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#monster high reimagined
raptorfae53 · 1 month
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Monster High Reimagined
Toralei stripe character bio/redesign
Toralei Stripe (they/he/she)
Harimau Jaidan daughter of the Stripe family (Chinese Malaysian-British)
(Lesbian)
A bad tempered,mistrustful weretiger adopted by a wealthy family of cat Yokai living in Britain, Toraleis had it rough. Abandoned as a young child they've been cycled through the foster system more than they can think and feel detached from their foster mother Caterina Stripe and her standoffish family as a result,being inducted into monster high on caterina’s father's warning of it being a last chance for the girl before being shipped off to a reform school. Toralei personally express their own feelings regarding all of their baggage through playing loud punk music with his band,the Hissfits (consisting of toralei themself on vocals and guitar and their cousins purrsephone and meowlody on bass and drums) much to the dismay of the half of the campus able to hear it.
Likes: punk subculture and music, playing guitar in her band,drama ,taking catnaps (often in class) and dairy products.
Dislikes: crates and enclosed spaces,people trying to tell him how to live his life,being short (5’3),digital only media and his adoptive grandfather and family (bar purrsephone and meowlody, misfits gotta stick together after all)
Killer style: Toralei's mother always insisted on her dressing "properly" to fit in with her family's smart image,since joining monster high however toralei has been rejigging these old clothes into something more "her style", that being punky Sukeban-inspired looks bound to irk her mum's sensibilities.
Familiar: Sweetfangs, a huge orange tomcat that toralei befriended during her childhood as a street kitten,who bears a passing resemblance to a sabretooth tiger and hates everybody but toralei,who in return spoils him.
Pet Peeve: Their adoptive mother, Ms Stripe's insistence on their education being top-priority. Toralei just doesn't know why she even bothers. They've never done well in school,and no students or teachers either human or monster ever put much stock in them either. In a few years both will be out of each others lives anyway,reform school or not,so why even care?
Freaky Flaw: Their self loathing. To say toralei has issues is an understatement,and said issues have manifested into a frustratingly self defeating look on life. To toralei though it's just how it is,she's had to be on their own for most of their life and fight to get what she wants without anyone helping,planting the idea early that it was simply because he wasn't worth helping,and regardless of the changes in her life recently she expects it all to be the same at monster high. After all,if the people who insisted they were there to help never did anything for toralei,why shouldn't this be true for this new lot?
Spooky Secret: Toralei has a very pronounced West Country accent (having grown up in devon) that he masks for fear it makes him sound too “farmer-y” with a pseudo-cockney one, regardless it tends to slip in times of high emotion,including during when they sing,but the fact that they're attending an American school means few are the wiser.
Dream job: Rocking out on the underground punk circuit and touring around the British isles when they're done with school,despite her Foster mothers disapproval and insistence on studying. Although another,more personal reason for this dream lifestyle being that through it toralei hopes to meet other Harimau Jaidan in the UK as well as maybe track down her birth parents on the road in-between shows.
Five Fearsome facts
Harimau Jaidan and by extent other types of werecat are a rare type of monster,even more so outside of their native Malaya and toralei has spent much of her life regardless of setting with this gnawing feeling of isolation. Even if she now has purrsephone and meowlody she's still the only one of her species at monster high,so the feeling of being alone in a crowd remains...
Toralei has a marked dislike for a lot of modern pop music,considering it too corporate and without any genuine message for her liking compared to punk and rock. (Although when their cousins aren't around he does listen to a few of his cousins Jpop CDs,don't tell anybody though…)
Aside from punk subculture,Toralei's other great love is dairy products, and beguiling their hard-edged image,ice cream,boba tea and other sweet treats rank among their all-time favourites. Toralei is also ragingly lactose intolerant but this doesn't stop him.
On top of singing and playing guitar for the Hissfits, toralei makes all of their bands merchandise ranging from badges and stickers to screen printed shirts and posters,and often incorporates some of it into her day-to-day outfits, arguing that actually the printing is intended to be wonky (it's not) and it wouldn't be properly punk if it weren't a little asymmetrical.
