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lilyginnyblackv2 · 1 year

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Some long, big thoughts on Kazuki, Rei, and being “Fathers.” - SPOILERS!

I really think this episode is when Kazuki and Rei really face the reality that they are Miri’s FATHERS. Like, it finally sunk in.

The lady here uses otou-sama, which is a very formal way to address the two of them, very stuffy. But also very...Japanese. In Japan, it is very commonplace nowadays for little kids to use papa and mama when addressing their parents, but those are still seen as loanwords. They don’t carry the same weight as being referred to, and seen as, FATHERS.

That question and how they would be perceived by others really hit them here. They aren’t just playing house at home anymore, they are out in society and are going to be perceived as this Miri’s fathers. That may also come with the assumption that they are a couple or in a relationship with each other.

They both look uncomfortable here at that realization, but neither one really denies it either. Of course, this daycare is very unwelcoming and the lady far more judgmental than Anna. So that also likely plays a part in how they feel and react here too. The first daycare they go to focused more on the business side of things.

The room is huge, but empty, the walls are colorful, but not bright. Miri is sent off to play with blocks and the lady never directly addresses her or asks for her thoughts on things. Everything about this daycare is unwelcoming and uninviting and unaccepting, so Rei and Kazuki act coldly to this initial realization and the usage of the word FATHER here, seems very fitting.

It’s not a happy, bubbly, childlike, and even fantastical like the word “Papa” is. And the lady interviewing them, was definitely judging them, even before Miri started mentioning some more...suspicious stuff, lol.

Now, when they go to Aozora Daycare, Anna also addresses them using the word father in Japanese, but she goes with otou-san, still formal, but not stuffy and far more common and approachable. It’s still not “Papa” though. She only uses “Papa” when she talks to Miri about Rei and Kazuki.

(In the Japanese she directly addresses Kazuki first by calling him otou-san and then stating that she was asking Miri, not him, haha).

We are met with understanding here, though. Not judgement. The walls of Aozora are filled with children’s art projects, a piano that indicates singing and dancing time as a group, and warm smiles and comfy clothes. Everything that indicates a child-first daycare center.

The whole interview process ends successfully. The daycare views them as suitable parents and Miri got accepted into the school.

And while Rei looks disinterested during this entire interview. He was paying just as close attention to everything as Kazuki was, and if watch the high-five scene with a good eye, you can see that Rei actually has his hand up and waiting for Miri’s high-five before Kazuki.He understands her and her flow so well.

The rest is going under a Read More due to length.

Next we see them navigating all the prep work. And even though Rei did fall asleep at one point, we see that they both put in as much effort and energy as they can to get everything right for Miri and her first day of daycare. They both read through the handbook, write her names on things, even Rei did some sewing too. They exhaust themselves out.

They think they make a great first impression on that first day:

But they make a lot of faux pas in the world of Japanese parenthood (specifically in a space that tends to be dominated by motherhood).

Arriving by car = ✘

Wearing suits that aren’t black = ✘

Having Miri wearing clothes that look expensive = ✘

Arriving by car is equated to wealth and money, and even to showing off, as opposed to riding a bike.

Wearing suits that aren’t black is associated with the underbelly side of Japan, men that work in the red light district or with the yakuza. An exception to this would be like, in many places, the entertainment business.

Dressing Miri up in clothes that look expensive plays into the whole “yakuza daughter” vibes, but also makes it so that she stands apart from the other children. It can also make it so that Miri has a difficult time putting the clothes on and off herself, which could take up class time when coming in from play time, getting ready to go home, and etc.

I worked at a juku (cram school) with a daycare. Most of the students I cared for there were native Japanese kids between 2 - 4 years old whose parents were working in America. My boss would often get annoyed when parents would bring their (usually daughters) in wearing fancy shoes that looked pretty, but hurt the child’s feet and were hard for the child to take on and off themself.

Kids around Miri’s age are also shown to be aware of economic and social class on some level as well.

LOS ANGELES, Calif. (Ivanhoe Newswire) -- Rich, poor, middle class. Parents often believe it’s their responsibility to shield their children from economic differences and social class.

But new research shows children as young as five years old are not economically blind. In fact, by the time they reach prekindergarten, kids know the difference.

This group of primary school kids already knows what money can buy.

Combine that with the (thirsty though they were) mothers who probably advised their children to not get on Miri’s bad side because of her dad’s, and her outfits that set her apart, and scenes like this one:

Don’t seem so out-of-place.

When Kazuki and Rei pick Miri up at school, her answer to “How was your first day? Have fun?” being “I dunno yet.’ Set’s off alarm bells - even with Rei.

His brows are furrowed. He knows that something is off and wrong with that statement. They don’t know what they did wrong, and they don’t know how to fix it. Miri gets quieter and sadder and this is the first time they’ve had to actually deal with Miri on a deeper, emotional level.

That feeling like you are failing a child (whether your own, one of your students, or just a child in your care) is such a devasting feeling. This episode expresses it well by having these scenes all take place on the way home from the daycare, when the sun is setting.

Thankfully, Kazuki is open to listening to what Miss Anna has to tell him, and she is so supportive. She doesn’t judge them or treat them like they are incompetent or incapable. She just gives them the push in the right direction, with “insider info” in a way, to get them and Miri acclimated correctly. And Rei and Kazuki jump on it. They love that they’ve found this place with a bunch of good quality cheap shit that can help them and make their lives easier.

And after this, Miri goes to school in regular clothes. Kazuki goes to the play area in the regular clothes, and he is just genuine and authentic with the kids. He doesn’t dress Miri up in a way that sets her apart anymore (on a class level, in a way that makes the other kids think she is “saying” “don’t play with me.”).

Kazuki, especially, isn’t trying to “fake it until he makes it anymore.” He isn’t trying to give the impression that they are rich. And I wouldn’t be surprised if he also felt a bit more pressure to get everything right because he and Rei are two guys raising a kid together - two FATHERS.

But then he realizes letting Miri and him and Rei just be themselves is enough.

This was very much so a Kazuki issue that ended up negatively impacting Miri. A situation I’m sure every parent (or even teacher, like I’ve been before) has experienced on some level. It’s one of the harsher parts of being a parent and trying to help your child and do what’s right.

