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#meanwhile Imma go watch Emma. 2020 again
aquitainequeen · 2 years
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Me watching everyone reacting to Persuasion 2022, from a safe distance:
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365days365movies · 3 years
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February 7, 2021: Emma. (2020)
Another late one, people! Tomorrow might be a bit later, too, full warning. Like I said, school’s back in session, and I got students to teach and class to prepare!
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When I was a kid, I was a pretty avid reader, mostly due to my mom’s drive to get me to be an avid reader. I read Shakespeare from an early age, which might be why I like it so much, and why I remember it so well. 
I also read Jane Austen’s Emma when I was 10 years old. On a related note, I remember none of Jane Austen’s Emma. On another related note, I’m fairly certain that I saw its most famous adaptation, Clueless, and I don’t remember that either.
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I’m tempted to rewatch that one, since I don’t remember it AT ALL, but I figure that I’m going to place a more direct adaptation of the work first on my list of priorities. And so, one of the ONLY movies to come out last year is one my list, starring an up-and-coming “it girl,” Anya Taylor-Joy.
From what I can tell, this is a fairly popular movie on this platform, so I’m looking forward to watching it, despite knowing NOTHING about it, other than the fact that it’s a romance drama, and based off of a classic British novel by Jane Austen. Shall we? SPOILERS AHEAD!!!
Recap
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Emma Woodhouse (Anya Taylor-Joy) lives in the 1815 English countryside, with her father, Mr. Woodhouse (Bill Nighy), and her caretaker, Mrs. Taylor (Gemma Whelan). However, this is about to change, as she is to marry Mr. Weston (Rupert Graves) that day.
Emma is a sweet girl, who seems to be ale to predict things to pass. She also set up the present marriage, although she seems not to want one for herself. However, she also seems interested in the whereabouts of Mr. Taylor’s son, Frank. He never shows up, though.
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Meanwhile, the Woodhouses are visited by George Knightley (Johnny Flynn), whom her father favors, and whom Emma seems to clash with. And Imma call it now: they totally end up together in the end. I mean, c’mon.
Emma’s trying to replace Mrs. Weston nee Taylor as a governness, despite the fact that her father doesn’t want it. Emma finds Harriet Smith (Mia Goth), a young women whom she goes to school with, and apparently might be the illegitimate daughter of a nobleman. She’s also interested in setting Harriet up, as Emma prides her skills as a matchmaker.
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However, Harriet’s already interested in a local farmer, Robert Martin (Connor Swindels), but Emma’s trying to set her up with a local vicar, Elton (Josh O’Connor). They go to meet Mrs. Weston, and Emma introduces herself to Elton, who she believes likes her in return.
The next day, Emma and Harriet go to the store, where the gossipy busybody Miss Bates (Miranda Hart) comes to speak with the VERY unwilling Emma, and the considerably more interested Harriet. Miss Bates is speaking up her niece, Jane, although Emma certainly doesn’t seen to care nearly as much as Miss Bates thinks she does.
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On the way home, Harriet and Emma encounter Robert Martin, and Emma's definitely not a fan of that potential relationship. Instead, she regularly puts down Mr. Martin, and talks up Vicar Elton.
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As Elton and Harriet begin getting closer, and Emma seems to be vindicated in support of the relationship she set up, Knightley’s...not impressed. In a conversation with Mrs. Weston, he basically says that she gets high on flattery, and while she isn’t necessarily a true narcissist, she still NEEDS approval from her peers and others. That’s why she’s setting up Harriet, who feeds her constant flattery.
In addition, her whole “never going to get married” thing doesn’t seem to fly with George, here, who’d like her to fall in love with someone who isn’t...well, a simp, let’s be honest here. And honestly, this is already an interesting character dissection, and I can dig it.
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Knightley complicates matters for Emma, when he convinces Martin to write a letter, asking for Harriet’s hand in marriage. However, due to Emma’s subtle manipulations, she convinces Harriet to refuse the proposal, despite the fact that she clearly wants to say yes. And while Emma might be beautiful, and quite smart...yeah, she’s a bitch. Or, at the very least, she acts like one for her own benefit.
Knightley, pissed off about this whole thing, confronts Emma about her manipulations, and states that Martin might be the ideal match for Harriet. After calling her out, and warning her that Elton miiiiiiight be a bit of a ladies’ man, and that he’s certainly the wrong match for Harriet in the end. Emma admits that she mostly wants to keep Harriet for herself.
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Autumn turns to Winter, and Emma’s older sister Isabella Knightley (Chloe Pirrie), and her husband John Knightley (Oliver Chris) (and George’s younger brother) come to visit Emma and her father for the holidays. George and Emma make amends, although Emma still won’t admit that she may have been wrong.
Christmas Day comes, and Harriet is sick, while Frank Churchill once again neglects to appear at the house of his father and new wife. George berates his neglect of his familial duties, while Emma argues in his favor, obviously harboring a crush on him still.
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At dinner, Elton makes a remark about snow, causing LITERALLY EVERYBODY to leave the party prematurely, and Emma’s father accidentally leaves her behind. Elton, however, offers to give her a ride in his carriage. And in the carriage, he reveals that not only does he actually love Emma, but that he doesn’t care for Harriet at fucking ALL. Fuckin’ WHOOF.
