New Design trying to get glass diamond dusted French tips right! Hope you like the concept glows from lighter pink to a Barbie hot pink under the light.
Available in short- xxl Color Changing Glow Polish dusted in glass diamonds. Includes prep kit with almond oil.
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||The cursed treasure hunt||
reserved au rp with @demon-blood-youths
"Anything yet?" Megumi blinks to hear this but he looks from his cell phone. He didn't know what was going on, giving the thought that something might have happened. Gojo was told Kisho still was on his on going mission to find the cursed items that came from that party. However, it leaves another wondering what was going on. He did have some help along the way so it was something.
Right now, Megumi was told by Gojo to check on him but he was not answering the text messages he sent a while ago. "I don't think so. I can try to call him and see if he can answer the phone instead. Or maybe something is effecting the signal."
"I guess that's possible but give it a shot." Yuji said. Megumi nods and goes to do that, seeing Kisho's number and hits speed dial and waits for him to find something.
"I'm sure they are fine you two..just call them and we will see their fine." Nobara said. Miko agrees hoping they were alright. She wanted to go with them but she was still on stand by to recover.
"S..same here..." she mutters seeing Megumi still waiting for Kisho to pick up.
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it is very fun to me that the legend of vox machina is finally daring to ask the question what if you COULD edit a dnd campaign. what if you COULD look at it as a whole story, beginning to end, and decide what needs to be kept and what can be cut, what was inconsequential to the overall plot but integral to a particular character arc, what works better done in a different order or merged together, what characters can be introduced earlier or in a different place or together. it's really really fun to think of the campaign itself as sort of a "rough draft" and watch how it shifts
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"it is the realm beyond, and between, and through, and past the world"
since the release of the character playlists, and the rain road in the arc 1 finale my brain has been absolutely spinning about musicality in the wizard, the witch, and the wild one. and the relationship between music and the spirit realm, and then how that intersects with umora.
because since the beginning there has been this emphasis between the world of spirits and music. eursulon's theme, when we first meet him, before he crosses over, is this beautiful choral music—the first time we hear singing in the show. and then there is your honey is quiet, honey with a note of song. the first diegetic song we hear performed, is sung to honour the spirits.
(edit: eursulon’s breath!!! the thing that brings him back to himself, after it had been lost!!!!)
so i have the rain road on repeat and i'm re-listening to fireside chats and in the one for the first episode brennan describes the world of spirit by saying "it is the world beyond, and between, and through, and past the world" and it reminded me of the scoring. we hear the stories of umora, but beyond, between, through, and past the world; surrounding it, but separate from it is the score. (making me feel like us, the audience, is sitting and existing in the spirit realm. and if it is supernal, if it is what is beyond and between and through and past the world— aren't we?)
but that called to mind eursulon's character playlist, and how it, especially in it's representations of eursulon's early journey, was so instrumental. and that led me to ponder the intersection of music and language. how young eursulon's theme was choral but not lyrical.
the structure of language is the domain of umora.
and how that intersects interestingly with what we have seen of the lingua arcana. suvi's rhythmic somatic components. reflexive indicative and null clef alluding to the structure of grammar and music theory.
and then how the rain road is choral and lyrical, together. the first breaking of that line between the score and the world. connecting, like ame does.
and that is why in the wizard the witch and the wild one ame is a meta narrative representation of musical theatre. in this essay i will—
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the post i just reblogged reminded me of how today i learned my husband has no idea who William Shatner is
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