#merriman falls

[pnw-forest-side]

I love the way Merriman Falls just tumbles out of the forest..

#forests #forest aesthetic #waterfalls #pnw #merriman falls #quinault rainforest #washington state #olympic national park #ferns #moss

[volumes-and-vines]

Merriman Falls, Quinault Rainforest, Wa.

#quinault rainforest #olympic national park #pnw #pacific northwest #merriman falls #nature video #nature #waterfall #my post #my photography #washington

[idledoll]

Felicity, Posie, and this cool leaf she found.

#idledoll's dolls #Felicity #Felicity Merriman #Historical American girl dolls #American Girl #AG doll #agblr #dollblr #doll photography #Autumn #Fall leaves

[jolieeason]

March 2024 Wrap-Up

Here is what I read, posted, won, received, and bought in March. Let me know if you have read any of these books and what you thought of them. Books I Read: Books Reviewed: A Fate Inked in Blood by Danielle L. Jensen—review here The American Daughters by Maurice Carlos Ruffin—review here Thirst by Marina Yuszczuk—review here A Smoking Bun by Ellie Alexander—review here Bye, Baby by Carola…

View On WordPress

#A Fate Inked in Blood #A Smoking Bun #Agony Hill #An Accidental Affair #Andie Burke #Angela Slatter #B.E. Baker #Bethany-Kris #Bianca Blythe #Bitter Demons #Brett Salter #Bye Baby #Carola Lovering #Catchpenny #Charlie Huston #Christina Estes #Clare Gilmore #Colby Wilkens #Danielle L. Jensen #Danielle Steel #Dawn Merriman #Dead Tired #Deathless & Divided #Derek Thomas #Ellie Alexander #Expiration Dates #Fall for Him #Finding Sophie #G. Wells Taylor #Holly Blackstone

[dailyunsolvedmysteries]

Disappearance of Emma Fillipoff

Emma Fillipoff arrived in Victoria in the fall of 2011 from Perth, Ontario. She had brief employment at the Red Fish Blue Fish seafood restaurant in Victoria's Inner Harbour. Since the work was seasonal, Fillipoff left the job on October 31, 2012. She assured co-workers she would be back in the spring. In what police believe was preparation to move back to Ontario, Fillipoff hired a tow-truck on November 21. Unbeknownst to her family, Fillipoff had stayed at the Sandy Merriman House women's shelter on and off since February. On November 23, Fillipoff was captured on security footage at the Victoria YMCA, entering, then leaving, then entering multiple times as if possibly avoiding someone on the outside. In the days preceding her disappearance, Fillipoff had phoned her mother in Ontario, asking if she could come home. Each time her tone would quickly change and Fillipoff would then ask her mother not to come. On the final call, her mother became aware that Fillipoff had been staying at the Sandy Merriman House, and even though Fillipoff had asked her not to come, she made plans to fly out immediately. Fillipoff's last words to her mother were, "I don't know how I can face you." Her mother arrived at Sandy Merriman House at about 11:00 pm on the 28th, three hours after Fillipoff had been last seen by police at the Empress Hotel. Early on the day of November 28, Fillipoff had been captured on a 7-Eleven store video on Government Street purchasing a pre-paid cell phone. The video showed her hesitating in departing the store, seemingly checking the street outside. She returned to the 7-Eleven to buy a pre-paid credit card for $200. Reportedly, she left the Sandy Merriman House at about 6:00 p.m. that day. Soon after, she hailed a taxi and asked to be taken to the Victoria International Airport; however, she soon exited the taxi for lack of adequate fare, even though she had the $200 prepaid card. Minutes later, Fillipoff was seen walking barefoot in front of the Empress Hotel. An acquaintance of hers, Dennis Quay, called 9-1-1 to say a woman was in severe distress outside the hotel. Victoria police arrived, took Fillipoff's name, and spent 45 minutes speaking with her. Deciding that she was not a threat to herself or anyone else, they released her. Until a report surfaced in June 2018, no one reported seeing her since 8:00 pm that night. Later that evening, police met Fillipoff's mother at Sandy Merriman House; by midnight Fillipoff was classified as a missing person. Initially, the police stated that Fillipoff had last been seen "with friends several blocks away on Burdett Avenue between Blanshard and Quadra streets." Investigators explored more than 200 leads, turning up minimal information. Most evidence indicates she was planning to return home to Ottawa, but there was no proof that she ever left Victoria. The cell phone she bought had never been activated. Fillipoff's credit card was allegedly found on the side of the road near the Juan de Fuca Community Centre, north of where she disappeared. It was found by a stranger, whose use of the card to purchase cigarettes was tracked by police.

