#miss_anthrop0cene

[a-dream-seeking-light]

grimes - so heavy i fell through the earth

#grimezsz #grimes #claire boucher #claire elise boucher #c boucher #so heavy #so heavy i fell thru the earth #miss anthropocene #miss_anthrop0cene #unreleased #grimes unreleased #mv #so heavy i fell through the earth #gifset #witchy vibes

[darkenergyslivers]

ryder_ripps:  Each @grimes song on #missanthropocene has a single cover, doll created by @popovysisters 👩‍🔬  [ monochrome/dark set // colour/light set ]

+ bonus grimes-globe-girl-black-bg image from grimesmusic.com

#grimezsz #grimes #claire boucher #claire elise boucher #c boucher #ryder ripps #popovy sisters #miss anthropocene #miss_anthrop0cene #潘PAN #aristophanes #darkseid #4am #my name is dark #so heavy #cryptid #heavy metal magazine #4aem #4æm #so heavy i fell through the earth #that's what the drugs r 4 #grimesmusic

[seyferta]

“I was having a baby this week so I literally didn’t realize my Italian Vogue cover came out!!” GOD I want to be able to say that one day... With all the drama of the past month and a half, I forgot to make a tribute post to baby X Æ A-Xii Boucher-Musk (whom I like to call Archangelo because it’s just more beautiful). We stan them forever here, and I say that because of all the unjustified hate baby Archangelo has gotten over his name. C knows what’s good, just remember. Stream Miss_Anthrop0cene NOW.

#Grimes #Elon Musk #X Æ A-Xii #Miss_Anthrop0cene #Miss Anthropocene

[joamorithebat1054]

Neanderthal to human being Evolution, kill the gene Biology is superficial Intelligence is artificial

#miss_anthrop0cene #miss_anthropocene #miss anthropocene #grimes #art angels #visions #halfaxa #geidi primes #fan art #my art #fanart #we appreciate power #hana #grimesfanart #grimes fan art

[jmunneytumbler]

Entertainment To-Do List: Week of 2/21/20

CREDIT: James Minchin/AMC/Sony Pictures Television

Every week, I list all the upcoming (or recently released) movies, TV shows, albums, podcasts, etc. that I believe are worth checking out.

Movies –Brahms: The Boy II (Theatrically Nationwide) – Boy, I don’t know if this’ll be any good, but I’m rooting for Katie Holmes. –The Call of the Wild(Theatrically Nationwide) – Harrison Ford + (CGI) Dog = A…

View On WordPress

#Always Tomorrow #Best Coast #Better Call Saul #Brahms #Brahms: The Boy II #Emma #Grimes #Katie Holmes #Miss_Anthrop0cene #The Boy II #The Call of the Wild

[taste-in-music]

My Most Anticipated Releases of 2020

Now that 2019 is behind us, it’s time to look into the oncoming year for exciting new releases to come! 

Manic by Halsey (January 17th): Halsey’s music is a mixed bag for me, but even I can’t deny that she’s got some real gems in her discography or that listening to Badlands makes me nostalgic to no end. The singles Halsey has released so far for this project are a mixed bag in my book. “Without Me” doesn’t click with me and “Nightmare” is messy and gets grating quickly. However, I like the others quite a bit, especially the synthpop euphoria of “Graveyard,” which I’ve returned to quite a bit over the past year. If the rest of the album leans more in that direction, I can see myself liking it quite a bit. 

High Rode by Kesha (January 31st): Hearing Rainbow back in 2017 was one of the most exciting pop album listening experiences of the 2010s. Not only did Kesha deliver a confident, spirited, self-assured message, but she also blended together a slew of genres, such as folk, rock, and country, all of these qualities culminating in a exhilarating and touching record that I still return to to this day. The singles she’s dropped so far see a continuation of these elements into her next era, with “Raising Hell” and “My Own Dance” being dance-pop bangers while “Resentment” shows Kesha’s softer side.

The Slow Rush by Tame Impala (February 14th): After five years, the wait is finally over! I’d call myself a casual fan of Tame Impala, but even I can’t admit that Kevin Parker and crew know their way around indie rock hooks with a psychedelic spin, (as far as I’m concerned, “The Less I Know The Better” is a modern classic.) Singles such as “Patience” and “Borderline” show that this quality hasn’t lessened in the slightest, while the sprawling soundscape “Posthumous Forgiveness” shows that experimentation is still in store. Also, it’s being released on Valentine’s Day!

