#mini moog
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prog pillows prog pillows prog pillows
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Moog 70th Anniversary & The Return of the Minimoog Model D
If you’ve been around the world of music for any length of time, there’s a good chance you’ve heard the name Moog, which has become synonymous with one of the most popular synthesizers of all time, the Minimoog Model D.
What stands out about it? Well, it depends on whom you ask, but I think its unique, rich, raw, cutting, rumbling tone has something to do with it. What do you think?
Whenever I’m…
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#app#Bob Moog#Mini Moog Factory#Minimoog Model D#Model D app#Moog#raffle#Robert Moog#synth#synthesizer
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Linda McCartney played on Paul's 1989 album Flowers in the Dirt (specifically the song Rough Ride). Producers Trevor Horn, Stephen Lipson, and Chris Hughes were completely besotted remember working with her:
Trevor Horn: The other thing that I remember about Rough Ride was that we brought Linda in and Linda played some really great synths. She came up with this idea for a mini-moog part. We really liked Linda. So I was pretty keen to get her on the record. She also seemed to have a really good influence on him. He really liked her, if you know what I mean. [I know] that’s a dumb thing to say, but he did. Sometimes you meet people who don’t like their wives, you know.
Stephen Lipson: She was wonderful; absolutely brilliant. I haven’t got a bad thought in my head about her. She was the best; so warm. She invited us into their lives in a really lovely way. And that was Rough Ride. And then we mixed it.
Chris Hughes: I got very close with Linda. She was great. I spent a lot of time with her, and both of them; just hanging out. The pair of them invited me around to their place and cooked supper and they were great. Linda, particularly, was wonderful.
Trevor Horn: What are my memories of it? My memories are of Linda. I’ve still got the photographs she took of me and Steve, I’ve got them up on the wall downstairs.
#the way they're all quite impressed with paul but absolutely adore linda 😍😂😍#and okay it's partly because paul is work and he's a beatle so they're on their mettle and polishing their own egos#but also!#linda!#they just adored her#and keep mentioning her#and like him much better for how much he liked her#linda mccartney#paul mccartney#trevor horn#chris hughes#stephen lipson#flowers in the dirt#1989#paul and linda
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McNeal and Niles - Thrust - Wilbur Niles’ first, privately-pressed album from 1979. He would adopt Thrust as his band name and record 7 more albums of jazz-funk; the whole catalog has just been reissued by We Are Busy Bodies.
A track about an African king recorded in the back of a car wash commands $1,600.
At the makeshift Man-Ray Studios in Akron, Ohio, where barrels of soap were rolled away to make room for recording, guitarist Wilbur Niles and his then-girlfriend, Machelle McNeal, recorded "Ja Ja." Niles, a history major, titled it after King Jaja, who rose from slavery to become a wildly successful broker of palm oil in the 19th century.
The humid tranquil track would lead off the pair's first and only album together, 1979's Thrust. It begins with an elliptical little electric-piano hook by McNeal, an accomplished musician without much jazz experience, accompanied by wind sounds. The effect is of sparkles of sunlight through an otherwise dense sheet of fog.
Thrust exists in that blurry, liminal space between jazz, funk, soul, and R&B; ‘70s-era CTI comes to mind, but the unpolished vibe sloughs off that comparison, too. Even when “Summer Fun” goes for a four-on-the-floor feeling, the mid-fidelity production renders it diaphanous. The more strident “Punk Funk” is a nod to Devo, whose road crew ran Man-Ray. (“They’re punk; I’m the funk!” Niles explained with a laugh, on the Sounds Visual Radio podcast.)
You’ll swear you’ve heard Thrust sampled somewhere in the hip-hop sphere; pull up “Ja Ja” on YouTube, and you’ll see a comment to that end: “Pete Rock sent me here.” (Google comes up short on that one, but WhoSampled cites the following track, “Summer Fun,” as appearing in Canadian house/electronica producer Daphni’s “Hey Drum” and British techno/house DJ and producer Trus’me’s “At the Disco.”
All in all, its place in the hip-hop and DJ worlds remains to be fully understood. But due to its charm and scarcity, Thrust remains undoubtedly popular among crate-diggers — hence the hefty price of an original copy.
The album’s ramshackle quality places it less in Kool and the Gang territory than something ripe for reappraisal by the Williamsburg set — fitting nicely between one’s Arthur Russell, Ata Kak, and Little Beaver LPs. And this carries through the rest of Thrust — "Hypertension," "Untitled," "Quiet Isle," and "One Slave, One Gun."
— by Morgan Enos
Norman Crumb: Drum Kit
Don Wade: Bass
Willie Taylor: Congas, Bongos, and Percussion
Machelle McNeal: Arp Oddyssey, Mini Moog, Poly Moog, EML 500, Rhodes Piano, Wurlitzer Piano, Hammond B3
Wilbur Niles: Guitar, Percussion, and Synthesizer
Vocals by - Machelle McNeal and Norman Crumb
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The most popular Eurorack module is Make Noise's MATHS, which is sometimes described as an analog computer. Some years ago, synth YouTuber loopop did a video about the module, starting by breaking down the basic functions into three parts: attenuverting, mixing, and slew rate limiting. Attenuverting is a portmanteau of "attenuating" — turning down — and "inverting"; mixing combines signals by adding them together; slew rate limiting is slowing down the rate of change of a signal, making it rise or fall more slowly. By combining these functions (and the extra features Make Noise included), loopop demonstrated about 22 different things a MATHS can do, from basic envelope generation to LFOs to sidechaining to even acting as an audio filter or VCA.
