Tumgik
#most things i do i do with extreme consideration of others
toomanythoughts2 · 2 days
Text
Victim or Cohort? Anja Wartooth and Toki Wartooth's Relationship Theories
Tumblr media
Hello again! My full thoughts and analysis will be under the cut away just like last time!
I have spent a considerable amount of time thinking about these two characters and their relationship, and I thought it was about time that I put all of it down in one place. Anja Wartooth is an incredibly interesting character to me and it's a shame we don't see too much of her.
So, for the most part, this post will be about what the title says:
Was Anja Wartooth a victim just like Toki or was she a cohort to her husband's abuse toward Toki AND whichever she is, how has that affected her relationship with her son?
Evidence for Victimhood
Cults and Women
Tumblr media
"From an abandoned village near Lilliehammer, Norway, Anja and the Reverend Aslaug Wartooth." - Senator Stampingston "Dethfam"
Anja Wartooth is a very mysterious character in Metalocalypse when we are first introduced to her in "Dethfam". She is a very single sided character, "the wife" "the mother" and once we learn a little more "the abuser". Anja's role as we see her as the fans is just that and nothing else. However, when we start digging through the actual background we are being given by Brendon Smalls, a much more disturbing image is being created. In order for us the understand what is being presented, we need to understand what is happening and what does that mean for her.
There are very few things we know about her but the most important to remember right now is that Anja is married to a cult leader.
"Toki's father [Aslaug] was the local leader of a mysterious and cultish sect of Christianity, which likely involved vows of silence and extreme disciplinarianism." - Metalocalypse Wiki
Anja is married to a cult leader, we as the fans are fully aware of that. But what does that really mean?
It means that Anja has no control over herself or her child.
Dr. Alexandra Stein wrote a short essay on the effects of women in cults called, "Cults are terrifying. But they're even worse for women." She has multiple years of research in the field dealing with cults and what they do to women, specifically their reproductive freedom. In her essay, she highlights how motherhood is taken over by a cult leader in order to force the woman to focus their attention on them, and not the child. This could mean forcing abortions on women or forbidding birth control so that child are convinced whenever. She also includes that when parental attention is given to the child, the cult community rules dictate how that attention happens. Women in cults are also exposed to sexual abuse and their children are exposed to child abuse, often times overlapping each other depending on what type of cult they are in. Child sexual abuse is not uncommon in cults, such as in the Fundamentalist Church of Latter Day Saints, where Warren Jeffs, their leader, is in prison for sexual abuse toward girls.
Tumblr media
"In short, women’s right to control their bodies, their child-bearing, their sexuality and their mothering are all taken away in cults as the leader grabs control of these most intimate parts of their lives. Women don’t choose this: They are groomed, brought in slowly and gradually separated from their previous lives and close relationships. Once isolated within the cult, and suffocated within its closed world, it becomes almost impossible for followers to maintain their independence. At a certain point, it becomes easier to simply give in, stop thinking and accept the new norms." - Dr. Alexandra Stein, "Cults are terrifying. But they're even worse for women."
Tumblr media
When reviewing the article, this specific scene from "Dethdad" came to mind. It's during Toki's flashbacks of all of the abuse he had gone through, and this is one of those things he remembers. Not only is this traumatizing to Toki, but, with the knowledge we know now, it's probably traumatizing to Anja. The last bit that Dr. Stein says, "It becomes easier to simply give in." really resonates with me with how Anja is simply "giving in" to her husband's desires. Take a close look at her. Does she look like she's enjoying it? NO!
Now that we know that cult leaders have a reputation of separating mother and child to keep the woman's focus on the leader, lets look at the Wartooths. Aslaug separating the interactions between Toki and Anja to keep Anja in line would be on par for a cult leader. They live in an abandoned village outside of Lilliehammer, so they are cut off from the rest of the world, keeping her and Toki severely isolated. Anja really only has her husband, the cult leader, and the few members of their cult that we see in "Dethdad". (The wiki hints that these people are also Toki's family, which further pushes Anja into isolation if those people in the cult are Aslaug's family, NOT Anja's!) Another small hint at reproductive abuse is the age of Anja and Aslaug. We don't know canonically their ages, but they are drawn in a fashion where they are much older parents, probably way older than they should be to be bringing in a child. Which raises the question, does Anja have access to birth control? My guess, probably not.
Another moment of mothering abuse would be the one time we see Anja hit Toki in "Dethkids." It was under the supervision of Aslaug. This cosines with the idea that mothering in a cult is only allowed to the extent of what the leader wants. Aslaug is a disciplinarian, which would make sense why he would oversee how the mother interacts with the child, and does as he wants, not what the mother wants.
Tumblr media
This is a side note, in "Dethkids", this scene lasts for 18 seconds. 17 of those seconds were just Anja staring at Toki before slapping him.
What all of this information means to me is that Aslaug purposefully withheld Anja from forming a mother/son relationship with Toki, furthering his abuse on Anja and Toki. Based on Dr. Stein's essay, Aslaug most likely abused Anja as well, as it fits in their cult leader/wife dynamic. I feel like this is good evidence toward Anja being a victim of a cult and having to conform to his ideals in order to survive.
Aslaug's Abuse Toward Toki
Tumblr media
Aslaug is a cult leader, a malicious man who has beaten and abused Toki. From the wiki, Aslaug is characterized to, "[petrify] [Toki] by any proximity to Aslaug, physical or mental." whereas Anja (granted her wiki is severely lacking) has no mention of bringing such a state to Toki.
Here is a list of all the ways Toki has been abused on screen:
Forced into the Punishment Hole (Underground pit) in inadequate clothing and in subfreezing weather.
Switched across back, legs, and arms till bleeding, leaving with open wounds and no medical care.
Chained to wall.
Pushing the "Wheel of Pain" mill.
Carrying boxes of rocks uphill in inadequate clothing.
Carrying logs and stacking them in inadequate clothing.
Face slapping.
Sweeping snow in inadequate clothing.
Walking in parents having sex (I personally see this as sexual abuse and control.)
Tumblr media
A type of abuse we don't see on screen but is in the concept art of "Dethzazz", Aslaug hitting Toki's bare back with a horse whip when he breaks the wooden spoke.
Tumblr media
In the special features episode, "Family," Toki states that he was spanked as a child. "I often thinks of the days in Norway when family. Pants down. Spank." - Toki
(I understand that spanking is a controversial topic when discussing child abuse, but I'm going to go on a limb here and say that Toki was not spanked in a "normal" fashion, and was probably beaten horribly.)
Now, I would like to remind everyone that the only time we see Anja being an active abuser is in "Dethkids" when she slaps Toki across the face. That is the ONLY time Anja does something like that. This, however, does not disqualify the indirect abuse she put Toki through by being a bystander and letting the abuse continue at the hands of Aslaug. Nor does this disqualify her from possibly having other direct roles in Toki's abuse, but, with the evidence that is shown, Aslaug is seen much more than Anja in Toki's abuse. However, Anja can be both guilty of indirect abuse and be a victim at the same time.
Tumblr media
For example, in "Doomstar Requiem", when Toki sings "I Believe", there is a flashback when he says, "My familys, they didn't cares about mes" This is what is shown. Toki is obviously holding an acoustic guitar by the shape of the body that is shown and the wooden neck. He is showing it to his family and Aslaug is the one telling Toki that he has to leave, not Anja, though, she looks more disgusted with it than Aslaug. Here is more proof that Aslaug is the one making these decisions about and for Toki, not Anja, but Anja could have stepped in and stopped it.
With that being said, I would not be a far reach to state that Aslaug was the main abuser.
Lingering Effects
From what we know about Adult Toki and his abuse, is that Toki is severely traumatized. From their first meeting, Aslaug (and Anja by omission, but only because the wiki states that Aslaug causes Toki stress, not Anja) sent Toki into a catatonic state for three days in "Dethfam". He did not speak in those three days, a distinctive characteristic of Aslaug's cult. It is also a predecessor to "Dethzazz" where we learn that his catatonic state takes the form of the Punishment Hole, something we have only seen Aslaug send Toki to, not Anja.