And now, he and Rei have one foot further into parenthood, since they know about this new shop and:

Gave Miri her own room.

That is such a big deal. Similar in a way to how people say not to name an animal unless you plan on keeping it as a pet. Not because Miri can be compared to a pet or an animal in any way like that, but because of what it implies on both an emotional attachment level and a “she is now a permanent part of our household” level.

That's a fully decorated room, filled with toys and plush dolls and games, a bed, books, a rug, even a desk. A desk filled with stationary supplies for her to learn and something which is viewed as a necessity for children to have at home when they are in elementary and junior high school (especially).

Rei and Kazuki have gone from being Miri’s “Papas” on a sort of imaginary, “playing house” level, with very limited outside and real-world/societal interactions to being her fathers. They have integrated her and themselves as her parents and fathers into society on a large level now.

By investing in that room, they are investing in Miri, and are openly choosing to be viewed as her fathers - as partners. Even if they don’t necessarily view each other in that way, it doesn’t matter to them in the end, because Miri is what’s most important.

(Note: I will link to the news article and report that stated that information about children and economic class recognition in the comments).

#Buddy Daddies #KazuRei #Kazuki Kurusu #Rei Suwa #Miri Unasaka #Anna Hanyu #Buddy Daddies spoilers #BD spoilers #long post #image heavy post #meta post #thought post #feel free to add your thoughts to this as well!

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teatitty · 26 days

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I feel like people don't appreciate enough that Dandelion is a fast slippery little fucker. Granted we don't see this much since the books are heavily Geralt POV, but it's mentioned that a lot of his dalliances involve him scaling up houses, jumping out of windows, sliding down drainpipes, running along rooftops etc and that is hard as fuck to do

He's basically committing AssCreed level parkour and is able to outrun almost anyone who comes after him. When he's not travelling with Geralt, he has to be able to get out of trouble by himself somehow and since he's not a fighter that means being good at running, hiding and talking

Not only this but in Last Wish, as someone pointed out on my posts once, it's shown that when riding his horse, he can effortlessly lift one leg to hook over the pommel of his saddle while playing his lute at the same time the horse is moving. That's a lot of skill and balance and knowing your own horse's temperment and what they're willing to put up with. He's not just a casual rider he's an experienced rider pulling off shit that you'd only see from pros

Idk man it's just a little irritating how often he's reduced to "horny silly bard" when he has these skills under his belt too and is obviously capable of keeping up with hunting parties and actual warriors without much issue ya know?

#the witcher books #dandelion #meta post #if you think he has 'average athleticism' I'm sorry but you're wrong #because the average everyday person would not be able to do all that shit #he might be anywhere near on par with what a witcher can do but he does far exceed a lot of normal folks

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allisondraste · 6 months

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I’ve seen various different posts on the website formerly known as Twitter and this one right here, discussing Gale’s behavior in romance as obsessive, possessive, and possibly codependent. And while I support everyone having their own interpretations and opinions, I do disagree, so I want to talk about it!

First— it’s so important to acknowledge that Gale is strictly monogamous. He is not someone who is comfortable with a partner having other partners. This is fine, and not inherently indicative of any unhealthy attachment styles. Wyll, Karlach, and Lae’Zel are also monogamous in a relationship.

Gale does struggle with some insecurity that at times bleeds it’s way into his romantic relationship, but isn’t a product of the relationship itself. His biggest insecurity is feeling like he isn’t enough (in general, not just for a romantic partner). Mystra had a way of making him feel like nothing he did was ever enough, he always needed to do more, to be more, and when he tried, when he made mistakes, she abandoned him.

Those are wounds that do not heal quickly, and so he needs quite a bit of reassurance from both friend and lover PCs that he’s fine just the way he is and that he doesn’t have to try so hard or pretend to be fine when he’s not.

He’s lonely. Due to his condition, Gale, who is an incredibly social person, had to hermit himself away from his friends and colleagues for over a year. Mystra was no longer interacting with him, and he was afraid to be around his mother because he didn’t want her to worry. His only company was Tara, and as much as he loves her, shes not a replacement for human or humanoid connection. Usually with folks who struggle with codependency and insecure attachment, there are long patterns of each of those things in all of their other relationships, but Gale seems to have had pretty healthy relationships, the Mystra situation being the exception, not the rule.

It excites him when he gets to travel with a group, have friends. It’s even more exciting to him when he finds someone who makes him forget the hurt Mystra has caused. Yet he still has to withdraw from even that because he does not want to put their life in danger. It is not until act 2 after Elminster has cast the incantation to calm the orb that Gale feels comfortable enough to give in to his feelings. And yeah! He comes in strong because he’s been holding it in. He’s been pining away, sad that he can’t let himself so much as kiss Tav or else he quite literally explode.

When you talk to Gale after his romance scene in act 2, you’re able to confront him about his feelings for Mystra, and he is very direct, stating that he does still have complicated feelings for her. Which makes SENSE. The game and Gale himself try to minimize Mystra as just his ex, but she is more than that. She is his groomer and abuser. Gale is traumatized, and it will likely take him the rest of his life to get over that. It’s not something that more time alone is going to heal. He needs a support system to help him. He needs his mom, his friends, and maybe even his new partner.

You can also ask him if he meant it when he said he loved you, and his answer is “I am many things to many people, but I am never one to throw the l-word around lightly.” He didn’t just say it on a whim. He thought about it, probably extensively. Judging from the dialogue we get, he’s aware that he is rushing to say it, and admits that it’s because he’s scared that he’s going to literally die tomorrow. It’s not a love bomb. It’s an “I need you to know this, just in case something happens to me.”

Once he doesn’t die in act 2, he simmers down. He becomes more concerned with curing his condition, he faces Mystra, he accepts that he doesn’t need to have godly power to be worthy of love and respect.

At the end of the game, he asks you if you’ll come back to Waterdeep with him, which is his way of proposing more or less, but its more that he wants to be home and he wants the person who has become so important to him to come with him, to meet his mom, to see his hometown. He wants them to want that too.

He’s a grown man, mid to late 30s, not a naive young person. He knows what he wants. He’s thought about it, extensively.

In my opinion, there’s nothing possessive, obsessive, codependent, or unhealthy about any of that.