I don't have a MATHS; it's a bit too pricey for my budget (though it's by no means the most expensive of Make Noise's many desirable modules). I have instead a home-built combination of three modules: two copies of Voxmachina's Sigma function and slew generator and a three-channel mixer of my own design, with attenuverters on two of those input channels. And when I just rewatched that loopop video, it turns out my setup can do all but three of those 22 functions, because my mixer doesn't have an analog OR output or a separate inverted output. Which is not too bad for a much lower price point and the satisfaction of saying I made it myself.
(I've gone through some MATHS cookbooks before to translate their patches to a dual Sigma setup, and there are, of course, a couple of other features that MATHS provides and my setup lacks. The MATHS slew channels have independent and simultaneous CV control over rise, fall, and "both", where Sigma provides the equivalent of a "both" and a switchable CV input over one of those; in MATHS, the slope shape, from exponential through linear to logarithmic, is selectable without self-patching; there isn't a gate input to control cycling; and MATHS channel 1 has an "end of rise" trigger instead of the "end of cycle" one that channel 4 or Sigma provides. The kinds of patches that require one or more of the missing features aren't enough to make me desperate to upgrade, but they'd be nice. Replacing the mini mixer with a larger version with attenuverters on each input and an OR out is in the medium-term plans.)
loopop did a follow-up video about using a MATHS to duplicate the dual-suboscillator function of the then-unreleased Moog Subharmonicon, and it turns out my setup can do that too — I was just listening to my system rigged to divide down a VCO signal with the Sigmas, to create random chords from a single note.
#electronic music#modular synth#sdiy#eurorack#slew rate limiter#i never know if i go into too much detail or too little on these posts#or both#it could be both#but it makes me happy to use and explain things i've built
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Aste and Poss! (Featuring the famous Hammond B3 and Mini Moog!)
Commission for Buic.
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🎛️💡 Links to all profiles and platforms in Bio. 📲 🎧 officialriff.com 🎧 🎛️ Used equipment in my sessions: Elektron Digitakt, Elektron Digitone, Elektron Syntakt, Elektron Model:Samples, Elektron Model:Cycles, Moog Grandmother, Teenage Engineering OP-Z, Haken Audio Continuum Mini, Hologram Microcosm, SP404MK2, SP404, Akai MPC Live, Akai MPC 2000, Roland MV8000, microKorg XL, MacBook Pro, Logic Pro, Teenage Engineering Frekvens stagram
#officialriff#housemusic#lofihouse#modelsamplesmodelcycles#digitakt#continuumini#syntakt#sp404mk2hologrammicrocosm#elektronaut#sp404#dawlessdawlessjam#synth#electronica#electronicmusicexperimentalmusic#ambientmusic#eurorack#newmusicbeats#techno#producer#musicproducermusic#recordingstudio#musicstudiomoog
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Take one member of Electrelane and one member of Wire and you get mini supergroup Memorials.@memorialsmusic I never got to see Electrelane live, the timing was all wrong for me so was interested in seeing Verity's new project with Matthew Simms of Wire. Originally releasing soundtracks for the films Tramps and Woman Against the Bomb, both albums have a very different feel and their music takes on various formats and moods,elecletic, experimental, tape loops, Moogs, it's difficult to pinpoint.
Track -Tramps
Memorials - Crofters Rights, Bristol 17th May 2023
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The yearly tradition returns: 2022's Summary of Art!
And hey, I did something a little more design-y than my past ones! Will admit it was a bit tricky to fit each month's pics into the frames this time but I'm glad I tried a different look than usual
thoughts on each pic + reflection on the web + how I want to handle art going into the new year below:
January - Iri Intro!
From a somewhat short-lived thing I wanted to try out: Doing sketches of OCs just to serve as an introduction reguardless of quality. The good thing is, because quality's not a factor I can do these whenever in whatever format or polish. I just prefered doing larger pics this year
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Febuary - A 'Cereal' Debate (comic short)
Ok, but she's got a point when you think about it.
From a comics class I took spring this year. The only prompt was "conversation"... well, heated debate in this case.
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March - The School Mystery (comic short)
Another one from that Comics class and goddamn I think the panel featured here alone is one of the hardest things I drew that semester. That's pen and ink with minimal digital edits and damn hoping one day I could somehow make a longer comic with a similar style bc it was really fun to ink honestly.
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April - The Fish Project
JADE WITH THE FRESH SALMON???? REAL!
Ok but for the real context, this was an April fools project I had in the works since 2021. I turned all my active art accounts at the time into an OC Fishing irony page and sent Jade, Iri, Risa, Jpeg, and both Prisma's on a fishing trip. Not sure how I'll top that in the future... I'm not revealing until April >:)
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May - MOONROT
May was when I redesigned & revealed Io to the public! They got a bunch of art this month, but the CN challenge art is my favorite of all of them.