Looks like Elton’s misread EVERY POSSIBLE SIGNAL, and Emma FUCKED UP SOMETHING FIERCE. Harriet is quite saddened by this, and is about to destroy a portrait of herself that Emma made for her. However, Emma instead keeps it. Elton disappears for a number of weeks, just as the niece of Miss Bates, Jane Fairfax (Amber Anderson) suddenly reappears.
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At dinner, it’s revealed that Jane appears to know Frank Churchill, as they live in the same place. During a piano performance of Jane’s that’s WAY BETTER than Emma’s performance, it’s also revealed that Emma’s been compared to her all of her life, giving her some fat, fat insecurities!
After an awkward encounter with Mr. Martin, Harriet goes to the Martin household to visit his sisters. Meanwhile, the long-awaited arrival of Frank Churchill (Callum Turner) comes, and Emma is unsurprisingly smitten with him. He asks her for a dance at an upcoming dinner, and she accepts.
Knightley is, of course, not impressed with the worldly gentleman. Meanwhile, someone has apparently delivered a pianoforte to Jane Fairfax, and it’s pretty goddamn obvious that it was Frank Churchill. Although, it’s possible that it was George Knightley, who’s been matched to her by Mrs. Weston.
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And it’s at this point that I should point out that GODDAMN THIS IS A SOAP-OPERA OF A MOVIE. The hyper-detailed intentions and events, all happening within the confines of high society and etiquette are both overly intricate, while also managing to be...weirdly enrapturing.
The next morning, after a six-week absence, Elton’s come back to town with brand new wife, Augusta Elton (Tanya Reynolds) in tow. Augusta matches Emma’s passive-aggressiveness measure-for-goddamn-measure, which, yeah, PISSES EMMA OFF.
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But it’s still good news on the horizon, as Frank’s appearance has prompted the Westons to hold a ball. While Emma and Frank seem to be getting along, Elton is prevented to opportunity to dance with Harriet, only to refuse LIKE AN ABSOLUTE TAINT. On the verge of tears, Harriet’s rescued by George, and they dance alongside the rest of the partygoers.
Emma shows his appreciation for this, and Knightley returns his appreciation for her friendship with Harriet, who’s way goddamn better than Augusta. The two decide to dance together, and the two basically fall in love RIGHT GODDAMN THERE AND I AM GODDAMN HERE FOR IT.
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Which sucks, because I’m, what, a little more than halfway in? No way it’s this easy.
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And as Knightley and Emma realize their feelings the next day, they actually run towards each other, SEE each other...and then get iterrupted by Frank carrying Harriet post-her being attacked by muggers GOD FUCKING DAMMIT REALLY?
Plus, it looks like Harriet might be in love with Knightley now, after the previous night. HowEVER, since the previous night, Emma is now in love with Knightley, and believes that Harriet’s feelings are directed towards her rescuer, Frank Churchill. But Frank’s in love with Jane. Like, for sure he’s in love with Jane. And Knightley’s in love with Emma, although Mrs. Weston believes that he’s in love with ane, as he leant her his chariot the previous night, although he DIDN’T do that, and the chariot (and piano) must’ve come from Frank, who’s actually in love with her, not Harriet, as Emma believes. YOU GOT THAT? BECAUSE I’M ASTONISHED THAT I DO
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Summer comes, and there seemingly no major changes to the love lives of our main characters. Can’t say that for George’s mansion, as he’s unveiled all of the paintings in the place.
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Might be wrong about the progression of relationship thing, as George and Harriet appear to be getting along, and Emma and George suddenly...aren’t. And THEN, Jane tells Ema that she’s feeling super down at the moment, and leaves. Which is when Frank shows up, which Emma appears to not be super happy about.
Later, at a luncheon, Emma takes out her emotions upon Miss Bates who, while kind of annoying during the film, doesn’t deserve the insult lobbied her way by Emma. Afterwards, George DESTROYS her, and she...she gets it. She’s been an asshole.
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After a good cry, she goes to apologize to Miss Bates, who immediately forgives her, as she tends to do. It’s also pretty quickly revealed after that that we find out that Frank has ALWAYS been engaged to Jane, since he arrived to Highbury. AND, Emma finally findss out that Harriet’s in love with George, not Frank. Which...yeah, Emma’s not a huge fan of, for obvious reasons.
However, Emma points out that George might have been trying to get Harriet involved with Mr. Martin, but also tries to step back. However, Harriet RIGHTLY calls her out this time, bringing up the fact that Emma fancies George, and that it’s because of Emma that she refused Mr. Martin. And Emma finally gets it. ALL of it.
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George, hearing of Frank’s engagement, goes to comfort Emma in her time of distress. And after railing out Frank for his lying ass, he starts to confess his true feelings to Emma. But she tries to stop him, but THERE AIN’T NO STOPPIN’ LOVE BABY
And as he STRAIGHT-UP PROPOSES to her...her nose bleeds and she says no.
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Finally, it’s confirmed that George was speaking on Mr. Matin’s behalf, not his own, and Emma pledges to make things right herself. She delivers the painting of Harriet to Mr. Martin, and he proposes to her. Harriet accepts, and has also finally heard from her father, who isn’t a nobleman at all, but a shoemaker. Emma still invites them over to their estate, and the two make up as friends.
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And speaking of making up, George and Emma also make up, and the two are officially engaged to be wed. And it’s honestly...quite lovely. Which describes the whole film, which comes to a close.
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WHEW. Now THAT...was a Recap. See you in the Review!
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