Tumblr media
Aslaug has also created a phobia in Toki of Bicentennial Quarters because they look like the entrance to the Punishment Hole. Toki is so scared of them that he has to be drugged in order to calm down from this phobia. This relays to the audience that Toki is so scared and traumatized by his time in the Punishment Hole that his body physically can not function around a quarter because it looks vaguely like it.
Tumblr media
It's worth noting that in "Dethzazz" when Toki is stuck in his Punishment Hole, a spider hybrid with his father's head comes to attack Toki in his mind. He only comes around when Little Toki is by himself in his hole with his clown doll nowhere to be found, in his most vulnerable state. In his dissociative mind, the creatures that came to attack Toki were snakes and a Spider/Dad hybrid! Not Anja, Aslaug! This is important because it points out that Aslaug is Toki's main stressor.
Tumblr media
One of Toki's most important arcs (in my opinion) is Toki age regressing slowly throughout the show until we get to "Army of the Doomstar", where it is confirmed by Pickles in the church. The reason Toki started regressing in the first place can be originated at "Dethfam" where Toki is forced to see his parents again. We see Toki voluntarily use age regression to cope and calm himself down, like the usage of his Deaddy Bear, coloring, playing with his toys (model planes), and his love for plushies. Those are only the few things I can remember off the top of my head. From there, throughout the seasons, Toki begins to regress more and more, until we get to "Doomstar Requiem", where once he is rescued, it really kicks it into overdrive. Simply, Toki's abuse (and captivity, which resembles a LOT of his own childhood abuse) has traumatized him so badly, that he has to age regress to cope, which went from voluntarily to involuntarily.
Tumblr media
Everyone who loves Toki, knows that scene in "Snakes n' Barrels II" where Toki beats the shit out of that guy at the sober concert. However, it is important to remember that the episode right before that is "Dethdad". The Tribunal said in "Dethdad", "Toki has suppressed his feelings for his father. His death may ignite long-dormant emotions. He will spin out of control into a vortex of madness. He will bring death to us all."
I have a theory that, with the stress of his father dying, blaming himself for his death, and being in a crowded concert while being sober, was the reason he really went apeshit on that guy. The tribunal was giving us foreshadowing into the next episode (or two, if you watched it on TV and had to see it split up). With that being said, what the Tribunal predicted would happen, did happen, at least to one person. His repressed rage after his father's death while being overstimulated and sober caused a chain reaction in Toki.
Tumblr media Tumblr media
I do not believe Toki to be a overtly violent man, despite his affliction toward sadism and power trips at times. "Dethkids" showed the audience that Toki's rage comes from his childhood abuse during "Toki's Song". The montage of his flashbacks show Aslaug and Anja abusing him, which hints that Toki does have some lingering anger toward his mother. This further proves the Tribunal's warning of Toki spinning out of control after his death.
Which brings us to our next effect, drinking. My theory is that, because Toki was sober when he beat up that guy (plus fully aware of his feelings about his father), he started drinking to combat any possibility of doing it again. I do believe that Toki does not feel good about what he did to that man once he regained his mind. So, in order to stop from thinking about his father and about beating that man close to death, he will do what he wasn't doing at the concert, which was drinking. Obviously, this leads the band to start to seriously worry about Toki and even have Nathan break the "No Caring" policy. Thankfully, Toki was able to kick that after the Season 2 Finale.
Tumblr media
While this next effect may be a little meta, it's still an important aspect that I would like to talk about. Toki's panic attacks we see in the show, specifically the one in "Bookklok", are a result of his abuse. Abused children have a significantly larger chance of developing anxiety and panic-like symptoms and disorders. Toki was abused severely, but especially when he needed to be "punished" for breaking the rules. From my point of view, this means that Toki's panic attacks occur when he messes up something and thinks he is going to be punished again, like in "Bookklok", when he steps on his guitar AUX and messes up his solo. Something else to note, in the Metaloclaypse Wiki, it states that, "What Toki suffered from was most likely hyperpneic syndrome, usually called hyperventilation. If one breaths too much too quickly, the amount of carbon dioxide in the blood decreases, and an attack occurs." Toki's panic attack being hyperventilation related could also relate to Norway's high altitude and a his failure of acclimatization (which takes 3 to 5 days), which would have made his attack that much more severe, leading him to collapse like he did.
Tumblr media
(This one might be a a stretch, but in "Dethrecord" when Toki accidently delete's Skwisgaar's guitar part, he does panic and plead with Skwisgaar to not kick him out of the band, even offering to suck his dick. I know it's meant to be a funny moment, but that was real fear out of Toki. This could align with a much younger Toki panicking and pleading with his father to not kick him out of the home and into the Punishment Hole, even descending into some desperate attempts to prevent it. I don't necessarily believe that Toki was ever sexually abused by his parents, but the likelihood of it happening is still very high, especially since Toki lives with the leader of the cult.)
Pickles Parallel
Tumblr media
Toki is not the only one with a problem with his father. Everyone except Nathan (though he might of fixed his father issues off camera) has father issues, but the one member that reflects him the most is Pickles. Pickles has a horrible relationship with his father. I'm going to be honest, I don't think they have a single scene together where they talk to each other other than the flashback. "Fatherklok" is the one I want to focus on because that is where we see Pickles and Toki coming together to talk about their fathers, and what they have to say about them.
In the beginning, Toki says to Charles, "So, my dads just died. and I'm totally cool with it." (He's lying.)
Pickles says, "Look, I got no relationship with my dad other than I hate him, you know? [Flashback] You know, I realized the other day that I don't even know his first name. And I'm proud. I'm proud to know that I don't know that." (He is also lying.)
Through out the beginning, we see Pickles (And Toki in the very beginning when he's talking to Nathan in the kitchen but mostly Pickles) trying to get Murderface to "father" him a little but is chased off my Murderface while he favors Skwisgaar. This enrages him and he is seen destroying his endangered animals room.
Pickles says, "Why does Murderface favor Skwisgaar over me? What's wrong with me?" Which Toki asks if Murderface is really doing it and asks how it's going while looking sad. Pickles says it's going great and asks, "What about us?" Toki says he's being totally excluded and Pickle says, "Just like my old man did to me," with Toki agreeing. They both agree this is going to screw them up with Pickle's destroying a Murderface cup.
So at this point, we are aware that Pickles and Toki have lingering emotions about their father, about being excluded, but also rage. This obviously concludes with Pickles beating up Murderface, with Toki joining in. So, this episode shows how Toki and Pickles relate to their rage about their fathers.
Tumblr media
But what about their mothers?
"Motherklok" is a completely different vibe, with Pickles trying his best to form a relationship with his cold and distant mother, Molly. The episode is about Pickles changing himself in order to please his mother so they can have a relationship, something Pickles is still clinging on to. It's most likely not the first time their this has happened. As it goes, Pickles finally ends up breaking away from that toxic relationship when nothing pleases her by telling her to "Go Fuck Yourself." To me, this says that both Molly and Calvert were actively neglectful and abusive parents to Pickles on their own, and not together. Whereas with Toki, it seems that the abuse came mostly from one source, his father, with his mother following his commands. While we do not see the Toki and Pickle's parallel in the episode itself, there is evidence throughout other episodes that, unlike Pickles, Toki was able to form a relationship with his mother.
Toki and Anja's Relationship
Pre-Dethdad Death
Speaking Terms
Tumblr media
I think the biggest cue that Toki has a relationship with his mother and it's on good terms is that they talk to each other. In the beginning of "Dethdad", we see Toki getting a call from his mother. We know it's from his mother because he says, "Mor?" which is Norwegian for "Mother." The full translation is from the Metalocalypse Wiki:
«Hellos? – Mor? Ja... kreft? Han er nesten død? Han hoster opp blod? Okay, ha det bra!» "
"Hellos? – Mother? Yes... cancer? He's almost dead? He coughs up blood? Okay, goodbye/see you!"
