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#mistery skull
catribone · 8 months
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traduction:
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Muy buenas razones tiene Dan 7w7
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ppmid · 2 years
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Secret Garden Link to shop
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olavored · 2 months
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I love this animation so much, it was my first introduction to Ace Attorney
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iyoviyov · 7 months
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hinomotoani-draws · 2 years
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ok but THAT scene ♥
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What's the first word that comes to mind seeing this?
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saltycoffeenerd · 5 months
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💀 Saint Luciella Skull Necklace 💀 https://www.bebojewelry.com/product-page/saint-luciella-skull-necklace 💀 This unique work of its kind is handmade in Italy in solid 925 Silver (solid) in honor of the church of Santa Luciella and the legend of the skull with ears in Naples.Let's discover the mystery that surrounds the skull kept inside of the hypogeum of the church. In fact, in the historic center of Naples there is a legend that has been handed down for centuries: that of the skull with ears. In the hypogeum of the church there is a rare example of a skull with mummified cartilages. The faithful used to address their prayers to the relic, in the hope that, hearing them, they could send them to the right ones in the afterlife. #bebo #bebojewelry #santaluciella #napoli #skull #skullnecklace #original #silverjewelry #story #naples #saintluciellachurch #church #handmadejewelry #skullwithears #italianjewelry #mistery #santalucia #collane #necklace #necklaces #teschioconleorecchie #art #italianstories #naplesstories #luxurybrand #accessories #details #skulljewelry #shoppingonline #onlineshop (presso Napoli, Italy) https://www.instagram.com/p/Cofr4N4qCjr/?igshid=NGJjMDIxMWI=
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bluexpressfamily · 2 years
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𝗺𝗶𝘀𝘁𝗲𝗿𝘆 𝗛𝗧𝗖 𝗻𝗲𝗰𝗸𝗹𝗮𝗰𝗲 𝘀𝘁𝗼𝗿𝗲 | 𝗼𝗻𝗹𝗶𝗻𝗲 | 𝗽𝗶𝗰𝗸 𝘂𝗽 📸 @la.stephy #htclosangeles #skull #mistery #necklace #blueexpressfamily #verona #rock (presso Blue Express Family) https://www.instagram.com/p/CiYE9d9smxE/?igshid=NGJjMDIxMWI=
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pinklomito · 2 months
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What if Without A Cure were a different type of poison, like a cursed potion that will consume a person's body & mind, slowly and painfully while they transform into a creature with little to nothing left of their human consciousness, ending up like a beast. Like a dragon.
A victim of this version of Without A Cure would suffer a series of gradual changes on their body: developing scales all over their skin, claws growing in their hands and feet, painful reament of bones, teeths being replaced by fangs, several migraines for growing horns out of their skull, and a tail.
What if the sessions of qi transfers with Liu Qingge and the herbs can only do so much to keep the transformation at bay, forcing the changes on Shen Qingqiu's body to step back for a bit. But as the days go by, these changes come again slowly, each time a little bit harder to fight. And the flares of Without A Cure make these changes happen at a violent speed.
He can hide the worst of it with a veil, gloves and a hat while being in CQ mountain. Having LQG and MQF helping him almost daily. But the peaklords (Specially YQY) do their best to keep eveything as private as possible. No one truly knew what this Without A Cure was capable of, since the few records of it's victims mark them as dead within a few days of being posioned, having "strange deformities in their bodies" as the only clue.
Maybe Binghe never really knew the true effects of the so called poison with no cure. He only knew his master sacrificed his cultivation and now needs qi transfers to help him endure the pain.
SQQ never really tolds him, he saw how guilty Binghe felt about the whole deal, telling him that he was slowly becoming a feral creature will only make the poor boy feel worse!! Unthinkable. It wasn't so bad anyways (it was) for now his draconic features are minimal, almost non existent after the qi transfers, everything is going to be fine. Maybe becoming a dragon can help him avoid death? Uh that's a problem for the SQQ of the future.
After the conference, SQQ's grief made things a little bit worse. Just a little. The pace of the cursed posion is becoming more bothersome as days passed by, now he can't go anywhere without a veil covering his face, and the little poking horns on this head can't be hiden by his hair anymore. Maybe he just should die and come back in his plant body to put a stop to this prickly curse. A lot of people, in or outside of the mountain think he covers his face out of vanity or bc of an ugly scar. Some weirdos are even trying to take a peek under his veil. Is this what Liu Mingyan has to endure everyday?! The urge to bite out those curious fingers is becoming stronger.
Then, what if when Huan Hua Palace takes him as a prisoner, a flare up happens and with no one to help him w a qi transfer, his horns grow severly inches long, his hands and feet are completly covered in grey scales, big black claws ripping his robes because his skin is itching like hell thanks to the new scales. His pupils become slit, his tail pokes out of the rags that his clothes became, everything is a mess and no one can see him like these.
