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#michael never looks away
forbescaroline · 1 month
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235 FAVORITE SHIPS OF ALL TIME (ranked by my followers) 65. michael guerin and alex manes - roswell new mexico
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freetobeafcknriot · 9 months
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↳ when the sun sets.
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dynastymusesedits · 5 months
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&&michael sterling&penelope featherington edits: 1/ @bcbliophile & @betweenthesinnersandthesaints i don't wanna look at anything else now that i saw you, i can never look away
{{&&mutuals may reblog}}
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quietwingsinthesky · 20 days
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id be normal if not for them
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sanstropfremir · 10 months
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Everytime you think that's the worst hyb3 will get they sink lower like I expect the worse of that company but they still manage to surprise me
https://twitter.com/TheNuggetsShow/status/1673084680600702976?t=_MqyqrOSbPlm4SZHbjmSpw&s=19
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#uh. you guys know that eta stands for Estimated Time of Arrival right. you know thats an extremely common acronym. right.#that pretty much all eng speaking ppl use in daily life....?#i dont like hybe and i never will but the teaser is literally just 15 sec of a car driving and the song is called eta. as in.#ESTIMATED TIME OF ARRIVAL. which is something that you would say when telling someone about travel plans.....like....when you are driving..#the names are a very unfortunate coincidence but maria eva mikel are EXTREMELY common first times.........its literally mary/eve/michael#it could just be actor or character names#like yes the coincidences are there. i do not blame spanish ppl for noticing them right away bc of course they would. its natural#but currently there is nothing in what theyve shown in the teaser that 'actively promotes terrorism'.................cmon now.#tbh saying that the car in the teaser is alluding to how the group used carbombs is like. hysterical to me#its not even blowing up ITS JUST DRIVING#like there arent a million kpop mvs with cars ACTUALLY blowing up in them...#carbombing is like. literally the number one terror method used by literally every group. IF the car was blowing up in the teaser#i would be significantly more skeptical. but once again. it is literally JUST DRIVING#FOR A VIDEO OF A SONG CALLED ESTIMATED TIME OF ARRIVAL#also this tweet got deleted literally five minutes after i looked at it so.#text#answers#newjeans w#look. yes the coincidences are fuckin weird and if it turns out that thats actually what they were doing thats so fucking unhinged#but i can very very easily see how this is just a series of unfortunate actual coincidences.
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thisbisexualbrainrot · 6 months
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just laying in bed in the dark watching Michael Sheen late night talk show interviews from a decade ago and vibrating out of my skin
it’s fine I’m totally fine
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nymika-arts · 11 months
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I rmbr you posting a while back that 911 isn't queerbaiting. And at that time I agreed. Just found out about this though-
https://www.tumblr.com/sherlocking-out-loud/717736323395518464/and-on-the-subject-of-queerbaiting-fox-us-never?source=share
This is DEFINITELY queerbaiting, acc to me. Thoughts?
link
honestly i mostly just find this hilarious lmao
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laughableillusions · 1 year
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Tonight marks the night of the great escape of Smith’s Grove, thought I’d draw the star of the show a portrait <333
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adammilligan · 2 years
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alright really really really michael WANTED to walk off the chessboard with lucifer he DIDN’T want to do any of it he admitted it himself he WANTED to LEAVE but he couldn’t because he was so tangled up in the web of being a good son and lucifer was also right in the middle of that so there was no separating it but then adam came along and michael DID walk off the chessboard with him as long as he could he DID want to watch adam live his little human life he DID want to see adam be happy and he wanted to be happy WITH him and is it really any wonder he would’ve went back to god at the end of it all even with the knowledge that god would kill him. any desire of lucifer’s of wanting them to reconcile was killed the instant michael said no at stull and they ultimately ended with michael killing him which cut off one of his choices and adam was dead which cut off the other of his choices and all that was left in the universe was the option of the winchesters and god. neither of which had ever cared about him or would ever care about him. is it really any wonder michael picked the option that he’d been trying to follow since the day of his creation. the option that would kill him the fastest
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winnie-the-monster · 2 years
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I swear this will always be my favorite Malex scene no matter what. Idk there's just something about it that'll always hold a special place in my heart.
