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#mod writing
clonehub · 2 months
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trying to write about Diaspora Feelings without making it sound like the Jedi discourage any culture that isn't theirs, you know? It's easiest to do that through food. The Verocians in the Temple frequently cook and eat Verocian food. Nobody discourages them from it, but getting all the fresh high quality ingredients that make Verocian food so good is hard. Everything's gotta be frozen or dried. Things go rancid. Some things don't keep well.
I'm Nigerian, and that's what it's like here. Combine that with me living in an area that doesn't have a lot of Nigerians, going out to source the ingredients is an hours-long trip. If I were in Houston where there was a bigger Nigerian (esp Igbo) community, it'd be much easier.
The Verocian Jedi mirror this. There's not a lot of them. They have to make the trips to Verocia themselves if they want to ensure the quality of what they're bringing back. And they always say that the food is just better of Verocia.
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Infinite smirked as he sat back from his computer and folded his arms, having just sent his ask
Read the rest on AO3
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creation-help · 6 months
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STOP BEING SELF CONSCIOUS ABOUT YOUR CREATIONS STOP SECOND GUESSING WHAT YOU REALLY WANNA DO STOP DEBATING IT'S WORTH. LET YOUR ART SERVE YOU INSTEAD OF THE OTHER WAY AROUND
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imagine-shenanigans · 3 months
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thinking about you going up to three broad shouldered men in a bar because your crazy ex/some random creep/etc is following you and you beg them to pretend they know you. You slide into the empty space at the table theyve commandeered and right as the other guy comes up a scary looking big motherfucker with a balaclava and eyeblack slots himself right in next to you. You press yourself into his side when the creep comes up and you call Ghost your boyfriend, and Ghost (as you later learn to call him) grabs your hip possessively, tucking you in closer.
He doesn't let you go, later, when the creep fucks off. Instead, he slips your phone out of your pocket and puts his contact inside. Texts himself and slips it back into your pocket while making eye contact. Blows smoke in your face and snorts when you wave it away, huffing at him and sticking your cute little tongue out at him.
You have fun with the military men that night, Ghost even walks you home to feel safe. You wake up the next day, happy to be safe and sound, and go about your day. Forget all about Ghost for awhile, because he never texts you first.
Weeks later, youre in the middle of your kitchen when he walks in, a copy of your key in his hand. Slots himself in behind you and rests his chin on your head even when you panic and claw at him.
What? He's home now, came home to you, his partner. Just like you wanted, right? You wanted him, now you've got him.
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cripplecharacters · 26 days
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Where to Start Your Research When Writing a Disabled Character
[large text: Where to Start Your Research When Writing a Disabled Character]
So you have decided that you want to make a disabled character! Awesome. But what's next? What information should you decide on at the early phrase of making the character?
This post will only talk about the disability part of the character creation process. Obviously, a disabled character needs a personality, interests, and backstory as every other one. But by including their disability early in the process, you can actually get it to have a deeper effect on the character - disability shouldn't be their whole life, but it should impact it. That's what disabilities do.
If you don't know what disability you would want to give them in the first place;
[large text: If you don't know what disability you would want to give them in the first place;]
Start broad. Is it sensory, mobility related, cognitive, developmental, autoimmune, neurodegenerative; maybe multiple of these, or maybe something else completely? Pick one and see what disabilities it encompasses; see if anything works for your character. Or...
If you have a specific symptom or aid in mind, see what could cause them. Don't assume or guess; not every wheelchair user is vaguely paralyzed below the waist with no other symptoms, not everyone with extensive scarring got it via physical trauma. Or...
Consider which disabilities are common in real life. Cerebral palsy, muscular dystrophy, stroke, cataracts, diabetes, intellectual disability, neuropathy, multiple sclerosis, epilepsy, thyroid disorders, autism, dwarfism, arthritis, cancers, brain damage, just to name a few.
Decide what specific type of condition they will have. If you're thinking about them having albinism, will it be ocular, oculocutaneous, or one of the rare syndrome-types? If you want to give them spinal muscular atrophy, which of the many possible onsets will they have? If they have Ehlers-Danlos Syndrome, which one out of the 13 different types do they have? Is their amputation below, or above the knee (it's a major difference)? Not all conditions will have subtypes, but it's worth looking into to not be surprised later. This will help you with further research.
If you're really struggling with figuring out what exact disability would make sense for your character, you can send an ask. Just make sure that you have tried the above and put actual specifics in your ask to give us something to work with. You can also check out our "disabled character ideas" tag.
Here are some ideas for a character using crutches.
Here are some ideas for a character with a facial difference (obligatory link: what is a facial difference?).
If you already know what disability your character is going to have;
[large text: If you already know what disability your character is going to have;]
Start by reading about the onset and cause of the condition. It could be acquired, congenital, progressive, potentially multiple of these. They could be caused by an illness, trauma, or something else entirely. Is your character a congenital amputee, or is it acquired? If acquired - how recently? Has it been a week, or 10 years? What caused them to become disabled - did they have meningitis, or was it an accident? Again, check what your options are - there are going to be more diverse than you expect.
Read about the symptoms. Do not assume or guess what they are. You will almost definitely discover something new. Example: a lot of people making a character with albinism don't realize that it has other symptoms than just lack of melanin, like nystagmus, visual impairment, and photophobia. Decide what your character experiences, to what degree, how frequently, and what do they do (or don't do) to deal with it.