From this scene, we can tell that,
Anja has Toki's number
Toki wouldn't just give his number out to his parents after having no contact with them in over 10 years without some kind of compromise. I believe that Toki giving his number to his mother was that compromise.
Toki picks up the phone for his mother
In "Dethmas", it is concluded that the band can see the names of whoever is calling before answering. The scene of Nathan, Pickles, and Skwisgaar getting calls from their mothers, ignoring them, then getting calls from each others mothers, while continuingly ignoring them is telling to how Toki picks up his phone. There was no hesitation in Toki picking up his phone. I don't believe that Anja would have her own phone until after Aslaug's death, so Toki asking "Mor?" to clarify it's her is more aligned with Anja using someone else's phone. But even having getting that clarification, he does not end the phone call and continues it. She has probably called him before with this same method.
Anja is speaking
Anja is from a cult where they value mutism. Her choosing to call her son herself instead of getting someone else to do it is a spiritual sacrifice. She is putting her values aside to talk to him personally and give this terrible news about his father. She is controlling something about her and Toki's relationship, the act of communication. How many times do you think she has spoken to Toki while he grew up that wasn't under the eyes of Aslaug?
This is important in terms of their relationship because in "Dethfam", Toki has not spoken in 3 days and was catatonic. Going from that to having a full conversation with his mother on the phone is a huge step. Not only that, but the conversation starts and ends appropriately. There is a hello, there is a good bye. There is a small but meaningful conversation happening between them.
In the same episode, we do see Aslaug speak to Toki, but we don't know exactly what he said. We do know it was a demand. What was it? CARRY ME UP THIS MOUNTAIN AND PUT ME IN MY CHILDHOOD COTTAGE! And what did Toki do his entire life? CARRY HEAVY OBJECTS UP MOUNTIANS! His last and quite possibly only words to Toki was a demand to carry another heavy object up a mountain. The difference between these two conversation sets each parent apart as in how they view Toki.
Post-Dethdad Death
Secret Santa Presents
Tumblr media
The last time we see Anja is during "Dethmas". I'll go into detail about Anja herself but for now, lets focus on what interactions we do see. Toki and Anja don't physically interact, unless you consider Toki and Anja standing next to each other before boarding the Dethbus a physical interaction. What we do see however are the presents Toki buys for his secret Santa. One of those presents are for his mother!
Now mind you, there has been 6 episodes in between "Dethdad" and "Dethmas", including "Renovationklok" which states a nine month time jump. In the episode, Nathan speaks to the boys about not giving their mothers alcohol because of "last time". This alludes to their being at least one Christmas before this Christmas episode. So Toki and Anja have had one Christmas together already. (Toki does state after they view the Christmas DVD that "their [mothers] are going to ruin Christmas" but this more likely to alludes to the drinking and horniness than them actually being there, as they all share the same Christmas spirit as him.)
This means that Toki's relationship with his mother has developed so much that he is comfortable enough getting her a present. But also the quality of the gift will probably high. Toki states to the rest of the band when they won't agree to secret Santa that, "I aints listens to you no more! I'ms going shoppings! Yes! Shoppin's! To buy each and every ones of yous a gifts! and I wants to sees de looks on all your fat fucking faces whens I gives you greats presents! Ha Ha! Fucks you!"
Toki was out buying presents for his loved ones with the clear intention of them being good presents. He has gifts for all of the members of Dethklok, Charles, Dr. Rockso (that god damn back stabbing son of a bitch), and his mom! He does not get a gift for any of the other mothers or anyone else, just these people. This clearly shows that Toki values his mother enough to get her a good Christmas gift.
Dethbus Scene
This is a small scene, but I wanted to highlight how the other mothers speak to their sons (and the other members plus Knubbler) VS. Toki and Anja. The other mothers are comfortable enough to yell and hit their sons and the other members while trying to find a parking spot. Now, neither Toki or Anja speak during this scene, but it's also important to note that the other mothers have never spoken poorly to Toki or hit him before. Whether this is because the dynamic between Toki and his family is a lot more psychological (to showcase his own kind of parental abuse) or Anja (and Aslaug) have a clear boundary that only they can speak or hit Toki, is up for interpretation. But the point is that Anja has never said a bad word to Toki or hit him on screen other than that one flashback whereas the other mothers have! It sets them apart from the rest of the group.
(Granted! Toki may be so screwed up that being around his parents might make him act more appropriately, but the later half of the episode kind of disproves that with the drinking scene and Toki trying to fight Dr. Rockso in clear sight of his mother.)
Their relationship as mother and son has improved since the death of his father. It's not perfect, and it probably never will be. Anja herself has to go through a lot of personal growth before I think Toki and her will ever have a normal relationship. That's why her relationship with the other mothers is so important for her and Toki's relationship.
Anja Post Aslaug's Death
Dethmom's Girl Group
Tumblr media
Toki and Anja's relationship will not change until Anja herself changes. Anja is a victim of a cult, where her choices were taken from her. Now with her husband dead, she is able to finally branch out and do things for herself. It will take years for her to fully express who Anja is, but her relationship with the other Dethmoms are so important to this development. "Dethmas" shows us that Anja has taken refuge with the other mothers, something we do not see Pre-Dethdad.
Tumblr media
The Dethmoms, while not the best bunch, are probably the closet Anja has to friends. We do not see her with friends beforehand and the people at Aslaug's deathbed are (I am assuming) are Aslaug's family and their congregation. Anja is around four very different types of women, all of which have very different views, mannerisms, and styles. This is something she would have never been allowed near in a cult, especially one that values her modesty, mutism and devotion to Christ. (It's believed that her cult is Christian based, and her veil is closet to a Christian nun.)
These women are all very different from Anja and yet! They are genuinely happy to be around her and have her as their friend. "Dethmas" proves this!
We have Serverta, who's most obvious traits are her provocative style and manners, as to Anja's cloak and veil. Molly is from a heavy drinking family, something that Anja is never seen doing. Then there is Stella, who's way of speaking differs from Anja in both vocabulary and volume, while Anja is still silent around the group. Then there is Rose, the all American typical housewife, with a mostly normal life, something Anja does not have.
An important aspect of their relationship is that they include Anja in their adventures, even when she herself may not be 100% in. During the flashbacks to their first Christmas, we see Anja with the girls while they are fooling around getting drunk and messing with each other sexually. They don't push her past her limits and instead, let her do her own thing while with them.
They don't pressure her to play twister (She's not seen in the photo). They don't come on to her in the sauna and instead let her make a move on someone else (I find this incredibly important to the flashback of Anja with Aslaug in bed! This is Anja making a move on her own and exploring her choices and NOT having someone on top of her while she looks away. SHE'S TOUCHING THEM! SHES LOOKING! SHE'S FULLY DRESSED! This is obviously her choice! Sexual freedom! Lesbian maybe??) They don't make her drink or participate with the male strippers. This is something she is never seen doing, which also separates her from the group but never excludes her.
Tumblr media
A deleted scene where Dr. Rockso (why did they give him such a fat ass here?) is entertaining the moms during the same episode shows Anja in a skimpier dress and actually participating in the strip tease show. (Could this be where Toki gets his love for clowns? Maybe!) This, mixed in with the scraped "Sexy Dress" Anja, is probably set after Murderface gets funding for his Christmas Special and the moms need to be entertained in the montage. Point is, they always include her and never push her past her boundaries and let her make her own decisions. Which brings us to the mall!