#Emma Fillipoff #unsolved mysteries #unsolved #cold cases #missing

[costuming-earnest]

The Men's Clothing Thus Far

How fortunate we are that menswear hasn't changed too awfully much. I could send an actor outside right now in a dress shirt, double-breasted vest, and an open jacket, and you'd think he's headed to a job interview. Although the top/bowler hat might be an odd touch. Whatever.

I'm also lucky that my drama department has menswear and hoards it like gold. Although I'm letting the guys handle their own dress pants situations. Pants are pants, especially from 20 feet away.

In the interest of not making you scroll through the blog for a year and a half, I'll put pics and details under the cut.

Jack's first outfit is also his main outfit. He gets a blue vest because he falls for Gwendolin, who wears blue. Symbolism. I still gotta find a jacket that fits him.

Jack's second outfit (also on this hanger) is his mourning, for when he announces "Earnest's" "death." He gets this pinstripe suit because it fits him best. He'll get a black shirt and this black vest and black pants too, never fear.

Dr. Chausible so far just has this lovely velvet jacket. It buttons so high you can't see a vest under it, and he needs a black shirt and Anglican clerical collar anyway. Also I'll make some sort of robe for when he shows up for the Christenings.

Algernon's first outfit will be fun! My henchman is taking on the project of adding a paisley satin to the back and putting sleeves on this vest to make an oversized house coat for our Algernon. He spends the entire first act wearing it, purely out of disrespect for his visitors. Incorrigible.

Algernon's second outfit.

*Sighs.*

Listen. I'm not saying that I wanted to make a suit from scratch. This is just the thing that our director wants, and our actor wants, and I'll live with, I guess.

We have this shiny gold suit with a pink pinstripe. Very very very very tacky. And also an incredible 'fit for a city guy to pull up to your country estate in. He does an incredible job of oozing debonair energy. It's just such a visibly polyester suit. Argh.

Good news though, someone coughed up a light pink bowtie. I recruited a man to tie it, and then I cut it off my actor's neck. I'll be extending the ends and adding velcro. And I put a safety pin through the knot so that it can't be undone.

I'll be making a brighter pink vest to really make this a fit worthy of love at first sight. Except for the polyester.

Merriman is a butler. He needs a black suitcoat over this grey houndstooth vest and this white shirt.

Lane only has his black vest so far because he wasn't at rehearsal. He also needs a black suitcoat. The hunt continues....

#costuming #sewing #jack worthing #algernon montcrieff #dr. chausible #merriman #lane #the importance of being earnest

[fallout--alley--youth--zone]

Gone Characters as the Smirkes' 14

("Smirkes 14" are Entities from The Magnus Archives that serve as manifestations of human fears.)

CAINE SOREN -- The Web

The Web represents the fear of being controlled or manipulated. This fits Caine's character for obvious reasons. Throughout the series he struggles with gaining & losing control of himself, his friends, and the FAYZ at large.

SAM TEMPLE -- The Vast

The Vast represents the fear of infinity & endlessness, as well as drowning & falling. This can be representative of the constant pressure Sam faces being expected to lead the FAYZ against forces he can barely understand.

ASTRID ELLISON -- The Eye

The Eye represents the fear of being known--the fear of being watched, of having your secrets found out & brought to light. For Astrid, who spends most of the series attempting to hide her brother's nature (as well as her own) and trying to know all that she can, there is no more fitting an Entity.

DIANA LADRIS -- The Stranger

The Stranger represents the fear of the out of place, the almost known, the not quite right. Diana struggles with identity throughout the series. Even those closes to her barely know her. How could they? She barely knows herself.