Don't give your character only the most "acceptable" symptoms of their disability and ignore everything else. Example: many writers will omit the topic of incontinence in their para- and tetraplegic characters, even though it's extremely common. Don't shy away from aspects of disability that aren't romanticized.
Don't just... make them abled "because magic". If they're Deaf, don't give them some ability that will make them into an essentially hearing person. Don't give your blind character some "cheat" so that they can see, give them a cane. Don't give an amputee prosthetics that work better than meat limbs. To have a disabled character you need to have a character that's actually disabled. There's no way around it.
Think about complications your character could experience within the story. If your character wears their prosthetic a lot, they might start to experience skin breakdown or pain. Someone who uses a wheelchair a lot has a risk of pressure sores. Glowing and Flickering Fantasy Item might cause problems for someone photophobic or photosensitive. What do they do when that happens, or how do they prevent that from happening?
Look out for comorbidities. It's rare for disabled people to only have one medical condition and nothing else. Disabilities like to show up in pairs. Or dozens.
If relevant, consider mobility aids, assistive devices, and disability aids. Wheelchairs, canes, rollators, braces, AAC, walkers, nasal cannulas, crutches, white canes, feeding tubes, braillers, ostomy bags, insulin pumps, service dogs, trach tubes, hearing aids, orthoses, splints... the list is basically endless, and there's a lot of everyday things that might count as a disability aid as well - even just a hat could be one for someone whose disability requires them to stay out of the sun. Make sure that it's actually based on symptoms, not just your assumptions - most blind people don't wear sunglasses, not all people with SCI use a wheelchair, upper limb prosthetics aren't nearly as useful as you think. Decide which ones your character could have, how often they would use them, and if they switch between different aids.
Basically all of the above aids will have subtypes or variants. There is a lot of options. Does your character use an active manual wheelchair, a powerchair, or a generic hospital wheelchair? Are they using high-, or low-tech AAC? What would be available to them? Does it change over the course of their story, or their life in general?
If relevant, think about what treatment your character might receive. Do they need medication? Physical therapy? Occupational therapy? Orientation and mobility training? Speech therapy? Do they have access to it, and why or why not?
What is your character's support system? Do they have a carer; if yes, then what do they help your character with and what kind of relationship do they have? Is your character happy about it or not at all?
How did their life change after becoming disabled? If your character goes from being an extreme athlete to suddenly being a full-time wheelchair user, it will have an effect - are they going to stop doing sports at all, are they going to just do extreme wheelchair sports now, or are they going to try out wheelchair table tennis instead? Do they know and respect their new limitations? Did they have to get a different job or had to make their house accessible? Do they have support in this transition, or are they on their own - do they wish they had that support?
What about *other* characters? Your character isn't going to be the only disabled person in existence. Do they know other disabled people? Do they have a community? If your character manages their disability with something that's only available to them, what about all the other people with the same disability?
What is the society that your character lives in like? Is the architecture accessible? How do they treat disabled people? Are abled characters knowledgeable about disabilities? How many people speak the local sign language(s)? Are accessible bathrooms common, or does your character have to go home every few hours? Is there access to prosthetists and ocularists, or what do they do when their prosthetic leg or eye requires the routine check-up?
Know the tropes. If a burn survivor character is an evil mask-wearer, if a powerchair user is a constantly rude and ungrateful to everyone villain, if an amputee is a genius mechanic who fixes their own prosthetics, you have A Trope. Not all tropes are made equal; some are actively harmful to real people, while others are just annoying or boring by the nature of having been done to death. During the character creation process, research what tropes might apply and just try to trace your logic. Does your blind character see the future because it's a common superpower in their world, or are you doing the ancient "Blind Seer" trope?
Remember, that not all of the above questions will come up in your writing, but to know which ones won't you need to know the answers to them first. Even if you don't decide to explicitly name your character's condition, you will be aware of what they might function like. You will be able to add more depth to your character if you decide that they have T6 spina bifida, rather than if you made them into an ambiguous wheelchair user with ambiguous symptoms and ambiguous needs. Embrace research as part of your process and your characters will be better representation, sure, but they will also make more sense and seem more like actual people; same with the world that they are a part of.
This post exists to help you establish the basics of your character's disability so that you can do research on your own and answer some of the most common ("what are symptoms of x?") questions by yourself. If you have these things already established, it will also be easier for us to answer any possible questions you might have - e.g. "what would a character with complete high-level paraplegia do in a world where the modern kind of wheelchair has not been invented yet?" is much more concise than just "how do I write a character with paralysis?" - I think it's more helpful for askers as well; a vague answer won't be much help, I think.
I hope that this post is helpful!
Mod Sasza
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woof-squiggles · 3 months
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nitten adoption day!
(psst, you can fill out an adoption form here)
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hellsenchantress · 8 months
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Hot take. Baldurs gate 3 actually ISNT horny enough. It should’ve been full body shots. A03 narration.
Roll for performance. Orgasm failed.
Too low charisma? Curse of the virgin.
Too low intelligence? Afflicted with himboism.
Little blue potion of erectness. Oh no it made ur dick fall off. Didn’t have one? You do now.
Tav on their period? Everyone disapproves except Astarion. He freaky like that.
you acquired like 10 STDS and are pregnant with a mindflayer egg. Karlach goes to touch the egg and cooks it into an omelette.