Tumblr media
The group actively acknowledges Anja and speaks to her like a true friend. They see her as who she is but also someone who is worth change. The conversation before her makeover goes as such:
"You know something, Anja. Now that you're single maybe you should find your sexy side?" - Rose
"Ooh, let's do a fucking makeover and make Anja a little sexy kitty cat." - Stella
The group is shown helping Anja find something else to wear and picking out makeup behind Murderface's phone calls. Could you imagine being in a cult for years, wearing the same thing as everyone else, and then suddenly these people who care about you, and see you as a woman and a friend, want to help you change into yourself?
I also like the detail of Serverta trying to get Anja to wear the scrapped skimpy dress from before but Rose comes in with a scarf instead and then Serverta appraises it! Like, she held up what she believes Anja could pull off (Serverta wants the girls to be girling) while Rose recognizes it might be too much too early and chooses just a simple touch instead. Serveta is supportive about it as well! They aren't pushing her into someone she isn't, they're working toward giving her self confidence and finding out who she is! Girl groups are so important for this very reason. Anja probably never had a "And we were girls together" moment. This IS her moment! They just want the best for her, which is probably so different from her life before. She is experiencing for the first time what life can really be like without the cult or her husband.
Tumblr media
At the end of the episode, we know that the mothers get drunk and crash the Christmas Special. All but one is seen drinking, Anja. Despite their drunkenness, they still include Anja. Molly even sits next to her on stage. But not only that, ANJA IS SEEN WEARING HER SCARF AND MAKE UP FROM BEFORE! There have been multiple days since they went to the mall so that means she bought and kept the scarf and make up. SHE PUT IT ON HERSELF AND WANTED TO FEEL PRETTY! SHE WANTED TO JOIN IN ON THE ADVENTURE AND DO HER OWN THING! This is a step toward making her own choices and boosting her self-confidence! Anja is slowly but surely finding herself within the girl group!
Tumblr media
Obviously, this group of women are not the best women Anja could have chosen, but's the group she needs. They are loud, boisterous, sexual, crazy, and opinionated women. They are not afraid to do stupid shit like their sons and have fun. They also all have done something to their children, so none of them can judge the other too harshly. Anja is in a boat of similar women, those who have done bad things before but are still living, still growing, still caring about their sons either way. It would be hard for Anja to be in a group of women who have been perfect, kind, and had a happy life with no parental/child issues. Anja sees these women as the only ones who could ever truly understand her. Hopefully, with more time, Anja will become the woman she never dreamed she could be with the help and guidance of her friends.
Counterpoints
I do want to point out some counterpoints in this theory just to round it out.
Narcissism and Indifference
I know that there is also a good chance that Anja may just not care enough about Toki to feel either way about him. Her inaction could be just that, inaction. Anja could have had all the power in the world to stop Aslaug from abusing Toki and she chose not to, because she simply did not care enough about him. Anja could be narcissistic and only care about Toki in the sense of, "What does that have to do with me?" She'll accept the gifts, she'll make the phone calls, but it's all about what she wants or what her husband wants. She could have very well only called Toki because she needed something from him for her dying husband and nothing more. Toki is a very rich man and with Aslaug gone and unable to provide for her like he once did, she might be using Toki's kindness as a way to care for herself and herself alone. The other Dethmoms do show signs of narcissism, just like their sons. It would not be far to believe that Anja is the same way. When the cross falls on Toki during "Dethmas", Anja is sitting right in front of him, listening to him scream. She does nothing. She probably listened to Toki's screams as a child and did the same thing. Nothing.
Toki's Imagination
Tumblr media
Toki has a very vivid imagination and a desperation for love and connection. Toki also has a very hard time in picking good and long lasting friends, giving people more chances then they deserve with him.
We see this with Dr. Rockso. Dr. Rockso is a constant pain in Toki's ass, hurting him and using him for drugs, but Toki and him still hang out all of the time. Toki considers Dr. Rockso to be his best friend even. (Granted, Dr. Rockso did stop those addicts in Doomstar Requiem so Dethklok could save Toki but still.)
We see this with his own father in "Dethdad", where he chooses to forgive the man who abused and neglected him all of his life. What person would do that? Someone who wants a connection with their parents no matter what. That's why Toki is so upset when he drops his father and he drowns under the lake. Despite this man abusing him beyond comprehension, Toki still finds it in his heart to forgive while desperate enough to cry over him.
Everyone Toki has ever loved has died. His guitar teacher, the little girl, his cat. All of them have died after he has or went to make a meaningful and loving connection with them. His mother is the sole person left of his immediate family. Toki would be desperate to make amends with her and try to have a connection and Anja, with no one else to turn to, accepts. Toki could very well be blocking out or ignoring the abuse that she has done to him in favor of remembering his father's so that he can forgive her easier and have a relationship.
We see this desperate attempt to make his childhood seem better and normal in "Dethzazz" when Toki is talking to Dr. Twinkletits about his childhood. He says he loved it while showing active abuse on the screen. In "Fertilityklok", Toki desperately wants to start a family and get a wife/girlfriend after being sick and tired of just random women. In "Dethcamp", Toki's desperation for a connection is clear when he goes to camp to meet up people and make friends, even letting people pick on him for his diabetes to fit in. In "Diversityclub", Toki is feeling left out and makes his own club so that can be included and accepted. In "Breakup Klok", Toki does not venture out on his own, but instead stays with Murderface as an unpaid intern to stay close with someone he cares about and cares about him. In "Doublebookedklok", Toki is acting out because of Charles being so busy by hitting people but once Charles tells him "everyone thinks you're really cool" and "you don't need to hit people to get their attention", Toki runs to hug him and he cries. In "Doomstar Requiem", Toki even refers to Magnus while chained and abused as "My friend!" Who calls their abuser "My friend"?
Tumblr media
Toki blocking out the bad and accepting scraps of affection and connection is not out of the ordinary. He craves it and wants it more than anything in the world.
Conclusion
Tumblr media
I believe that Anja Wartooth is a victim a cult and was unable to raise her son the way she wanted to and instead had to do as her husband said. However, years of being in a cult changed her, and she lost who she was in favor of keeping with the cults demands and wishes and creating a new "normal" for her. Aslaug was the main abuser toward Toki and hardly allowed Anja and Toki to be together without his supervision. Toki and Anja have a developing relationship since "Dethfam" and it has been shown to be improving over the years, especially after the death of Aslaug. Anja is slowing find herself through her connections and friendships with the other Dethmoms.
Anja and Toki have a long way to go but I do see them having a much better relationship with Aslaug out of the way.
______________________________________________________________
I hoped you enjoyed this analysis. I love Toki and his mother is super interesting to me. If we ever get an epilogue, I hope we see Anja again. Hopefully away from the cult and much happier.
36 notes · View notes
reachartwork · 6 months
Text
how to write fight scenes
many people have told me that Chum has good fight scenes. a small subset of those people have asked me on advice for how to write fight scenes. i am busy procrastinating, so i have distilled my general ethos on fight scenes into four important points. followed by a homework assignment.
Fight scenes take place on two axii - the physical and the intellectual. For the most interesting fight scenes, neither character should have a full inventory of the other's abilities, equipment, fighting style, etc. This gives you an opportunity to pull out surprises, but, more importantly, turns each fight into a jockeying of minds, as all characters involved have to puzzle out what's going on in real time. This is especially pertinent for settings with power systems. It feels more earned if the characters are trying to deduce the limitations and reach of the opponent's power rather than the opponent simply explaining it to them (like in Bleach. Don't do that). 1a. Have characters be incorrect in their assumptions sometimes, leading to them making mistakes that require them to correct their internal models of an opponent under extreme pressure. 1b. If you really have to have a character explain their powers to someone there should be a damn good reason for it. The best reason is "they are lying". The second best reason is "their power requires it for some reason".