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What's everyone else's favorite Malex scene?
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oflgtfol · 11 months
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watching art videos and recognizing michaels products counts as a mental illness i think
#someone whips out some ribbon with the Celebrate It™ brand logo on it#and im like haha. thats a michaels store brand. sold exclusively at michaels#brot posts#michaels posting#or craftsmart. artists loft. art minds. recollections#what else is there im sure we have other store brands#BELMONT. belmont frames.#CREATOLOGY. for kids crafts#oh and uhm. make market thats the newest one#ASHLAND for seasonal stuff too#if you shop at michaels and you see any of these brands just know theyre the equivalent of store brand#bc for some reason Michael loves to move away from name brands and produce everything in house#theyre trying to move away from name brands as much as possible which is crazy to me like we cant have ALL store brand thats stupid#especially for the fine arts and stuff like you cant have people looking for like posca or copic markers and. we just. dont sell them??#we are an art store how do we not sell name brand fine art stuff#idk. i digress#we’re definitely transitioning away from name brands but the rest is hearsay on reddit like surely we can never reach 100% its just insane#but yeah we’re definitely moving more towards in house production#like just recently we got rid of DIAMOND DOTS. FUCKING DIAMOND DOTS#and replaced it with the fucking make market store brand version#oh and the art minds vinyl rolls. instead of cricut or siser now we got store brand vinyl#etc etc all new shit from the past few months#but at least thats IN ADDITION to cricut and siser unlike make market which just replaced diamond dots entirely#head in my hands i am burdened with knowledge about the inner workings of michael#WAIT SORRY I REMEMBERED ANOTHER. BEAD LANDING FOR JEWELRY !!!
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gregkinz · 2 years
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the worst thing is that if Greg went in for a hug with Tom he’d get one
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actual-changeling · 9 months
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i have watched the kiss scene and the breakup as a whole more times than i can count and my brain is still trying to process all the things it picked up on.
my newest painful obsession: aziraphale thought crowley came back for him.
they kiss, aziraphale says i forgive you and instead condemns them both, crowley leaves. the lip touching itself is fucking essay worthy because holy SHIT the amount of micro expressions flickering across his face is endless, michael sheen acted his ass off.
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i think it's a mixture of surprise, unspoken love, a HEAVY dose of fear, disbelief, and oh my god what did he just do what did i just do. he turns away from the door and we get a very very quick shot of how exactly he is angled.
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standing up straight with faked spiteful anger, the same anger he spit at crowley out of fear and insecurity, chin up, clearly waiting for something - or rather someone. we gotta remember that every single time crowley has left aziraphale, he came back. every. single. time. he came back and apologized, that's what they do.
crowley comes back and aziraphale forgives him and they continue bearing their silence.
the bell rings when the door opens again, just like it did when crowley left, and just. look at his face. how quickly he swivels around. the blink and you will miss it spark of hope.
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and then the pure devastation when he realizes it's not crowley.
aziraphale thought crowley was coming back for him. he was WAITING for him to come back. even after all that, he couldn't imagine crowley actually leaving him behind, especially not after that kiss and his entire indirect love confession.
just like crowley thought for a tiny heartbeat that aziraphale was kissing him back, aziraphale hoped, hell, he fucking thought he KNEW crowley would never abandon him. not after "i could always rely on you. you could always rely on me." aziraphale has taken him for granted, of course he thought it was him coming through the door.
but that spark of hope gets stomped out beneath the metatrash's feet and he fully turns around, unable to face him and the reality of it all.
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this time, he went too far.
this time, crowley did not want forgiveness.
he was about to say i love you and turned it into i forgive you, still clinging to their old ways, their old rituals, just that they are no longer those beings, no longer in that specific relationship. everything has changed.
they both thought the other would never abandon them. turns out they were both wrong.
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angelfic · 9 months
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— IF I CAN’T HAVE YOU BABY
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pairing: mattheo riddle x nott!reader
summary: you weren't quite used to the attention of other boys, and it seems your brother's best friend isn't too fond of it either
warnings: brother's best friend trope!! swearing, kissing, not much else, very much unedited
author’s note: i don't tend to stray outside of the marauders era characters buuuut i've been a bit obsessed with mattheo and theo recently so this was for my own selfish needs lol as always let me know what you think!!