As a result of distrusting the model of digital only music distribution, toralei uses a lot of physical media to enjoy their music, using a physical CD player and distributing the hissfits music via burned CDs sold with the bands other merchandise. Toralei also uses said skills in making mixtapes for the people he cares most for in their life and casual Internet piracy.
Hello again everyone, I'm back with another one of these finally (and of one of my favourite monster high characters of all no less) + I'm also very close to finishing another profile so I doubt it'll be long before the next one of these is up,but anyways as usual, an explanation for my design choices:
Having previously drawn my version of toralei,whose design you can see here (hope to do more art of them and the rest of my monster high designs in the future btw) you probably already know that I've changed her monster type from a plain old werecat to a Harimau Jaidan, a were-tiger from Malayan folklore (Inspired by @jdoodlin amazing toralei design,who first introduced me to the Harimau Jaidan concept)
To keep it short, I never liked the "werecat" label, it felt a bit too artificial and I knew that there were multiple sorts of cat monsters from mythologies across the world that would make for much more interesting designs than just plain old cat people,hence why toralei is the only one of the 5 werecats to actually remain a werecat (well,weretiger). As for the others well, you'll just have to watch this space,as I have a whole smorgasbord of ideas for the twins,Catty and Catrine I can't wait to share with you all eventually in art and writing.
Anyways,hope you like this character bio,see you for the next one.
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Wave 1 eye designs
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Hey! I noticed your taking requests and you also do MH art. Could I request some rarepair art? Like Deuce Gorgan x Jackson Jekyll/Holt Hyde?
Hope this satisfied your request!
"Daydreaming in class again Mr. Gorgon?"
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katerdaddy · 11 months
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They’re all I think about. There’s something so special about them
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Monsters Reimagined: Asmodeus, Lord of all Hells
I think I know what may be happening....You’re trying to atone me, and I didn’t do anything wrong...You want to know what I’ve always hated about mortals? why I spit on your forgiveness, why I loathe your redemption? To reach a hand down to somebody they need to be beneath you,
And I’m Beneath Nobody.
Brennan Lee Mulligan as Asmodeus for Exandria Unlimited: Calamity
@pikablob​ was asking about my ideas on devils and mentioned Asmodeus in the process, and while I’ve already done a monster’s reimagined on devils, I figured it was a good opportunity to talk about my take on the biggest of big bads. To summarize, I like to go back to the mythological roots of devils less as agents of a universal evil but as individual manifestations of judgment, looking to test or punish mortals for their failings. This ( along with Brennan’s showstopping performance in calamity) gave me the idea of an Asmodeus as the ultimate critic of mortalkind, an entity that can see all of our flaws and nothing of our virtues.
TLDR:  There are many evil gods, wicked things that preside over cruelty and misfortune in all its forms, but there are few that would claim to be the god of evil itself. Though to hear the lord of all hells tell it, there is nothing touched by mortals that is NOT evil: no act that is not in some way rooted in self interest, no moment of self determination that is not a transgression, no soul that is not some way corrupted. To allow the Father of Sin into your heart is to accept that people are fundamentally wicked creatures deserving of punishment, and that punishment cannot come soon enough.
Bio: Ruling from the lowest depths of the pit, Asmodeus sits a throne surveying an empire built on torture and damnation and deems it insufficient. There is evil in the multiverse and that evil is called mortals, things gifted with the tiniest spark of life who every day choose the wickedness of existence. His purpose is  to be the scourge that drives the animal towards the slaughterhouse, to take hold of mortal life and shape it into useful purpose, with the only useful purpose being the ultimate destruction of all wicked things
The hypocracy of being an evil god punishing evil does not for a moment shake Asmodeus. Spirits cannot choose their nature, nor can animals, but mortals which live in the intersection choose to be evil every day, and worse yet, have the capability to choosing evil at any time. In spite of his divine status, and in many ways because of it, Asmodeus is actually incapable of perceiving good in mortals, believing that good intentions or earnest affection are yet more lies and hasty justifications that mortals buffer themselves with to excuse their faults and selfish action. None can then judge the atrocities he commits because none are without sin, even if to find that sin he needs to peel back layers of causality and unconscious feelings to find a thread of wrongdoing. 