DRAKE MERWIN -- The Slaughter

The Slaughter represents the fear of violence, war, & physical pain. Fitting, then, that pain is the one thing Drake fears (other than women) and the one thing he enjoys inflicting above all else.

EDILIO ESCOBAR -- The Buried

The Buried represents the fear of tight spaces & not being able to breathe. Similar to the Vast, it can manifest as an immense pressure against which there is no respite.

GAIAPHAGE -- The Dark

The Dark represents the fear of the unknown. Not just that, but also: the fear of being watched, hunted, of there being something in the dark with you. For most of the series, the Gaiaphage is this all-powerful predator the FAYZians know very little about. They only know it's there. Watching. Hungry in the dark.

QUINN GAITHER -- The Lonely

The Lonely represents the fear of being alone, isolated, and/or forgotten. To me, this is Quinn's biggest fear throughout the series: first he's afraid to be cast aside by Sam, & so later he becomes a pillar of the community to make sure he's never forgotten.

BRITTNEY DONEGAL -- The Corruption

The Corruption represents the fear of bugs, rot, and the "unclean". It often manifests as a parasitic hivemind, drawing in its victims/ followers with promises of all-consuming, unconditional love. To me, this fits Brittney very well--she is first "resurrected", then the Gaiaphage draws her in by masquerading as her little brother, and as time goes on she begins to see how it's destroying her.

LANA ARWEN LAZAR -- The Spiral

The Spiral represents the fear of madness. Lana's entire character arc revolves around her sanity--whether she can trust her own mind, where she ends & the Gaiaphage begins.

CHARLES "ORC" MERRIMAN -- The Flesh

The Flesh represents the fear of being reduced to your body, seen as nothing but flesh to be manipulated and consumed. Orc's arc revolves around dehumanization & body horror from almost the moment he steps onto the page.

ZIL SPERRY -- The Desolation

The Desolation represents the fear of destruction--not just against people (like the Slaughter), but against all you've ever known. It's also connected to fire. Given that Zil's single-minded bigotry resulted in a fire that nearly destroyed Perdido Beach, it's not that much of a stretch to connect him to this Entity.

THE COYOTES -- The Hunt

The Hunt represents the fear of being chased. Throughout the series, the coyotes are a low-level but omnipresent threat. No matter where you are, you can be sure that they're tracking you. Hunting.

PETER "LITTLE PETE" ELLISON -- The End

The End represents the fear of death. Little Pete is the creator of the FAYZ. Everything begins--and ends--with him.

Bonus:

GAIA -- The Extinction

The Extinction represents the fear of the end of humanity as well as catastrophic change. In my opinion, Gaia is a separate character from the Gaiaphage. While the latter is a mysterious, unknown threat, Gaia is more concrete. We know exactly what her goal is: to escape the FAYZ & end all human life.

#gone series #caine soren #astrid ellison #sam temple #drake merwin #edilio escobar #gone michael grant #lana arwen lazar #diana ladris #zil sperry #peter ellison #gaiaphage #charles merriman #orc gone series #brittney donegal #brittney gone series #quinn gaither

[legend-collection]

Aibell

Aibell (sometimes Aoibheall (modern Irish spelling), also anglicised as Aeval) was the guardian spirit of the Dál gCais, the Dalcassians or Ó Bríen clan. She was the ruler of a sídhe in north Munster, and her dwelling place was Craig Liath, the grey rock, a hill overlooking the Shannon about two miles north of Killaloe. Aibell also had a lover (called Dubhlainn Ua Artigan) and a magic harp (of which it was said "[w]hoever heard its music did not live long afterwards").

The name Aoibhell may come from Gaelic aoibh, meaning "beauty" (or aoibhinn "beautiful"). Alternatively, as a theonym it could be derived from Proto-Celtic *Oibel-ā, literally "burning fire", which may have been a byword for the notion of "ardour"; the Romano-British equivalent of this Proto-Celtic theonym is likely to have been *Oebla. A variant name for the character is Áebinn.