What if when Sqq self detonates, instead of dying he sacrificed what was left of his humanity to stabilize Binghe, and he completly transformates into a huge white dragon, flying away into the sky, disappearing in the distance. Leaving a very confused half demon and a devastated war god behind, memories of his human life becoming blurry and far away.
What if some despicable palace master and a particular greedy demon royalty of the nothern region put a price on the head of the misterious white dragon that has been seen floating around the skies?
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Idk this is an idea for a bingliushen story. With without a cure having the effects of the first drafts that airplane had thought in this AU, when PIDW was not so popular yet. And no, the heavenly pillar can't cure this. In my brain this version of without a cure is older than the concept of dual cultivation with a heavenly demon being a cure to almost everything, so no magic dick can solve it, they would have to find another way.
In my mind Sqq's dragon form is like this from Zelda Tears of the Kingdom. Pretty big lizzard.
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catribone · 6 months
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dravo: oie te pareces a dos weyes casi pareciendo como su hija we
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jsjsjs xdd
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prinz-vassago · 8 months
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Ok I'm so obsessed with "Dai Nippon Gothic" and Suehiro Maruo's artwork and manga, I ended up getting a lot of inspiration from that to continue Akumu's mistery lore. I'm doing characters for the secret occult club investigating her death. They're called "Mugen no Kagi" (夢幻の鍵) or just "Fantastic Dream Key". I'll post the other members during the week bc I think each one deserves a post only about them, so here's the first one: Gou Kurogane
His backstory may contain some extreme/disturbing topics, be warned:
Gou is a 17 y.o teenager who is part of the secret occult club that investigates the entity Akumu. He is fascinated by death in every way. Coming from a traditional family and a lineage of samurais who served the Shogun, he follows a strict code of honor since he was a child. His family has a strange tradition of preserving the corpses of men who brought honor to the family in a sacred room in the house. His dream is to bring honor and die heroically in the war to have his body mummified alongside his ancestors, keeping the illusion that "war is honorable" due to his family tradition and the nationalist education given by the schools during the Showa period. He constantly has the job of serving food to the corpses and taking care of them as if they were alive.
Gou's father divorced his mother when Gou was very young and lost himself in alcoholism and prostitutes. Because of that he rarely sees his father and was raised most of the time by his older brother, who has a toxic and abusive relationship with him. Gou's brother is an imperial soldier, and constantly puts pressure on him, saying that "he will never bring honor to the family". Even though he gets excellent grades and being very good at swordsmanship, his brother invalidates his success, and nothing ever seems to be enough to please him. Although, Gou greatly admires his brother's position in the army, and dreams of becoming a soldier just like him and is deeply ashamed of his father and has vowed not to end up like him.
Despite all the problems and oddities, he is a very respectful and modest person in public, which makes people see him as someone exemplary in society and they don't even imagine his creepy side.
All this fascination with death made him start looking for more answers in black magic, and so he joined the secret occult club. Out of all entities and Yokai, he has the most interest in vengeful ghosts (like the Yurei type of ghost) and the Gashadokuro (giant skeletons made of the skulls of people who died in the battlefield). He is constantly desecrating warriors' graves and taking their skulls in the hopes of one day summoning a Gashadokuro. He doesn't usually work with curses and tends to focus more on summoning disturbed spirits and finding definitive ways to invoke each one of them, recording everything in his summoning notebook. He believes he can free Akumu's spirit and find out what happened to her.
*I don't condone the japanese imperial army and their actions nor the act of desecrating graves/disturbing the dead. The character is just inserted in this specific moment in history. Take his attitudes and traumas as a critique of how nationalism and extreme traditions affect people's minds in the worst way and how war is romanticized by some people.
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arcdiris · 2 years
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And now for the drawings of Piraticus and Witching Hour ocs! Thank you for joining the dorm/school and using the tag on Artfight :3
@the27th // @unidraky // @xena0212 // @circuscarnage // @mistery-skulls-ghost // @terrovaniadorm // @calderadorm
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wamulu-gorillaz · 2 years
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Hellooo :) i wanted to ask a mashup with gorillaz please. English is not my first language soo my bad for any miss spelling. Alright here we go:
My apparence:
- human.
- woman.
My style:
- gothic, but in a simple way :)
- a bit grungey too
About me:
- i am an ENTP.
- I love dark things, horror mostly, anything misterious, creepy, weird and sometimes even gross HUEHEJHEUEEH i loove it.
- my favorite writer is Edgar Allan Poe
- I love comedy, simply, laughing is the best ::DD anything/one that makes me laugh is a win.
- i'm not a depressed person, i'm very happy :)) i love to laugh at lots of things, it's hard to see me sad or angry, but sometimes pacience DO run out hiehrueheueheeu
- my favorite music gender is Rock n roll, alternative and others, but those are my mains.