To purge the universe of the blight of mortals Asmodeus cultivates power and fear: Power in the form of legions of devils and devoted servants who’s hateful hearts he feeds like a furnace, fear in the form of agents which sow division in mortal hearts and a myriad of private hells filled with infinite forms of torment.
Swear to serve Asmodeus, say his mouthpieces, and you will be spared the infinite torment when the boot on your neck breaks through to your spine, or when his hordes come to put your home to the torch.  Give up on the falsehoods of hope, love, and kindness,  visit punishment on others and you may be rewarded for your service
Behind the scenes: I’ve talked quite a lot about how d&d uses the idea of objective evil as a staple of its worldbuilding, and how in doing so it ends up falling face first into pro genocide rhetoric. In attempting to make badguys that the party is 1000% justified in killing on sight it ends up stumbling into some very fucked up thought experements.    Monsters in vanilla d&d arn’t just evil because they do bad things, but they do bad things because they are inherently evil:  They pillage, they enslave, they despoil, not because these things benefit them ( as it invariably gets them killed by adventurers) but because these acts serve as an outlet for their wicked natures.
If our heroes’ enemies are fundamentally evil, then any action which opposes them must be good, and any pillaging, enslaving, or despoiling the party does can be excused provided the targets belong to the designated ingroup. This is almost identical to the reasoning that was used by crusaders, conquistadors, slave owners, and fascists, and what is now being used by the evangelical to deny people rights and life-saving aid to this day.
What I wanted with Asmodeus was an entity that looked at the party like a group of murderhobos look at an orc: an ugly brutish thing that is only useful in so far as its suffering and death can benefit them.  Maybe it’ll be funny if they make it beg for its life. The party feel they’re justified in this because they know the orc is objectively evil ( because the books said so), just like Asmodeus is justified in plucking the souls from mortals and making them suffer for eternity because he knows, in his flawed omniscience, that they are deserving of it.
Signs: The sounds of tortured souls wailing from below, symbols of power glowing red hot, the manifestations of lesser devils.
Symbols: A five pointed star made of jagged metal, a black throne or crown atop numerous bodies.
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flomygosh · 6 months
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Gilda Goldstag
Prompt: Monster High Character
Day 10 of @maadsimming 31 Days of Simblreen
I know nothing about Monster High. I scrolled through the character list until I found someone I thought could be fun! I love how she turned out. Cas shots below the cut
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coincasual · 1 year
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i’d like to think when they were younger cleo used to try to flirt with frankie but it always came out a little like an insult and frankie just thought that she didn’t like them 🥲🫣 obviously over the years they both got better at communicating
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stuff-of-legends · 3 months
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Marvel Universe's Gods and Monsters.
JL Gods and Monsters is a reinvention of DC's characters that takes the name and throw everything else out. So with Marvel's take I wanted to go a little further.
Here are some early ideas I had-
-Hulk is a young man whose cursed to transform into monster because of something his grandfather did.
-Ant-man is a mutated ant that became an ant-human hybrid by experiments from the High Evolutionary.
-Vision is a mutant that could see the future.
-Goliath is a giant who protects the humans he befriended and their descendants.
-Iron Fist is an Inhuman with the ability to transform their body into different metals.
For the Big three I'd probably replace Thor with Horus and explore what happened if there was a platoon of Super Soldiers during WW2 lead by Protocide instead of Steve.
[url]https://marvel.fandom.com/wiki/Clinton_McIntyre_(Earth-616)[/url]
[url]https://marvel.fandom.com/wiki/Machine_Man?so=search[/url]
For Iron Man, I wanted to use Machine Man and tie him to Japan. He started out as a deterrent against American Super Soldiers but defected and became the first robot citizen of the UN.