Huh. Suprised I didn't immediately burn out because that semester was extreme in terms of work. I guess wanting to draw Io was that strong.
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June - Life, After Wither
A pre-Artfight 2022 pic: I was Team Wither! I like doing splash pics for my own page for Artfight and this stayed my main banner for just about most of the year.
The mini-story I made up for this is these three teamed up across dimentions or something to visit this forest.
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July - In the Studio, fr
I don't normally do post-Artfight related pics, but Moog ended up getting the most attacks this year and I wanted to give her an extra pic based on it.
Seems she kept a souviner from the forest in the last pic.
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August - B-Hold! The Portal King!
For Clockday on Newgrounds, Strawberry clock the portal King himself!
Kept getting swept up with other things to jump on Newgrounds events, I wasn't gonna miss one of the bigger ones!
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September - // DIRECTION //
(outside of being gay for the robot-) I just wanted to draw Alia tbh. With a similar energy she had in her older art too.
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October - HELLSPAWN
ABSOLUTELY NEFARIOUS HALLOWEEN PIC!!!
Featuring Io's true/original form + their 'powered-up' state
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November - The Fowl Pest (Mock-Cover)
The last two are for my Digital Illustration class. This one is a mock-book cover based on a worldbuilding project of mine (still need to organize it before sharing).
Though tbh if I do want to do more art for said project I might go tra-digital or use a grittier style. During crit I was told this looked "middle-grade"... when the world is "older-YA/Adult"... still like the pic, but damn.
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December - Lan Party!
*Sigh* Always wanted to go to one of these! But alas, me and my irls are all busy these days. This is based off a different project I'm working on.
I ended up debuting some different designs for my OCs for said project (notably; Iri, Risa, and Human!Midi) but separate pics for them will have to come next year. In terms of digital lineart, this was the most intense I did this year (traditional lineart comes easier to me than digital).
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So... 2022. Jesus Christ
This year was rough for me on things personal, and things non-personal. I mean jesus christ every other week something came out that was hostile to artists one way or another on top of some rough patches in my life. I don't want to jinx 2023 or leave things on this note though...
I think my biggest takeaway from this year is I need to rethink a lot of things. How I want to do art, where I want to go, or even my 'digital wellbeing'. This year, I realized keeping art a Hobby or staying "part-time" (as in small gigs & private comms only) might be healthier for me in the long run. I've already had my doubts with a lot of "professional" practices when I was shooting for it (a tl:dr it felt like "no fun allowed" half the time). But realizing how horribly i've treated myself and my art with this chase? That was another thing.
I think i've done a lot of strong pics compared to past years. Especially in terms of backgrounds and not being afraid to draw them (though I could always use more practice, lol). But I've also come to terms with I've been affected by social media without realizing it and how it hurt how I do art. Basically, for the past two years I've been working under the fear of being boxed into doing one thing. Be it fanart, genres, etc. To the point I stopped doing things to force a "brand". Specifically, I stopped doing fanart unless it's oc-centric. I hid straight-up fanart, and started getting irrationally upset over the metrics fanart gets over my original works.
And I hate it. I hate how I let myself judge the value of my work over "numbers and engagement". I hate how I boxed myself in trying to avoid being boxed, because of chasing this corporate measurement of worth. And most importantly, I hate that I nearly forgot that I enjoyed making fanart, because of some dumb culture caused by social media numbers and algorithms. I'm exhausted. So for 2023, I think I want my main resolution to do better with my online life & how I treat myself and my art. I want to pull away from social media a bit more (ironic considered i just came back here heh), spend more time on the slower web & offline if possible, and break that cycle of letting numbers judge my self-worth. And maybe help others do the same. It's much easier said than done, but I don't want to do nothing about this toxic hellscape that is how art is treated online, I want to do something even if the only person I directly help is myself.
And for what it's worth, focusing on my site so far has been cathartic. It's somewhere I can set up my art, projects, weird shit, etc. on my own terms, how I like it. It's quieter over there. And I'm glad I kept working on it beyond just a "portfolio site".
But I guess I have all of 2023 (and what's left of 2022) to process that. For now, I could use some extra time to pretty-up my website some more and take a few more naps before the year ends.
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extra note: this post is a (slightly modified) mirror of a post over on the everlogs:
Website Version Here!
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Review of Neutral Milk Hotel’s and Olivia Tremor Control’s show in St. Louis Post-Dispatch, 9 May 1997.
transcript:
At The Side Door: More Than The Names Are Weird
NEUTRAL MILK HOTEL/OLIVIA TREMOR CONTROL
Side Door, Monday, May 5
By Matt Fernandes
Special to the Post-Dispatch
An intense bunch of aging punk fans drifted into the Side Door looking for something more than the tiresome three-chords-and-out performances delivered by many a touring band. In their quest for meaning, they turned to Neutral Milk Hotel, a band that has made national waves over the last year.
Despite the critical acclaim for Neutral Milk Hotel's debut album, “On Avery Island,” only about half of the floor space was occupied throughout the show. As band leader Jeff Mangum took the stage alone, the small gathering huddled close to the stage. They did not get too close, though, as Mangum announced that he was ill with a 100 degree temperature. Also, his drummer “couldn't be here.”
