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#mixed textiles
saltedsnailstudio · 5 months
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“becoming” banner by jasper alexander
linocut print on fabric, home sewn utilizing recycled textiles
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tompuschautz · 5 months
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Quantum Entanglement. Trimmed and glued Needle Punch.
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rosymushrooms · 1 month
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luna moth embroidery hoop 🌙🤍 made with gouache, watercolor, and hand embroidery on muslin, stitched onto lace
etsy // ig // patreon
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embroid-away · 2 years
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That right there is the mail. Now let's talk about the mail. Can we talk about the mail, please, Mac? I've been dying to talk about the mail with you all day, okay?!
Charlie Day from It’s Always Sunny in Philadelphia (Season 4, Episode 10 “Sweet Dee Has a Heart Attack”) - a commission for Emily
bonus for sticky notes and conspiracy thread:
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fyblackwomenart · 2 months
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"Harmony of Heritage" by Sophia Chioma
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garadinervi · 7 months
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From: Maria Lai, Libro dei telai, (thread and ink on paper, twenty pages), 1979 [Private Collection. © Archivio Maria Lai, Lanusei (NU)]
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pagansphinx · 3 months
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Celebrating Black History Month with a selection of artworks and the art history of Black American artists.
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Tar Beach Story Quilt • # 1 of 5 in the series Woman on a Bridge • 1988 • Acrylic paint, canvas, printed fabric, ink, and thread • The Guggenheim Museum, New York City
Ringgold’s creates quilts — a traditional American craft associated with women’s communal work that also has roots in African culture. She originally collaborated on the quilt motif with her mother, a dressmaker and fashion designer in Harlem. That Ringgold’s great-great-great-grandmother was a Southern slave who made quilts for plantation owners suggests a further, perhaps deeper, connection between her art and her family history. – The Guggenheim Museum
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killyridols · 10 months
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untitled by rosie lee tompkins, 1987, 100.5 × 70.5 inches
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pardalote · 5 months
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Assemblage No1. Paper, textiles, beads.
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monikahmakes · 11 months
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I have to make weird stuff or I'll die!
WIP: layered cardboard form, masking tape, thread and yarn, glue, air-dry clay, and many layers of acrylic paint until I got the texture I wanted. Waiting to receive more weaving around the lumpy bit.
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eyeballapproved · 1 year
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Wei
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miamaimania · 1 month
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Entwined with Nature: Riita Ikonen's Ethereal Portraits of Human and Environment
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tompuschautz · 4 months
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rosymushrooms · 5 months
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“my heart is a stopped geranium”
collage, hand embroidery, gouache, and beads on muslin 🩸
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embroid-away · 1 year
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What If: Captain America Were Revived Today? #44 (April 1983) by Peter B. Gillis and Sal Buscema; Original Image by John Romita Sr.
In this What If? Marvel tale, Captain America is unfrozen in 1983 rather than the 1960s. Without the leadership of Steve Rogers, The Avengers disband. Meanwhile, a Captain America imposter, who calls himself a "real American," has decided to use his newfound influential media status to publicly support a National Identity Card to "deal with illegal aliens,” to suggest that members of civil rights groups "ought to think seriously as to whether or not their actions contribute to the strengthening of communist enemies," and declare that if those groups tear the country apart with protests, martial law is justified "for the peace to find a solution.”
Neighborhoods with large black populations (e.g., Harlem) are walled off and forced into poverty, and one character even mentions that Jewish people are being “put back into camps.” The right-wing politicians make sure that things like this aren’t shown on television, keeping the majority of the American public ignorant of the horrors committed with their indifferent support. The public are simultaneously told that with some sacrifices, America can be free once again. The fake Captain America confronts a group of peaceful protestors, and he is shot by a sniper (in what reads like an inside job), allowing the police to have “reason” to attack the protestors. The imposter does not die and instead uses the attack to provide more reason for the violent crackdown against protesting groups.
When the true Captain America is unfrozen, he is horrified to see what America has become, especially with his emblem stamped all over it. He immediately seeks out the resistance forces (who clearly represent the Black Panther Party) and joins their cause, stating that "the wrongs [he's] seen will take much more than one man to right -- but [he's] got a name to clear, a costume to unsoil-- and a country to die for!!"
By the time Steve joins them, the resistance only has one chance left to stop the American downfall: a political convention where the "America First" party will be able to secure its support to sweep the national elections and allow them "to return America to the pure and great nation [the] forefathers envisioned."
The resistance strikes just as the convention begins. The Captain America imposter is no match in a fight against the true Captain America -- especially against a Steve Rogers who's fucking pissed. ("Get up so I can knock you down!!")
With the imposter knocked unconscious, Captain America addresses the convention crowd, warning that an America that does not represent all its people does not deserve to exist at all; that liberty can be "as easily snuffed out [in America] as in Nazi Germany" and "as a people, we are no different from them."
The crowd realizes that the man speaking before them is the true Captain America and cheers. Captain America holds his hand up and silences them, stating that he will not allow them the chance to simply replace one idol with another. He alone can’t undo the horrible damage, and he pleads that there’s still a chance for the people to “find America once again.”
Fascism doesn’t change its tune, just its singers.
A 2021 Marvel Trumps Hate ( @marveltrumpshate ) commission, completed on 22-count aida cloth with embroidery floss and watercolors on a 9" diameter bamboo hoop.
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garadinervi · 3 months
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Carrie Crawford (Mineral Workshop), Bird Song Of Radical Hope, (acorn, oak gall, logwood, iron, cotton, and linen), 2023 [Uprise Art, New York, NY. © Carrie Crawford]
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