits every single person out there. your only job is to tag it, and if anyone tells you otherwise I’ll personally come out swinging lol
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musedelsa · 1 year
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Swan Lake Ballet Program by Olga Biantovskaya
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maomango-doodle · 5 months
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"And I hope you die, I hope we both die."
(Lyrics : No children by The Mountain Goats)
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boilingdreamland · 7 months
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Some of you clearly don't understand that not every relationship has to last forever and sometimes going your separate ways Is a Happy Ending.
Sometimes a Relationship is just An Amazing Experience. Fleeting but no less impactful.
Sometimes Love can't Conquer All and that's Ok.
Simon and Betty had their amazing, crazy, millennia spanning relationship and loved each other as much as they possibly could. And now they get to Move On to the Next Adventure.
That's Beautiful.
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mostly-natm · 3 months
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What could’ve been if Noonien Soong had actually programmed his sons with relatively healthy coping mechanisms that don’t include murder.
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coryosongbird · 2 years
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That scene with Joyce trying to bring Will back to life and saying how much she loves him and begging him to wake up, reminds me to another scene…
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mayasaura · 9 days
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one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.
the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)
the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.
Oh boy my friend, have you come to the right place!!
So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.
Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.
So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.
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