Cape God by Allie X (February 21st): I don’t think I can express how excited I am for this album. I think this is my most anticipated album of 2020 right now. All of the singles released so far been amazing. The eerie synths on “Fresh Laundry” make it the perfect spooky bop, Ms. X and Troye Sivan work great together on “Love Me Wrong", “Rings A Bell” goes OFF with its chorus, and bassline on “Regulars” makes for one killer groove. Not only that, we’re also getting a Mitski feature? I’m calling it for the collaboration of the year. Allie X's discography has been near flawless so far, so let’s just say that I’m hyped. 2020 better be the year she gets the recognition she deserves. 

Notes On A Conditional Form by The 1975 (February 21st): As I’ve mentioned before, I have no expectations going into this album because I have no idea what it’s going to sound like. All the singles so far have been so drastically different, one being a speech set to music, another punk, and another pop. Regardless, they’ve all been good, so I’m not complaining. The 1975 are always dependable when it comes to delivering danceable bops with philosophical tidbits peppered throughout. 

Miss_Anthrop0cene by Grimes (February 21st): How am I going to survive February 21st? I’ve been awaiting a new project from Grimes since falling in love with the sugary hooks, eccentric production, and hellish flair on Art Angels years ago. The singles so far have been a mixed bag, but it looked like we’ll see Grimes tackle themes of technology and artificial intelligence on this album, which is bound to be interesting.

Masochism by Sky Ferreira (TBA): This is assuming that we’ll even get an album at this point. Has it really been 7 years since Night Time, My Time dropped? Of course I’m kidding, however long Ms. Ferreira takes on this album will be well worth it, and I’m all for artists taking their time to refine their projects. We got some crumbs last year, both with her Charli XCX collab and the lush, baroque pop single “Downhill Lullaby.” I’m willing to patiently wait for whatever this alt-pop songstress will dish out in the coming months. 

Future Nostalgia by Dua Lipa (TBA): Dua Lipa was a breath of fresh air in the pop scene of 2017-2018. Her debut album provided not only hit singles that were some of the best on the radio but also great deep cuts that showcased her strength as a vocalist and songwriter. The debut single from this album, “Don’t Start Now,” has been on a loop for me over the past few months, and the melding of past and future aesthetics in her recent videos and music is panning out in a really interesting way. I’ve also heard rumors of Frank Ocean, Miley Cyrus, and Normani possibly being featured on this album, but I don’t have an official source for that, so it’s just speculation, (but can you imagine though?)

Watching You EP by Robinson (TBA): Robinson is an artist I don’t remember I love until I realize that I’m hours deep into marathoning her music and singing along to every line. She’s got a knack for a catchy hook and fun pop production. “Don’t Say” was one of my favorite songs of 2019, and it’s reported to be a debut single from what will be her first longer project. I’m stoked. 

White Hot Forever by Lana Del Rey (TBA): I’d love to get another Lana album so soon after NFR!, but I have a similar concern about this as I did with thank u, next, that it would end up sounding rushed or not as fleshed out as it could be. Still, NFR! was my favorite Lana record to date, and I’d love to see if she’d continue the aesthetics of that project onto this album or start a completely new thematic and visual cycle. It’s also unclear as to whether this would be her spoken world album that’s also been announced? I guess we’ll just have to see. 

The Archer by Alexandra Savior (TBA): Alexandra Savior won me over with her femme-fatale crooner of a debut, Belladonna of Sadness. The debut single from this album, “Crying All The Time,” is a swooning, fuzzed-out ballad that won me over instantly. This woman knows her way around a sensual vintage aesthetic, I’ll tell you that.

Other artists that have either announced or teased dropping albums this year include HAIM, Dominic Fike, Hailee Steinfeld, Oh Wonder, Lauren Jauregui, The Killers, Noname, Orla Gartland, Normani, Madison Beer, Ava Max, Conan Gray, Donna Missal (!!!) and, (good god, if we are worthy,) Fiona Apple. 

It’s still very early in the year, so I’ll likely update this list in the months to come. What albums are you excited for this year? I’m always open to listening to new artists, so make sure to let me know. 