Creation by Jill Willich

In Seán Ó Seanacháin's song An Buachaill Caol Dubh, Aoibheal appears to the "Dark Slender Boy" (representing alcohol addiction) and his friend the drinker. In the last verse Seanacháin expands by saying that, when Aoibheal met the two of them walking the road, she promised the lad a hundred men if he would let go of the poet. The lad replied that he was steadfast and true and would not desert his friends until they died. Thus Seán acknowledges his addiction will never disappear.

Lady Gregory

AND Aoibhell, another woman of the Sidhe, made her dwelling-place in Craig Liath, and at the time of the battle of Cluantarbh she set her love on a young man of Munster, Dubhlaing ua Artigan, that had been sent away in disgrace by the King of Ireland. But before the battle he came back to join with Murchadh, the king's son, and to fight for the Gael. And Aoibhell came to stop him; and when he would not stop with her she put a Druid covering about him, the way no one could see him. And he went where Murchadh was fighting, and he made a great attack on the enemies of Ireland, and struck them down on every side.

And Murchadh looked around him, and he said: "It seems to me I hear the sound of the blows of Dubhlaing ua Artigan, but I do not see himself." Then Dubhlaing threw off the Druid covering that was about him, and he said: 'I will not keep this covering upon me when you cannot see me through it. And come now across the plain to where Aoibbell is," he said, "for she can give us news of the battle." So they went where she was, and she bade them both to quit the battle, for they would lose their lives in it. But Murchadh said to her, "I will tell you a little true story," he said; "that fear for my own body will never make me change my face. And if we fall," he said, "the strangers will fall with us; and it is many a man will fall by my own hand, and the Gael will be sharing their strong places." "Stop with me, Dubhlaing," she said then, "and you will have two hundred years of happy life with myself." "I will not give up Murchadh," he said, "or my own good name, for silver or gold."

And there was anger on Aoibhell when he said that, and she said: "Murchadh will fall, and you yourself will fall, and your proud blood will be on the plain tomorrow." And they went back into the battle, and got their death there. And it was Aoibhell gave a golden harp to the son of Meardha the time he was getting his learning at the school of the Sidhe in Connacht and that he heard his father had got his death by the King of Lochlann. And whoever heard the playing of that harp would not live long after it. And Meardha's son went where the three sons of the King of Lochlann were, and played on his harp for them, and they died. It was that harp Cuchulain heard the time his enemies were gathering against him at Muirthemne, and he knew by it that his life was near its end.

Aoibheal also features prominently in the 18th-century comic poem Cúirt An Mheán Oíche by Brian Merriman. The poem begins by using the conventions of the Aisling, or vision poem, in which the poet is out walking when he has a vision of a woman from the other world. Typically, this woman is Ireland and the poem will lament her lot and/or call on her 'sons' to rebel against foreign tyranny. In Merriman's hands, the convention is made to take a satirical and deeply ironic twist.

In the opening section of the poem, a hideous female giant appears to the poet and drags him kicking and screaming to the court of Queen Aoibheal of the Fairies. On the way to the ruined monastery at Moinmoy, the messenger explains that the Queen, disgusted by the twin corruptions of Anglo-Irish landlords and English Law, has taken the dispensing of justice upon herself. There follows a traditional court case under the Brehon law form of a three-part debate.

In the first part, a young woman calls on Aoibheal declares her case against the young men of Ireland for their refusal to marry. She complains that, despite increasingly desperate attempts to capture a husband via intensive flirtation at hurling matches, wakes, and pattern days, the young men insist on ignoring her in favour of late marriages to much older women. The young woman further bewails the contempt with which she is treated by the married women of the village.

She is answered by an old man who first denounces the wanton promiscuity of young women in general, suggesting that the young woman who spoke before was conceived by a Tinker under a cart. He vividly describes the infidelity of his own young wife. He declares his humiliation at finding her already pregnant on their wedding night and the gossip which has surrounded the "premature" birth of "his" son ever since. He disgustedly attacks the dissolute lifestyles of young women in general. Then, however, he declares that there is nothing wrong with his illegitimate children and denounces marriage as "out of date." He demands that the Queen outlaw it altogether and replace it with a system of free love.