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He had barely looked away from you all evening.
You knew the only reason Mattheo’s eyes had been fixed on you for the entirety of dinner was because of a certain type of attention you had unconsciously garnered on your first day back at school. Particularly male attention. It wasn’t any less disconcerting, however, knowing that your brother’s best friend was prepared to fist fight any potential romantic advances towards you because he was just as protective as your actual older sibling.
Your brother Theodore is no better, a displeased frown appearing every five minutes when he looks over to where you sit at the Gryffindor table.
“Merlin, boys are pathetic,” Ginny mutters, spearing a potato with her fork. “You go away for one summer and come back slightly prettier and they flock to you like bees to honey!” You’re about to weakly protest that she’s exaggerating, but at that exact moment you’re interrupted by a tap on your shoulder.
You slowly turn on the bench, reluctantly lowering your goblet of pumpkin juice to face Michael Corner, a Ravenclaw boy who you’d only ever spoken to when he was going out with Ginny.
“Hi, Michael,” you sigh, offering him a bland smile.
“Hello, Nott,” Michael replies, with what he probably thinks is a winning smile. “Had a good summer? I was just going to ask if you wanted to go on the first Hogsmeade visit of the term with me.”
You stare at him, unblinking. “Er- well, as… nice as that sounds,” you say slowly, not meaning a word. You glance at Ginny as pointedly as you can manage and raise an eyebrow. “I don’t quite relish the idea of going out with my best friend’s ex.”
“Oh! I, erm, I didn’t actually see you there, Ginny,” he stammers, laughing sheepishly. “My mistake.”
“Quite,” Ginny says drily, turning back to her plate of food.
“Well, er, see you later then,” Michael mumbles, nearly tripping over himself as he rushes back to the Ravenclaw table.
You bite your lip to stifle your giggles but it’s not long before you catch Ginny’s eye and the both of you erupt into fits of laughter.
“I can’t believe I ever went out with him,” Ginny groans, wiping her eyes.
“Was he always such a tosser or is that new?” you ask, snorting at the way Ginny scrunches up her face in embarrassment.
You’re still laughing when your eyes happen to pass over the Slytherin table just to focus on Mattheo.
You notice with a jolt that he’s looking at you again. This time, his eyes flick over to the Ravenclaw table for a second where Michael has settled back onto, then back to you and he quirks a brow quizzically.
Frowning, you mouth at him to stop in hopes that he ceases his scrutiny, just for him to roll his eyes and return to whatever one-sided conversation Blaise Zabini was attempting to engage him in. You hope you don’t look as flustered as you feel after realising Mattheo has just witnessed such an embarrassing encounter, but you’ve found over the years that you’re not the best at hiding the effects he has on you. Theo has never mentioned it in front of Mattheo as far as you’re aware, but he definitely hasn’t shied away from teasing you about the childhood crush you have on your brother’s closest friend. Not that you’ve ever admitted it to him anyway, and you’ve gotten a lot better at hiding it since nothing could ever come of it.
“Your brother and Riddle have been looking like they’re ready to halve the male population of Hogwarts since we got on the bloody train,” Ginny says, pulling you out of your thoughts.
“Tell me about it,” you sigh, cutting into your carrot a little more viciously than needed. “They keep looking over at our table. I feel like I’m on one of those Muggle reality television programmes Hermione was telling your dad about the other week.”
Arthur Weasley was absolutely transfixed when he was learning about reality television from Hermione during breakfast the week you both stayed at The Burrow, and although you zoned out after his sixteenth question about a singular programme, you feel as though you caught the gist of it.
“Hm,” Ginny agrees, grimacing at the memory. She had nodded off at the table during that conversation and fallen asleep on her slice of toast. “In fairness, that’s not really a new thing.”
“What, being watched by my two guard dogs?” you ask in a mock-serious voice.
“Yeah, but…” Ginny chews thoughtfully for a second before answering. “I’m not just talking about today, or even recently. Your brother mostly minds his own business. I’m talking about Riddle. He’s always looking at you, I noticed it last year. Wherever we are, kind of like he’s checking up on you,” she says like it’s common knowledge, shrugging. “It’s sweet, I guess.”