#music #albums #kesha #halsey #tame impala #allie x #the 1975 #grimes #sky ferreira #dua lipa #robinson #lana del rey #alexandra savior #HAIM #dominic fike #hailee steinfeld #oh wonder #lauren jauregui #the killers #noname #orla gartland #normani #madison beer #ava max #conan gray #fiona apple #taste in music

[leerings]

in one hour i will no longer live in a world without miss_anthrop0cene, and that keeps me going

#txt

[chorusfm]

Albums in Stores – Feb. 21st, 2020

If you hit read more you can see all the releases we have in our calendar for the week. Hit the quote bubble to access our forums and talk about what came out today, what albums you picked up, and to make mention of anything we may have missed. Allie X – Cape God BTS – Map of the Soul: 7 Banoffee – Look at Us Now Dad Best Coast – Always Tomorrow Boids – Quel Drag Califone – Echo Mine Greg Dulli – Random Desire Grimes – Miss_Anthrop0cene Guided by Voices – Surrender Your Poppy Field Humanist – Humanist Katie Pruitt – Expectations King Krule – Man Alive! Lanterns on the Lake – Spook The Herd Lee Ranaldo and Raül Refree – Names Of North End Women Mondo Generator – Fuck It Moses Sumney – græ part 1 Ozzy Osbourne – Ordinary Man Pat Metheny – From This Place Polaris – The Death of Me Purr – Like New Sarah Harmer – Are You Gone Sightless Pit – Grave of a Dog Spinning Coin – Hyacinth Tennis – Swimmer The Amity Affliction – Everyone Loves You… These New Puritans – The Cut [2016-2019] Too Free – Love in High Demand King Krule – Man Alive! Rebecca Foon – Waxing Moon --- Please consider supporting us so we can keep bringing you stories like this one. ◎ https://chorus.fm/albums-in-stores-today/albums-in-stores-feb-21st-2020/

[a2ad9c]

Grimes, Miss_Anthrop0cene (2019)

[prosecrastinator]

Top 50 Favorite Songs of 2020

(Spotify Playlist)

.

#050. “Crash” by Nilüfer Yanya  from Feeling Lucky? [EP]

#049. “Alucinao” by Against All Logic featuring Estado Unido and FKA twigs  from Illusions of Shameless Abundance (single)

#048. “Martinique” by Efemèr from Yearning [EP]

#047. “Do It” by Chloe x Halle from Ungodly Hour

#046. “Hit Different” by SZA featuring Ty Dolla $ign (single / from forthcoming LP)

#045. “Tap In” by Saweetie (single / from forthcoming LP… ?)

#044. “FANCY” by Amaarae from THE ANGEL YOU DON’T KNOW

#043. “4 ÆM” by Grimes from Miss_Anthrop0cene

#042. “ooh la la” by Run the Jewels featuring Greg Nice and DJ Premier from RTJ4

#041. “Yo Perreo Sola” by Bad Bunny from YHLQMDLG

#040. “Ice Cream” by BLACKPINK featuring Selena Gomez from THE ALBUM

#039. “Both of Us” by Jayda G (single / from forthcoming LP... ?)

#038. “Ego Death” by Ty Dolla $ign featuring FKA twigs, Skrillex, and Kanye West from Featuring Ty Dolla $ign

#037. “We Got Love” by Teyana Taylor featuring Lauryn Hill from The Album

#036. “Oh My God” by Sevdaliza from Shabrang

#035. “Zombie” (Live from the NIVA Save Our Stages Festival) [The Cranberries cover] by Miley Cyrus from Plastic Hearts

#034. “Polly” by Moses Sumney from græ

#033. “MONEY CAN’T BUY” by Yaeji featuring Nappy Nina from WHAT WE DREW

#032. “Like That Bitch” by Flo Milli from Ho, why is you here?

#031. “Lylz” by Helena Deland from Someone New

#030. “Lost One” by Jazmine Sullivan (single / from forthcoming EP)

#029. “Borderline” by Tame Impala from The Slow Rush

#028. “Under The Table” by Fiona Apple from Fetch The Bolt Cutters

#027. “Your Body Changes Everything” by Perfume Genius from Set My Heart on Fire Immediately

#026. “Gospel For a New Century” by Yves Tumor from Heaven to a Tortured Mind

#025. “The Adults Are Talking” by The Strokes from The New Abnormal

#024. “Boss Bitch” by Doja Cat from Birds of Prey: The Album

#023. “XS” by Rina Sawayama from SAWAYAMA

#022. “Morning Dew” by Kelsey Lu (single / from forthcoming LP… ?)