Not a promising start, but perhaps the strength of the band's songs alone would offset the fatigue factor.
Not the case.
Mangum labored through an eight-song, acoustic set with few highlights. Mangum dominated the songs with his bold guitar work and vehement voice. Often. Mangum appeared ready to eat the microphone as his voice rang through the speakers. The effect was often awkward. Lowering the volume would have been appropriate for the band’s folksy, slower tunes.
Not surprisingly, the instrumentals were the strong points. Julian Koster played the “singing saw" during some tunes, giving a surreal element to the music. The instrument consisted of a violin bow and a rusty saw, which Koster would bend to play. The bizarre sound was similar to the loony, high-pitched sound effects used in early horror films and original “Star Trek” episodes. An accordion and clarinet also were thrown into the mix on certain instrumentals. One memorable tune took on a traditional Irish sound, although the instruments used were anything bat traditional or Irish.
On album standouts like “Song Against Sex" and “Naomi”, the band lacked coordination. The jubilant horns, which made “Song Against Sex” so great on the record, were not only sloppy, but inaudible live. Some of the beauty of “Naomi” was lost due to miscommunication. A death-defying final note was held for a mini millennium by Mangum, thus salvaging the tune.
The set featured several new numbers that sounded promising, despite the somewhat crippled delivery.
Olivia Tremor Control's performance was upbeat by comparison. This band knew its material and played it in style. OTC blended the oddest of instruments to achieve a chaotic, yet pleasing sound, (Well, most of the time.)
It was a true country jamboree. Some of the oddball instruments include a banjo bowed with a violin bow, a sawed-off trumpet, a Moog synthesizer combined with a Casio keyboard and a strange wood box with electrical wires.
OTC's songs were tighter than those of NMH, their soul and label mates on Elephant 6. Funky bass lines gave the crowd a reason to dance. Impressive four-part melodies were featured on many songs. When the band jammed, their sound was earthy, with strictly positive lyrics, reflecting the bright and sunny atmosphere of their hometown of Athens, Ga. Each song held surprises, though: exploring homemade electronics during extended jams is clearly this band's passion.
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私を通り過ぎた電子楽器たち
AKAI S700 12bit QD, レゾなしVCF、変。
AKAI S950 ややハイ上がりなローファイ、変。
AKAI S1000HD HDDファン音がサンプリングされてしまう
AMDEK CMU-800 同梱シーケンスソフトはカセットMTR同期可＝オーディオとシーケンスと兼備せしDAW先駆者！
ARP 2600 Rev.1 ええ音やったのに１週間で壊れても〜た！
Arturia MicroBrute 変態VCO/VCF可愛いパッチング64ステSeq変態音色最高！
Arturia microFreak 秀逸外観秀逸音色秀逸操作秀逸表示秀逸専用凹マイク、0-Coastと組合せてなんちゃってブックラ