#gale dekarios #gale of waterdeep #baldur's gate 3 #bg3 #meta post

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m4ndysk4nkovich · 9 months

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the saddest thing about natalie berzatto is that she was never welcomed into the kitchen, which is probably why she never became a chef like her brothers.

her brothers were welcomed, and were praised.

for natalie, she had clearly attempted to cook as a child, but made a simple mistake, earning her a lifetime nickname that basically was code for ‘failure’.

it doesn’t take a genius to figure out she is her mother’s least favorite, and was most definitely deprived of love as a child.

however now, she has a sweet, caring, loving husband, who will be a great father to their child. and he doesn’t call her sugar.

#the bear #the bear fx #natalie berzatto #sugar berzatto #donna berzatto #carmy berzatto #mikey berzatto #pete the bear #meta #meta post

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freuleinanna · 6 months

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I'm still confused about Verna.. I thought she was a demon?? Because why would Death be going around making a bunch of deals with people? After Verna told Pym she decided to go "topside" I thought she was some kind of crossroads demon since it implies she came from below (hell)

Oh! I feel you, and I struggled with that a lot too. She does seem a lot like a demon. I'm not saying I'm 100% correct in my thinking either, but here's why I personally think she's Death. Kind of a long post, sorry. I hope I make myself clear, but feel free to follow up!

So, Verna. An anagram for Raven, that much is established. Ravens are wonderful - symmetrical even - creatures. Bringers of death in a wide understanding. Bringers of good luck in many cultures. The duality is amazing. To me, that also leans majorly into the theme of death being a concept of duality: an enemy for some, a friend for others. Each greets her differently. I'm not talking about the characters here, but people in general.

There's a proverb I came across a while ago that reads 'Death is a great leveller'. Meaning, everyone's equal before her. You have no leverage or buffer against death, and it doesn't matter if you're poor or blindly, feverishly, grotesquely rich (like our folks here). Everyone pays the last bill. For everyone, there's a day of reckoning. It's a major theme with the show, at least. Verna also says 'Buy now, pay the bill later' - although it can still read very demonic, I agree.

She's obviously ancient, and I was leaning toward the demon theory based on all of her talking. Yet - she also keeps ranting about Egypt and pyramids and Cleopatras and such. What's the one thing with Egyptians everyone knows of? They honored death. Death may have been a bigger part of their lives than life itself. The Usher Twins' obssession with all things Egyptian, antiquities, jewelry, swords and such, plays a nice parallel here too, because they're just collectors. They have no grain of honor for the real thing, for what these things are tied to. Kind of a nice thought, I guess.

Anyway, back to Verna. She says on multiple occasions how intrigued she is with us, 'adorable little things'. She saw the pyramids, the expeditions, and she wanted to see what else we do, she wanted to see what Roderick and Madeline will do (in her own words). It's all an experiment to her. She makes an offer just to see what we, people, do.

Here's where my beef with a demon theory comes in. No demonic creature I could think of, be it an actual demon, a trickster, or something else, is that sincerely intrigued. Something something death loving life something something.

Demons, in my understanding, are most interested in winning the deal. They come up with incredible challenges, they enjoy torture, emotional or physical, they never let anyone win. Verna has never once expressed this. Quite the opposite. She gives everyone a chance to step back. Even when the ink has dried and everything's decided, each Usher sibling is conditioned to make a choice: push forward, or step back. Neither of them steps back. Neither of them takes a long hard look at themselves (except Tamerlane, both literally haha and figuratively, as she's the only one to have realized how lost she was in her way - just at the end, when it didn't really matter anymore, but still). Verna is kind to those she takes (sincere pet names, regrets of having to do it this way, making sure they know it's not personal, etc). She grieves with them, just before. Grieving - 'The Raven' being about an expression of grief and trauma - ravens as synonyms for death... you get the gist. Oh! Except Freddie - cause Freddie struck a cord. Infuriated her. So he doesn't get an expressed choice. And he would've blown it like coke anyway, so meh.

And then Arthur Pym. Oh, Arthur Pym. I honestly couldn't imagine a demon kneeling and thanking someone who's refused them.

About Arthur Pym, by the way. It's the one story I hadn't reread, and I should have, it turns out! haha Anyway, a few notes about his travels:

In the story, Arthur Pym is expressedly afraid of white color (North Pole, yada yada, white being the absense of colors/life, and the absense of life is death).

Verna enumerates the moments she witnessed of his travels. Someone getting left in Sahara. Someone getting shot in the Arctic. Something bad that was done to an Inuit woman. Why would she follow Arthur so closely? She didn't know him, he wasn't her favorite. I think it's because she came to collect those deaths. If she is death, she would've been exactly there, where people died. She would have also seen Arthur not partaking.

Aaaaaaaand it makes her 'You saw me' line sound better, because he had sure seen death along his travels.

I think the part about a place of out-of-time, out-of-space creatures and hollow Earth was a bit unnecessary, BUT I can try and tie it in this way:

It showed us how Arthur might have coped with what he saw, and he 'saw a lot', even in his 70s it's difficult for him to recall, and it made him think of humanity as a virus, literally;

He might have thought up that ethereal realm simply because he was in an expedition? Exhaustive conditions for both body and spirit? Traumatic experiences? If he saw Death, he might have cloaked it in his mind to cope with it, thus came his stories;

Verna going 'topside' may just mean that she had to go take a look herself, actually be willingly present for the events - to see the brave little humans conquer the earth. 'Topside', as in, 'visible, present, participating'. If Death exists, I doubt it bothers with our boring human realm but lives downunder, among all threads that weave the world.

So that's that on Arthur Pym.

A few other references my mind is too exhausted to tie in nicely:

Death takes Lenore. THE Lenore from 'The Raven' (mostly) and 'Lenore' (secondary). That happened. Also, death talking to a child of life? Regretting having to take her? Not very demonic of dear ol' Verna, in my opinion.

Her mourning veil, her last toasts to the Ushers at the cemetery? Demons don't tend to grieve their players. Demons don't respect and love them enough, and 'what is grief, if not love persevering'?