It’s added to your camp supply and consumed during your long rest
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therollingstonys · 2 years
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Oh you give author comment?? You give author little kudos on their fic?? LOVE FOR READER!! LOVE FOR READER FOR ONE MILLION YEARS!!
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kthulhu42 · 1 month
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Could someone take these mods aside and gently explain to them that they run a subreddit, they're not the king of the internet
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mp100days · 2 years
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087 - reigen takes mob out to get ramen for the first time. from another fic i’m really normal about
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bamsara · 2 months
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Stinky overheating dumb dumb Arson vs his superior Desktop PC little sister that he's fighting me to transfer files to
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clonehub · 14 days
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let us now consider the moment Kiki sees Hahkin and realizes it's really her, in the flesh after Order 66.
Hahkin's been trying to kill Jax. She thinks Jax is a danger to Kiki because she doesn't know about the chips and doesn't know Jax is safe. Kiki obviously puts herself between Jax and Hahkin and activates her lightsaber, ready to face off.
Hahkin pulls off her hood, then her mask. Kiki doesn't recognize her, not until Hahkin speaks and just says her name.
Then the Force opens, lets EVERYTHING in. Hahkin's Force signature, her small but constant presence that Kiki has known since they were six and seven years old. All the memories they shared, their most intimate moments.
Kiki's still got her lightsaber activated, but she's wide-eyed with shock and confusion. Her mind's completely ground to a halt and the only thought in her head is "I don't understand". Over and over and over. KIki felt Hahkin die. Kiki held a funeral for her. She moved on.
Hahkin steps down from the ledge she was on and carefully approaches Kiki, never once breaking eye contact. Hahkin puts her hand over Kiki's and deactivates her lightsaber. Then she lays a hand on Kiki's face, saying "it's me".
Once again: "I don't understand." Kiki almost believe it's her. It's got to be a trick of some kind. Maybe her use of the Dark Side of the Force is catching up to her. Maybe resisting the Force's touch is putting hallucinations in her head.
"It's me, Kiki. I'm alive."
I don't know if they hug at this point or if Jax interrupts them. I think Kiki's able to gather her wits enough to explain that Jax isn't going to hurt her, he's got his chip out, and they should all go. Notably, Kiki doesn't think twice about inviting Hahkin back to her home or being in close quarters with her on the ship.
To jax's credit he's actually taking everything in stride, despite the attempted killing bit. Kiki and Jax are in the cockpit and their way back and Hahkin is in another room because it's clear Kiki needs time to process the shock of it. Jax says she should go talk to Hahkin. Kiki says "I'm scared it's not really her".
"Go talk to her, Kiki."
"And say what?"
"Whatever needs to be said. Just go."
So Kiki shuffles off to the quarters they gave Hahkin. She's sitting on the bed. Kiki's still standing and just being awkward, but she feels bad because she knows Hahkin was expecting a more warm and welcome response than what Kiki gave her.
Hahkin pulls her shirt off to change it (it's nasty and gross) and reveals a series of blaster scars on her chest and stomach. There's one on her chest, almost dead center. Kiki's eyes fixate on it, and she reaches out and touches it. It's real. Hahkin says something to the effect of "That one almost got me, but I pulled through."
Kiki: I felt you die
Hahkin: I did die. For three minutes and thirteen seconds, I was phsyiologically dead. After they shot me, they put my body in a tent. The med droid got to me, did CPR and, when my life signs all faded away, shocked my heart. I came back.
Kiki: I didnt feel you come back.
Hahkin: but you feel me now, don't you?
Kiki does -- bright and alive. She pulls Hahkin in for a hug and finally accepts that her best friend survived.
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1nterstell4r · 3 months
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How He Kisses You.
Jing Yuan x reader
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jing yuan kisses you so lazily but not because he's uninterested, it's quite the opposite actually. he looks at you with hearts in his eyes as he kisses you slowly.
he wants it to last for as long as possible. to kiss you, the most perfect being he's ever come across, for as long as you will possibly let him.
he just can't help wanting to hold your cheek so gently as his lips move with yours. not a care in the world or even wondering if someone could possibly see the two of you kissing each other.
there's just the most lazy smile on his face once he pulls away, his eyes asking for more even when you raise your eyebrows at him, pushing your hand against his chest to signal him to stop for a moment.
-"Jing Yuan, you should really get back to your paperwork now. You can kiss me all you want when you're done."
trying to reason with this cat-like male will only be futile when the topic is about him kissing your adorable face. you'll let him kiss you once more right? who could say no to such a gentle expression that's only filled with love for you.
"...Ahh.. Just one more, my love. You won't mind that, right?"
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do not repost this writing elsewhere. thank you. -mod cyno
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imagine-shenanigans · 1 month
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i havent written anything in a hot minute but creepy neighbor johnny? anyone? shakes him like a bag of chips at you all
He lives in the same shitty building you're stuck in, with no in unit washer/dryer, and the only machines are available in the basement. They're ancient but they work, and they're just so much cheaper than a laundromat and you can barely drag yourself down into the basement when youre off of your night shift to wash your work uniform, let alone drag your carcass down to a laundromat outside of the safety of your locked building.
