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#mha 306
luliadraws · 1 year
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Goodbye letters
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Edgeshot: Would you still love me if I was a worm?
Best Jeanist: Why would you say that?
Edgeshot:
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Best Jeanist: <3 <3 <3
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greenhappyseed · 2 years
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The English version of Vol. 31 has a few notable changes. First, Toya’s line in 306 is different:
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Second, the page added for Rei’s flashback in 302 includes her repeating “just stop,” which is exactly what Shoto tells Toya precisely fifty chapters later:
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seifukkuu · 1 year
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lesbians4leonardo · 2 years
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tik tok muted this immediately after post but i spent so long on it you’re all getting it instead.
also!! this is my ninth edit ever, so if you have any tips or constructive critiques, please do give!! (i am aware the text doesn’t like up with the song consistently)
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avis-fictional-world · 2 months
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He’s just proud of his successor nephew , okay!
Inspired by this lovely pic
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Hugging Izuku must be the best thing ever! It has healing qualities☺️
Commissions open
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ignitification · 2 years
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the beginning of the end
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solsticeivy · 2 years
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I can't explain just why I like these two side by side
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lirlovesfic · 8 months
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Miles to Go Before I Sleep
Summary: The gift of One For All came with a price. And because he was the quirk’s last holder, Izuku was the world’s last chance to defeat All For One. Like it or not, even though his license was only provisional, he was a hero now. He had to be. He would fight All For One, and he would win. There was no other option.
But that didn’t mean he’d survive the experience.
Midoriya leaves UA to search for Shigaraki and All For One, determined to finally defeat All For One, no matter what it takes.
Fandom: Boku no Hero Academia / My Hero Academia
Primary characters: Midoriya Izuku, Bakugou Katsuki, Yagi Toshinori (All Might), Aizawa Shouta, Yamada Hizashi, Class 1-A, Previous users of One For All Genres: AU/Canon Divergence, Adventure, Romance Pairings: Bakugou/Midoriya, Aizawa/Yamada, other background relationships Rating: T (currently)
Warning: canon typical violence, spoilers for the manga, the anime, and the movies
Catch up: on AO3
Chapter Seven
Deku stood in the otherwise empty Memorial Plaza in Kamino Ward, staring up in shock at the Memorial to Peace.
He’d been gone less than an hour. Only a matter of minutes.
Minutes.
And in the time he’d been gone, the statue at All Might had been defaced. Vandalized.
No. It was worse than that.
It had been desecrated.
Deku had spent a long time that afternoon standing in the square, looking up at the memorial to the Symbol of Peace. It had been carved from a single, enormous piece of granite, and somehow out of the rock the artist had managed to capture not only the likeness of the world’s most famous hero, complete with his distinctive hairstyle and his ever-present smile, but his mentor’s spirit as well, his caring soul as well as his physical strength, everything that the hero showed to the world.
But Deku knew All Might was far more than that. To Deku, he was more than a hero, more than an idol. He was a teacher, a mentor, a father figure.
A friend.
And it hurt to see him treated so badly, even if it was just a statue of the man and not the man himself.
Read More
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bakuhatsufallinlove · 10 months
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Chapter 348's "Shitty Nerd" Narrator Isn't Omniscient (And It's Not Bakugou Katsuki)
So, for a good bit there we were all theorizing about what was up with the narrator of chapter 348 calling Izuku a "shitty nerd" for not recognizing Toga's feelings for him, right?
Now, in a previous post I explained the different expectations Japanese audiences tend to have for frame narratives in weekly serialized manga. I posited that this may mean that the identity of 348's third-person narrator isn't necessarily of direct importance and, as a result, may never be explicitly revealed. I maintain the validity of this observation in general, however I no longer think it is relevant to understanding Horikoshi's approach to writing.
Because I am confident I have figured out who the narrator is: Best Jeanist.
To be clear, I do not believe that Best Jeanist is the source of every third-person narration in the series so far—I have yet to go back and research earlier chapters enough to theorize about that. I believe he is specifically the frame narrator who is explaining the critical moments of the Heroes’ final battle against AFO/Shigaraki, most notably in chapters 348 and 377.
Let’s go over the supporting evidence for this reading.