Ashun Sound Machine Hydrasynth Explorer よぉ勉強したはるね、もちっと操作性を詰めたら文句なしアプデ大期待
CASIO CT-201 "CASIOTONE" 初代カシオトーン、音丸い
CASIO CT-403 "CASIOTONE" 意外にこれしかない音色あり、モンドなアナログリズム最高
CASIO CZ-101 ミニ鍵でもPD音源８ステEG！
CASIO FZ-1 DCFのレゾ上げてカットオフ上げ切ると元気！
CASIO VZ-1 自作アルゴリズム部分音合成変調音源最高
CASIO VZ-10M 変調方式こそ純粋な音色創造
CASIO VZ-8M 変調方式こそ純粋な音色創造だが発音数が足りん編集非現実的
Clavia Digital Musical Instruments nord lead 初代しかも12声拡張版、個性派な音！
Clavia Digital Musical Instruments nord wave 初代サンプル読めて正体不明の音になるVAと最大６オペ簡易FMとマルチピークフィルターとオブジェクト指向なモーフィング最高！
Dave Smith Instruments mono evolver keyboard PE ２連左右配置デジアナシンセ超変態
Dave Smith Instruments prophet 12 ５でなく12、最強預言者、私は前を向く！！！！！
Dave Smith Instruments PRO２ モノ・パラフォ最強ハイブリッド超変態
ELECTRO HARMONIX MINI-SYNTHESIZER 歪んだ音ですぐ壊れた
elektron SIDstation よく飛ぶらしい、リング変調３基すばらしい
Emu Emax S.E VCFがSSM系の音、E IIワンチップ化
ensoniq SQ-80 アジのあるレゾるハイブリッド・シンセ
ensoniq VFX ひとめぼれ、デーハーのみならず幽玄な音も出る
ensoniq VFX SD II 今も右腕、なくしたら相当に落ち込む
ensoniq EPS16Plus メリケンな音の迫力とデモ曲グッド
ensoniq TS-12 エンソ最後の孤高の名機
ensoniq ASR-10R エンソ最後の孤高の名機
学研 SX-150 本屋でシンセが買える、しかもそぎ落としの美学
HIkari Instruments Duos ちっさいのに木製側板恐れ入り高精細ボディにパンキッシュなフォントと逝ってるチャネリングしかもゲームコントローラみたいな両手UI叫ぶシンセCV/Gate接続可能PRO2ハックするデバイスBOSS PSA-100ご推奨露西亜製Lyra-8買えずこっちにしたが正解
HOHNER D-6 "Clavinet" PU壊れたクラヴィどないすんねん
KORG 700S "miniKORG" 真似できない音楽的なサイン波最高！と思ったら実は三角波
KORG 800DV 少ないパラメで多彩な音が出る異形の黎明期混沌シンセ
KORG MS-10 東洋の哀愁、でもフィルターレゾナンス金属的歪み凶暴
KORG MS-20 個体差でEGの立上がりが早くデジタルっぽかった
KORG MP-4 "MONO/POLY" やんちゃ坊主最高！ LFO２基あるのもいい
KORG PS-6 "Polysix" 演歌みたいな泣きの音がトランスに合う
KORG DW-8000 正体不明の音が最高な鍵盤、エディットし倒した
KORG EX-8000 正体不明の音が最高なモジュール
KORG DVP-1 ５声ボコ、フォルマント操作可能
KORG DSS-1 でかい重いVCF２連モジュレーション・ディレイ
KORG DS-8 青春をついやしたFMシンセ
KORG WS-1 "WAVESTATION EX" おもろいけど難解、ニューエイジに人気
KORG 01/W FD 音源波形に遊び心、でもパターントラックでパターン枠外さなあかんのは、あかん
KORG Z1EX 既存シンセへのアンチテーゼは偉い！
KORG KARMA with MOSS Expansion シーケンシング革命は激楽しいけど難解
KORG monotron これはどこでも遊べる純アナログモノシンセ、でも音階で弾きたい
KORG monotron DUO 音階で弾くべく購入するも鍵域が狭すぎ実用的でなく
KORG monotrol Delay サイケにトリップする60sセンセーション再現
KORG KRONOS 61keys すんげー多機能多芸、でも画面の文字が小さすぎ起動遅すぎサンプルRAM少なすぎ音色メモリー無さすぎ！
KORG minilogue xd 初代はヴィンテ総括音、xdは未来的アナログ音かつp12廉価版の如し、multi-engineでDW-8000再現感涙
KORG NTS-1 Shimmer Reverbデフォだけでも最高！ C++攻略前に頓挫笑
KORG wavestate こなれたウェーヴシーケンス、操作性難解、エディター万歳
KORG modwave こいつもp12廉価版の如し、しかもKRONOS切売第３弾KURZWEIL PC361 仮想モジュラー単体ハードシンセ、内蔵FXまでモジュラー、凄まじ！！
Make Noise 0-Coast 変態セミモジュラー、日影の西海岸シンセシスが逆襲！
modal electronics Cobalt5S キュレーター的VA、オサレ外観も新時代、操作お作法独特、バスパワー鍵盤コントローラーにVAと思えば超今風
moog 338BX "LIBERATION" WHITE 重たい、心斎橋クラブクアトロで弾いた
novation mininova ミクロKORG20年、ミニNOVA10年、ロングセラーにはわけがある
Oberheim XP-1 "Xpander" フラクタルモジュラーええ音、サービスモードも楽し
Roland System-100 セミモジュラー、実は螺旋のイントロ
Roland System-100M フルモジュラーど定番、100ともどもソフトシンク有
Roland SH-09 ハードケース付！日本の少年少女に夢を与えた名機
Roland JP-8 "Jupiter-8" ゴージャス！な外観。ユニゾンモードとクロス変調楽し
Roland JU-6 "Juno-6" HPF無段階連続可変！野蛮DCB改造済！外観バランス良し！
Roland JU-60 "Juno-60" 鍵盤タッチ改善、高完成度、外観バランス慌てぶりが垣間見える笑