And usually despite being tired it works great! You can chuck down an instant meal while you sit in the laundry room after work, scrolling through your phone. You get all of the four washers/dryers free for yourself (though you never use all four, youre not crazy).
And whenever Johnny's home he's always jetlagged to fuck, and if he's alone he'll just do his laundry whenever he feels like it - which usually tends to be in the middle of the night, because if Mrs Johnson from down the hall grabs his bicep one more time he'll scream.
His obsession with you immediately snaps into place when he sees you sitting on top of the dryer, half asleep as you play on your phone. (Because like hell are you leaving your clothes unattended.) He tries to make small talk, making jokes or asking questions just to keep hearing your tired, slightly incoherent voice.
"Cold water," you yawn, rubbing at your face.
"What's tha' hen?"
"Blood," you clarify tiredly, leaning forward a bit to point at one of his shirts. "You wanna use cold water for blood. Not hot. The proteins in blood clump or something? I think? Anyway it'll set the stain."
Johnny blinks, and flicks the knob to cold instead of hot, a chuckle rumbling in his throat. He finishes loading the washer, and then moves to bracket his arms on either side of you, leaning in just a liiiitle too close and thanking you.
Plucks at your sleep shorts and runs the flimsy fabric between his thumb and forefinger.
Makes an off color joke about what a good little housewife/spouse/husband you'd be thats just a LITTLE too enthusiastic. Doesn't move back nearly far enough when the buzzer of the dryer finishing "saves" you. It makes it so you brush up against him when you clamber down and bend to get your clothes.
Watches you leave and memorizes what floor you set the elevator to. Ecstatic when he realizes you're on the same floor - nearly goes rabid when he hears your voice coming from the adjacent wall the next morning when your shower kicks on.
From them on he seems to ALWAYS be doing laundry when you are, like he's got a sixth fucking sense for it. He never does it where you can see, either but you SWEAR he's taking your underwear from the laundry basket on purpose. You just can't prove it because no matter how hard you stare or keep watch, or wait... he always, without fail, produces a pair of your skimpiest/most revealing/tightest pair of underwear from SOMEWHERE and chuckles that he found something of yours.
Then he asks for a finders fee, and, without fail, every single time, his request escalates from the last one.
He starts with asking for a hug, then a few weeks later he's escalated to a kiss on the cheek, but he always turns his head at the last second. By the third week he's giving you a sloppy, open mouthed kiss that leaves you breathless before he'll even think about giving your underwear back.
(And, god forbid you refuse, because he'll just fucking pocket them.)
He steals your mail, comes over for a cup of sugar, anything he can think of to be in your space he will. And, of course, should you choose to ignore him, and pretend youre still sleeping? He takes advantage of the fact that you're the only neighbor on his side of the hall, and absolutely makes a menace of himself. Presses to the adjacent wall so hard even he worries he might break through it, and moans so loud you're convinced he might go mute.
And at first youre like. okay! no worries! ill just put on noise cancelling headphones! (and if you do anything without those headphones on, thats between you and god.) But then he starts moaning YOUR name and panting like youre in the fucking room with him, until you inevitably get complaints and nobody believes you when you say youre not fucking the hot military veteran because everyone heard it. (or thought they did)
and, if you ever find something of HIS and return it?
He's going to ignore your request for him to stop as your finders fee. He has some more creative ideas for it after all
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cripplecharacters · 7 months
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Media Representation and Writing Characters with Facial Differences
[Large Text: Media Representation and Writing Characters with Facial Differences]
A writing (?) guide (?) consisting of an explanation of what facial differences are, some basics about the community of people with facial differences, a terminology guide that is extremely subjective, a very long explanation of the real-life effects of misrepresentation of facial differences, a subjective guide on why most tropes surrounding facial differences are awful and unoriginal, and the part that people actually want to see (I hope at least) AKA "types of characters I do actually want to see". As always, this post is meant for people who have no experience with the subject, and not in any way an attempt to tell writers with facial differences on what to do in their own writing.
What Does "Facial Difference" Mean?
[Large Text: What Does "Facial Difference" Mean?]
"Facial Difference" (FD for short) is an umbrella term for any kind of scar, mark, or condition that makes your face visibly different. This encompasses anything from not having parts of the face or having less of them (e.g. anophthalmia, anotia, hemifacial microsomia), having "more" to the face (e.g. tumors, neurofibromatosis), conditions affecting how the face moves (e.g. facial paralysis, ptosis, cranial nerve diseases), ocular differences (e.g. hypertelorism, nystagmus, strabismus), conditions affecting the colors of the face (e.g. rosacea, vitiligo, pigmentation conditions in general), a "look" that signals a specific disability (e.g. Down Syndrome) and approximately a million more things - scars, burn marks, craniofacial conditions, ichthyosis, cancers, and a lot more.
Despite popular opinion (popular ignorance would be more accurate because no one knows about it in the first place but opinion sounds better-) people with Facial Differences have both a movement (Face Equality) and a specific word for the oppression we experience (Disfiguremisia). There is even the Face Equality Week that happens every year in May! This is a real thing that has been happening, and we are generally going unnoticed, even in the "representation matters" circles, the body positivity movement, disability spaces, and so on. There is an alliance of organizations dedicated to this called Face Equality International, who can help you learn about the real-world community and movement! They even have sections specifically about media representation, which is foreshadowing for how important this topic is to the community and for how long the "explaining the issues of representation" part of this post is.
