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#mina just knows
illugremlins · 2 years
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Just pushing my 'everyone loves Deku' agenda.
*Most 1-A, excluding Midoriya, are in the common room*
*Mina storms in, drawing everyone's attention.*
Mina: Who here has had a crush on Deku?
Bakugo: What the fu-
*Todoroki, Aoyama, Denki, Kirishima, Iida, Sero, Jiro, Hagakure, Ojiro, Tokoyami, Shinso, Uraraka and Koda raise their hands*
Bakugo: Fucking Deku? That loser?
Denki: Loser? He could probably punch god if he wanted to.
Todoroki: I've seen him crush a watermelon with his thighs.
Sero: He's the nicest guy ever.
Shinso: He has like, the purest intentions. Also his smile.
Jiro: Biceps.
Hagakure: Don't get me started on those hands...
Uraraka: Ugh, and that look he gets when he's determined
Iida: His loyalty is admirable enough. He's also taken a knife for me.
Tokoyami: He'd take one for any of us.
Koda *signing*: He's good with animals.
Ojiro: And little kids.
Aoyama: And have you seen his....everything, mon ami est presque parfait
Momo: I think if I ever had to date a man, it'd be Midoriya. He's respectful.
Asui: Same
Kirishima: Bakubro you've known him the longest, there's no way you've never had a crush on him.
Bakugo *blushing*: shut the fuck up!
*Mina nods, smiling.*
Mina: Told you, Mido.
Midoriya *who'd been hiding in the halls after arguing with Mina that he's too much of a loser to be liked*: I think I'm going to pass out.
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egophiliac · 8 days
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Serious question.
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
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but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
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jjelliacee · 3 months
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petition for future adaptations of Dracula to give Mina her gun
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its-your-mind · 7 months
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HEY. HEY.
HEY @re-dracula WHAT GAVE YOU THE RIGHT TO HAVE JONATHAN ACTUALLY READING THAT PASSAGE OUT LOUD BEHIND SEWARD DESCRIBING THE SCENE, HUH? WITH THE TEARS IN HIS VOICE AND THE PAUSING AND THE SHORT LITTLE INHALES AND THE VOICE CRACKS? WAS IT TRULY NECESSARY??? I WAS ALREADY CRYING. I DIDN'T NEED THIS TOO. WHAT THE FUCK.
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rakiah · 11 months
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Woohoo! I finally finished this little game <3
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josis-teacup · 2 years
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umm
i was gonna write something cleaver here but i'll just get to the point
i wanted to take a stab at some writing prompts and drew a scene from it
don't judge me
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astro-b-o-y-d · 4 months
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I'd like to thank @ferretwhomst for telling me about this tweet, I knew I HAD to draw Mina in it the moment I was made aware (with a few of her own personal touches to the outfit 💜).
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(Cipher font by @/ashyslashyy)
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vickyvicarious · 9 months
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I love the music this episode. So foreboding for the Demeter section, and then so light and charming for Mina.
Speaking of Mina, I love how she opens with Lucy "looking sweeter and lovelier than ever" - because obviously, Lucy looking sweet and lovely at all times is a given, she's just more so currently. ^_^ She has some lovely descriptions, reminiscent of Jonathan - she too is painting a word-picture for him to possibly read later. But it soon diverts into history and legend and spookiness, because of course it does, she enjoys that stuff. ...actually, graveyards being treated almost like public parks wasn't that uncommon at the time I think, but it's still fun and her interest in spooky stories is apparent elsewhere in the entry too. I love how Mina is planning to come back here and work often: it's that preparation for the future again. She's so eager to get started, and possibly in a little bit of the 'I'm going to get so much done this summer' phase, though I have way more faith in her ability to stick to the plan than my own. But she really is obviously excited to build up her skills (presumably working on typing and stenography) and I love how you can really feel her effort (and her enjoyment in the effort) to be like lady journalists here. All those descriptions and interviewing Mr. Swales...
Speaking of Mr. Swales, he sounds so sweet. Lovable grandpa acquired; well done Mina!
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spooh52 · 1 year
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Do you every think about how Jonathan “Shakespeare lover” Harker could have proposed to Mina using a sonnet he wrote with Lucy “Shakespeare Lover” Westenra? Do you Ever think about how he could have taken her to the cemetery or graveyard where their parents could have been buried if their parents were buried in the same place and done the proposal after taking her on a date chaperoned by Mr. Hawkins who knows that Jonathan is going to propose so he leaves them alone so Jonathan can have some privacy to do it. Do you ever think about how it could have been sunset (or cloudy, about to rain when no one else but them would propose) and Jonathan starts out saying this sonnet to Mina who knows that this is going to end in the proposal and her excitement feeds Jonathan’s so he gets stronger with every verse, more assured with every quartet only to get to the couplet at the end and he falters on the last line. The line that goes like “Dear Wilhelmina, will you marry me?” But he gets stuck on the “will”. Her heart is pounding; his heart is aching. He knows that he has to say “you marry me” but he wants to say the “will” which makes it eleven syllables instead of ten thus, ruining the sonnet. But then, Mina who knows him, knows where this is going, has been waiting for this moment for so long. She sees him on his knee holding a ring given to Jonathan by Lucy for the purpose of proposing to Mina. She says “you marry me” in a feeble voice and Jonathan whispers “yes” in confirmation that that is the rest of the line, and yes he wants to marry her. Mina jumps up and practically shouts yes herself. Thus Mina is the one who technically proposes to Jonathan because she finished the question. They hug. Falling into the grass laughing like the young twenty something’s they are not knowing how this proposal is going to be tested. Does this cross anyone else’s minds?