You blink at her, a little speechless.
“What?” Ginny frowns after a few seconds of your silence. You look at her with raised eyebrows, not really taking her seriously. In your first few years at Hogwarts, you had confided in Ginny regarding your silly, little girl feelings for Mattheo and she would read into every action he took towards you in an attempt to prove he liked you too. Obviously, he saw you as nothing but a younger sister figure and once you grew up a bit, Ginny had let it go too.
Ginny reads your dubious expression now and sets down her knife and fork to cross her arms. “Oh, for heaven’s sake. I’m serious! I’m not just saying it because you were helplessly in love with him until you were, like, fourteen.”
“Shush!” you hiss, thwacking her arm. “Why don’t you just get up on stage with Dumbledore and ask him to include that titbit of information for the entire school to hear in his speech!”
“Good idea,” she says, nodding seriously and starting to get up. You know she’s just teasing, but you start spluttering and frantically grab at her sleeve to sit her back down, causing her to topple onto you slightly. This sets you both off laughing again and you find it hard to stop for the rest of dinner and desert, thankfully staying far away from the topic of Mattheo. You also pointedly avoid looking at him again.
Once dinner is over, you head to the Gryffindor common room with the rest of your house and catch up with everyone for a while. After a couple hours of socialising and fifteen minutes of helping Neville Longbottom search for his pet toad, you head up to your dorm with Ginny and Lena, one of your other dormmates, to unpack.
As soon as you open your luggage, you search for your pyjamas and immediately change out of your robes and into a t-shirt and baggy shorts for comfort. You’re in the middle of unpacking some textbooks when you hear Lena whistle from behind you.
“I do not remember those pyjamas looking like that,” Lena comments, grinning at you. Rolling your eyes, you comply with her request to do a little spin and you can’t help feeling pleased when Lena and Ginny start whooping and hollering. “You’ve always been gorgeous, but you really grew up this summer, huh? Look at those legs!”
“Tell me about it,” Ginny pipes in, flopping down on her bed and abandoning her unpacked suitcase. “She came to stay for a week and Mum looked like she was going to cry every time she saw us. Something about ‘blossoming into young ladies’ or whatever bollocks.”
“You ‘blossomed’ last year,” you point out, and Lena hums in agreement. “I haven’t forgotten how Zacharias Smith fell off his broom trying to wave at you during Quidditch practice.”
Ginny groans and starts ranting about teenage boys again. Lena joins in and starts teasing her about how Harry Potter is the only boy she hasn’t complained about and you’re about to set down your belongings to help Lena dodge the pillows Ginny is throwing at her when a flash of green and silver in your suitcase catches your eye.
“Shite, I have Theo’s uniform,” you huff, grabbing the clothes out of your suitcase and sliding your slippers on. “That means he has mine and I am not dealing with this at seven in the morning. I’m gonna go drop this off, be back in a minute.”
Ginny says goodbye before resuming her pillow attack on Lena as you make your way out of the room and down into the common room. It’s nearly empty, with most people having gone to their rooms to pack and a quick glance at the clock tells you its past curfew. You decide to take the risk since you have a reasonable excuse, but you hope that if you do get caught, it isn’t by Filch or Snape.
By the time you’ve reached the dungeons, you thank Merlin that Theo had the sense to tell you the password for the Slytherin common room before dinner in case of emergency.
“Pureblood,” you mutter, fighting the urge to scoff when the door swings open. You enter the common room and brighten up when you see that the only students still hanging around are Theo and his friends. Your brother seems to have already started unpacking since he’s standing and holding your uniform, presumably about to come and find you. His friends all mumble polite ‘hello’s and he walks up to you with a smile.
“Oh, hey, I was just-” Theo cuts himself off when he properly looks at you and frowns. “Wha- Why are you wearing pyjamas out and about?”
“You’re wearing pyjamas too!” you exclaim, slightly embarrassed that your brother is doing this in front of your friends. They all turn to look at you again, hearing the indignation in Theo’s voice and you notice Mattheo suddenly sits up straighter. Suddenly aware of your bare legs, you tug down the material of your shorts, despite the fact they aren’t even very short to begin with.