Best Jeanist's speech patterns match the idiosyncrasies found in 348
Back in February, pikahlua pointed out that 348's narrator uses "de aru” (である, also conjugated as であり, de ari) and I have been thinking about this detail ever since. Early on I described 348’s narration to a friend as sounding almost like a textbook, and it is “de aru” which contributes most to that tone. It functions as a connecting verb meaning "be" or "is," but it feels uniquely literary, even a bit archaic. Due to this, I pretty readily imagined that 348 was narrated by an omniscient figure who was telling the story to us as a historical event, like it was a passage from a book on “the great Hero Deku” or something like that.
But I kept wondering if, among all the fanciful characters in MHA, there was anyone who fit the bill for this type of language. Lo and behold:
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On top of Shigaraki escaping, we sustained tremendous damage. But… nevertheless, we Heroes must continue the fight with the threads of our faith utterly unrent! This is the hope of our scattered comrades, and it will be spun into a new era… Plus Ultra!
The back cover of the Japanese volumes all have in-character narration blurbs that match the speech patterns and personality of the character featured on the spine of the book. This is not replicated in the English releases, so the above translation is my own. Here, Best Jeanist uses “de aru” (highlighted in blue) for that same literary effect 348 uses. I looked through other volume covers and a few dozen chapters, and I found only a couple other uses of “de aru” in total--by Iida and a member of Spinner’s army shown in 370, neither of whom are likely candidates for 348’s narrator.
Best Jeanist in general speaks in a deliberately refined, elegant way. He uses polite speech at times and, even when talking casually, his word choices are rather serious and poetic. Notice the top orange text highlighted: 一糸の綻び (isshi no hokorobi) meaning the tear of a single thread, an evocative metaphor. Keep this and the bottom orange text in mind (散って, chitte, describing the “scattered comrades”).
Side note: Best Jeanist has used “kare” (彼, meaning "he") in canon to refer to Izuku, seen here in chapter 323:
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This is less of a smoking gun than “de aru,” but the politeness of 348’s narration and the word “kare” specifically rule out Katsuki as a potential narrator, so it is worth mentioning.
Volume 31 covers chapters 296-306, with the last chapter entitled, “The Final Act Begins.” I think it is significant that Best Jeanist is the narrator on this volume cover; it may be foreshadowing for his role as the narrator for the Final Battle itself, which leads us to...
Best Jeanist's Threads of Hope
Best Jeanist's Quirk and his entire schtick are about fibers and threads. He makes this a direct metaphor for the Heroes’ struggle against the League of Villains in 292 where he says that they will stop the League by weaving "threads of hope" (一縷の希望, ichiru no kibou). He develops this metaphor further in 294, describing their victory over Gigantomachia.
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He also used this kind of language in 311 and 317.
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And don’t forget, he sutured Katsuki’s damaged heart back together in hopes of reviving him.
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Then, we got this sequence in 377:
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A faceless, elderly individual speaking about the Final Battle in the past tense. This person directly references that thin thread to describe the Heroes’ chances and their gambit against the villains.
The blue text in the top panel, which is curiously absent from the English release, says:
「舞い散る桜のように・・・」
maichiru sakura no you ni…
Like falling cherry blossoms…
The verb for “falling” here is actually two verbs joined together meaning “to fall as if dancing.” Literally, maichiru means dance-scatter. The Heroes’ gambit relies on dividing the villains, and in their efforts, they themselves are being scattered, like cherry blossoms. Remember how Best Jeanist described his comrades as scattered? The second verb here is that very same one.
The thread and snap (or cut) wording even gets brought up six chapters later by Tsukauchi:
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The “hope” part is technically not present in the Japanese here, but I think official translator Caleb Cook caught on to the thematic parallel. And in my opinion, it is a pretty significant parallel.
So, with all this in mind: My bet is that Best Jeanist is the primary narrator for the final arc of the series.
This is a very interesting choice; it definitely raises questions about whether All Might survives. Best Jeanist is currently in his late 30s, so for him to be the elderly narrator seen in 377, he would have to be relaying these events from 30-40 years in the future, which might mean All Might survives the final battle but dies of old age later.
Whatever happens in the battle against AFO/Shigaraki, I think both Best Jeanist and Katsuki survive. Sometime post-battle, everyone gets the explanation for what happened when Izuku was warped away by Toga, and Katsuki—hearing that Izuku didn’t recognize Toga’s feelings for him—utters some iteration of 348’s infamous line about how, no matter what he does, he is still "a shitty nerd.”