Death is the last threshold. Before death, we look upon our legacy (major theme with the show), we remember our losses and loves (Annabel Lee!!!!! love the poem, brilliantly done), we get heavy with regrets. We face death as an enemy & fight, like Madeline did. As a friend, like Arthur did. We confess, like Roderick did. All that is too significant to me overall.

And the last thing. It's Edgar Allan Poe. The whole Death tribute is a giant, incredible, thought-through-to-the-bits hommage to his literature where Death, figuratively and literally, takes the throne.

I hope I managed to express myself alright there. Thanks if you read it through, and as I said before, feel free to follow up or elaborate on some ideas. There are oceans to discuss. <3

#tore a few veins typing it out ughhhhh the poetry #asks #long post #the fall of the house of usher #tfothou #tfothou spoilers #tfothou tv #netflix #carla gugino #verna #meta post #the fall of the house of usher spoilers #edgar poe #edgar allan poe

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mimisempai · 9 months

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There's so much I love in those few seconds alone. There's what's implied. There's the fact that it's Aziraphale who calls Crowley. For me, that's very important when you see that in season 1 it's always Crowley who reaches out to Aziraphale. There's the fact that Azirapahale called often enough for Crowley to be able to discern the different tones of his voice. There's the fact that Crowley lists the reasons for the different tones and what they imply. Aziraphale calls Crowley when he's bored (just the concept of Aziraphale being bored thrilled me), we don't know the result, if Crowley comes, how he helps Aziraphale to overcome his boredom… but he calls him. Aziraphale calls Crowley when he wants to tell SOMEONE he's done something clever. Crowley's use of someone. We know that someone is Crowley and no one else. I'm surprised by the fact that Crowley doesn't say "You call me when you want to tell ME you've done something clever". As if he doesn't want to admit that their relationship is exclusive after all. (I'm probably extrapolating, I know). And the third reason for Aziraphale calling, when something’s wrong which is just as important, because it means that when Aziraphale has a problem he turns to Crowley.

And here, there's the same.

Look Aziraphale who use the same wording as Crowley.

It's nice to tell someone about the good things you've done. SOMEONE again. Implying, "It’s nice to tell YOU about the good things I’ve done." And Aziraphale may well have added afterwards that it was because he was no longer reporting him to Paradise, we all know that this was just factual reports. Not the kind of enthusiastic speech he must have made to Crowley on the phone or over a drink. Just the difference in expression when he says it's good to tell about the good things you've done (he uses "good" and Crowley uses « clever" btw) and he speaks from Heaven tells a lot.

AND I'm coming to what isn't said at all, but is crystal clear, which is that Crowley doesn't say it bothers him. He lists the reasons for Aziraphale's calls, but at no point does he say or even show that it bothers him. Honestly when Crowley says, "This is your something's wrond voice." you can almost hear afterwards, "And here I am."

#good omens #aziraphale #crowley #anthony j crowley #Mr A. Z. Fell #michael sheen #david tennant #😈😇#good omens 2 #GoodOmensSeason2Spoilers #GOS2Spoilers #GoodOmens2Spoilers #ineffable husbands #meta post #sort of

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steampoweredstrawberry · 8 months

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Something interesting I found after exploring Gale's route (and warning, there's both spoilers and talk of SA and abuse under the cut):

The other companions are very quick to name what Mystra did to Gale (once he reveals everything and you've met Elminster) abuse and are pissed off on his behalf, and with good reason. All of these people have been abused by some authority figure in their lives, so they're able to recognize how Mystra groomed, abused, and then threw Gale away when he became inconvenient for her. And this is on top of Gale already being an ideal victim for her until he no longer was: wanting and desperate for a love she would never give until he was willing to go to desperate and dangerous lengths to prove himself worthy of that love.

And it's really sad that Gale cannot parse that while he shouldn't have meddled in Karsus' magic, he should have never been put in a position where he felt he needed to in order to be worthy of love. Not until much later in his route, that is. He's spent so long being abused by Mystra that he cannot fathom that a healthy relationship does not involve his goddess grooming him and lording the promise of a love she was never capable of giving over him. However, the other companions recognize it. They recognize it, and they call Mystra out. She may be a goddess, but that doesn't mean that what she put Gale through wasn't ultimately selfish and cruel.

#bg3 spoilers #baldurs gate 3 #bg3 #gale of waterdeep #gale dekarios #meta post

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viterbofangirllovestheuntamed · 1 year

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So.

According to @demiace-wen-ning‘s iconic post, every MXTX novel has:

A red/black, morally ambiguous, all-powerful bastard man

A fan wielder who is much more than meets the eye

And a fucking Jiang Cheng

Now we, as a collective fandom, have decided with our communal braincell that in SVSSS, the “fucking Jiang Cheng”™ character is Liu Qingge. And on the surface, this seems Right and Good:

HOWEVER! I posit that these aspects are only the most superficial and external aspects of the vast and multi-layered Dagwood sandwich that is fundamental “fucking Jiang Cheng”™yness. “fucking Jiang Cheng”™ has LAYERS. And for all that I love Liu Qingge, I love him in the same way I love the Sonic franchise’s Knuckles the Echidna:

This is emphatically NOT how I love Jiang Cheng. Furthermore, this is demonstrably NOT the sort of character that a fandom becomes viciously divisive about. This is the sort of character you either like or dislike and move on with your life because he is not deep and complex enough to Die On This Hill for defending. (This is a Feng Xin or Nie Mingjue sort of character.)

So what makes for a “fucking Jiang Cheng”™ character? What are the quintessential “fucking Jiang Cheng”™ characteristics that result in a complex and divisive character? I propose:

ambiguous/unexplained actions

refusal to explain motives

canon selfless actions missed or negatively interpreted

socially over-conscious while still socially detested

harsh and contemptuous outward behavior

honestly, naturally is an asshole, but holds back just enough to get away with it

hard-working but overshadowed by upstart prodigy

childhood trauma that fundamentally affected behavioral patterns

aggressively focused on their cultivation and consequent social status

secretly heartbroken about a perceived betrayal regarding the protagonist

yay, war crimes!

These attributes all describe Jiang Cheng. All but the last one describe Mu Qing, with the second-to-last applying in a way where HE is perceived as the betrayer. None of these attributes describe Liu Qingge. But you know who they DO describe in SVSSS?

Shen Jiu.