“Oi. Stop looking at my sister!”” Theo snaps, glaring at Blaise, Draco, Crabbe and Goyle. You know the only reason they glanced at you in the first place is out of curiosity regarding Theo’s question, but Theo and Mattheo scowl at them all the same and they all start sputtering, Draco in particular when Pansy narrows her eyes at him. Theo sighs at you, quickly exchanging your uniforms. “Just- at least take something to cover up back to your room.”
“I’ll walk her back,” Mattheo says, out of nowhere. He stands up and makes his way over to you, face carefully blank. Theo nods, agreeing quickly before he ruffles your hair goodbye to go and finish packing. You’re too surprised by Mattheo’s offer to protest until you’re already out of the Slytherin common room.
“I don’t need someone to walk me back, you know,” you mumble after a minute of charged silence.
“It was either me or Theo,” he shrugs, completely unapologetic when his mouth quirks up in a smug smile. “And I know you prefer me.”
“You’re both equally annoying,” you say, rolling your eyes, happy that he’s talking to you like normal again. You hated it whenever Mattheo was serious – it was rarely ever towards you and you much preferred when his whole face lit up with a smile. He begins to tease you about your bunny rabbit slippers and you’re in the middle of pretending to be irked when you both run into Ernie Macmillan, a Hufflepuff prefect doing patrol duties.
“Hey,” Ernie offers you a friendly smile and gives Mattheo a brief, slightly nervous glance. While you prefer not to get into trouble for breaking curfew, Mattheo clearly couldn’t care less and his relaxed, yet intimidating stance must be off-putting to Ernie. Thankfully, you’re on friendly terms with the Hufflepuff and you give him an even brighter smile to make up for it, to which he beams at. “How was your summer?”
“Good, yeah! Erm, listen Ernie. We didn’t mean to be out at this time, it’s just that I accidentally had my brother’s uniform and needed to-”
“Oh, forget it. Don’t worry, I won’t dock you any points,” Ernie reassures you, waving off your excuses and you instantly relax. Ernie gives Mattheo another unsure glance before leaning in the tiniest bit closer to you. You try not to pay attention to how Ernie has been glancing at your legs and how Mattheo tenses up when Ernie starts speaking again. “I was actually wondering if you were available next weekend…?”
Ernie trails off when you don’t show any indication of replying straight away and you snap out of your surprise to say something, but Mattheo beats you to it.
“She’s busy then,” he says coldly, working his jaw. “Now, if you don’t mind, it’s late. Kindly get lost.”
“Wha- Matt!” you hiss, smacking his chest to which he barely flinches, nor does he look at all apologetic. “Ernie, I-”
“Never mind,” he says quickly, seemingly eager to just leave. “I’ll, er, see you later.”
You stand frozen in shock while Ernie rushes down the corridor and turns the corner, leaving you and Mattheo alone. Turning slowly, you look at him with barely contained anger.
“Why the hell did you do that?” you demand, voice sharp as nails. If it weren’t past curfew and you weren’t in the middle of a school corridor, you would most definitely be yelling. Mattheo stands with his hands in his pockets, clenching his jaw and his silence makes you even angrier. You accepted long ago that you’d never have a chance with him, but now he was getting in the way of you having a chance with anyone. It was completely unfair. “What if I actually wanted to go out with him?!”
Mattheo scowls at this, but his impossibly dark brown eyes flash with a hint of uncertainty. “Did you?”
“What?” you ask, impatient.
“Did you want to go out with him?” he says, voice low and dangerous. He walks forward, towering over you and you refuse to be intimidated so you start walking backward until your back is against the wall. Despite having cornered you, he maintains a fair amount of distance between you, leaving plenty of space if you want to move away. You don’t.
“That’s none of your business,” you say stubbornly, raising your chin and trying your best to keep your voice steady. Mattheo narrows his eyes and reduces the distance between you ever so slightly with another small step. You nervously keep talking. “I can go out with whoever I want.” Another step. “And you can’t just-” One more step. “Matt.” His shoes are flush with your slippers.
“What?” he whispers, tilting his head and looking at you calmly, while you feeling anything but calm. “I can’t just… what?”