#021. “Are You Even Real? by James Blake (single / from forthcoming LP… ?)

#020. “Mequetrefe” by Arca from KiCk i

#019. "Salchichon” by Azealia Banks featuring ONYX (single / from forthcoming LP… ?)

#018. “What’s Your Pleasure?” by Jessie Ware from What’s Your Pleasure?

#017. “Murphy’s Law” by Róisín Murphy from Róisín Machine

#016. “Levitating” by Dua Lipa from Future Nostalgia

#015. “Gemini” by Princess Nokia from Everything is Beautiful

#014. “IPHONE” by Rico Nasty x 100 gecs from Nightmare Vacation

#013. “anthems” by Charli XCX from how i'm feeling now

#012. “The Ladies First Cypher (I Wanna Be Down)” by Brandy, Teyana Taylor, H.E.R. and Erykah Badu live from The 2020 BET Hip Hop Awards

#011. “Wildfires” by SAULT from Untitled (Black Is)

#010. “Long Road Home” by Oneohtrix Point Never from Magic Oneohtrix Point Never

#009. “On My Own” by Shamir from Shamir

#008. “WAP” by Cardi B featuring Megan Thee Stallion (single / from forthcoming LP)

#007. “Savage Remix” by Megan Thee Stallion featuring Beyoncé from Good News

#006. “Guilty Conscience” by 070 Shake from Modus Vivendi

#005. “After Hours” by The Weeknd from After Hours

#004. “Lights Up” by Harry Styles from Fine Line

#003. “Entertnmnt” by Oklou x Mura Masa (single / from forthcoming LP… ?)

#002. “Alice” by Lady Gaga from Chromatica

#001. “People, I’ve been sad” by Christine and the Queens from La vita nuova [EP]

.

[musicsensedotclub]

https://musicsense.club/?p=5318 https://musicsense.XyZ/?p=5318 Artist: #Grimes | Album: Miss Anthropocene | Released: 2019 | Style: #Synthpop , #Pop | F&Q: #MP3 320Kbps | Size: 103 Mb | Price At Amazon: $9.49 | 📃 Album Bio: Miss Anthropocene (originally stylized as Miss_Anthrop0cene) is the upcoming fifth studio album by Canadian musician Grimes, scheduled to be released on February 21, 2020.It was announced on March 19, 2019. The album’s name is a pun on the feminine title “Miss”, and the words “misanthrope” and “Anthropocene”,a neologism popularised in the year 2000 by Paul J. Crutzen that was proposed to denote the current geological age the Earth is in. The album is a loose concept album about an “anthropomorphic goddess of climate change” inspired by Roman mythology and villainy. Miss Anthropocene is Grimes’ final album on record label 4AD, which she had been signed to since 2012. Sonically, the album is a departure from Grimes’ 2015 album Art Angels: Miss Anthropocene is primarily darker in style contain https://www.instagram.com/p/B9C4_CQBQt9/

#MusicSense #MusicSense.Club

[a-dream-seeking-light]

Grimes - Darkseid (with 潘PAN) [Xtra_Darq_Mix]

#grimezsz #grimes #claire boucher #claire elise boucher #c boucher #潘pan #darkseid #xtra_darq_mix #extended #extended remix #remix #youtube #video #music #youtuber #before the fever #miss anthropocene #miss_anthrop0cene #aristophanes #brian ziff #vespertinemusic #silicon nemesis

[darkenergyslivers]

cover for grimes - miss_anthrop0cene

#grimezsz #miss_anthrop0cene #grimes #claire boucher #claire elise boucher #c boucher #album cover

[recommendedlisten]

This week really made us wonder if Lana Del Rey is the real deal as her excellently written and produced new album Norman Fucking Rockwell paints, or if maybe she’s the same confectionery sugar-gazing pop star industry plant we originally met upon entering with Born to Die who is never content even with her praise. Beyond the lives of the rich, beautiful, famous and ungrateful, independent music always comes through, as very exciting new listens out of Brooklyn from experimental noisemakers ESSi, House of Feelings’ new disco prince ANDREW and indie rock thinkers Bethlehem Steel. Yaeji made her first appearance of the week by doing Robyn justice on the beach, Hovvdy had us riding for a better community, and UK hardcore risers Higher Power already gave us one good thing to look forward to come 2020. Right now, though, we’ve got world problems to solve and goth energy in every direction.