Roland JP-6 "Jupiter-6" MIDIつきVCO珍しい、音源波形を加算できるのも良い
Roland JX-10 "Super JX" x 2 DCOでも深い音、Fence of Defenseの音
Roland MKS-100 日影のS-10モジュール、でもライブラリーたくさん持ってた
Roland S-10 x 3 火を噴くくらい使い倒した青春のひとコマ
Roland S-550 x 2 CRTでフェアライト気分、RC-100とマウスもあっただよ
Roland D-50 エイリアス万歳！！ 永遠の名機、部分音合成っていいねRoland D-10 へんなリズムマシン内蔵がまた良い
Roland D-5 実は常にサウンド・パレット状態でエディットしやすいRoland A-50 エディット・バッファ無くて困る、手放したが買い直した
Roland W-30sc 音源波形がみんなつながっててお祭り
Roland JD-800 やわらかい音がやさしい、エディット快適！シンセはこうでなければ
Roland JV-90 鍵盤数が多くて手ごろ
Roland Rhodes VK-1000 ハーモニック・バー・シンセ、上にもう１台載せれるけど邪魔
Roland S-770 けっきょくただの重し
Roland DJ-70 タンテ型コントローラ付サンプラー、階層深すぎ、劇団ポン出し向け
Roland SC-8850 なんでGS/GM音源がうちに？かなり壊れてる
Roland XP-80 これはロングセラーやったな
Roland XV-5080 それまでにない柔らかい音もでて新機軸
Roland VP-9000 当時は物真似ばかりだったソフト音源に喝ハード！
Roland VariOS/V-Producer III デザイン秀逸、ミニ・プロツー的
Roland V-Synth ひさびさに出たイカれたシンセ
Roland V-Synth XT ちょっと大人になったかな
Roland VC-1 "D-50 for V-Synth/VariOS" モノホンのソースコードまんま移植したそうな
Roland VC-2 "Vocal Designer" 結構役立つ、歌詞つきで合唱隊を歌わせられるし
Roland Fantom-XR VFX後継者のつもり保険のつもりがエキパン再生機に
Roland SRX-02 "Concert Piano" めずらしくダークな音の生ピアノの音
Roland SRX-04 "Symphonique Strings" 大好きな弦楽のみのエキパンだから大好き！
Roland SRX-05 "Supreme Dance" テクノ４人組３人組の追悼リズムセットよろし
Roland SRX-09 "World Collection" やっぱ民族楽器あってこその音色ライブラリ！
Roland SRX-11 "Complete Piano" 88鍵サンプリングでカミさんの練習用音源に
Roland AIRA TB-3 変態DSPモノシンセ変態シーケンサーこそが本質
Roland JD-XA デジアナ直列並列縦横無尽重層的16系統快適編集万歳
Roland SH-4d ZEN-Core外伝独自音源11 Osc. モデル卓上電池駆動万歳
Sequential Circuits "prophet-5" Rev.3 40メモリー、ポリモジュとPWMとVCFの相性よき個体差
Sequential Circuits "Pro-One" めっさ太いシンベと秀逸デジタルシーケンサーたった40音
東京優勝 WHOLETONE Revolution 弾きこなせず！！！！
waldorf microWAVE XT ヲタなのにポップでグレイト！
YAMAHA CS-15 古いのに二系統音源は流石、鍵盤タッチいいのも流石
YAMAHA CS01 シンセ基本形
YAMAHA DX7 2019年にもなってほんまにこれが来る日が来るとは！ KQ Dixieでエディット
YAMAHA DX9 やっぱこれこそがDXですよ
YAMAHA DX100 やっぱこれこそがDXですよ
YAMAHA TX7 DX7よりも賢いDX7音源モジュール据置型クール！
YAMAHA TX802 変調方式を重ねてディチューン最高
YAMAHA V50 中堅機種のわりに、なかなかに手ごわい
YAMAHA SY35 重量軽い、ええ音する
KORG monotribe フルアナログ音源グルボ、MicroBruteとGate同期させると激楽しい！
KORG Kaossilator 2 よく考えられて楽しいけどおもちゃなので飽きる
KORG volca modular よくここまで詰め込んだね♬ でも頓挫魂炸裂笑
KORG volca nubass ふっる～いホコリっぽ～い真空管サウンドも楽しい
Roland D2 謎のグルボ異端児 でもVariPhraseちゃうであの音色変化は
Roland SP-404mk2 実はVariPhrase搭載型サンプラー！独自変態FXも◎
AMDEK RMK-100 x 2 アムデックのトホホなDIYリズムボックス！
KORG DDD-5 長く使用。ベロシティ・パッドと音色カードが新しかった
KORG DRM-1 すぐ売り飛ばした。私にラックは合わない
KORG PSS60 なんで買ぅたんやろ？
KORG WAVEDRUM Mini 和太鼓 和太鼓とWaveDrum Miniとがニコイチ！和のこころとSondius XG！
Roland CR-78 我が家のクロック・ソースでした！
Roland CR-68 日影もんですが、良い音します
Roland TR-606 フォークソングおっさんが呉れた！！！！
Roland TR-707 かなり故障中
Roland TR-626 なんでうちにあってんろ？
Roland R-70 リズムパターン自動生成。エスノなのは下手。ポジショナルパッドよろし。外観ポップ
Roland R-8 MKII 永遠の名機。外観も硬派。'80年代後期はこれでしょう
KORG SQ-8 x 2 DW-8kワーステ化をもくろむも変態さを自慢して終わり
KORG SQ-1 これほしかった！S/H波LFOの代用になるし安いし USB-CV/Gate I/F になるし
Make Noise 0-CTRL これもなんちゃってブックラ素晴らしい！！！
Roland MC-500 バルクライブラリアン最高！ タイ航空ステッカー最高！