And of course, if you have a facial difference/disfigurement, you can do whatever the hell you want when writing! Call your characters how you call yourself, subvert the tropes you want. I don't want to preach to people who already know all of this firsthand. This post is meant to explain some things to people who don't have experience with having FD.
Terminology
[Large Text: Terminology]
There is a lot of words to describe people with FD. Some of them are alright, most of them are awful.
Please keep in mind that all of these terms (maybe except for the... last one...) are used by real life people. This isn't me saying "you can't say that about yourself" (more power to you!) but rather to educate able-bodied people that some words they refer to use with aren't as neutral as they think (at least not to everyone).
"[person] with a facial difference" - generally the most polite and widely accepted way to refer to us. That's what is generally used in the Face Equality movement, sometimes alongside the next term which is...
"[person] who has a disfigurement" - an alright term that is sometimes used interchangeably with the one above. However, most things that involves the term "disfigurement" to me sound kinda medicalized and/or like lawyer speech. It's not offensive, but just generally used in more official ways etc. Has the potential to make you sound like a medical report or a legislature sometimes. lol.
"A disfigured [person]" - starting to steer into the "uhh" territory. Describing a whole person as disfigured is, to me, just plain weird. I get that some communities push for the identity first language, but this just isn't it most of the time. Could be way worse, could be slightly better.
"[person] who has a deformity" - "deformity" is such a negatively charged word that I don't understand how people (without FD) still use it thinking it's neutral. This sounds awkwardly medicalized in a "case study from the 80s" way which is definitely not a good thing.
"A deformed [person]" - pretty much the jackpot of bad terminology, the term deformed, the calling of an entire person by it, it has everything I hate about writers describing people like me. The only one that I think is even more awful is...
"Horribly/gnarly/nasty/monstrous deformity/scar/[name of the specific condition]" - again, I'm impressed by what some people think is neutral wording. If you're searching a thesaurus for synonyms of "scary" to describe your character, I think it's time to just stop writing them. This is about using ableist terminology, sure, but I just can't imagine that someone calling their character that actually will represent FD well. It shows the negative bias and attitude of the writer.
However, there is also one pretty awesome and simple way to describe them!
Say what they have specifically. Really. Assuming you know what condition your character has (which... you should) it should be very easy. "She has Treacher-Collins Syndrome." "Xyr forehead has a port wine stain on it." "They can't fully open one of their eyes." It's clear and lets your readers know what you mean. You don't always have to throw around euphemisms to describe someone not having a nose.
Tropes and Current State of Representation
[Large Text: Tropes and Current State of Representation]
If you have read basically any of my previous posts about FD then you probably know what I'm about to say in this section. Still worth a read though? I hope. Warning that this is long, but you probably expected that already.
One thing I will note at the start is that I'm aware that a lot of writers were already turned off from this post just because of the terminology section. I know that artists love describing people like me as ugly deformed monsters! It's literally a tale as old as antiquity, and that's how overdone and stale it is. Visibly disabled = ugly. I get it, I heard it a thousand times before, I hear it majority of the time someone is excited to tell me about how horrible and gross their OC's scar is. But now some guy (me) from that group is telling you to like, maybe stop calling your disgustingly deformed character that!
I want to make it very clear that FD representation in media is not treated like a real thing that's worth anyone's time, even by the most "representation is so important!" writers. I guess it's too inconvenient to unpack the amount of baggage and uncomfortable implications this would cause. It's too good of a device in writing; everyone knows that if a guy with a scar shows up that it means he's evil, the easiest way to make a villain visually interesting is to make them a burn survivor, and if you need a tragic backstory for a serial killer just give them a congenital disability that caused literally everyone in the world to treat them horribly, so of course they started killing people. It's such a good moral signifier that literally every book and tale has done - pretty is good, ugly is bad. Dichotomy is so helpful. What is less helpful in the real world is that what is considered "ugly" is generally very tightly bound to what visibly disabled people look like. Ugly Laws weren't just like, coincidentally including disabled people and disability activists aren't still forced to speak out against being put in those "Ugliest People" lists by accident. This is all to say that facial differences are considered to be "ugly" completely uncontested, and you probably have this bias too, as the vast majority of people do. The whole "the character is ugly, then they become evil, if they're evil, they become ugly"... you need to be conscious to not do that. Don't make them evil if they're visibly disabled because it will always end up being the same old trope, no matter how many weird excuses and in-universe explanations you give. I want to put it in people's heads that you are writing about a community of people who are technically visible in real life, but have no large voices that the general public would listen to when it comes to how we are seen. The general public relies on media to tell them that.
Putting people with FD in your books or your art seems to suddenly be intimidating for a lot of artists when they realize that not only is facial difference a real thing, but people who have it can see what you write or draw (and your other readers will take some things out of what you write, subconsciously). When an author is faced with the fact that maybe they are doing harm with their writing, they either: suddenly don't want to do that anymore at all, or say: "I don't care! I'm going to be very innovative and make my very evil OC be deformed!" which is kinda funny to me that people actually seem to think it's edgy and cool to repeat the most tired Hollywood tropes but that's the best we can get I guess lol...
