We have a DINING ROOM in Clay's MEMORY PALACE?
And he HANGS OUT with the ANTI-SOCIAL ALTERS to make them feel more SPECIAL?
We love our mostly unsafe gatekeeper who only hangs out with specific alters
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The first podcast with the members of the FSBC - who we are, where we’re from, what we did.. and this is taking a backstreet I wasn’t prepared for..
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I hate how much I can't ever NOT bop along super hard to Bodys by Car Seat Headrest
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i think we were all just traumatised from everything else that had happened in the year so far that’s why we reacted like that 🤣
yes i think so too 🧍🏻♀️ we’ve matured
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Better Call Saul s6 e9 spoilers without context
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My husband shared this with me as he just finished this audiobook, so I wanted to share with my fellow writers out there!
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Neopets discourse is always funny to me because whenever drama starts up 90% of the time it's over something that's just objectively really silly
For example, right now there's neo-billionaires threatening to quit the site over a rare item being released, which wouldn't be funny except the item in question is a tiny pea wearing a Santa hat
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magic system where “dark magic” and “light magic” are literal terms - dark magic consumes photons, making an area around the spell visibly darker, sometimes to an Extreme extent, and light magic releases photons.
because of this most dark mages tend to work in very brightly-lit areas (either artificial light or outside in the daytime) to fuel their spells and wear and use lightly coloured clothes and tools so that they’re easier to see in the dimness their spells create, whereas light mages wear heavy, sometimes leaden robes (depending on the work being done) and the magical equivalent of welding masks to protect themselves from what can be an extreme amount of light, and sometimes other kinds of electromagnet radiation!
needless to say this is incredibly confusing for anyone unfamiliar with the culture
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still one of my favorite bits i ever got to commit was pretending not to know who jesus is when a street preacher was evangelizing to me. he was like "do you know who jesus is?" and i had so much time before my next bus and i wanted to know what would happen so i said no. and you know what. he had clearly never been told no to that question before because if i hadn't actually known who jesus was, his baffled and fumbling attempt sure wouldn't have told me. literally reversed the roles. now you get to stand here feeling very uncomfortable and wishing you could be somewhere else because guess what buddy, this is my bus stop, im early (and can catch like five other buses from this exact stop), and im now thoroughly invested in hearing about this mysterious jesus figure. you're locked in here with me. im eating the key as we speak. i will kill us both before i let you out of here.
very highly recommend this bit if you can pull it off and if you have time to kill
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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if we look at the original timeline (aka annabeth and percy being born in 1993) then 2009 was a big year for annabeth bcus not only did the battle of manhattan take place and she finally started dating percy, but also minecraft came out and i think that would be a big deal to her
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