The young woman, however, is infuriated by the old' man's words and is barely restrained from physically attacking him. She mocks his impotent failure to fulfill his marital duties with his young wife, who was a homeless beggar who married him to avoid starvation. The young woman then argues that if his wife has taken a lover, she well deserves one. The young woman then calls for the abolition of priestly celibacy, alleging that priests would otherwise make wonderful husbands and fathers. In the meantime, however, she will keep trying to attract an older man in hopes that her unmarried humiliation will finally end.

Finally, in the judgement section Queen Aoibheal rules that all laymen must marry before the age of 21, on pain of corporal punishment at the hands of Ireland's women. She advises them to equally target the romantically indifferent, homosexuals, and skirt chasers who boast of the number of women they have used and discarded. Aoibheal tells them to be careful, however, not to leave any man unable to father children. She also states that abolishing priestly celibacy is something only the Vatican can do and counsels patience.

To the poet's horror, the younger woman angrily points him out as a 30-year-old bachelor and describes her many failed attempts to attract his interest in hopes of becoming his wife. She declares that he must be the first man to suffer the consequences of the new marriage law. As a crowd of infuriated women prepares to flog him into a quivering bowl of jelly, he awakens to find it was all a terrible nightmare.

#Aibell #ireland

[myjourneythroughfilm]

Merriman Falls Camera: Canon A-1 Film: Kodak GB 200

#35mm #film photography #film community #film is not dead #canon a-1 #kodak 200

[coochiequeens]

Ladies in Canada - Kill your local rapist. Just have a drink before hand so you have a valid defense.

The Supreme Court of Canada on Friday ruled that defendants accused of violent crimes such as homicide and sexual assault may use self-induced extreme intoxication as a defence, striking down a federal law supported by women’s advocacy groups.

The Supreme Court said a law passed by Parliament in 1995 that prohibits the defence was unconstitutional and violates the country’s Charter of Rights and Freedoms.

“Its impact on the principles of fundamental justice is disproportionate to its overarching public benefits. It should therefore be declared unconstitutional and of no force or effect,” said Justice Nicholas Kasirer, writing for a unanimous Supreme Court.

Kasirer said the use of the Criminal Code section violated the Charter because a person’s decision to become intoxicated does not mean they intended to commit a violent offence.

The Charter was also violated because an accused could be convicted without the prosecution having to prove the person was willing or meant to commit the act.

At issue was whether defendants accused of a violent crime in a criminal court may raise extreme intoxication – known as “non-mental disorder automatism” – as a defence.

In doing so, defendants can claim their actions were involuntary as a result of taking drugs or alcohol, and, as a result, they cannot be held criminally responsible for their actions.

The court said it is the law in Canada that intoxication short of automatism is not a defence for the kind of violent crime at issue.

Canadian courts have been divided on the matter, while women’s advocacy groups have said the law is needed to protect women and children as violence disproportionately affects them.

Four of every five victims of intimate partner violence were women and women were five times more likely to experience sexual assault in 2019, based on Canadian government data.

The issue came before the Supreme Court last fall when justices heard arguments regarding the constitutionality of the statute as it pertained to three separate cases. In Friday’s ruling, the court said a trial can be ordered in one of the cases while restoring an acquittal in another.

The third case involved Calgary man, David Sullivan, who attempted suicide on Dec. 1, 2013, by taking a prescription drug known to cause psychosis.

In a psychotic state, he stabbed his mother, whom he thought was an alien. Sullivan was convicted of aggravated assault and assault with a weapon after the judge said he could not use an extreme intoxication defence.

The Court of Appeals, however, found the extreme intoxication law unconstitutional and acquitted Sullivan on both counts. Prosecutors appealed the ruling to the Supreme Court, which upheld his acquittal in Friday’s ruling.

Kasirer wrote that there are other paths for Parliament to achieve its goals to address extreme intoxicated violence.

In 1994, the Supreme Court had ruled in favor of an extreme intoxication defence by a suspect who was accused of sexually assaulting a woman in a wheelchair while he was drunk.