The attitudes that people have around the topic of facial difference and the whole "media impacts reality" are very interesting to me in general. On one hand, when I tell someone that I was bullied or ostracized because of my disabilities, no one is ever surprised. On the other hand, everyone is for some reason uncomfortable when I say that this doesn't just... appear out of thin air. People are taught from childhood that facial differences and the people who have them are scary, untrustworthy, or literal monsters. Media is a major factor in that. Like, looking back at it, it makes sense that my parents told me not to stare at other kids because they would get scared. After all, I looked like a kindergarten version of the bad guy from some kid's book. Other kids were able-bodied and looked like the good guy, I was visibly disabled and looked like the bad guy. That's the lesson kids get from media on how people with visible disabilities are: evil, scary, not to be interacted with. So they avoided me because of that while I had adults telling me to not even look in their direction. Dichotomy is so helpful, right?
And this doesn't magically stop at children. When I post a self-portrait or a selfie, I usually deal with multiple grown people comparing me to sometimes an animal, usually a specific character from a movie, sometimes even making my face into a meme right away. But if people don't generally see people with facial differences on the daily, then how are there so many specific reactions and so many similar problems that we go through? If it's so rare, then how are people so quick to tell me the character I remind them the most of- Yeah, media. It's always media. It's almost funny how everything circles back to one thing.
I want you, the author, to understand the impact of misrepresentation of facial difference. If you feel uncomfortable because you have done these tropes before, good! That's a sign of growth. If you want to help instead of harm, you need to get over your (subconscious) biases for a minute and think about how a person with the same condition as your character would feel like reading about them. Maybe you are even currently realizing that that one OC with scars is just five harmful tropes glued together. Maybe you are going to reblog this and tell me in the tags that somehow your character decided to be like that, as if they have free will instead of being written by a biased human being. Or, as I said earlier, a lot of people will be annoyed by this post and keep doing their thing. Which is like... whatever, I guess ?? There are a dozen huge movies and TV shows every year that do this. It's so basic and normalized that whatever reach this post will have will change very little. I have been signaled "we don't care what you think about how we portray people like you" my entire life, I'm frankly more surprised when people do actually claim to care. You can, practically speaking, do whatever because the FD community is fully ignored by uh, everyone, and even if I'm disappointed or annoyed I'm just one man and I know (from experience) that most people won't have my back on this topic. It's too ingrained in our culture at this point to challenge it, I suppose. I mean, there have been multiple media campaigns telling writers to treat us as people, and they had practically zero impact on the writing community. But even with my absurdly pessimistic view on this subject, I still decided to write all this. Sure, there are no signs of the industry changing and the writing community doesn't seem to care much, but I still naively hope that maybe the right person will read this and at some point in the future I will be watching or reading about a character that looks like me and actually have a good time, and even more naively that maybe people will gain some amount of awareness of the damage that has been and still is happening to people with FD through media, so that the next time they see that the villain has facial scars for no reason they will think "damn, this sucks" the same way I do. And very, very naively, I hope that people who read this will start seeing us as people. Not villains, not plot devices, not monsters.
Sad part over(?), now the fun(?) part. AKA the tropes! Yay.
"Dramatic Reveal of The Deformity".
Use of the word "deformity" very much on purpose here. This is arguably the most common trope when it comes to FD, and it's always awful. At the very best it links FD with trauma and talks in a Very Sad Voice about how having a FD is the worst thing imaginable, I guess (think a "X did this to me... now I'm Deformed For Life..." type of scene) and at worst it does the classic revealing that the main villain actually was a burn survivor under his mask, because of course he was. In media, people with FD are evil. If they're not, then it's because someone very evil did it to them (the most evil thing of all - causing someone to have a facial difference. the horror!). It can't be a thing unrelated to someone's morality, there's gotta be evil somewhere around it. There is literally nothing good about this trope. Showing FD as something to hide? Check. Dramatizing FD? Check. Placing the way someone's face looks as the worst thing possible? Check. General treating FD as some kind of circus attraction to stare at with your mouth open? Check!
"Wearing a Mask*."
I made a whole post about this one actually, that's how much it annoys me. Putting your character with FD in a mask is so overdone, lazy, and boring I'm not even offended as much as I thought I would. It's like... really? Again? For the millionth time, the character with FD is forced to hide their disability? Is the author scared..? What is the point of giving your character a visible difference if all you're doing is hiding it? And yes, I know that your character chose to do that for reasons that you as a writer somehow can't control. It's always so strange how it's the character that's in control and the writer is in the passenger seat when it comes to annoying tropes.
Found yourself already waist-deep into this trope? Take a look at this post I made.
*"mask" here refers to anything that covers the character's facial difference (e.g. eye covering, surgical mask, whatever. It's about hiding it and not a technical definition of "what is a mask").
"Good Guy has the Tiniest Scar You Can Imagine, but Don't Worry! The Villain is Deformed As Hell."
A genre on its own. In the rare instance that a positive character has a facial difference, they have a curiously limited choice - you can have:
the thinnest, definitely-very-realistic straight line going through the eye (the eye is always either perfectly okay or milky for reasons the author couldn't tell you),
the same exact line but going horizontally across the nose,
and if you're feeling spicy you can put it around the mouth,
regardless of location, just make sure it doesn't look like an actual scar (certainly not a keloid or hypertrophic one) and is instead a straight line done with a red or white crayon. Interestingly, villains have unlocked more options which stem from scars, craniofacial conditions, burn marks, cleft lips, ptosis, colobomas, anisocoria, tumors, facial paralysis, to pretty much everything that's not infantilized, like Down Syndrome. These are always either realistic or extremely bloody. I sound like a broken record by now, but no, your morality has nothing to do with your physical appearance and being evil doesn't make a visible disability get more visible. Shocker. And don't get me started on...