Roland MC-500 mkII クロックが揺れず、ダイアル一発でリタルダントとかできて良いらしい
Roland MC-50 mkII 最後の単体ハードシーケンサーSMF互換ロングセラー
YAMAHA QX5 多機能やねんけど使いにくくて、と思ったらもっぺん来た笑
YAMAHA QX3 これ、はやりましたな！
novation SL MkII 61keys オートマップ便利だが分かりにくい、SF的発光良い！
（Roland）EDIROL PCR-M1 移動中ノーパソと相性抜群
（Roland）Roland ED SK-500 内蔵音源ぷー、なんでUSB鍵盤のくせしてバス駆動せん？？
KORG MS-03 x 2 Pitch to CV変換機、謎リヴィジョン違い
KORG KMS-30 DIN同期とMIDIとを変換するレアなボックス貴重
Oberheim Cyclone アルペジエイターのみの変態マシン
Oberheim Strummer ギター奏法を再現というが、なかなか半端
Roland ASC-1 "Arabic Scale Converter" x 2 知られざる変態MIDI変換マシン
Sigboost “midiglue” 史上初MIDI/CV Programmable Processorメルカリ！
BOSS HF-2 "High Band Flanger" 高い周波帯だけフランジングするアイディア商品
BOSS MZ-2 "Metalizer" その名も凄い、アナログ歪み＋デジタルかな？によるコーラス
BOSS XT-2 "Xtortion" その名も凄い、効果もエグい、でもアナログ歪み
BOSS DM-2W "Delay" アナログディレイ技ペダル、あやしいBBDだそうでよくぞ頑張ってくださいました感涙
BOSS VT-1 変態ボイスチェンジャー、某公共事業に寄贈
BOSS WP-20G GK P.Uが要るのにどないすんねん
BOSS RE-20 "Space Echo" 極上のテープエコーをモデリング、綺麗な音
BOSS SL-20 "Slicer" シーケンシングに匹敵するツインペダル！
HeilSound Talking Modulator ほとんど使わず、めっさ重たい
Ibanez SDR1000+ ２連MIDIタイム可変高音質デジリバ死語SONY製
KORG SDD-3300 ３連モジュレーション・ディレイで変態
Roland RE-101 やっぱテープエコーですよ、800DV 等にかけっぱなし
Roland RE-201 名機なのは分かるけど、この機種のみ有名なのは何故？
Roland Revo30 x 2 珍品レスリーFX、非常にチープな音
Roland SDD-320 言わずと知れたディメンジョン、プロ５と相性抜群、取っ手もかっこいい
Roland SDE-3000A ビット数が粗いのがかえって名機となるも、結局使わず
Roland RSP-550 x 2 当時ボコーダーがほしくて入手
Roland E-660 x 2 中古で入手するにもほどがある、エディット時の反応が遅すぎ！
Roland EF-303 x 2 友人にあげたらフォノイコになった！！
SONY DPS-F7 ウソっぽいフィルターで硬い音のシンセにもなるがその音もウソっぽい、でもSONYシンセ！
YAMAHA REX50 まともな使い方せず遊んだ青春、世界初デジタルディストーション
なんやしらん緑の小さな Ring Modulator ただ歪むだけ
なんやしらん光学式のワウ 口に入れたり脇にはさんだりしてワウる
Roland A-880 MIDIマージ重宝したMIDIパッチベイ
Roland A-110 ただのにぎやかしになるMIDIノート表示板
Roland M-480 48chラック型ミキサー！ 経年劣化でノイズ
Roland M-240 24ch 据置型ミキサー！ 経年劣化でノイズ
KORG KMX-122 フロントにイレギュラー入力は便利だがすぐ歪む
（Roland）Cakewalk UA-1G カミさんの Mac 用、借りて使って使いやすさにびっくり
（Roland）EDIROL UA-101 私の Mac 用、大活躍だが生産完了になってから入手したので老兵
Roland UA-1010 "Octa-Capture" UA-101 の後釜。Auto-Sens 機能便利
Roland Rubix44 Octa-Capture後釜、４ch充分、Generic driver充分
Fostex X-28H VUではなくLEDレベルメーターに未来を感じた青春
TEAC TASCAM Porta One "MINISTUDIO" ピンポン録音だ！
TEAC TASCAM Porta Two "MINISTUDIO" 入力端子が多くて当時アマにグッド！
TEAC TASCAM 688 "MIDISTUDIO" カセットで８トラ！ 使い倒した！
Roland VS-1680 "V-Studio" w / CDR-88 ピンポンしても音が劣化しないのに仰天！ CD焼けてバックアップまでできて、また仰天！
Roland CD-5 使わずじまい、っていうか使えずじまい？？
ableton Live w / various VST plug-ins Ver.1.0から使ってておもろかったけど安直に曲できすぎて飽きた
ableton Live Lite 8 のばちょんのオマケ、VSTホストとして使うつもりが使わずじまい
Apple Garage Band 当時これで同時録音可能音声トラックが８トラあったら充分やったのに
Apple Logic Express 9 ガレバンが↑だからこれを買うはめに。凄い万能ぶりにぼーぜん
Apple Logic Pro 9 なんせ最上位機種がダウンロード販売で１万７千円しかせんのでぼーぜん
Apple Logic Pro X ゼロからの再出発
Apple Garage Band iOS まさか８トラが32トラになって無償になるとは！
Arturia Pigments 3 これはあたらしい音がするねぇ
Arturia CS-80V ヴァンゲリス御大の神器、実物80kgもして所有不可なのでソフトで
Arturia prophet-V キャンペーンでタダで入手！！プロ５とプロVS合体がいい
Arturia minimoog V Original キャンペーンでタダで入手！！太い音しますねー
Arturia Matrix-12 V Xpanderの代わりに入手、やっぱ LFO ×５基は凄いねぇ