The ORIGINAL Shen Qingqiu.

An undeniable asshole who nevertheless gets punished for every good deed he ever did, who clawed and scraped his way to the top of the cultivation world and ensured he stayed there no matter how many bridges he had to burn or enemies he had to make along the way, who acts like a bitter tsundere to the person who matters most to him because said person broke their promise and never explained why, whose childhood was a never-ending parade of trauma and abuse that molded him into a harsh and suspicious individual, who (though we don’t find out until the extras) shows no sexual interest in anyone, whose own path to cultivation was so difficult and traumatic that they could not stop themselves from jealously lashing out at the heaven-blessed prodigy standing right next to them.

Shen Jiu is the TRUE “fucking Jiang Cheng”™ of SVSSS, and I cordially invite any haters to bring it on because this is My Hill and I am ready to fight for it.

#jiang cheng #liu qingge #mu qing #shen jiu #original shen qingqiu #svsss #mdzs #tgcf #comparisons #parallels #mxtx #meta post #MOD'S STUFF #NOT coincidentally this is exactly why shen jiu is my svsss fave after shen yuan's SQQ who is such a hilariously snarky marshmallow

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procrastiel · 4 months

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All I’m saying is this:

Neil created s2 to set up everything that needs to happen in s3.

He literally orchestrated an event for us (much like the ball) to see in the next season. So yes, I do believe there are Clues hidden in s2.

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g0nta-g0kuhara · 4 months

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The Chapter 4 Essay Part 1: Kokichi Ouma

A metapost on my thoughts on Kokichi’s overall motivations and Gonta’s actions during ch4. Split into two parts. You can find the Gonta half here: (LINK)

I think the way Kokichi acts when he’s telling the truth says something crucial about his personality. When he’s telling the genuine truth, his expression becomes carefully neutral.

(post trial, chapter 1)

To me, it feels like he’s trying very hard to keep this face of neutrality. Normally, he’s able to expertly express any emotion that he wants to. In these moments, its almost like the emotion he’s feeling is so overpowering that he’s trying to repress it in order to maintain control over the face he presents to everyone else, but isn’t quite able to do so.

Kokichi is very careful about keeping people from seeing the parts of himself that he doesn’t choose to show. His villain persona and constant lying is part of this- He wants to keep people away from him. During the events of the killing game, he uses the distance that he creates in many ways. Part of it was that not having many close alliances allowed him to go off and do whatever he wanted during daily life. This let him explore the school and investigate the truth of the killing game without interruption or much attention. Lying also gave him distance between the game and himself. Pretending that the killing game was fun might’ve been his way to cope with everything that was happening. I think Kokichi is really damn good at separating himself from his emotions, lying to himself to do what he thinks needs to be done. This line from Chapter 1 is pretty telling…

(post trial, chapter 1)

This was also something he says himself to Kaito in the exisal hanger during chapter 5.

(post trial, chapter 5)

I’m inclined to believe everything that Kokichi says to Kaito in the exisal hanger. As Kiibo says when Kaito questions it, “I think his dying words may have been the honest truth.” Knowing he was about the die, and that he absolutely needed Kaito’s help to get his plan to break the killing game to work- to achieve his genuine, true goal- I don’t see any reason for him to lie.

This emotional distance extends past just the killing game. I think it's a key part of how he interacts with others around him.

Kokichi is an ultimate leader. I think he uses his talent throughout the game in an attempt to “lead” everyone from the shadows. He wanted to stop the killing game and escape with as many people as possible. However, his methods are very ends-justify-the-means. I believe that he did genuinely care about everyone at the ultimate academy, but in the detached way a distant king might care about his subjects. On the other hand, if he had to use or sacrifice a few as pawns for the greater good, that is what had to be done. It’s not like it didn’t emotionally affect him, but I think he was deliberately trying to keep his distance so that it would not impact him as much, and so that he could continue trying to tear the killing game apart with as many tools in his arsenal as possible.

(post trial, chapter 5)

With this core motivation in mind, this brings us to Chapter 4.

In my opinion, the Killing Game Busters was never a plan that was meant to succeed. From an in-game perspective, the idea that he was originally going to follow this mercy kill plan doesn’t make sense to me. Firstly, Kokichi already had suspicions that they were being watched as early as chapter 3.

(post trial, chapter 3)

…and he later confirms that he was fully convinced of this fact when Monokuma agreed to reuse the chapter 4 motive in the virtual world.

(post trial, chapter 5)

He knew that this killing game was for somebody else’s entertainment. I’ll go a bit into the secret of the outside world in a moment, but considering this, I don’t think he ever fully believed in it. Choosing to mercy kill everyone, in the name of a “truth” that was incompatible with what he had discovered… just doesn’t make sense to me.

Not to mention, from a narrative standpoint, I think the idea that he was completely for this mercy kill plan, decided to throw out the plan mid-trial, and then start an entirely different plan to end the killing game in chapter 5, isn’t very compelling. It weakens Kokichi’s overall character by making his motivation less cohesive and making him seem less organized over all, which I think is one of his strengths as a character. A Kokichi that is this fickle with what he’s trying to do would not have been able to write the script for chapter 5.

I think he always had different goals in mind with the Killing Game Busters. The first was something that is made very clear in chapter 5, but started here in chapter 4: He wanted to stop the killing to give himself room to break the game while minimizing deaths. The second was to further villainize himself, for all the reasons I talked about above, and some more I will get into in a little bit.

Seeing the secret of the outside world was undoubtably disturbing, regardless of whether he believed it or not; there is a noticeable shift in how Kokichi acts before and after he swipes that card key. Combined with discovering that Miu, someone he’d been working with closely, was planning on murdering him, I believe that seeing the destruction of the outside world pushed him towards more drastic measures than what he had been doing in previous chapters. He decided that in order for his plan in chapter 5 to work (which he had almost certainly already been planning at this point, considering how elaborate it was), he needed to make everyone question if pursuing the truth was the right thing to do at all.

After Miu’s body discovery, nobody was really worried about losing this class trial. Everyone had seen how Shuichi had guided them all to the truth and caught the blackened three times in a row, despite the unique difficulties in each case. They had full confidence in his abilities.