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lemonavocado · 4 months
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i have many many thoughts about the portrayal of elizabeth (and henry) in adaptations of frankenstein and they need to be broadcasted immediately. feverish incoherent raving about this subject under the cut. tw for very brief mention of SA
so. elizabeth lavenza. by the time of the wedding, elizabeth is rather obviously portrayed to be just as morose and brooding as victor is, she just isn't as susceptible to episodes of mania and psychosis so it doesn't seem nearly as dramatic compared to victor's trauma. she's been through the gutter herself, being an orphan for starters, then being adopted into a family and having to assume the role of caregiver in the frankenstein family because of the coercion of her dead mother to not only take her place as the maternal figure in the family but also marry her surrogate brother (or literal cousin, depending on which version you read). then her surrogate younger brother william dies, and the within weeks she has to watch her closest heterosexual life partner justine be unjustly hung by a corrupt justice system. and she vocalizes, actively, her pessimism and hopelessness in light of these many tragedies. tldr she's fucked up and rightfully so, and while she's a little less crippled by depression than victor, she still has the distinct appearance of being rather ill, listless, and tired, especially towards the end of the novel. anyways my point is in the novel, the most important thing about elizabeth is not that she's a woman and victor's bride. yes, that's obviously the purpose she was created for, but shelley went out of her way to give elizabeth an extremely definite and unique character. she's gentle and maternal like most woman in early 19th century literature, but she's also introspective, intelligent, and perceptive. she displays agency and self-awareness repeatedly (her guilt over the locket, going to the execution of justine even when alphonse tells her not to, waxing poetic on the failures of the justice system, asking repeatedly and rather pointedly if victor actually wants to go through with the marriage, obvious anxiety and solemnity concerning the wedding) we also have to take into account that elizabeth's personality is being relayed to us BY VICTOR, and he wants to see elizabeth as docile and femininely passive, even if a lot of her actions themselves in the novel actually seem to contradict that. also, i am peppering in that many people can (and have) made a genuine and convincing argument that victor and elizabeth are not in love and were groomed to accept their union by their weirdo parents - that they care for each other, but the text includes important nuances that make it evident that victor doesn't feel anything for elizabeth like that. it is a legitimate interpretation of the book - dare i say it's the correct interpretation of the relationship between victor and elizabeth. but that's another essay for another day and it's not SUPER integral to my rant here today. it just highlights the complexity of elizabeth as a character.
so. for some fucking reason, writers do not understand this when they are adapting the novel, and do not want to apply more than eight seconds of critical thinking and the absolute shallowest 3rd grader levels of reading comprehension to this character, so they simplify her from what she was in the original novel, freshly complex, opinionated, and introspective to boring useless incest lady. victor is never portrayed with the same amount of nuance he deserves in any adaptation (also another essay for another day), because adaptations also have a very surface level reading of him as "guy who was ambitious and played god which immediately cements him as an irredeemable self-aggrandizing asshole and/or a raging insufferable narcissist who's a dick to everyone around him EXCEPT for elizabeth" but at least SOME adaptations are able to kiiinnnddaaaa capture the sympathy meant to be felt for the character in the novel. not so for elizabeth. her character in basically every adaptation can be boiled down to this: "omg victor my brother let me hammer in that you are my brother. im just going to stand here and look clueless and annoyingly naive for the entire time im on screen/stage. im just a little girl and idk what's going on victor but im gonna stay blindly devoted to you and ask numerous but completely useless questions 🥺 let me stare at you with tender worry in my eyes and treat you like a child even though we have absolutely no romantic chemistry and you're an objectifying dick towards me and we have nothing in common and the audience is actively dry heaving as we sensually make out for no other reason than to have characters in this movie sensually make out. im basically a carbon copy of original-novel-henry expect super boring and super useless because im a woman which means the doylist explanation for why im here HAS TO BE ONLY for the main character to fuck me and to hold the attention of the male viewership. now time for me to get SA'd by the creechur for basically no reason" we can observe something approximating this in basically every frankenstein adaptation i've ever seen: kenneth branagh's (my enemy) 1994 film, the 2004 hallmark miniseries, the musical, and the ballet. also in the 1931 film, but that one isn't really trying to be book-accurate so it doesn't really count for this rant.