Best Jeanist quotes him in 348’s narration, because... well, even though it is vulgar, it is a pretty accurate and even affectionate description of Izuku’s oblivious nature from his childhood friend, who knows him quite well. I think Best Jeanist, having mentored and watched over Katsuki all this time, deferred to him on the subject of Izuku’s personal life.
But he also did it because it’s funny as hell, and we should never forget that MHA is a comedy.
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bibibbon · 4 months
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Horikoshi and Izuku (RANT)
It's to no one's suprise when I say that horikoshi hates his own main character but the problem is YOU CAN HATE YOUR OWN CHARACTER BUT MAKE THEM WELL WRITTEN AT THE SAME TIME (gege is capable of doing it with yuji)!!! Hori doesn't do this instead of logically making izuku suffer a bit in the narrative with stuff that is LOGICAL AND MAKES SENSE he literally just gives izuku BS problems to overcome and worst consequences. Look Iam not saying he has to like izuku and make everything good for him but I am saying he should treat izuku properly when it comes to the narrative and DEVELOP HIS CHARACTER. The main reason why Iam so upset about this is because Izuku is an interesting character who has so much potential to be better and he is the perfect main character for a story like MHA. I have said this before but izuku has SO MANY Parallels WITH SO MANY CHARACTERS it could be something as simple as shigaraki and izuku parallels or something as vague and hidden as aizawa and izuku.
Here are some issues that hori could of used and challenged his MC with:
Have him realise that he is WORTH more then he thinks he is - this is something very present within izukus character and hori did try/attempt to do this during the early arcs of MHA and the overhaul arc but it failed. I think this is one of the reasons as to why he is so self sacrificial is because he doesn't see his worth and lets be honest the narrative doesn't help him acknowledge it/ it makes it hard for him to do so but even if that is the case I do want to reach a point where he sees himself as worthy as of someone with worth.
Spend longer on Izuku's insecurities especially about him being an OFA user - it's without doubt Izuku has a lot of pressure to live up to when it comes to being the next and LAST OFA user which is something hori does try and tackle in the overhaul arc and a bit in ch 306 but it falls flat a bit. I feel like it would be better to have Izuku doubt himself from the get go when he gets the quirk and realises that he CAN'T AND DOESN'T know how to control it. Also, when Izuku realises he is THE LAST USER give us his thoughts, his fears, his anxieties. These are things that he would feel he is just a 16 year old with so much pressure on him that no one could handle.
Have Izuku realise that the way Katsuki and the way people treated him wasn't right also SHOW us how he feels about Katsuki and the apology in general - This is probably one of my biggest points because let me be honest katsukis redemption arc fell off for many reasons one of them being the lack of the victims opinion and before anyone tells me," oh izuku is kind he will forgive him and understand" or "obviously, Katsuki will be forgiven izuku cares for him" THOSE ARE BS CLAIMS BECAUSE IN THE EARLIER ARCS YOU CAN SEE IZUKU'S ANGER and negative emotions towards KATSUKI which hori just forgets about. Also, have Izuku acknowledge that yes people treated me badly and that I DESERVE BETTER
Have Izuku benefit from his relationships with other characters - what I mean by this is that in EVERY one of Izuku's relationships he never really gains something from them which makes it seem like he is distant with them so have the relationships he has go both way and not be one sided ( i wil go into deeper detail another time)
Focus on how getting a quirk has impacted Izukus life whether this be positive or negative - ever since Izuku has gotten into UA his life has dramatically changed but he hasn't. The only thing that cha he's about izuku is that he got a quirk that's it. Make izuku question this change make him try and understand if he likes this change or not? I mean he has friends now, his mum supports him, he has a father figure ( all might), he goes to one of the best schools and more. Have him feel confused about the change have him question if people would still accept him if he was his middle school self. Also focus on the negatives of him getting a Quirk, make him feel like an outsider he can't control his quirk etc.