(investigation, chapter 4)

Shuichi is also not really doubting his abilities as a detective anymore. One of Shuichi’s core internal conflicts is his fear of the consequences of revealing the truth. Up to this point, it seems like he’s been moving past it. Especially after catching Korekiyo “Actual Serial Killer” Shinguji, who had no regrets or grey motivation for his killings. Shuichi’s morale, and subsequently everyone else’s, was at an all time high. (Of course, he was starting to feel a lot of pressure to solve these cases and save everyone on his own… but that’s another issue. ily Shuichi)

If Kokichi could take the wind out of Shuichi’s sails, really destroy the confidence he had built up so far, he could set up his impossible trial in chapter 5 to be more likely to work as intended. Everyone will be less motivated to try and figure out what happened if they are uncertain that finding the truth would actually result in anything good.

And I do believe he was trying to knock Shuichi off balance specifically. Damaging his confidence is one thing, but he was also deliberately trying to drive a wedge between him and Kaito. He antagonizes Kaito all chapter 4 investigation, including making up a nickname for Shuichi (“Shumai”) that directly riffs off Kaito’s closeness with Maki. He insists into the trial that he and Shuichi are partners now.

(class trial, chapter 4)

(Sidenote: Kokichi’s behaviour during trial 4 is genuinely really interesting to me. On top of the direct digs like this, he says a lot more subtle things to get under Kaito’s skin during trial 4 that I think are super neat to pay attention to.)

Theoretically, pushing Kaito away from Shuichi, combined with the powerlessness he’ll feel in the wake of the truth of both trial 4 and the outside world, could make him easier to convince to join Kokichi’s “side”. He even directly asks Shuichi to team up with him before leaving the virtual world:

(daily life, Chapter 4)

This leads me to believe that Shuichi was originally the one that Kokichi intended to use to build his impossible trial. I mean, if Shuichi was the one in the exisal hanger and presumed dead instead of Kaito, the chances of everyone else solving that mystery drops Significantly. Everyone else, aside from maybe Kiibo, was 100% convinced that Kokichi was the mastermind at that point. No one except Shuichi would’ve tried to dig as deep as he did, for better or for worse. I think this idea is supported by the note that Kokichi wrote next to Shuichi’s face on the whiteboard in his room (“trustworthy?”). He was clearly considering Shuichi as a person for one reason or another, and I believe this is it.

By condemning Gonta, who everyone else perceived as a kind soul who would never hurt anybody, someone who was struggling to understand what the virtual world even was with his amnesia, would be perceived by the others as kicking someone when they were down. Gonta has an absolutely miserable time through the accusations and wholly blames himself for how things turned out in the end. That, and Gonta’s actions were even well-intentioned. The secret of the outside world was apparently so horrible, Gonta thought it would be kinder to mercy kill everyone rather than force them to face it. This result would make everyone question if the truth was really as undoubtably good as they had come to think so far; Not only did Gonta suffer because they had to find the truth, but seeking the secret of the outside world would apparently also only lead to suffering. This would make them hesitate during Kokichi’s impossible trial.

(class trial, chapter 4)

As I said before, Kokichi’s second goal for trial 4 was villainizing himself even further. He says that this was a goal himself to Kaito in chapter 5.

(post trial, chapter 5)

Part of this villainization was just adding to the persona he had already created for himself and that I already talked about his motivations for before. The other part was what he says here. He specifically wanted everyone to think that he was the mastermind. This gave him leverage in two main ways. First, making himself appear to be the mastermind with an actual mastermind as hands off as Tsumugi genuinely gave him power over everyone else. He used this in chapter 5 to put a pause to the killings and give himself more room to enact his plan to break the killing game from the inside.

(daily life, chapter 5)

Although he then says “You guys can commit suicide together or kill each other… / Or, you can change your mind and stay here! You’re welcome to do that too!”, having experienced the secret of the outside world already, I think he’s pretty confident in what they will be feeling in this moment. No one is going to kill each other, and he knows that. He wants them to take that second option for the time being while he sets up his plot.

Making himself appear like the mastermind also benefited his impossible trial plan directly. Everyone would be much more likely to vote for someone they were convinced was the mastermind rather than one of their friends. No one would suspect that it was really him that was the victim.

“Using Gonta and making him into a murderer” was a significant part of how he villainized himself, but the way he treated Gonta during this whole experience was also a major factor. Starting as early as just after Miu was killed, he begins to be really aggressively mean to Gonta. He just straight up bullies him throughout the second half of the trial.

(daily life, chapter 4)

(class trial, chapter 4)

And then, after all this, he acts remorseful and sides himself with Gonta at the very end. It isn't genuine emotion like he felt before Kaede's execution, shown by his neutral expression. To me, this uncharacteristically open expression of grief feels like it was just set up to exacerbate the impact of his cruelty after Gonta’s execution. At this point, everybody’s little faith in Kokichi has been shaken significantly. With the shock of the trial, maybe you Could start to believe they were on the same side, as a team. Then, at the reveal of the extent of Kokichi’s manipulation, that is all ripped painfully away again.

(post trial, chapter 4)

Even if these parts of trial 4 make my stomach turn, I don’t want to imply that Kokichi is completely cold-hearted and unfeeling. Actually, I think there were multiple moments in chapter 4 that show him struggling to regulate his emotions and keep face around everyone else while he enacted this plan.

1: I don’t think Kokichi initially planned to make the reveal that Gonta was the killer as dramatic (or frankly, a bit traumatic) as it ended up being. He had been carrying himself a certain way during the first half of the trial, and I think Shuichi lying to his face in front of everyone about Kokichi’s own alibi dramatically changed his attitude. I mean, Shuichi lied (as he had done almost every trial and gotten 0 flack for) and Tsumugi even called him out on it, but everyone believed him over Kokichi anyways. So when Kokichi lies, it’s completely inexcusable, even though he’s been working tirelessly on his own trying to save everyone?* But when SHUICHI lies, and gets caught in it, people go along with him? They don’t doubt their trust in him for even a second? This double standard infuriated him. It’s at this point that he completely shifts in energy. If Shuichi, no, everyone, is going to disrespect him like this, he was going to make them suffer for it.