Here’s the best of the rest from the week of September 1st, 2019…

Bethlehem Steel - “Govt Cheese” [Exploding In Sound Records]

It was just a sec ago that we caught up with the promising outlier rock of Bethlehem Steel leading into their eponymous sophomore effort, due out on September 13th, with their second single “Empty Room”, and the Brooklyn four-piece already has another to consume in “Govt Cheese”. This one comes with a video directed by co-vocalist Rebecca Ryskalczyk, depicting her and the band’s other voice Christina Puerto in deep choreography with another after their dead stares kills off a dirty looking dude trying to steal their center, and for good reason at that, as the listen -- a hook-heavy jostle between rough, cranking riffs and clean electric solos -- is about pushing away toxic bodies from your life and leaning on the support system of those with only the best of intentions for your personal growth and success in life. “I must take care of myself,” rings out the mantra in its chorus, even if it takes spilling some blood to do so.

Billie Eilish - “all the good girls go to hell” [Darkroom / Interscope Records]

There was a great discussion started on Twitter this past week by Speedy Ortiz and Sad13′s Sadie Dupuis that stated, “no one seems skeptical about any pop music anymore and it is bizarre.” Through poptimism, pop music has circled back to being what’s on trend while oddly enough, the underground where most innovations in both sound and style tend to spawn first is no longer regarded as the cool place to be. Leading the pack for the next gen of pop stars is Billie Eilish, a Los Angeles rich kid coming from a family with industry ties who this site has actively observed from a distance, but reserved itself from speaking on until we saw how everything shook out for her. Looking past her possible plant status, the thing that’s the most alluring about this teenage prodigy is how she’s bringing goth-pop to the masses with her brother Finneas O’Connell as her right hand in creating beats weird, yet digestible enough to make this bad guy climb to #1. The latest single from her recent breakout debut WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? doubles as a call to arms about the global warming epidemic and coincides with the United Nation’s Climate Action Summit upcoming later this September in New York. In the visuals, Eilish emerges as an oil spill-covered angel walking a scorched earth ominously. There's shade against modern pop here when it strives to be something greater than itself...

Charli XCX feat. Clairo and Yaeji - “February 2017″ [Atlantic Records]

The long road that has, since 2014, been leading to Charli XCX’s long-awaited third full-length album Charli ends next Friday, and before its drop, she’s hyping it with arguably one of the album’s strongest previews yet. As has been case with its predecessors featuring Lizzo, Christine and the Queens, Sky Ferreira and HAIM, the UK pop star is flanked by two more women making music with the future in mind in lo-fi pop widescaler Clairo and electronic house producer Yaeji. The result is a near-perfect offering of owning up to your fuck-ups while being grown-up enough to ask for forgiveness with “February 2017″. Produced by A.G. Cook and Planet 1999, the song is characteristically carbonated with synth-pop bubbles and soft pink hues abound with the listen breaking off into an island that gives Yaeji her own moment to press her fingerprints all over it with a minimalist scale-back and transforming the context into her own tongue.

Chelsea Wolfe - “Deranged for Rock & Roll” [Sargent House]

With Birth of Violence, the forthcoming acoustic-laden album from Chelsea Wolfe arriving on September 13th, even the dark spirit songwriter can’t completely escape the heaviness that has devoured her recent works of doom and metallic weight, and perhaps Birth of Violence’s final reveals why. The song is Wolfe’s homage to music -- A tragic love story so to speak in the sense that often times what becomes our passion can become the thing that makes our lives a little maddening. Being a hobbyist music blog is a fine example of that, and as an artist, one can only imagine putting your entire body and soul on the line in your work can be an expression of personal freedom, but also the thing that traps you once it’s put out there in the world to have. In the quiet rapture of the listen’s accompanying visuals directed by Gilbert Trejo, Wolfe plays a performer in the nowhere outskirts dive bar destined to play the same song over and over as revelers coming through for the first time seemingly experience it all as new. You can be complicit to this when Wolfe’s fall tour starts this October.