- my favorite band is gorillaz, rolling stones, iron maiden. Rock from the 90s and back gives me this nostalgic feeling even if i sadly was not born at that age ,_, damn it.
- i loove art, being poetry, drawings, paitings or music.
- i like evil stuff, i like evil stuff a lot.
- i'm a slytherin
- scaring people is a life style AND a hobby.
- halloween lover please where it's halloween by now.
- in personality speaking: i'm pretty much chill heheheh not very loud, i laugh a lot. I talk, i like to talk very much but sometimes i just don't know how too... when the subject is bad, sometimes most of them are :> i like to talk about morbid stuff, i guess i want to work in a mortuary somedaay.. i like autopsy videos and anatomy, it's really interesting ::))
- i love jokes, holy crap how i like jokes i could cry of how much i like jokes.
- i like cats and ravens and the bird that eats you when you die, a vulture that's it.. well cats eat you also so OOH WEELL.
- i like death, yeah
- i like skulls, a lot
- that's it :)
Well i guess that's it hehehsidhdidhdud hope is good enough and not a pain to reead HEIEHSJDBDKSNS.
You did a great job, I'm proud x
I ship you with Murdoc!
Even though he acts like a tough guy, I have no doubts he has cried after hearing you read some of your poetry to him
He is completely obssessed with you? You like all the same things he does! He absolutely couldn't believe you were real when he first got to know you
You two share some very obscure inside jokes and anything that reminds him of these jokes will have him roaring with laughter to the point where it will be very hard to stop
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redlightningart · 1 year
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see this color?
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this is vermilion pigment, which is made of ground cinnabar ore. it was such a bright red that it may or may not have changed the course of art pigments as a whole, and both ancient and medieval artists loved it. i did a write up for class about it which i'm going to stick under the read more in case you're interested because, as my friend put it, tumblr loves weirdly specific information:
Vermilion is a brilliant, warm red pigment extensively used in ancient times through the 20th century. Especially coveted during the time of the Romans, the word derives from the Latin word vermes. This root refers to the scale insect kermes found on oak trees that, when dried and crushed, produced a rich red dye now known as crimson. True vermilion, however, comes from a very different source: cinnabar, the most common source ore of oxidized mercury (named for the Roman god of war: Mars). This toxic mineral forms in crusts and veins near volcanic activity and hot springs. The first documented use of vermilion predates even the Romans; evidence of ground cinnabar dating back to 8000-7000 BCE  has been discovered in the neolithic village Catalhoyuk in modern day Turkey. Vitruvius describes cinnabar’s appearance in book 7 of his series The Ten Books on Architecture: “First, before getting to the vermilion itself by methods of treatment, they dig out what is called the clod, an ore like iron, but rather of a reddish colour and covered with a red dust.” This ore (pictured below) only needed to be finely ground to create a brilliant red pigment.
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The Romans adored this pigment despite its scarcity and price. According to Pliny in Natural Histories, the best cinnabar was sourced from the Almaden mine in Sisapu. He wrote also that the best mines were property of the state, and “nothing is more carefully guarded. It is forbidden to break up or refine the cinnabar on the spot. They send it to Rome in its natural condition, under seal, to the extent of some ten thousand pounds a year. The sales price is fixed by law to keep it from becoming impossibly expensive, and the price is fixed to seventy sesterces a pound.” This price (10 times that of red ochre) was for the highest quality of vermilion (which was usually liver-colored) and the only truly vibrant red known to the ancients.
Powdered vermilion was used in a variety of ways during ancient times. Many frescoes uncovered in Pompeii feature vibrant red made from vermilion, despite its price. It was known as the most expensive pigment used by the Romans for wall painting. Numerous walls from the Villa dei Misteri (Villa of Mysteries) are painted with vermilion (pictured below), and a jar of powdered pigment was excavated in the shop below the villa. It had its uses beyond decorations, too: Pliny wrote that worshipers ritualistically applied it to their bodies and on the faces of statues of Jupiter (Zeus) during holidays and festivals, as vermilion carried great importance and sacred associations. Outside of Rome, the pigment would be applied to skulls and other bones as part of burial rituals in neolithic cultures in Anatolia, China, Galilee (Judaea), Spain, and Syria, and some ancient Native American cultures. It was also used in jewelry-making during the Iron Age by Iberian cultures, and the Achaemenid (Persian) Empire used the paint as a bedding for gemstones to enhance the red vibrancy of translucent carnelian stone inlays.