Spider-Man and Wasp would focus on the conflict between the Spider-society and the Brotherhood of Wasps. Those two characters would represent those factions and be rivals.
These are fun to do. What are your ideas?
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On my hands and knees that monster high will one day bring back Catty Noir the impact of that catgirl popstar was unmeasured
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jaydraw209 · 1 year
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Felt like doing my own take on Monster High.
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thecursedprince · 6 months
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Monster High Skullector The Nightmare Before Christmas Dolls
$ 90.00
Launches Oct 27, 2023 12pm PT
Inspired by Halloween Town, we’re bringing you the latest Monster High Skullector dolls – Jack Skellington and Sally from Disney Tim Burton’s The Nightmare Before Christmas. This hauntingly lovable duo features premium fabrics with signature iconic details and special Easter eggs that make them oh-so-undead. We even designed the packaging to celebrate this iconic film with fun callbacks from the film.
Disney Tim Burton's The Nightmare Before Christmas Jack Skellington and Sally Monster High® Skullector™ Dolls 
Jack is 12 inches tall and Sally is 10.5 inches tall 
Jack is wearing his iconic black pinstriped tuxedo ensemble, complete with a bat bow tie  
Sally features her iconic stitch marks, long red hair, and her iconic patchwork dress reimagined into couture  
Packaging includes movie details and a special slip-cover sleeve with hidden Easter eggs 
Certificate of Authenticity included 
Dolls cannot stand alone. Doll stands included. Colors and decorations may vary. Purchase limits subject to change at the sole discretion of Mattel.
©2023 Mattel.​ 
©Disney 
SKU#: HNF99
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raptorfae53 · 26 days
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Duchess Swan Redesign/"Monster form".
Hello again, I've something a bit different today...
Ever after high is a criminally underappreciated and terrifyingly interesting story,so I've decided to let loose my concept of how I'd reboot the show to fit within the universe of my Monster High reboot ive been fleshing out through g1-style character bios on here and on my AO3 page (AndromedaRaptorFae for those interested), starting with this art of my version of Duchess Swan, the daughter of odette the Swan princess and an absolute bad-but-sad disaster of a girl.
To make a long story short,because of plot reasons, the ever after high kids end up in the "real world" of monster high and attend it for senior year after transforming into myriad monsters themselves. Duchess becomes a cockatrice, a dragonlike mediaeval monster that's part bird and part reptile (traditionally half and half Cockerel and snake but Duchess befitting her role is a Swan cockatrice) and a counterpart to the Basilisk (of which Duchess's own counterpart, the child of Odile the black Swan has as their "monster form").
Needless to say,a lot of the kids don't take these new changes to everything too well, and Duchess is one of them. She's already struggling with her own self-loathing and low self-worth,believing her grandmother who raised her as well as her transformed mother resent her for being a reminder of everything that happened in their story for starters. And that's not getting into any of the nonsense that's occurred during her time at ever after high.
All in all,as spiteful,envious and generally villainous as she is,Duchess is more or less just miserable and lonely, and gaining a tail and wings is honestly the last thing she thinks she needs,although she eventually learns how to manage, and how to ballet dance on bird feet.
Also,as a quick aside on Duchess being Trans, whilst she's not the only trans character within the cast of this rebooted eah, the idea of Duchess being a trans girl was primarily inspired by this amazing post by @royalrebelpropaganda . (Being a trans girl myself whose struggled with her self worth I can actually empathise a lot with the poor girl tbh,maybe its why shes one of my favourite eah characters?...)
Anyways,hope you like the art and hope to see you soon with some more eah art,as I've got a lot more concepts and ideas...
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Wave 1 Skullettes 2/2
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Been a while since I drew the boys.
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katerdaddy · 1 year
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Jackson Jeckyll and Holt Hyde Redesign!