The previously respectable distance has gone out the window and instead you barely have space to breathe with the way Mattheo is leaning in, head dipped toward you but never touching, hands resting on the wall either side of you. He leans in, eyes dropping to your lips and your heart leaps in your chest with anticipation, but he ghosts his lips over your jaw instead and the barely-there contact has you breathing unevenly.
“You can’t…” you exhale, trying to finish your sentence with some dignity and failing miserably. “You can’t just scare people off like an overprotective older brother.”
Mattheo stills, lifting his head enough to meet your eyes, but making no move to distance himself any further. He scoffs quietly. “Brother,” he says the word with a mildly disgusted scowl. “Is that what you think I want to be?”
“I- I don’t…”
“You don’t know,” Mattheo finishes for you, the corners of his mouth turning up, yet his expression is devoid of humour. “No, you don’t know how badly I wanted to hex Macmillan just now. How badly I wanted to try out some new, experimental spells on that fucking Ravenclaw earlier. But none of that had anything to do with brotherly feelings.”
“They were just being nice,” you say stupidly, with not a clue in the world as to why you’re defending them right now. If anything, you’re just confused.
Mattheo quirks a brow, tongue pressing against his cheek as he considers your words. “That Ravenclaw from earlier was talking about you on the train. He said he was going to ask you out at dinner because you’d ‘gotten hot’ over summer,” Mattheo sneers, like he’s suddenly regretting not hexing Michael Corner in the Great Hall. “They weren’t being nice.”
All of a sudden, you feel irritated because you have no idea why Mattheo is telling you any of this. “What’s wrong with a boy finding me attractive? Is that such a crazy idea?” you demand, part of you not wanting him to answer.
“Merlin, do I seriously have to say it?” he groans, sighing when you glare at him. Mattheo takes a breath, meeting your eyes and you marvel at the sincerity you see when he speaks. “You didn’t ‘get hot’ over the summer. You’ve always been beautiful and they’re idiots for not paying attention then.”
Your breath catches in your throat, whether it’s from emotion or from the close proximity with Mattheo, you aren’t sure. “You think I’m beautiful?”
Mattheo nods, leaning back in to brush his nose against your own, his breath mingling with yours. “Always have.”
You take this as a cue to grab the collar of his shirt and pull him in and the next thing you know, his mouth is firm against yours, and his hands are finally touching you, grabbing you by the waist and sliding up your back to hold you closer. You’ve thought about kissing Mattheo before, but the thoughts feel utterly stupid compared to the real thing. Mattheo kisses you fiercely, mouth sliding hot and wet against your own making you come alive and weakening you at the same time. He nips at your bottom lip and you gasp, causing him to smile into the kiss. Your hands are sliding up his chest to snake around his neck when a thought suddenly occurs to you and you pull away abruptly.
“Oh my God, Theodore,” you hiss, covering your mouth with your hand. Mattheo furrows his brows, looking a little dazed and confused. “What are we going to tell him?”
 “He knows I’ve loved you since we were kids,” Mattheo says flippantly, waving you off and impatiently starting to lean in again, but you stop him with a hand on his chest. “What?”
“You’ve loved me since we were kids?” The words hardly register, but before you can feel any sort of elation, you mostly feel pissed off that your brother has clearly had his fun with the situation for years. “And Theo knows?”
“Yes,” Mattheo says slowly, as if he were talking to a child. He brushes the hair out of your face and his gaze turns a little uncertain when he speaks. “Er, this is hopefully the part where you say you feel the same way.”
“Well, of course I feel the same way,” you huff, still thoroughly annoyed at Theo. “He knew I was crazily in love with you too and the bastard was so irritating about it!”
You’re about three quarters of the way down a list of ways you want to get back at your brother when Mattheo gently turns your face by the chin to look at him. “As much as I’d love for you to plot against your brother right now, it’s kind of a mood killer thinking about him when I’m kissing you.”
“Sorry, sorry. Continue with the kissing.”
“How romantic,” he says drily. His smirk turns smug, however, when he processes your previous statement. “So… you were in love with me too. What was the word you used, again? Crazily? Crazily in love…”
“Don’t make me take it back, ‘cause I swear I will.”
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© angelfic 2023.
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inhonoredglory · 9 months
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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
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We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
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Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
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And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
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Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
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