with this understanding of elizabeth, writers then attempt to artificially generate more romance between these characters, mostly by, yes, replacing a lot of henry's role in the novel with elizabeth, hence why we see so many adaptations (1994, 2004, ballet) make elizabeth nurse victor back to health in ingolstadt instead of henry, which generates... so many problems. one problem with this is that it just sorta ruins henry's original role in the novel in one go. writers recognize that henry is supposed to be victor's character foil, but now they don't have much for him to do so he can demonstrate that role in the story since they gave all of the romantic tension moments to elizabeth. meaning that in adaptations you can tell the writers didn't really know what to do with henry because he's reduced to a comic relief bumbling idiot (1994, ballet, 2004 to an extent) with his only personality traits being "random xd" and "morals good playing god wrong!!!! 😠" (2004, musical, several independent stage adaptations). they keep him as a character foil, but just replace all of his compassion, tenderness, and devotion with elizabeth, while effectively draining henry of all of his original appeal and charm and stamping those traits onto their already stripped-of-all-nuance elizabeth. so now both henry and elizabeth are not only extremely different from their original roles in the novel but extremely, woefully less charming and complex. this especially pisses me off because it's explicitly stated in the book that henry was victor's only friend precisely because he was victor's intellectual equal, so seeing henry reduced to a smiley idiot and/or stupid generic male side character with Morals fills me with a visceral rage. writers will also sometimes make victor and henry meet in college (ballet, 1994) and try to strengthen the bond between victor and elizabeth by making it appear as though she was victor's ONLY childhood friend and companion. other times, victor and henry will be friends pre-ingolstadt (2004, musical) but most of the relationship development will be between elizabeth and victor. those two have all of the tender bonding moments while henry is just kinda inexplicably there sometimes. but i digress. this post is supposed to be about elizabeth. but IF YOU NEED A CHARACTER TO BE A SUNSHINE SOFT OPTIMISTIC LOVER FOR VICTOR IN A FRANKENSTEIN ADAPTATION, HENRY IS ABLE AND WILLING ARE YOU STEPPING ON MY BALLS
clervalstein is true. anyway
elizabeth is somehow more complex and powerful as a female character than the literal adaptations produced almost 200 years later. in adaptations, the most important thing about her is somebody else. the development of all of her character traits (which usually never go beyond standing around and looking helpless) are solely dependant on victor. she feels more like an appendage of the protagonist than an individual with thoughts and experiences separate from victor, and her character is loosely defined and flimsy so the writers can have her conform to her actions in the book whenever it's convenient and then change things up entirely that completely contradict her characterization in the book whenever it's convenient. i have no idea why the fuck this keeps happening with frankenstein adaptations (it's misogyny) and because it isn't looking like guillermo del toro's film (from what ive heard) is going to be super book accurate, i dont foresee too much of a shift in frankenstein adaptations.
look i get it. it's a movie/play/ballet which lasts like 2 hours and you have a lot to do and not a lot of time to do it. i understand you have to make sacrifices for brevity and these characters are, frankly, a lot less interesting and exciting than victor and creechur. people didn't come to see john hughes levels of charm and complexity in the side characters, they came to watch the creechur do scary shit and for victor to say IT'S ALIVE 😱 and be an evil mad scientist you love to hate. they came for their values of "it's wrong to play god!!!" and "too much ambition bad!!!" to be re-cemented even though that's not even the original point of the novel. which is why imo if you're going to adapt frankenstein in a manner that does justice to the beautiful and sublime subtlety of the original novel, it needs to be either a miniseries or a REALLY LONG film. it's a short book, but it's very eventful, and imo for an adaptation to work you have to let the audience sit with it. which is why you all need to donate to my gofundme so i can produce an honest to god frankenstein adaptation. in fact, im running for president in this year's primaries :3
just a disclaimer: im not an academic or a scholar or anything. i just like the book. i probably have no idea what the fuck im talking about. but im a very very passionate little guy and this has been my rant
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egophiliac · 1 year
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event filler is my favorite, because sometimes it's characters walking around for three hours reciting wikipedia entries about local dishes, and sometimes it's pillow fights and Leona getting mad at everyone for trying to call shotgun.
(also lore dumps)
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fairdale · 8 months
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it’s 2am and my heart feels warm thinking about big brother kit trying to put his little sister mina to sleep without waking tessa and jem up. feels even warmer when i remember jem was watching him do it, that must have felt like a gentle caress to his heart as well. i just know kit is an amazing brother and he loves her with his whole heart, he for sure has the softest spot for her
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sonego · 1 year
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“Maybe one of my best races that I’ve ever done. At least that I remember. It was awesome and... one of the races that I would say I’m the most proud of, given the adversity that we experienced during the weekend and I think this just proves that you should never ever give up.”
Lewis Hamilton after the BRAZILIAN GP 2021
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I looked eagerly, and in the window of my own room saw Mina. I waved my hand to her, and nodded to tell that our work there was successfully accomplished. She nodded in reply to show that she understood. The last I saw, she was waving her hand in farewell.
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thelaughingpanda · 11 months
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Seward (May 25th)
(Mem., under what circumstances would I not avoid the pit of hell?) 
Jonathan (October 3rd)
To one thing I have made up my mind: if we find out that Mina must be a vampire in the end, then she shall not go into that unknown and terrible land alone.
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