Make sure your blows actually have weight. When characters are wailing at each other for paragraphs and paragraphs and nothing happens, it feels like watching rock 'em sock 'em robots. They beat each other up, and then the fight ends with a decisive blow. Not interesting! Each character has goals that will influence what their victory condition is, and each character has a physical body that takes damage over the course of a fight. If someone is punched in the gut and coughs up blood, that's an injury! It should have an impact on them not just for the fight but long term. Fights that go longer than "fist meets head, head meets floor" typically have a 'break-down' - each character getting sloppier and weaker as they bruise, batter, and break their opponent, until victory is achieved with the last person standing. this keeps things tense and interesting.
I like to actually plan out my fight scenes beat for beat and blow for blow, including a: the thought process of each character leading to that attempted action, b: what they are trying to do, and c: how it succeeds or fails. In fights with more than two people, I like to use graph paper (or an Excel spreadsheet with the rows turned into squares) to keep track of positions and facings over time.
Don't be afraid to give your characters limitations, because that means they can be discovered by the other character and preyed upon, which produces interesting ebbs and flows in the fight. A gunslinger is considerably less useful in a melee with their gun disarmed. A swordsman might not know how to box if their sword is destroyed. If they have powers, consider what they have to do to make them activate, if it exhausts them to use, how they can be turned off, if at all. Consider the practical applications. Example: In Chum, there are many individuals with pyrokinetic superpowers, and none of them have "think something on fire" superpowers. Small-time filler villain Aaron McKinley can ignite anything he's looking at, and suddenly the fight scenes begin constructing themselves, as Aaron's eyes and the direction of his gaze become an incredibly relevant factor.
if you have reached this far in this essay I am giving you homework. Go watch the hallway fight in Oldboy and then novelize it. Then, watch it again every week for the rest of your life, and you will become good at writing fight scenes.
as with all pieces of advice these are not hard and fast rules (except watching the oldboy hallway fight repeatedly) but general guidelines to be considered and then broken when it would produce an interesting outcome to do so.
okay have a good day. and go read chum.
2K notes · View notes
bo0tleg · 6 days
Text
One thing I like about Top Gun (1986) is how believable the development with Ice and Mav's dynamic is.
I've seen a lot of the "Rivals suddenly become buddies after traumatic event together" in media, but I don't think I've seen it done better than in Top Gun. Mostly, I attribute it to how much build up it has.
Most of the time, the 'Rivals' hate each others guts throughout the entire movie/series and then they go through an extremely traumatic event that binds them for life and shifts their entire concept of each other. Ice and Mav never once changed how they saw each other, it just changed their understanding of it.
Ice saw Maverick as dangerous and Mav saw Iceman as stuck-up and commanding. And they weren't wrong, by any means.
From the beginning, they have tension between them because of how different they are. And it ends up in the audience seeing Ice as the 'Antagonist' because that's how Mav sees it, and we're seeing it from his perspective as the protagonist. But Ice was never inherently wrong, in fact he was right.
Other than his first scene, Iceman always has a point in what he's saying. He's criticizing Mav, not insulting him. Sure, he does it in a brash way because masculinity, but he's not trying to insult him, he's trying to knock him down a peg and wake him up to reality. All Ice wants is that he starts to act as a team player, start caring about everybody's safety AND his own, rather than being reckless for the sake of being reckless. But Mav sees it as an insult because he can't process criticism in a healthy way (due to how he grew up). The same thing happened with Charlie, for the record.
And so the strife between the two begins. What I like about it is how it bleeds out of them over time, becoming more settled as the movie goes on. In the locker room "You're dangerous" scene, the tension is palpable. It's obvious they're agitated by each other, and feel the need to prove they're the correct one.
If you pay attention, this whole... demand for superiority goes away as time progresses. They're fine with each other's presence, it's not like they're constantly at each others throat all the time. In the shower scene, Ice dropped all of the aggression and competitiveness from his tone and is instead just laying out what he thinks. He's not undermining Maverick, he's not lecturing him like a child. Iceman is just telling Maverick exactly how he sees the situation in hopes that it would make him realize what the fuck he's doing, but with little hope that it'll actually work.
That doesn't mean Ice is always correct either, he doesn't understand why Mav acts the way he does, thus fails to take into consideration the emotional trauma behind it. Which only causes even more strife.
The entire time, Iceman isn't being a dick for the sake of it, he just wants Mav to stop being stupid (by his standards). And Maverick doesn't understand it because all he gets from what Ice says is insults.
Maverick isn't good at understanding what people mean to say if it's implied, you need to say it to his face. This is the reason he stayed quiet in the shower scene, because Ice finally laid everything out in simple words that he can understand without making it sound like a dick-measuring contest.
Thing is, the tension mellows out. At the beginning, you could see the tension and cut it with a knife. By the middle you can see them getting used to each other without jumping to constantly trade jabs (namely: the volleyball scene, it's just a bunch of guys being dudes, and the scene where Charlie says that Mav flew recklessly in front of the whole class, Ice doesn't comment on it in any way). Over time, they've settled down into their tension without needing to address it all the time.
Then Goose dies.
And the tension between them is still there.
Just because Goose isn't there anymore, doesn't mean their whole dynamic vanishes all of a sudden. You can see their hesitation towards each other (especially Ice), and that's great! It demonstrates that Goose dying doesn't magically resolve their problems with each other in solidarity.
Ice tried to give his consolations to Mav, and is awfully awkward about it. You can see on his face that he wants to say more, but doesn't because he knows it's not his place given their history. And not much is said, but a lot it communicated. (Val Kilmer is a killer actor for this, OH MY FUCKING GOD BLESS THAT MAN)
Even in the graduation scene you can see how out of their depts they really are with each other. A stilted congratulations, that was it. But they're trying, and that's what matters.
A scene I think gets overlooked a lot is the scene right before the Layton, where Ice expressed his worries about Mav to Stinger, and Mav heard him. Because I feel like that was a shift that was more drastic than the Layton itself for them.
What Ice was doing in that scene wasn't doubting Maverick's flying abilities, it was his mental health. Sure, he passed the psych eval, but that means next to jack shit when in a real combat situation so close after his backseater dying. And Ice might be worried that he's gonna be left hanging, but with the way he was speaking I'm more inclined to believe he was more worried about Maverick's wellbeing than himself. Ice almost looked resigned. He knew it was gonna get dismissed because that's the military for you, but he still wanted to try to vouch for Mav to stay groundside, if only to keep his mind at bay.
But Maverick heard him, and as usual, he read it as an insult. He wasn't wrong to assume Ice didn't believe him capable of flying the mission, which wouldn't be a lie, but failed to realize that he had more than one reason to want Maverick on the ground rather than in the air. And for the first time, Maverick believes him.
Up until this point, Mav dismissed all of Ice's so called 'insults' because he was certain in and of himself. But now he isn't anymore.
And it affects his performance in the air. I'm not saying he was as shitty as he was at the start of that combat because of what he overheard, but I am saying that it certainly didn't help matters in the slightest.
So their weird 'stepping-on-eggshells' situation is all over the place by that point. Because they started to care about each other despite not being what one would call proper friends yet. It's establishing a potential friendship by implying that 1. Ice cares about Mav's wellbeing and 2. Mav cares about what Ice thinks.
On the ground, they have the wingman exchange, and their suddenly buddy buddy. Thing is, it wasn't sudden at all.
They've been setting this up the entire fucking movie.
Going back to what I said at the beginning: Ice thinks Mav is dangerous and Mav thinks Ice is stuck-up and controlling. After the Layton, they still think those things because they weren't wrong to begin with. What changed was that instead of seeing it as something that pitted them against each other, it was seen as something that simply was about the other, and that there was no changing it. It could be good.
Mav being dangerous could be good and Ice being stuck-up and controlling could be good, because those were just traits of who they were. By the end of the movie they didn't change how they saw each other, just how they interpreted each other.
And it was built up during the entire fucking movie.
There was a reason to why they acted the way they did with each other because of the stilted interpretation they had of each other. From rivalry to friendship (and perhaps more later down the line), it's glaringly obvious throughout that it wasn't a sudden shift, it was exponential.