DEXED これは使いやすいDX７完全再現フリーウェアしかも今風の音もいろいろあり
Garritan World Instruments 安い音質だが打楽器豊富、常にマルチ音源なのがちょっと
KORG LegacyCollection MS-20 単品売りで安価、少々時代を感じる操作性だけど個性派
KORG M1Le キャンペーンでタダで入手！！ レゾナンス無いし M1 そのもの
Miroslav Philharmonik CE 格安キャンペーンで入手、原音忠実すぎて音域限定は使い辛い
Media OverKill Waverazor もっともぶっとんだイカれた壊れたイカしたソフトシンセ！！
Native Instruments Razor この変態音源が最高、なんせリバーブまで 320 倍音加算合成！
Native Instruments Prism 変態打楽器物理モデリングシンセ、持続音にするとなお変態で良い
Native Instruments Micro Prism 変態打楽器モデリングシンセ簡易版、遊ぶだけなら充分
Native Instruments Scanner グラニュラーで遊びたくて、しかも安かったし
Native Instruments FM8 まぁクロノスとDX互換させたかったので、って変な理由ですね
PPG WaveMapper２ 奇才ジジイ極変態ウェーヴテーブルを超越タイムコレクテッド音源、楽しい！
UVI 各種デモ版ばっか走らせるもスタンドアローンで弾けず
waldorf largo 変態シンセメーカーの集大成的変態シンセが楽しい
W. Taylor Holiday Audulus おそろしく基礎から始めさせられるモジュラーシンセ
じつは膨大なフリーウェア音源とエフェクトたくさんたくさん
Toybear Robobear 変態グラニュラーフィルター VST FX、PowerPCのみ対応残念
AQ Interactive KORG DS-10 @ NINTENDO DS Lite やっぱ物理鍵盤で弾きたい
DETUNE KORG M01 @ NINTENDO DS Lite 「Lore」音色をカオスパッド演奏すると楽しい
IK Multimedia iRig MIDI 30pin-Lightning アダプターケーブル併用だがMIDI Thruに拍手！
IK Multimedia iRig MIDI2 前のがOSアプグレで非互換しょぼ〜ん対策
apesoft iVCS3 シンセ混沌の黎明期ラヴ＆ピースなウッドストック＋現代サンプラーでにこにこ
Arpie 休日にやってると廃人になる
AudioKit Analog Synth X カスタマイズできる無償アプリらしいが、勉強する時間が
AudioKit FM Player サンプルベースだが使えるしレゾナントLPFもあるし無償やしええ時代
CASIO CZ やったー、この調子でぜひともVZ-1もアプリにしてくださいお願いします！！
Compasso 方位磁石を操作子に使う変態シンセ
Konaka Lab Fourier Synthesizer 教育的サイン波加算合成
KORG iElectribe リズムパターン勉強用だから私には珍しくプリセット命KORG iKaossilator ナウいねー
KORG Gadget iPadでこんな楽しいDAWができるなんてええ時代
KORG iDS-10 アナモデのワークステーション・アプリシンセもここまで来たか
KORG iWAVESTATION 初めてWaveStationの真価を発揮できる操作性、次は構造そのものを改善して下さい
KiraQ Tech KQ Dixie DX７フルコンパチが480円って、もう時代はどこまで行くのや
moog Animoog 老舗が８音色ベクター合成ポリアフタータッチ対応のナウいポリシンセを！！
moog Animoog X ベクターが三次元に！ もはや異次元シンセ！！！
moog model D ミニモーグが神々しすぎて手に入れるのが恐れ多い私に
moog model 15 老舗ご謹製だけあってガチええ音すんで♬
Native Instruments iMaschine ナウいねー、サンプリングできるのもいい
Peter Vogel CMI IIxとIIIの音が全部入ってPageRも世界遺産ですな、サンプリングもできるし
PPG minimapper これは変態ですねー、生楽器をハイブリッド合成できる
Procyon Studio Handy Harp ごっつー気合い入ったリアルなハープグリスができる
Propellerhead Figure ナウいねー、パラメータを簡単オートメーションできるのもいい
Propellerhead Thor for iPad なんでもありな万能シンセだけどバグ多し
Pulse Code Modular 美しいモジュラーシンセ
Reaktable Mobile あまりに先端的すぎてなかなか使いこなせないけど凄い
ROLI NOISE ポリアフタータッチと物理モデリング音源との変態組み合わせが楽しい
Seaquence 水族館グルボ、クラゲ的シーケンシングUIすげー
Super Manetron メロトロンを24/96で全鍵サンプリングした真打ち
TANSU Synth 松武秀樹の意地をご家庭で
Vio 変態ヴォコーダー
waldorf nave 同社総決算ソフトしかも見た目も使い勝手も抜群
Wizdom Music Geoshred ジョーダン・ルーデスがライヴで弾きまくる iPad、ギターなUIと物理モデリングで最高の表現力！！
Brian Eno Bloom これは楽器なのか？ 楽曲なのか？ 進化し続ける先端的作品
#synth#synthesizer#synthesiser#nemosynth#nemo#self introduction#electronic musical instruments#daw#vintage synth#effects#recorders#mixers#computeres
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https://spacechild50.base.shop/blog/2022/08/31/185733
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