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As time passed, the need for larger and finer quantities of vermilion increased, and alternative methods of creating the red pigment arose. It is unknown who discovered how to make mercury from cinnabar via removing the sulfur and vice versa to create vermilion, although it was likely done by an alchemist trying to produce gold (which ancient alchemists believed to be red-based and thus linked to this pigment). The Greek alchemist Zosimus of Panopolis in Southern Egypt insinuated that he had a secret recipe for artificial vermilion sometime around 300 CE, but the first description was found in Compositiones ad Tigenda (Recipes for Coloring), a Latin manuscript from the 8th century. Some of the manuscript is in Greek, so it is possible that the scribe copied it from a Hellenistic dictation, therefore indicating that the manufacture of vermilion had been known beforehand. By the 12th century, there was a clear recipe and process outlined by the Benedictine monk Theophilus, who wrote down what would become known as dry method vermilion.
To create the pigment, one needed to combine mercury and sulfur, then heat the two together. When simply mixed, the two elements create a black mercury sulfide known as aethiops mineralis. However, upon heating at the proper temperature, the mixture vaporizes and re-condenses in the top of the flask in which it was combined. Upon breaking the jar, the black mixture could be collected and then ground down. The powder then turns red as the color develops, becoming brighter and brighter as it is pulverized. This process was a source of great interest to medieval alchemists, as a transformation and combination of mercury and sulfur, and a possible gateway to gold. Mercury’s appearance and chemical behavior were the basis of a large section of alchemical theory and practice, and it and sulfur were seen as the parents of all metals. To combine the two into a likeness of cinnabar was greatly respected and devoutly practiced. However, this method could be incredibly dangerous if not done carefully, as the mercury fumes from improperly sealed vessels was extremely poisonous. In an effort to prevent harm, the Venice government banned this practice in 1294.
Undeterred by the danger, medieval artists greatly favored this pigment and used it excessively. Vermilion was used alongside gold leaf and ultramarine for manuscript capitals and on tempera panels. The pigment would be mixed with egg yolk to product a brilliant red paint that ranged from an orange toned scarlet or a violet hue with high intensity and pigment quality. In the 14th and 15th centuries, vermilion that had been tempered and become dingy would sometimes be mixed with saffron or walnut bark to produce a warmer tone. The paint was normally paired with vivid blues, greens, and yellows, as medieval artists believed it should be used alongside other beautiful and precious colors. Vermilion’s importance in art history cannot be understated: without it, it is likely that the middle ages would not have developed the high standards of coloring upheld in their works, and would have had less use for other bold colors invented after the 12th century. 
However, this pigment had one fatal flaw: it inexplicably and unpredictably turned black. This process did not occur due to chemical changes or by direct sunlight, but rather a rearrangement in the structure of the mercury sulfide. The causes for this change are still not fully understood, but it seems to be less likely to occur in tempera or oil paintings under reasonable conditions, but seemed to affect lime paintings enough that it was not recommended for wall painting. Small amounts of blackening have been observed in some medieval manuscripts, but it is unknown if that was due to the vermilion or because of what it was mixed with, like white or orange lead. Luckily, most medieval paintings have survived and still shine a bright red today.
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^ You can see the darkening of the horse's bridle in The Battle of San Romano (1435) by Paolo Uccello.
This pigment became less common after oil paint became the art medium of choice in the 15th century onwards, as the pigment presented as quite transparent in an oil base and other vibrant red pigments became available. It still had its uses, however: it was used as a glazing layer for oils and continued to be widely utilized in tempera and lacquer work. Da Vinci used vermilion in another application: as a grounding layer for his paintings.
Despite its translucence in oil, vermilion was still the most vibrant red and retained its popularity enough that alchemists still experimented with other methods of synthesis. A new technique for the manufacture of vermilion was discovered in 1687 by German chemist Gottfried Schulz, who created the Dutch method or wet method. In this process, mercury and melted sulfur were mashed together to create black mercury sulfide, then heated in a distiller to produce vapors that condensed into bright red crystals. The sulfur was then removed by treated the crystals with a strong alkali, then washed and ground under water to yield pigment powder. This process is still used today.
Cost and toxicity notwithstanding, vermilion still held the position of the primary red pigment used by European painters from the Renaissance through the 20th century, when it was almost entirely replaced by cadmium red. Today, genuine vermilion pigment is mainly manufactured in China, where it is still widely used in lacquerware and other art.
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^ a lacquerware dish from the Ming Dynasty, 15th-16th cen CE
Thanks for reading this far! Images are from wikipedia. DM me if you'd like my sources :)
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hello-conde · 2 years
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Dato curioso:
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Fun Fact:
Muchos creen que ghosty esta inspirado en el perro fantasma de el extraño mundo de jack
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Many believe that ghosty is inspired by the ghost dog of the nightmare before Christmas
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Sin embargo, los verdaderos culpables de que ghosty exista son los deadbeat de mistery skull y G4T0 de virtual hero xD
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However, the real culprits that ghosty exists are the deadbeat of mistery skull and G4T0 of virtual hero xD
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(no encontré un gif sorry ;^;/ I didn't find any gifs sorry ;^;)
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