That's why I think it was so well developed, because you could see it coming.
477 notes · View notes
sastrology · 4 months
Text
SATURN: "WHAT DO I REACH FOR?"
SATURN IN THE NATAL CHART: HOUSES 1-5
disclaimer: what sign Saturn is in and how it is aspected will show a lot of information on how it is expressed in the natal chart, with some signs able to handle the energy of Saturn more productively. Saturn is not an inherently negative planet, as it signifies a lot of potential growth and karma for those willing to work hard for Saturn's demands.
Tumblr media
MINI SEGMENT:
SATURN RETROGRADE: While it is not uncommon to have this planet in retrograde, it still makes an impact. It often signifies delays in the house it is in. Navigating public settings or those demanding specific etiquette may induce a sense of awkwardness for those with Saturn retrograde, revealing a complex relationship with social norms. Additionally, they may encounter more frequent karmic instances, suggesting a deeper connection to the consequences of their actions and choices.
SATURN IN THE FIRST HOUSE: To Find Myself
Saturnian energy exerts a pronounced influence in the first house, shaping the individual's appearance and demeanor. From my vantage point, the first house serves as a canvas, absorbing and reflecting the essence of any planet within it. They may appear older than they are, and carry a thin figure that harbors a serious expression. Others might describe them as having a somewhat solemn or cold demeanor, reminiscent of the impact Pluto can have in the 1st house. This effect can be likened to the aging process of a fine wine, where Saturn individuals may mature with time but grapple with underlying self-confidence issues. The late bloomer indication doesn't only apply to looks it also applies to the expression itself with most "finding themselves" later in life. In general, they will struggle with wondering if they deserve things. To top it all off, a deep yearning for the innocence of childhood may resonate within, as Saturn in the first house prompts a lifelong quest for balance between maturity and the childlike spirit buried within.
Positive aspects can help them navigate the challenges presented by the first house more adeptly. Nevertheless, a persistent struggle with feelings of deservingness may linger, casting a shadow on their sense of self-esteem.
RETROGRADE 1ST: Much like the expression of a direct Saturn the individual comes across as somber or expressionless, people with the retrograde here often heavily struggle with Saturn's demands, and the restrictions can be easily felt. The individual may struggle with extreme lethargy and motivation, and if negatively aspected they may easily break bones or experience dental issues. The demands of Saturn are especially burdensome to a rx Saturn as they can struggle with being shy or relying on other's often misconceptions of them to define them.
Tumblr media
SATURN IN THE SECOND HOUSE: To Find My Worth
These individuals may have a deep fear of running out of things and emptiness. While the first house is all about self-expression, the second house is more about self-worth. It's no surprise that a positively aspected Saturn here could point to an individual who could be financially well-off. They may have a lot of projects to try to make money. While this position can be materialistic it is not in the way you'd expect. They're often trying to find self-worth through material items and possessions as each item has a "goal." Values for these individuals can be strict and unchangeable. They can have a strong fixation on money and will experience financial downturns very hard as this will reflect onto the self. When negatively aspected, debt could be a problem.
RETROGRADE 2ND: In the presence of a retrograde Saturn in the 2nd house, there is a heightened focus on financial matters and material possessions, with a potential inclination to prioritize them above other considerations. There could be a delay in financial stability and it may take them longer to pull themselves "up by the bootstraps" and struggle with being overly cautious when opportunities present themselves.
SATURN IN THE THIRD HOUSE: To Find My Words
Individuals with Saturn in the 3rd house often display a remarkable early aptitude for articulate and intelligent expression, or conversely, may choose a more reserved/silent approach to communication. Preferring to weigh their words carefully, they are not prone to impulsive statements, instead opting for a thoughtful and methodical approach to verbal expression. This is not a position known for public speaking, they have a quiet intelligence and excel in presentations and activities that afford them the space to think freely, unencumbered by the pressure of an audience. They are likely not known for being neighborly and may struggle with meeting strangers as they are not good at forced conversation or change. Auditory dyslexia/dyslexia is not uncommon here, either. They could also feel a strong sense of responsibility or burden regarding siblings if they have them.
RETROGRADE 3RD: Saturn being retrograde here in the third house points to an individual who struggles much more with communication than the direct Saturn. They may find themselves dealing with miscommunication on a daily basis. Likely to feel undervalued by peers, self-isolation is an indicator. The person may have to work harder than others to communicate or learn something effectively. They may struggle to relate to others especially when younger and feel self-conscious when speaking.
Tumblr media
SATURN IN THE FOURTH HOUSE: To Find My Home
For individuals with Saturn in the 4th house, the words family and responsibility are synonymous. Being as the 4th house is a water house, Saturn's restrictions symbolize cold water. While it's not impossible to make the best of this position, It's possible the individual grew up in a frigid family, with a lot of rules and boundaries or with a parent(s) who were emotionally unavailable. Often they could have trouble being able to relax around family members/parental figures due to a pronounced level of strictness. The love received from family members may carry a sense of conditionality, where mistakes are met with little tolerance, marking an individual as a black sheep. There's a vulnerability to becoming entangled in familial responsibilities, especially if a family member falls ill, compelling the individual to assume the role of caregiver and potentially feeling trapped within the confines of the home.
RETROGRADE 4TH HOUSE: The person may find themselves at odds with the expectations imposed by the family, feeling constrained by a predetermined concept that doesn't align with their true self. This internal clash often gives rise to a natural rebellion or power struggle, as they grapple with the tension between their authentic self and societal expectations. They may have struggled to speak up or have a stable home. Reflection on the past becomes a significant aspect of their emotional landscape, influencing their present state of mind.
Tumblr media
SATURN IN THE FIFTH HOUSE: To Find My Joy
Individuals with Saturn in the 5th house may struggle with the ability to find joy in things. More specifically, these individuals want happiness so much that the second they get it, they can give in to fear and over-analyzing. They will demand excellence in every creative endeavor they try to do, and if they fall short they could stop altogether. Within this house, Saturn's influence is particularly pronounced, shaping the individual's approach to joy, children, and love. Often they view love and children very realistically and are unlikely to suffer from rose-tinted lenses. Even if the individual has a bubbly, passionate chart, they will feel thwarted with spontaneity. Expressing themselves might pose a challenge, leading them to gravitate towards the background rather than the spotlight. During childhood, the vibrant colors of spontaneity were muted in favor of the practical tones of maturity.
Insecurity around dating and children is also common here as the individual may not find themselves very fun to be around, often trying to overcompensate for this. Due to this, they may find themselves drawn to older, mature partners. A negatively aspected Saturn here could point to issues with fertility, a worry/fear of children, or you may never have kids even if you wanted them. However, if children do come into the picture, the connection between parent and child is profound, often characterized by a sense of karmic intertwining, suggesting a deeper, soulful relationship.
RETROGRADE 5TH HOUSE: These individuals have learned to find joy they can only rely on themselves. Often introverted, cautious thinkers. Since the way these individuals experience joy appears to move backward, they may find they are the happiest when they are alone as the concept of joy is hard to grasp. While they can certainly enjoy carefree moments with others, these instances of happiness are fleeting, as living in the present proves to be a formidable task. Saturn's influence is marked by a perpetual forward gaze, always contemplating the future and analyzing potential vulnerabilities.
882 notes · View notes
gureumz · 10 months
Text
come to me, make it right
rating: explicit
member: heeseung
notes: fem-bodied reader, backup dancer!reader, slight dom!heeseung, canon-compliant (?), dirty talk, semi-public sex, choking, unprotected sex, creampie, fingering, cum-eating, reader breaches professionalism lol
a/n: let's give heeseung a break and let him have his (your) cake 😔 so here i present the backup dancer fic! don't lie to me i know y'all wish it was you bc i do
Tumblr media
"he's really something, isn't he?"
the question catches you off guard, your head turning abruptly as you give your friend a look. sion, dressed nearly identically to your all-black get-up, scoots closer to where you're seated on the floor, shoving her shoulder right up to yours.