(class trial, chapter 4)

2: Kokichi only goes full villain after Kaito says “Kokichi, If you really cared for Gonta, explain yourself to everyone” in the post trial. I think that even though he was always going to paint himself as the villain, he was legitimately affected by the things that had just happened (Gonta’s death, Miu’s attempted murder, the secret of the outside world, even if he knew it wasn’t real) and what he’d just done. Even if he was trying hard not to be. The sudden shift he has from not saying anything to cackling about how little he cared about Gonta feels to me like he was kicking himself back into gear after trying to process some genuinely difficult emotions. 3: After Kokichi punches Kaito down, and everyone completely ignores him in favour of helping Kaito up, Shuichi says these iconic words to Kokichi: “Kaito always has us by his side, see? But no one wants to be around you. / You’re alone, Kokichi. And you always will be.” Kokichi responds like this:

(Post-trial, chapter 4)

There’s something about the way he cuts himself off, pauses, and then his mask falls. I think Shuichi’s words got to him more than he wanted them to. Honestly, Kokichi’s attitude towards cooperation, keeping everyone at arm’s length, and insisting (to himself) that he (as a leader) must fix the killing game completely on his own just seems so lonely to me. Even if he is intentionally trying to alienate himself and get everyone to hate him, being so viscerally cut into like this must have hurt. Especially from someone he was trying to work to get onto his side. It’s no wonder he quickly left after this moment.

This is what I think drove Kokichi in chapter 4. He’s a leader who wants to “lead” his classmates into safety, but he isn’t afraid to use underhanded, cruel tactics if he thinks it will get him ahead in the game for the greater good. He viscerally represses his emotions in order to keep himself going and keep everyone else away from him. He tried to destroy Shuichi’s confidence and drive a wedge between him and Kaito to get him on his side for his plan. He used and made Gonta into a murderer to villainize himself and discourage everyone else from seeking the truth.

Whenever I imagine Kokichi on his own, out of the spotlight of the Audience or the eyes of his castmates, he’s never as expressive as he is in the open. I think in reality, Kokichi is a pretty depressed and lonely person. His clownish personality isn’t entirely a facade, and outside of a killing game scenario, I think he would act pretty similarly to how he does in game. But I do think that he uses it as a mask for his true emotions. While I feel like the “evil villain” persona is a genuine part of Kokichi’s personality, outside of the killing game he probably doesn’t act on it as deeply as he does in-game. I also think Kokichi struggles with letting people become close to him, even without anything on the line. The killing game just caused him to lean into these aspects of his personality hard, and in potentially the worst ways.

*I feel like here it’s important to mention that personally, I still think the collateral damage he caused in his attempts to stop the killing game matters. A lot. I don’t think he should be excused for the things he did, even if he had good intentions. This makes him a really interesting, morally grey character, and I like that about him.

#kokichi ouma #danganronpa #danganronpa v3 #drv3 #ndrv3 #ouma kokichi #kokichi oma #oma kokichi #drv3 spoilers #meta post #long post #(Sorry- I'm not putting this under a readmore because in the case where I change my username or deactivate #I still want this post to be readable)#id in alt text #Caveat that this interpretation is entirely based on the english localization #which I still think is valid #Part 2 coming in literally a couple minutes- just need to read over it one more time and add tags #shut up me

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lilyginnyblackv2 · 1 year

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Social Issues that Help with Understanding Buddy Daddies

Here are some political, social, and cultural aspects of Japanese culture that I think is important to keep in mind when watching Buddy Daddies. Please note: this is a super long post, with lots of pictures.

1. Human Trafficking - Slave Labor

In Episode One, we learn that Miri’s birth father was involved in labor based human trafficking involving Southeast Asian individuals. This is currently a very big issue in Japan, since Southeast Asian immigrants (among others) are viewed as a cheap labor option and usually experience slave labor like conditions.

From The United States Department of State website:

Men, women, and children from Northeast Asia, Southeast Asia, South Asia, Latin America, and Africa travel to Japan for employment or fraudulent marriage and are subjected to sex trafficking. Traffickers use fraudulent marriages between foreign women and Japanese men to facilitate the entry of women into Japan for sex trafficking in bars, clubs, brothels, and massage parlors. Traffickers keep victims in forced labor or commercial sex using debt-based coercion, threats of violence or deportation, blackmail, confiscation of passports and other documents, and other psychologically coercive methods.

2. Drugs in Japan

When I was living and working as an ALT in Japan, two ALTs (in a different district, but within the same company of my own), got caught with drugs. It was a big deal and ended up in the newspapers. The company I worked for had to do a lot of PR work with the elementary and junior high schools that they had contracts with, to ensure that the contracts would remain. As for me and the other ALTs? We had to sit through like five separate meetings within like two months about drugs and drug laws in Japan.

The barebones takeaway is that, in Japan, weed is viewed as being on the same level as hardcore drugs. Charges can be steep and strict. Even just knowing that someone has drugs, and you don’t say anything to law enforcement about it, can get you in trouble. There is a grey area with drugs, which is stuff like bath salts and the like. Since the selling of things like that cannot be prohibited, so they are easily accessible to the public.

Japan still has a very “90′s D.A.R.E.” approach to drugs. It’s catchphrase is 「ダメ。ゼッタイ。」or “No! Never.”

(Image from a Web Magazine called Nagasaki Press.)

When celebrities are caught with (what’s usually) weed, it can basically be the end of their careers, since recreational drug use of any kind (excluding alcohol, of course), is still negatively looked down upon in Japanese society. This is why it is still heavily left in the hands of the yakuza and drug kingpins, etc. Though there has been a recent increase in protests and ideology surrounding the idea of legalizing weed. Still, not much acceptance for recreational use is likely to come yet. However...

There may soon be some revision to the laws, which will allow for medical use:

Legislation changes scheduled for 2023

In 2021, the MHLW established an expert committee to review the Cannabis Control Act, and it is expected revisions will be proposed in a bill to be submitted in 2023. This will most likely allow for the use of medical cannabis. 2022/12/02

From: Euromonitor

So, something to keep in mind when Kazuki talks about a drug kingpin here is that this drug kingpin is likely not just dealing with super, hardcore drugs, but also softer ones too, like weed.