"The Villain turned Evil Because They Have Scars."
Ah, how nice. Disabled people are evil because they're disabled, truly a timeless classic for able-bodied writers whose worst fear in life is being disabled. In case that needs to be said, having a facial difference doesn't turn you evil, doesn't make you become a serial killer, doesn't make you violent, doesn't turn you into an assassin with a tragic backstory seeking revenge for ruining their life. If anything, having a FD makes it more likely for other people to be violent towards you. Speaking from experience.
"The Villain Just Has Scars."
An impressive attempt at cutting out the middleman of "clumsily and definitely not ableist-icly explaining why getting a scar made them evil" and not even bothering with a tragic backstory or anything. They are evil, so of course they have a facial difference. What were you thinking?
"Facial Difference is a Plot Point."
As anyone who's read like A Book will tell you, the only way to get a facial difference is to be in a very dramatic fight or an extremely tragic accident who will become a plot point and thus the facial difference is now Heavily Emotionally Charged and a symbol of The Event/The Tragedy. If you look at media, congenital FD isn't a thing, illness-related FD doesn't exist and boring domestic accident or a fall causing FD has never been seen. It has to be dramatic and tragic or else there's no point in them having it. A true "why are they [minority]" moment, if you will.
"Character gets a FD but then Gets Magically Cured Because They're Good."
Truly one of the tropes that make me want to rip my hair out. Curing your character with FD sucks just as much as curing a disabled or neurodivergent character. Who is this even for? That's not how real life works. This is some actual Bible shit, that's how old this trope is. The only thing you're doing here is making people think that those who do have FD just aren't "good enough". Every time I see it, I wonder what the author would think of the congenital disorder I have. According to this kind of in-universe rules, was I born evil and just never got good? or ??
"Character with FD has Self-Esteem Issues and Hates Their Face."
I admittedly mocked all the previous tropes because they're absurd, ridiculous, offensive, boring, all of the above, and have zero basis in reality. This one however... ouch, right in my own tragic backstory. This is unfortunately a very real experience that a lot of people with FD go through. I even have a hunch there wouldn't be as many if the general public didn't think of us as monsters, but I digress. Yes, a lot of us have or had self-esteem problems, and a lot of us wished that we wouldn't have to go through all the BS we were put through because of it. Thankfully for you, you don't have to write about it! Seriously. You don't need to. As one million people have said before me, "maybe don't write about things you haven't experienced" and I agree here. I have yet to see an able-bodied author get anything about this right. Instead of the deeply personal, complex experience that involves both you, everything around you and the very perception of what others think of you that this is, somehow writers keep giving the tired "character crying and sobbing because they're "ugly" now", because the author thinks we're ugly. Or maybe they're sad because all the other characters with facial differences are evil, and they didn't have the time to prepare their evil monologue for when they inevitably become evil in the sequel? Who knows.
"The Author Doesn't Know."
I'm not sure if a trope can be the lack of something like this, but the author not knowing what their character actually has going on medically is common to a ridiculous extent - this applies to all kinds of disabled characters as well. You don't need to name-drop the Latin term for whatever your character has, but you need know what it is behind the scenes. You need to know the symptoms. You need to know the onset and the treatment or lack of it. Please do your medical research.
Things I Want to See More of in Characters with Facial Differences
[Large Text: Things I Want to See More of in Characters with Facial Differences]
The thing you might have noticed is that I want Facial Differences and People with Facial Differences to be presented as normal. Not killers, not SCP anomaly whatever, not monsters. I'm aware that the term is tired, but I absolutely want Facial Differences normalized as much as possible.
I want to see more characters with facial differences...
who have friends that don't bully or make fun of them because of their appearance.
who have support from their family.
who know other people with facial differences - even if they're just background characters, or mentioned in passing. Marginalized people tend to gravitate towards each other, people with FD aren't an exception to this.
who are queer.
who aren't only skinny white cis dudes in general.
who are disabled in other ways! A lot of us are Blind, Deaf, both, unable to speak, intellectually disabled, having issues with mobility, and a million other comorbidities.
who are fantastical in some way - preferably not the "secretly a monster" way. But a mermaid with CdLS or an elf with neurofibromatosis? That's cool as hell.
who are allowed to be cute or fashionable.
who have jobs that aren't "stereotypical bad evil guy jobs". Give me a retail worker with a cleft lip or a chef with Down Syndrome!
who are reoccurring characters that just happen to have a FD.
who are those stock/generic characters that aren't typically associated with FD. Hero's mom has septicemia scars? Cool! The popular cheerleader at school has alopecia? Awesome! The bartender of the place the heroes secretly meet up at has Möbius Syndrome? Goes hard! The kid that the MC used to hang out with before they moved somewhere else has Crouzon Syndrome? Great!
who have their FD be visible.
who aren't ashamed of their FD.
who are feeling very neutral about their face.
who are proud of how they look.
who got their FD in a very boring way or were just born with it (and maybe make up very silly, obviously not real ways of how it happened when annoying people ask them. Think "oh, I was fighting a shark").
who have facial differences other than small scars.
who's angst is fully unrelated to their FD. I love me an angsty teen character! Even more if they are angsty about their crush, or basically anything that's not their disability.
who have a significant other who doesn't do the whole "I love you despite your looks" thing. It just kinda sucks. Sorry. I would hate if someone said this to me.
who are children and aren't implied to be "cursed" or "demonic".
in genres that aren't just horror or thriller. RomCom or slice of life, anyone?
who aren't evil.