"what are you on about?" you question before taking a big gulp from your water bottle.
"heeseung," she whispers, gesturing with her eyes to the tall figure standing across the practice room. he's typing on his phone, back turned to you.
"what about him?" you ask.
"he's good. like really good. one of the better idols i've worked with," sion explains, hooking an arm around yours.
"oh, please, you wish you could work with him personally," a different voice whispers from your right. serin, another one of your co-backup dancers, slides up to where you're sitting.
"too bad _______ got the gig first," serin adds, nudging you. you roll your eyes as the two of them collapse in giggles.
it's been two weeks since you were onboarded onto this project for enhypen's comeback. today was the dance practice filming and you can say that so far, it's been smooth sailing for the most part. the company was generous enough and the performance directors were easy to work with. the members themselves gave you no problems whatsoever, though you could only truly speak for one of them.
heeseung was nice enough, extremely polite, but also tremendously serious when it comes to performing. you've only known him for all of the two weeks, but you know better than to get in his way. you stepped on his foot once and you remember wanting to disintegrate right then, but to your surprise, heeseung merely smiled, reassuring you that it was fine.
it was rather easy to fall into rhythm with him. you don't know if it was your doing, or his, or both, but it's like the two of you spoke the same dance language. there were barely any words uttered, but understanding passed between you effortlessly.
he was kind of sweet too, always asking if you've eaten, if you need any more water, if his hand placement was too much. you appreciated it, a far cry from some other people you've worked with that barely spared you a glance. you'd be fine with the bare minimum of friendliness, if it was all out of courtesy that heeseung asked you all these questions. but the way he stares down at you attentively has your stomach churning. whether that's a good or bad thing, you've yet to decide.
your eyes draw towards heeseung as he pockets his phone, his gaze somehow finding yours in a split second. before you could look away, he smiles, waving rather cutely at you.
you wave back politely, quickly signing a 'have you eaten?' to him. heeseung shakes his head and points back at you as if to ask, 'how about you?'.
you reply no and heeseung pouts.
'eat soon, okay?' he mouths to you. you hold up the 'okay' sign and heeseung nods, satisfied.
sion and serin fall silent as the three of you watch heeseung gather with the rest of enhypen, all seven excusing themselves to go eat. heeseung locks eyes with you briefly one more time and smiles, eyebrows raised.
and then they were gone.
"what was that?" sion asks, grinning like a feline.
"he's being nice," you contest. "doesn't jungwon tell you to eat when you should?"
sion balks at that, clearing her throat. "he does. he's very considerate."
"but that," sion continues. "that look is different, ________, i'm telling you."
serin nods enthusiastically in agreement. "right? do the two of you talk outside of practice?"
"you guys are so unprofessional," you complain, though a smile creeps onto your face.
"and, no, we don't."
---
"did you see my kakao request?"
you peer up at heeseung, eyebrows knitting together. it takes you another few seconds to register what exactly he was asking.
"you added me on kakao?" you finally ask back.
his hands are in his pockets, a fluffy blanket wrapped tightly around his frame. the weather in poland is more than a little chilly this time of year, a struggle for you all as you drag yourselves through the music video filming.
heeseung chuckles, his eyes squinting down at you. "yeah, last night."
"sorry, i must have missed it," you reply sheepishly, pulling your own blanket tighter around your shoulders. "i have about a dozen requests at any given time."
"ooh, someone's in demand," heeseung teases, nudging you lightly. you laugh nervously, scanning the set around you.
the members and their respective dancers have gotten friendly over the course of the comeback preparations. nothing too chummy, but all of you are comfortable enough to strike up conversations with each other on and off schedule. it was nice, getting to know the guys of enhypen a little better.
but the way heeseung caught up to you in this dark, secluded part of the set where you were merely looking for cell service makes it look a little too suspicious.
'what do you want?' is what threatened to come out of your mouth. you often think you would rather be dead than be caught in a dating scandal with an idol. not that you're assuming anything, but you've seen this behavior before, and heeseung really is just a man at the end of the day, so who's to say that—
"um, is everything okay?" heeseung asks, waving a hand in front of your face. you blink, your surroundings coming back into view. you look up and are met with heeseung's grey-colored lenses. you stop a shiver from running down your spine at how hard he's staring down at you.
"yeah, sorry," you respond hurriedly, clearing your throat. "what i meant to say is, i have messages from people asking for dancers for a program or shoot or what-have-you, all those stuff."
heeseung nods before looking away, eyes scanning the staff as they arrange the set. before neither of you could say anything more, jake's head pops out from behind a stack of equipment boxes.
"hyung? oh, there you are," jake says with a start, noticing you at the last second.
"hi, _______!" he adds cheerily.
you smile warmly at him, slightly relieved that someone is there to interrupt.
jake turns back to heeseung. "jungwon says to drop by the hair and makeup tent for a bit."
heeseung nods at the younger, brushing past you to get to jake.
"see you in a bit," heeseung says, fingers lightly curling around your forearm. you tense up but nod in reply.
"see you," you return weakly.
you wait until the two of them are gone before sighing, stalking off to the other end of the set to where the dancers' tent is set up.
---
studio choom is one of your favorite parts of being a backup dancer. the staff was nice, the set was wide and airy, and the lighting was amazing. your excitement concerning the last part was evident in the way you couldn't take your eyes off your phone as you held it in front of your face.
"i look so good," you comment with a laugh, surveying yourself on the camera display. "even with the mask and all."
"right?" serin agrees from behind you, getting into frame with you. you quickly snap a couple photos.
the director barks out an order to get into blocking and you quickly hide your phone away, silently thanking in your head one of the other dancers for bringing in the large tote to hold all of your devices.
you walk under the bright multicolored lights onto the actual filming set, hovering over the general area of where you're supposed to be blocked. you wait for the members and other dancers to find their places, eyes downcast as you try to find your exact spot.
a hand brushes your arm and you look up to see heeseung smiling down at you.
"you look good," he mutters quietly before walking to center, getting on his hands and knees as he settles into his starting position.
serin passes in front of you, eyes expressive enough that you instantly get what she's saying despite half of her face being obscured by the mask.
'what was that?!' her eyes seemed to cry out.
you shake your head. 'i have no idea,' you respond as best as you can with your own confused gaze.
the director calls out another command and everything else is dropped as all of you fall into performance mode. autopilot takes over you, every take passing by quickly, much to your surprise.
an hour and a half later and on the last take of the chorus, you find yourself restless, stomach already grumbling. you pick at your long black gloves, wishing for this day to be over.
enhypen are in formation in front of the camera, with the dancers at the wings, ready to approach for the chorus. somehow, despite blending into the shadows of the set, heeseung finds you, tilting his head to the side in a sort of greeting.
you mirror his action and heeseung instantly smiles. you can't help the grin that breaks out behind your mask.
"last take, everyone!" the director calls out.
with a little more difficulty than you'd like to admit, you rip your gaze away from heeseung's, a tingling feeling settling in your stomach.
---
almost all thoughts of heeseung disappear from your mind as you get home later that day, too exhausted to pore over every interaction you have with your dance partner. you lay sprawled out on your bed, having just finished freshening up, eyes heavy as you feel drowsiness creep into your consciousness.
the keyword is almost.
you hear a notification ping from your phone and your sleepiness is immediately replaced with pure adrenaline. your read the notification over and over again just to make sure you weren't imagining it.
이희승 (lee heeseung): hi
you sit up, your heart pounding. leaning against your headboard, you watch as another message comes in.
이희승: you up?
you snicker, opening your kakaotalk app. heeseung's name is at the top of the chat room, easily indicating just who you're talking to. you quickly type a reply.