3. Child Protection Squad

There is this misconception in Japan that really young kids, like Miri’s age, can just roam free all around Japan and no one will find it odd. In Episode 1, we do see Miri roaming around the city without anyone really taking notice, but she also wasn’t in an area where there would be people that are trained to take notice.

In the above image she is at a park, which is likely close to a school somewhere. The man that approaches her here has a band around his jacket sleeve that says こども見守り隊 (kodomo mimamori-tai), which gets translated to “Child Protection Squad.” Basically, these are like crossing guards, in a way, because they do play a similar role to that, but they also do more than that as well:

(Image from the Japanese website: Nice Senior).

This people basically ensure that kids stay on the right paths on their way to school. Most of the time, when elementary school children head off to school, they will go in groups (with the 5th or 6th graders being the leaders) and there will often be older people outside their houses on their way in, keeping an eye on the children to make sure they get to school okay.

And that’s talking about elementary school aged kids. For ones that are around Miri’s age, usually the parents (mostly mothers) will bring them by bike:

Or they will get picked up by a bus:

This one looks pretty boring in comparison to some others you might see though, like these:

(Image from the Hiyoshidai School Website)

Sometimes the daycare workers will also take them on little excursions outside using big strollers for the kids to travel around in:

(The image is obviously from a stock photo site called fotostock, but yeah, I’ve seen these before when I lived in Japan).

But a little toddler just sitting on her own at a mostly empty park with just a guy sitting at a park bench nearby watching her? That would raise attention and an eyebrow from someone who is essentially a crossing guard and whose job is to ensure the safety of kids as they travel to and from school.

The rest is under a Read More.

4. Police in Japan

I saw a comment somewhere (maybe it was over on Youtube) about how the cops are portrayed here in Buddy Daddies. The comment was basically that Japanese cops wouldn’t be that aggressive with a child. But, well, cops in Japan have issues like everywhere. Though, the main issue with cops recently has more so been with racial profiling:

(Excerpt is from a Japan Times article entitled: 60% of people with foreign roots questioned by Japanese police, survey finds).

Of course, this situation is different from the one we see happening with Miri, but the Japanese police have issues with corruption too. So this happening wouldn’t seem too out of the realm of possibilities to me. The anime Tiger & Bunny 2 Part 2 also recently had some moments in the season where there was some anti-cop (ACAB-type) sentiments expressed by a character (though that series is also meant to take place in a city based on NYC).

5. Issues Surrounding Reproductive Rights, Contraception, and Abortion

“Took advantage of me” is fairly vague wording, but considering the type of guy he was, and the fact that Miri’s mother is caught in another abusive relationship, it wouldn’t surprise me if Miri’s conception wasn’t fully consensual one. People like to talk about how safe Japan is, but Japan has a lot of sexual violence that goes unreported:

(From an article entitled: Many sexual violence victims in Japan do not report assaults to police, support groups: survey - The article was posted on November 24, 2020 over on The Mainichi news website).

There is a lot of societal pressure in Japan, that can cause a lot of judgement as well. Especially around issues of reproductive rights. From a Japan Times articles entitled: Pandemic provides an opportunity to improve access to contraception, posted on January 30th, 2022, we can get a little insight into the issues surrounding contraceptives:

The article also talked about the judgement that can come with contraceptives. The last line also talks about abortion, which comes with its own set of issues in Japan:

(From The Japan Times article: Abortion legal and apolitical in Japan, but cost and consent present barriers)

So abortion was likely an option that Miri’s mother didn’t think was really viable, especially in her situation.

7. Being a Single Mother in Japan, Adoption

In Ep.3 we hear Kazuki parroting a lot of the stuff you usually hear when it comes to women in children, like it is meant to be a natural and innate thing. There is a societal pressure for a woman to give birth and care for the child, even when they aren’t in the best situations to do so. Miri’s mother was, for all intents and purposes, a single mother. Since I doubt the abusive man she is currently with had any hand in helping Miri.

Being a single mother anywhere can be a big challenge, but especially so in Japan. Some issues that single mother’s face in Japan, according to the article “Why Most Families with Single Mothers in Japan are Living in Poverty” from a site called The Borgen Project:

From that same article, we learn that joint-custody and child support doesn’t exist in Japan. So Miri’s mother was likely under a lot of societal and financial stress, along with possible Post-Partum Depression, and (also probable) burnout. This doesn’t mean that her behavior or attitudes are okay, but that they are likely a result of a failed system.

I’ve seen some people bring up adoption, but adoption doesn’t automatically mean that a child will have a better life either. My grandfather’s mother was force to give her children up to the state, so my grandfather spent a good chunk of his life in an orphanage. It wasn’t a pleasant experience. And the probability that Miri would have been adopted had her mother gone through the actual system is, sadly, extremely low. From an article entitled: “The state of orphans in Japan and how to help” found on the site Zenbird.Media is this bit of information:

And even if Miri had been in an orphanage, Misaki (Miri’s mother) would still be her legal guardian.

So an option like that would be unappealing for Misaki, because she doesn’t want anything to do with Miri.

7. LGBT+ Individuals Being Viewed as “Not Productive”

Finally, we have the last thing I briefly want to talk about. The main backbone of Buddy Daddies, which is these two hitmen taking care of a child. Last year, a Japanese politician was in the news because she retracted some previous statements she made in 2016 and 2018. We are going to focus on her 2018 statements, which were:

Her comment received a lot of backlash and was big news. Her retracting her statements also brought a lot of news and talk too. The above information comes from The Japan Times article: “ Japanese lawmaker retracts past remarks on LGBTQ and other minorities.” Her other comments are awful too, but it should be noted that her one about sexual-minority couples stems from the issue of Japan’s declining birthrate. Even though many people in Japan are supportive of LGBT+ rights, there are people that hold a similar viewpoint as this.

Buddy Daddies is pretty directly challenging this ideology, especially with how they have been handling things. So that’s pretty cool and revolutionary in its own way. It makes me interested in seeing how this continued topic as well as any future social issue topics will be handled or touched upon in Buddy Daddies.

If you read this all until the end: thank you so much! I put a lot of work into this write up and I hope it can help (I learned some things too while researching!).

#Buddy Daddies #Kazuki Kusuru #Rei Suwa #Miri Unasaka #Misaki Unasaka #social issues in Japan #long post #meta post #image heavy post

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