Interview: Michael Duke - Get Up, Stand Up! The Musical
Interview: @itsmichaelduke - @GetUpStandUpLDN
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“we have some of the best musicians playing in our band, some of the best voices, and actors on our stage, so we try our best to do such a great job”
Get Up, Stand Up! The Bob Marley Musical has been jamming with sell-out crowds since October last year, and this Summer the show celebrates extending until January 2023 as well 60 years of Jamaican independence.
The explosive World Premiere musical celebrates the immense life and musical legacy of Jamaican soul rebel Bob Marley – exploring his journey from poverty into an international superstar…
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"I want a proper apology."
The dramatic “apology dance”
In the entirety of Season 2, I think the “apology dance” scene is pretty close to my favorite.
The way Crowley walks in like he’s entering a stage in a packed theater.
The way Azi clearly sees him coming and fusses himself up to look extra focused on his work and not at all excited about Crowley’s return.
Crowley, noticing that Azi has yet to look at him, ramps up the drama by:
Whipping off his glasses (taking off his armor)
Response from Azi? Clears his throat and focuses harder on his work.
Time for Level 2 Drama, it seems.
Stalking over to the table (no sauntering here)
Tossing the glasses down (looks casual but absolutely isn’t)
Ringing that little bell (like a ceremonial gong signaling “this is fucking happening”)
Walking back into the rotunda where he has maximum visibility (also maximum vulnerability)
Azi now has no choice but to react, which he does by slowly looking up and over at Crowley, who looks like the human-shaped embodiment of dread.
Finally announcing “I’m back” like the bitchy customer who just yesterday had declared they were never shopping here again
I mean, wow. Amazing. Glorious.
Not to be outcunted, Azi just casually turns back to his work and practically hums, “Yes. I can see that.”
Damn, Aziraphale, did you take lessons in passive aggression from my mother?
Now Crowley groans in a way that I felt to my core and asks, “Do you want a big, ‘I think I said the wrong thing,’ sort of an apology, or can we take that as said?”
He averts his eyes until the last second because this probably feels more demeaning than begging Azi not to do his magic act at Warlock’s birthday part.
Still turned away, Azi replies in a tone that is a mix of hurt and guilt that makes me think this has been coming for awhile. "I'd like the apology actually." I bet you would, Angel.
Back to Crowley, he pauses to assess his options, takes a deep breath, and says the magic words: “You were right.” Also looks like he almost says something else but either doesn’t know what to say or doesn’t want to say it.
Oh wow, so convincing. Bravo.
Finally, Azi puts down his glasses and his work and turns to address Crowley. He is not happy.
“Not good enough. I want a proper apology.” Also, side note, but Michael Sheen’s voice here is just…yum.
Before Azi can finish, Crowley is so quick to reject this idea. “No.” with a shake of the head.
You're not winning this battle, Crowley, and you know it.
“With the little dance.” Azi’s voice perks up and his eyes brighten at the hope this will happen. Seize that opportunity!
Again, Crowley barely let’s the word “dance” come out before he tries to shut it down. “I don’t do the dance.” Nope, no sir, not this demon.
Oh no, now Azi’s anger joins the hurt and guilt for a vicious trifecta. “I did the ‘I was wrong’ dance in 1650, 1793, 1941…” each date being spat out with increasing amounts of venom.
Oh Crowley, you brought this on yourself, girl.
This non-apology combined with his “I'm sorry. I apologize. Whatever I said, I didn’t mean it. Work with me, I’m apologizing here. Yes? Good. Get in the car.” and I can see why Azi reacts to this the way he does.
Crowley knows he’s beaten and concedes with a “Fine!” that feels the very opposite of the word.
Okay so before the “proper apology” can begin, Azi gets up from his chair, straightens his waistcoat, and stands with his hands grasped in front of him like a proper gentleman. A properly petty gentleman.
Then the main attraction! Crowley, looking completely stone-faced, does “the little dance.”
It’s wonderful. He looks so silly and childish and graceful and mature. And god, that deep knee bend at the end? Amazing.
Also amazing is Crowley’s face when he says "Kay?” while bobbing his head and eyebrows back like a sassy rooster? *chef’s kiss*
For Azi’s part, god it is just a delicious mix of polite poker face and barely concealed thirst. I see your eyes scanning Crowley, drinking in that thin, dark Duke. That little dance will live in his head forever.
And that’s the signal to go back to normal! Crowley regains control and Azi falls back into the supporting role.
Long-term relationships are hard, yo.
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