Focus on Izuku's intelligence - Izuku is supposed to be intelligent this is when it comes to school work which we often DO see and his intelligence of strategy which is once in a while type of thing that WE NEED MORE OF. Have him rely on his intelligence to get by, when he is exploring with OFA have him try his own unique ways of releasing the quirk like OFA is power stockpile quirk so for it to do anything it needs to be released from the body which is something izuku can experiment with and him and mei ( a duo I love) can create support items to help this
Have him differentiate himself from all might / realise even all might is flawed as a hero - I mean NO ALL MIGHT BASHING but just have Izuku' s obsession of all might die down have him realise that all might has made mistakes and that he isn't some big great undefeatable hero but someone who tries his best and is reckless. Have Izuku understand that he can't necessarily be an exact copy of all might and that even all might caused some problems in hero society (unintentionally)
Izuku's anger - it's not unknown that when fighting and in the heat of a battle izuku can get angry especially when someone close to him is hurt. Iam all for that so I feel like it would be better to dive deep into that and explore why that happens also give him some consequences from those actions
Challenge Izuku's own moral beliefs - have him realise that hero society is flawed. That heros are flawed and so are villains. Have him question and change his morals especially when it comes to shigaraki. Can he really save him? Or is gran Torino right is death the only way to save shigaraki? Have Izuku strive for a better more equal society one that helps people and doesn't isolate others because of their differences?
Confront the problems he has with adults like trusting an adult to help you etc - we don't see this a lot with Izuku and honestly a lot of adults have failed izuku in his life which is sad like let's be honest even all might and inko failed izuku in their own ways
These are just a few ways you can improve Izuku's character and tbh there are definitely more I haven't included. You can also make izuku suffer from the narrative with consequences THAT MAKE SENSE!!!!
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super-paper · 6 months
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If you had to say, do you think this past few arcs of MHA, including the this final one, are rushed? I know many, many people have said it is so far, but like I just don’t see?? It seems that the pacing has been quite good, and the important moments are given impact, But the common complaints I see are that the story isn’t given enough room to breathe or it feels like it is going off a checklist. Do you think so too?
Yes and no. I do think some plot points have been expedited, but not out of lack of consideration for the story/characters or out of a desire to rush the story to an ending (or because Hori "secretly hates mha and just wants to get everything over with," or whatever absurd and insensitive nonsense redditwtter believes).
Rather, I always get the sense that Hori's always frustrated that he can't do even more for the series-- and recent interviews only cement this impression. MHA is his passion project and it's clear that he loves it deeply, but the constraints of this medium and his health problems sometimes make it difficult for him to fully realize that passion. Like, I don't want to overstep my boundaries as a fan and make insensitive assumptions, but-- as someone who also loves storytelling and art, I imagine it must be so unbearably frustrating to not be able to tell your story exactly the way you want to because of those aforementioned constraints. Despite that, he doesn't give up-- and as much as I want him to rest, I also can't help being in complete awe of his art/composition and how he delivers this level of quality on a near-weekly basis. He has an absurd level of talent.
Anyway. I feel that overall, act three has been paced just fine. The final act started out a bit rough with the dark hero and starnstripe arcs feeling mildly disjointed from each other-- but Hori found his rhythm again by the start of the war and thus far has managed to tie the themes and arcs of his core cast together in a satisfying way. I feel like people who claim that the pacing has been bad are kind of letting the cold, unrelenting march of real time cloud their judgement (MEMENTO MANGA AND MEMENTO MORI BROSKIS 🤘)-- but if you go back and binge read from the start of act 3 to now (306-405), it's easier to see that the final act has been paced well imho.
I've also mentioned this before, but, I feel people need to take the fact that Horikoshi introduced a lot of MHA's characters and plot elements when he was healthier into consideration with their critiques. Ongoing manga should not be critiqued the same way that one would critique a finished book-- understanding of the medium and its constraints are absolutely factors that need to be considered before you start bashing things like pacing or arguing that things have been "retconned," I feel.
And I also feel that as fans, we do have a responsibility to be aware of the grueling work conditions of this medium and the effects it has on the author, and then temper our expectations accordingly instead of expecting Horikoshi to neatly resolve every single subplot or minor character arc (For example: "Why aren't Momo, Denki, and Kirishima getting their moments in the final war?" bc they all got their big moments during the first war; "Why didn't we -see- Izuku and Toshinori developing their relationships with ALL of the 1A kids, Class 1A vs Deku and IronMight felt so forced!" *afo voice* BECAUSE THEY'RE EXTRAS-- bc this would be an absurd request even If Horikoshi didn't have health problems. It's perfectly fine to narrow the focus of Izuku's relationships down to certain key members of his class to emphasize the effect he has on people and narrow the focus of Toshi's relationships down to two or three other students to show his growth as a teacher-- the story would become excessively bloated & lose focus if we tried developing *every single side character/relationship*. This is literally basic writing 101).