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Villain: End Without Rest, Outer God of Ceaseless Apocalypse
How many times can a thing break before it can break no more?
The mummified corpse of a titanic dragon defies all laws of scale and destiny to sink its teeth into a bleeding sun, a fleet of ships like clockwork locusts stripmine a world for spare parts, angels gone feral parade down the road while scourging their flesh singing songs of the coming endtimes in a thousand witless tongues. All these things and more are the being known as “End without Rest”, an engine of destruction that wanders the multiverse without aim, a nomadic Armageddon looking to impose itself on the mythologies of other worlds.
End without Rest is a god for those who are convinced that final days are upon them, whether that be doom preaching madmen, the scions of crumbling empire, or religious fanatics convinced they alone will be saved. It is the impulse to ignore your own safety and the safety of others, and to instead heap all the good things of life upon a pyre and watch them burn. End without Rest senses these pyres like signal beacons, and descends on the arsonist’s innocent world to make good on all their fears.
Adventure Hooks: 
Exploring the ruins of a now forgotten city leads the party into conflict with a series of strange, rust-covered automotons that seem to have been haunting the site since its fall. Pushing deeper, they find the machines defending the wreck of a long grounded astral ship, with the surrounding evidence pointing to the city’s inhabitants having died defending against an army of these constructs a thousand years ago.
A few generations ago, a charismatic priest found a book of prophecies, and took his followers out to the badlands where they could be safe from the cleansing fire that was about to destroy their homeland. The apocalypse is now overdue, and the priest’s followers have gone a bit squirly in the meantime, living off the land in pious austerity and attacking travellers and native inhabitants of the badlands for supplies. The most recent head of their congregation has decided to take a more active approach to prophecy, and has begun a series of grisly raids with the intent of triggering the endtimes by orchestrating his own omens.
The stars bleed, the horizon seems to burn, and the party have to run for cover as a falling star makes its way directly towards their camp. Returning to the smoking crater they find a Planetar angel gasping for life, heavenly light bleeding from innumerable battle wounds. With their last breath, they recount their battle with a fallen angel intent on beginning the end of the world by blowing a sacred horn. This plannetar gave its life to avert this crisis, and with their last ounce of strength to knock the horn from their foe’s hands and sent it crashing to earth. Now the party must race to find where the second “falling star” landed before their fallen adversary completes their final mission.
Background: The origins of End without Rest stand as a testament for what happens when gods and mortals meddle with the ineffable nature of fate. It begins with a petty war god watching as a world reached the predestined end of its mythology, it sun devoured by a great beast to usher in the final age of darkness and dissolution that would spell that realm’s end. This wargod was not the type to see a whole world full of people and weep at the futility of all, or rush in to try and set fate onto a different course.... she was the type to see something that could destroy pantheons and start thinking about how it could be weaponized.
End without Rest is the result of all her efforts: The body of an apocalyptic dragon, mummified from its long time in the void, pulled from the dead realms and reawakened with a supernova burning in its belly. Around this monstrosity she set a legion of constructs to maintain, defend, and reign the beast, answerable only to her. She wielded her new weapon with glee and with pride, carving out an empire of worlds that bowed to hear in fear of the apocaylpse she could bring down on them... until she fucked up and brought it down on herself instead.
With its master consumed and her divine fire burning in its furnace of a heart, there was nothing to stop End without Rest from growing, of reaching the critical mass of its own godhood, of moving from world to world ending them based on instinct alone.  This process has repeated so long that the remnants of other apocalypses have got swept up in the apocalypse engine’s wake: routed legions of the endtimes pledging themselves to its service, orphaned harbingers following it in hopes of finding meaning after their task is complete.
Titles: The Apocalypse Engine, Suneater, the unready end
Signs: Confused visions of the enditmes, animals going feral, objects rusting breaking or unraveling before they should.
Symbols: The Jaws of a beast (often black, often skeletal) closing around a red sun. Iron locusts
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