Grimes and i_0 - “Violence” [4AD]

Grimes continues to be a baffling enigma who you can’t be too sure if her personal happenings are just a way to fuck with the media or a detachment from reality due to fame and star status, but with a new album on the way called Miss_Anthrop0cene, a new single created in collaboration with producer i_o is at the very least something to talk about when trying to figure out what it exactly it all means in the context of her art. Aesthetically, Grimes -- when she’s not veering into chintzy nu-metal detours -- is a mood when she inhabits the space she’s discovered for herself between the ethereal and virtual, and doing so in the dark night with morbid imagery. “I am like, begging for you baby / Makes you wanna party, wanna wake up / Baby it's violence,” her voice blurs through gauzy synths and digital stardust. “You feed on hurting me, off hurting me.” Whe you take into account the damaged personal relationship here represents that of the Earth and humans, the horror of “Violence” has the power to haunt us all.

Kal Marks - “Science Is Science” [Exploding In Sound Records]

Like their local peers Pile, who put out a phenomenal effort earlier this spring with Green and Gray, Bostonian subterranean rockers Kal Marks have been keeping the otherwise white, basic and overpriced city surroundings of the Hub weird and loud for the better part of this decade with their own brand of fired up and twisted indie rock. Coincidentally, they’ll be releasing a new EP on September 27th entitled Let the Shit House Burn, and characteristically, it’s filled with grim thoughts from frontperson Carl Shane such as its latest preview “Science Is Science”, which premiered originally on The Alternative. Like Billie Eilish, the climate change chaos is on these DIY scene staples minds just as well, and their song is a heavy-stomping and head-woozy condemnation against those defying the hard facts of our Earth’s sad reality out of greedy motivations. “As the shit house burns down / I’ll be there to fan the flames / Let the record show there’s no sign of hope,” Shane sings. All evidence points to that being true, too.

Let the Shit House Burn Down by Kal Marks

Portrayal of Guilt / Soft Kill Split - “Sacrificial Rite” / “The Foil Drop”

Portrayal of Guilt have not stopped being busy since releasing their breakout debut and heavy listmaker Let Pain Be Your Guide last year. At the end of August, the Texan screamo progressives released Suffering Is a Gift, a six-song bashing of heavy crosses to bear that pushed the abrasive corners of their sound even further out. They’ve already got new music as of this week, though, through a split single alongside the Soft Kill, the long-standing doom pop project of Blessure Graves’ Toby Graves, who released a doubling last year with the album Savior and Just a Body EP, and are setting out on tour soon with VEIN as well as one of this week’s aforementioned highlights, Higher Power. The Venn diagram between these two artists overlaps in the dark, but other than that, Portrayal of Guilt’s offering “Sacrificial Rite” is another smoldering gut punch while Soft Kill’s “The Foil Drop” turns the atmosphere upside and brings the stars down six feet under with dreamy despair.

portrayal of guilt / Soft Kill Split by portrayal of guilt

#the best of the rest #songs #bethlehem steel #billie eilish #charli xcx #clairo #yaeji #chelsea wolfe #grimes #kal marks #portrayal of guilt #soft kill #new music & videos

[tomorrowhittoday]

Grimes, guarda il video di “Violence” Nuovo singolo per la controversa Grimes, in collaborazione con i_o. Il brano, intitolato "Violence" è tratto da "Miss_Anthrop0cene", album la cui uscita annunciata è entro la fine dell'anno.

#4ad #dream pop #grimes

[zwentner]

Grimes: Violence (Official Video)

Grimes hat endlich einen neuen Song veröffentlicht. ‘Violence’ entstand in Kollaboration mit DJ und Producer ‘i_o‘.  Der Art Angels Nachfolger ‘Miss_Anthrop0cene’ soll später in diesem Jahr erscheinen.

05.09.2019

Der Clip bei dem Claire Boucher selbst Regie führte, scheint die ideale Vorbereitung für die Zerstörung der Welt zu sein. Grimes thront neben einer Reihe kampfbereiter Amazonen mit Schwert und Bogen und liest im Buch ‘The Art of War’ von Sun Tsu.

Also wieder ein Happen auf dem Weg zu ihrem heißerwarteten neuen Album. Dann hoffen wir doch einfach mal, dass sie mit der Veröffentlichung des gesamten Werkes nicht mehr bis zum Jahres ende wartet.

  *** Belong to the cool Kids! It’s Easy: Follow this Blog on Social Media like Twitter, Snapchat or Instagram for more Content of from Zwentner.com & about my Life ***

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