I want to see stories with multiple characters with facial differences. I have nerve damage and facial asymmetry, and I am friends or mutuals with people with Williams Syndrome, Bell's palsy, Down Syndrome, neurofibromatosis, facial atrophy, ptosis... and a lot of other things. Your character would have (or, would probably want) some connection to their community. We aren't rare!
And, I want stories with the whole spectrum of facial differences shown. Of course you can't represent the whole spectrum, but you can still aim for at least a few. Don't give every single character with FD the same scar-through-eye + eyepatch combo. It's not unrealistic to have a range in your writing. Here is a list of facial differences you might want to check out for inspiration. Don't be scared to give them something rare - no matter how uncommon, people still have it. My specific condition is allegedly extremely rare - I still want representation!
Closing Remarks
[Large Text: Closing Remarks]
Facial difference and the media is a topic that plagued me for the past almost two decades and won't stop ever, I think. It's a very unique relationship of a group of people who just aren't allowed to get into the industry and an industry that clearly hates them, loves to use their image, and defines how people see them all at once. There's this almost overrepresentation that is consistently awful and damaging to an absurd degree. Most people know more villains with FD than actual people. Certainly doesn't feel great to be one of the aforementioned actual peoples. But I hope that this will change - the negative portrayals that are plaguing the FD community will slowly fade out and a newer wave of portrayals will come in, hopefully this time realizing that we are real people and care about us a bit more.
The thing with facial difference is that it's pretty much impossible to make a specific guide of what it's like and what to do in context of writing because it's an incredible vast category that includes conditions that are very different from each other. That's why this post was more focused on "why you should care in the first place" (sorry for the clickbait) rather than being a straightforward guide that would still be very lacking even if 20 different people were collaborating on it. I really, really encourage everyone who got through this rather long post to do their research on what they plan to write about, be conscious of their own biases, don't pull inspiration from movies because they're all hellholes full of tropes and just sit down for a minute, think of the real-world people with facial differences, and read what we have to say. I know that drawing a guy with a line across his eye is more fun than realizing you're low-key scared of or uncomfortable around the real-world equivalent, but sometimes you have to get over yourself and try to be a better person. Caring about the people you write about is, dare I say, essential. That will certainly make your writing of us better :-) (smiley face with a nose)
If you have any specific questions, feel free to send an ask
Mod Sasza
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nyaagolor · 7 months
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Franziska being Nick's weird little girl in Bridge to the Turnabout lives rent-free in my mind at all times
-
The two of them are sitting on the snowy bench watching Phoenix for at least five minutes before Franziska finally says something.
“He is depressed,” she announces matter-of-factly. Gumshoe can’t help but let out a sigh of relief.
“Finally, people are making SENSE around here, sir!”
Franziska continues without acknowledging him. “He misses his vierd little girl.”
Gumshoe’s face falls. “The spirit medium, you mean? That’s not a good way to describe her.”
Franziska twirls a hand in the air like that will untangle the words in her mind. “No, Phoenix, he… hm. He is always… he has those vierd little girls following him around always. Maya, but also the little one. I have seen it many times.”
Gumshoe thinks about it, and realizes Franziska isn’t exactly wrong. Phoenix does always seem to have some kinda buddy with him all the time— one of the Feys, usually, but even his Maggey stood beside him during her trials.
“You think it helps him focus? Like a little rubber ducky you talk to when you gotta get the words out right?” he says. 
Franziska glares at him coldly. “You are the only fool who would do something so foolish.”
Gumshoe slumps a little, and Franziska twists her whip around in her hands.
“However. You may not be incorrect. Phoenix Wright is a foolish fool, and his foolish tendencies are somewhat mitigated by the presence of his… strange female companions.”
“His… do you mean friends?”
“Silence,” Franziska commands.
The two of them sit there in silence again before Franziska, eyes locked like searchlights on the back of Phoenix’s head, stands up suddenly with her mouth set into a hard line. She cracks the whip in the snow and strides towards him, her heels crunching in the powder.
“PHOENIX WRIGHT,” she commands, and he jumps with less of a start than normal. He really IS depressed, it seems. “I will be assisting with your investigation.”
Phoenix looks less than thrilled, sputtering protests as Franziska stares coldly up at him, and it is at that moment that Gumshoe decides he could use a little cocoa right about now.
By the time he returns, Phoenix seems strangely back to normal, muttering over seemingly random knickknacks he insists are “evidence” and shuffling through his chickenscratch notes like there’s anyone capable of reading it. He taps one of the pages and looks up expectantly. Though Franziska does nothing but offer him the same steely gaze, Phoenix seems satisfied enough, smiling to himself and scribbling furiously in the margins. Franziska catches Gumshoe’s eyes, notices his smile, and quickly turns her head, fingers curling around the handle of her whip. Taking a sip of his cocoa to hide his grin, Gumshoe pretends to be busy with investigating.
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