I do agree that glossing over certain emotional beats in the aftermath of the first war was unfortunate and unlike what we'd come to expect from Hori (Midnight's death being treated like a footnote instead of a chance to explore the concept of personal loss in the students is the most egregious example)-- but for the past year or so we've seen a return to form in emphasizing/exploring the emotions of the core characters, so I do have high hopes for the finale/epilogue of Act 3!
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a-hobit · 2 years
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Man these days of seeing people so nervous for the next MHA chapters really feel so much like the time that Katsuki was stabbed back in 285 and when izuku left in 306 — it’s just so fucking cool to be able to watch this story as it slowly progresses! 2 years strong babes!❤️💕
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familyofpaladins · 1 year
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I posted 1,417 times in 2022
134 posts created (9%)
1,283 posts reblogged (91%)
Blogs I reblogged the most:
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I tagged 1,411 of my posts in 2022
#submas - 367 posts
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Longest Tag: 139 characters
#volo: cant let anyone know he came through the rift. i'll just take all his stuff *steals id badge from work as well as all his poke balls*
I sent 1 gift in 2022
My Top Posts in 2022:
#5
Might I ask for 11 A Ingo?
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Ingo reunites with his pokemon :')
Thank you for the prompt @psychic-panda-28
haha umm this took a little longer cause i decided to draw his pokemon too (i got lazy and didn't look at refs for excadril, so please don't look too closely at him) (also a joltik is there because I'm sure that with all of the ones that Emmet has, he as some he's attached to too)
172 notes - Posted May 2, 2022
#4
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When your brother returns after suddenly and unexpectedly disappearing into the past, and you cling to him like a koala cause you missed him so much and dont want him to disappear again
But it's fine cause he came back JACKED, and holding you is like holding a bunch of grapes
Bonus
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410 notes - Posted April 6, 2022
#3
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639 notes - Posted February 16, 2022
#2
You ever like. Listen to songs and make them all about your current interest?
But there's always a couple songs that are cool, but dont quite vibe/fit with your current interest
And then later, after acquiring a New Interest, listening to your music and hearing a one of those songs and going "Oh. OH. OOOOOOOHHH THIS FITS THIS PERFECTLY HOLY CRAP THIS SONG WAS JUST WAITING FOR THIS INTEREST!!!!"
809 notes - Posted May 2, 2022
My #1 post of 2022
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2,164 notes - Posted May 11, 2022
Get your Tumblr 2022 Year in Review →
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Seasonal/Holdiday Headcanons
Seasonal/Holdiday Headcanons by joyballtumbleweed
A list of headcanons for major holidays and each season for the MHA Characters.
Words: 306, Chapters: 1/?, Language: English
Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia
Rating: General Audiences
Warnings: No Archive Warnings Apply
Categories: Gen
Characters: Midoriya Izuku, Uraraka Ochako, Asui Tsuyu, Iida Tenya, Todoroki Shouto, Bakugou Katsuki, Kirishima Eijirou, Ashido Mina, Kaminari Denki, Sero Hanta, Tokoyami Fumikage, Satou Rikidou, Kouda Kouji, Mineta Minoru, Jirou Kyouka, Yaoyorozu Momo, Ojiro Mashirao, Hagakure Tooru, Aoyama Yuuga, Shouji Mezou, Aizawa Shouta | Eraserhead, Fukukado Emi | Ms. Joke, Yamada Hizashi | Present Mic, Kayama Nemuri | Midnight, Nezu, Kan Sekijirou | Vlad King
Relationships: Aizawa Shouta | Eraserhead & Class 1-A
Additional Tags: Christmas, Halloween, Thanksgiving, New Year's Eve, fall, Summer, Spring, Winter, Christmas Party, Christmas Presents, Thanksgiving Dinner, Halloween Costumes, New Year's Kiss, New Year's Resolutions, seasonal headcanons, no notes just vibes
Read Here: https://archiveofourown.org/works/42819576
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lirlovesfic · 11 months
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My latest WIP. Chapter Six should be up this evening.
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