In response to the Supreme Court’s ruling, Canada’s Parliament passed a law which prohibited defendants from using extreme intoxication as a defence in violent crime cases. That law was enacted in 1995.

(Reporting and writing by Brendan O’Brien in Chicago. Editing by Jane Merriman and Barbara Lewis)

With additional reporting from The Canadian Press

#Be interesting to see how this effects drunk driving laws #Choosing to get so drunk you lose self control is not a “non-mental disorder” #Can the drunk man be sued in civil court?

[nmenvs3000w24]

Sense-Making of Butterflies: A Journey of Wonder and Inspiration

In this week's blog I will take you on a journey to discover the beauty and intricacy of butterflies and how they gracefully flutter through the wind while making connections to this week's textbook readings. This week we focus on sense-making which is defined as the "process by which people give meaning to their collective experiences" (Wikipedia contributors, 2024). As we explore the flight of these magical creatures, we will connect to the teachings of interpretation, specifically referencing the wisdom shared by Tim Merriman (Beck, Cable, & Knudson, 2018, p.457-476). 

This is what I still wonder: 

Imagine this, you're walking through a meadow on a warm sunny day as you watch the gracious butterflies dance in the wind, and you can't help but think about what secrets their choreography may hide. The flutter of their wings resembles a mesmerizing performance, and this interpretation connects with Merriman's idea that interpreters are leaders (Beck, Cable, & Knudson, 2018, p.457-476).

How can interpreters guide us in our understanding of different aspects of the environment, helping individuals connect information from parks and interpretive centers to a broader context? Relating to butterflies, how can interpreters act as guides for interpretation, connecting narratives that integrate with the broader ideas of communities, nations, and the world?

This is where I will find my inspiration: 

The Butterfly Conservatory located in Niagara Falls, ON, is where I gained my inspiration. I visited this place when I was younger and it will forever be a core memory for me, as I was captivated by the beautiful designs and colors of all the butterflies. Merriman’s call for interpreters to be proactive leaders aligns with the butterflies' role in the harmony of the meadow (Beck, Cable, & Knudson, 2018, p.457-476). Like the interpretive profession, the dance of butterflies inspires a deeper connection to the natural world and causes us to appreciate the intricate patterns found within our existence.

This is how I can get fired up: 

The idea of sharing an interpretive story of the magical dance of the butterfly fuels a passionate fire inside me as I believe everyone should be able to understand the beauty of these mystical creatures and their role in the environment. This aligns with Merriman's vision that interpreters help clients to confidently build a better tomorrow (Beck, Cable, & Knudson, 2018, p.457-476). The fire within me pushes me to communicate the wonders of nature extending beyond the meadows and the Butterfly Conservatory, which resonated with the textbook’s call for interpreters to ignite love for the earth and humanity (Beck, Cable, & Knudson, 2018, p.457-476). How can we as interpreters, fire up our passion and translate the dance of the butterflies into narratives that uplift perceptions, enrich lives, and contribute to the sustainability of our environment?

 It's this passionate dedication that pushes me to explore new ways of storytelling to paint vivid pictures of nature’s wonders and to inspire others to appreciate the delicate dance of life that lives around us (Dr. Hooykaas, n.d.). 

In conclusion, let the dance of butterflies be our fire for interpretation, connecting us not only to nature’s wonders but also to the insights provided by Tim Merriman (Beck, Cable, & Knudson, 2018, p.457-476). In the delicate flutters of their wings, we find inspiration, wonder, and a direct connection to the teachings that help guide us as interpreters in revealing the beauty of the natural world.

References: 

Beck, L., Cable, T. T., & Knudson, D. M. (2018). Interpreting Cultural and Natural Heritage for a Better World (1st ed.). Sagamore Publishing. https://www.sagamorepub.com/products/interpreting-cultural-and-natural-heritage-better-world

Hooykaas, A. (n.d.). Unit 09: Sense-Making of Nature Interpretation [Lecture notes]. ENVS3000 Nature Interpretation. University of Guelph.

Wikipedia contributors. (2024, March 5). Sensemaking. Wikipedia. https://en.wikipedia.org/wiki/Sensemaking

[thxnews]

£250M Boost for London Transport Upgrades

Strengthening the Backbone of the Capital

Boosting the Economy, Enhancing Travel London's transportation network is set to undergo a significant transformation, thanks to a new £250 million funding agreement between Ministers and Transport for London (TfL). This latest initiative, part of a continued effort to improve the capital's transport infrastructure, not only enhances the travel experience for Londoners and visitors alike but also supports jobs across the UK. The London Transport System Upgrade involves critical projects like new trains for the Piccadilly line. This scheme is expected to create about 700 skilled rail manufacturing jobs in Yorkshire and approximately 2,000 more in supply chains nationwide, underpinning the UK Rail Sector Jobs market significantly.   A Fair and Balanced Approach Balancing Taxpayer Interests and Transport Needs Rail Minister Huw Merriman emphasizes the broad impact of this agreement. It's not just an investment in London’s transport but a testament to the government's commitment to equitable funding across the country. This approach ensures that taxpayer money is utilized effectively, contributing to the city's vibrancy and economic health without overburdening taxpayers and motorists.   TfL's Path to Financial Sustainability Building on Success and Planning Ahead Andy Lord, London's Transport Commissioner, highlights TfL's journey towards financial sustainability. Despite challenges like the pandemic, TfL has made significant strides in reducing costs and rebuilding its ridership and revenue. The London Transport Financial Sustainability is within reach, with TfL covering most of its capital investment costs. However, additional government support remains crucial for continuing to deliver vital improvements to the transport network.   The Government's Continuing Support A Stepping Stone to Modern, Efficient Transport With the government already providing nearly £6.4 billion since 2020, this new funding package marks another step toward modernizing London's transport system. The focus is on enabling TfL to operate more efficiently and achieve a stable financial position. As part of the agreement, TfL is expected to present a plan in July to maintain and strengthen its finances while continuing its pension scheme reform and seeking investment programme efficiencies.   Future Prospects and Responsibilities Collaborating for a Better Transportation Future While the responsibility for delivering transport services in London primarily falls to the Mayor, the Department for Transport will continue to work closely with TfL on future capital plans. This collaboration ensures that the London Transport Infrastructure Development remains a priority, aligning with broader goals of urban development and environmental sustainability. In conclusion, the London Transport System Upgrade, bolstered by the £250 million government funding, is a pivotal move towards enhancing the capital's transport network. It promises not only improved travel experiences for millions but also substantial economic benefits, reinforcing the UK’s commitment to building a robust and sustainable public transport system. This investment is a clear signal of the government's dedication to fostering growth, supporting jobs, and ensuring the long-term viability of London's vital transport infrastructure.   Sources: THX News, Department for Transport & Huw Merriman MP. Read the full article

#CapitalInvestmentinTransport #GovernmentSupportforTfL #LondonTransportFinancialSustainability #LondonTransportInfrastructureDevelopment #LondonTransportSystemUpgrade #London'sPublicTransportImprovement #PiccadillyLineNewTrains #TfLGovernmentFunding #TransportforLondonInvestment #UKRailSectorJobs

[toledo-images]

On location with @votaw and our new #GoPro at Merriman Falls, WA. 📷 @toledo_images #toledoimages #onlocationphotography #PhotographyServices #photographybusiness #howitsdone #behindthescenes (at Merriman Falls) https://www.instagram.com/p/ChdLvQHvgeT/?igshid=NGJjMDIxMWI=

#gopro #toledoimages #onlocationphotography #photographyservices #photographybusiness #howitsdone #behindthescenes

[frommylimitedtravels]

- Falls in the forest -

#waterfall #merriman falls #waterfalls #forest aesthetic #rainforest #olympic national park #quinault rainforest #olympic peninsula #ferns #moss #washington state #pacific northwest #pnw #pnwonderland

[pettytiredandjewish]

#drawing #illustration #screen printing #ink #art #nature #merriman falls #washington state #arrowhead

[etyileiet]

Merriman Falls by seaver1

#IFTTT #500px #wilderness #fog #forest #Grays Harbor County #landscape #Merriman Falls #mist #Mitch Seaver #N