너 (you): ooh he finally messaged ㅋㅋ what an opening tho
you chew on your lower lip as you send the message, the 'read' sign immediately appearing. you watch as heeseung types out his reply.
이희승: lol sorry did that come off too creepy?
너: not at all. why the sudden message tho? was my performance that bad that it has you staying up at night?
이희승: oh no nothing of that sort. just wanted to say thank you for your hard work today
you blink, cheeks growing warm. he messaged you at ass-o'-clock to thank you?
너: thanks! you did super well today too
이희승: don't i always? (pouting face)
it's at this moment that you realize, without a shadow of a doubt, that lee heeseung, a member of a globally renowned k-pop idol group, is flirting with you.
you lock your phone, laying back down on your pillow, contemplating on what to do.
you could always flirt back, then act as if nothing happened the next time you see him. see how far the two of you can take it. you might end up sneaking around green rooms and closets, but, hey, half of the fun is the thrill of getting caught. or you could shut it down now, rejecting him gently because what kind of unprofessional loser would fold at the slightest display of romantic interest from an idol?
you sigh.
you would.
you're a (slightly) unprofessional loser that would fold at the slightest display of romantic interest from an idol.
you open up your phone, fingers moving at lightning speed.
너: my bad. you always do well (wink)
a whole minute passes by, heeseung typing then stopping then starting up again, before he stops once more for a few seconds. you feel anxiety seeping out of every pore on your body.
이희승: good girl ㅋㅋ that's what i like to hear
you gape at your phone, a strange tingle spreading all over you.
you take a moment to scream into your pillow.
---
you're waiting for it to boil over. to culminate into something. for shit to hit the fan, as you would inelegantly put it.
you left heeseung on read last night, at a total loss for words at his reply. he doesn't press further, either. in your mind, he's probably thinking one of two things: 1) that he deeply offended you, or 2) that he's achieved the desired effect.
you don't have to think too hard about which one of those is true.
you enter the assigned green room to you and the other dancers, poking your head in first, eyes landing on your coworkers lounging about.
"oh, _______!" sion calls out excitedly. the rest of them turn their heads to you, erupting into similar squeals.
"close the door!" serin orders. too stunned to protest, you do as you're told, leaning against the wall as all of your friends talk over each other.
"heeseung was looking for you," sion's voice rises above the rest and your eyes unconsciously widen, your heart rate picking up.
"yeah, he came here himself and asked where you were," serin adds, nodding.
"what's going on with you two?" another dancer, yeeun, asks in a singsong voice.
"n-nothing's going on," you say with a laugh, waving them off nonchalantly.
"like we'll believe that," sion retorts. "we'll keep it a secret, promise!"
the rest of them agree, sounding like a chorus of schoolchildren hearing about their teacher's boyfriend. you sigh, setting your things down on the floor.
"we're messaging on kakao, that's all," you admit, shrugging.
"sexting already?" serin chides with a laugh. you give her a look as the room erupts in laughter.
"you guys are hopeless," you say with a shake of your head, but you can't help but laugh along.
"we're not sexting. not...yet," you add. there's a pause before the laughter grows louder, all of them throwing jokes around about being safe and dating scandals.
"luck you," yeeun says with a sigh. "it's taking jake forever to make a move."
the whole room shifts its attention to her and you breathe a quiet sigh of relief. your phone vibrates and you feel your whole body grow hot as you read your screen.
이희승: come out for a second
before anyone can stop you, you quickly slip out of the green room, looking down in both directions of the hallway. to your right, you see heeseung standing outside enhypen's own waiting room, eyes staring at you intently.
with a nervous glance back behind you, you make your way to him. the hallway seems empty at this time, with most artists and staff in their respective rooms, the early prerecording hour hanging heavily over everyone.
"hi," heeseung says with a grin the moment you're near enough to hear him.
"hi," you respond, fidgeting with your hands. you scrape over your knuckles with your nails, waiting for heeseung to continue.
"about last night, i'm sorry if i went too far," heeseung begins, voice dropping, eyes looking around nervously.
oh.
so he's thinking option number 1.
"oh no, not at all," you reassure him. "i appreciate the gesture. i know you were only trying to be friendly."
heeseung raises his eyebrows as you say this. he purses his lips before speaking.
"friendly isn't the right word, exactly...," heeseung says, trailing off. he bites down on his lip, eyes momentarily flitting up and down over your figure.
it's your turn to be surprised.
"i see," you reply.
there's a long stretch of silence after this, both of you avoiding each other's eyes. an awkward laugh escapes you and heeseung follows, scratching at the back of his head.
you finally look up to meet his eyes, his pupils blown wide as he seems to consider his next words.
"i mean, i'm down if you are," heeseung says, stepping closer. "i won't hold it against you if you aren't, though."
you don't need to be told what his words meant. with the way he's staring at you right now, eyes unmoving but filled with something you can only describe as desire, you know full well what heeseung is implying.
"i am," you say after a moment. you're still fidgeting, hands clasped together in front of you. heeseung notices, his own hand coming up to lay on yours, stilling your movements. his fingers curl around your wrist.
"are we waiting after the recording or...?" you ask, letting heeseung pry your hands apart. he grips you firmly and you feel yourself practically igniting from his touch.
"i could use a pick-me-up right now" heeseung throws out casually, as if merely suggesting that the two of you get coffee. he jerks his head towards the door right next to their waiting room.
"this one's empty," heeseung informs. "i checked."
you can't help but grin up at him. he licks his lips as if he's looking down at his next meal, which you know, isn't that far from the truth.
"and no surveillance cameras, either," heeseung says, leaning down to whisper next to your ear.
without replying, you walk backward in the direction of the empty waiting room. heeseung follows, still gripping your arm, letting you pull him along. you never break eye contact, even as you reach behind you to turn the knob, pushing the door open.
only now do you avert your eyes away from him, stepping into the dimly lit room, a single weak lightbulb turned on in the farthest corner. with heeseung right behind you, you hear the door close, and without missing a beat, heeseung tugs you back, hands grabbing you by the waist.
he shoves you against the door, his face impossibly close to yours, your breaths mingling as you practically pant in anticipation. heeseung reaches down, locking the door, the click of the mechanism deafening in the silence.
"you can still say no," heeseung whispers.
"why would i do that?" you say before leaning forward to kiss him.
heeseung sighs against your mouth, his hand holding one side of your face to keep you steady. you're both still in your casual clothes, and you thank the heavens for this because your hands slip easily underneath his oversized hoodie. your palms smooth over his toned stomach and up his chest where you lightly rake your nails back downward.
you gasp when you feel heeseung roughly grab one of your boobs through your shirt at the same time he pushes a knee between your legs. you belatedly realize that it's today of all days that you've decided to wear a miniskirt.
"making my job easier," heeseung teases, as if able to read your thoughts. he smirks at you, planting a brief kiss on your lips as he angles you better on his thigh.
"your job...," you say in between labored breaths. you feel yourself growing wetter as you grind down on the taut muscle. "...is to fuck me before anyone notices we're gone."
heeseung grunts, pulling his leg away, ignoring the way you whine at the loss of friction. he pulls your skirt up roughly, letting it bunch around your waist. you gasp as you hear the sound of ripping fabric.
"heeseung!" you say in disbelief as he pockets your now torn-up lace panties. he merely chuckles, leaning in to kiss down from below your ear to your conveniently exposed chest, a feat made possible by your skimpy tank top.
"turn around, baby," heeseung whispers, planting another kiss, but this time, on your nose.
you stare at him for a moment, eyes bleary. are you really about to do this?
"please?" heeseung adds, eyes wide and round as he utters this one word so sweetly.
with weak knees, you do as you're told, letting heeseung press his chest flush against your back. you mewl when you feel his rough fingers slip between your slick folds, rubbing up then down, circling around the relative area of your clit. he finds it a second later, pressing down and working it expertly.
"fuck," you say, voice trembling. you let out a startled noise as you feel heeseung press a large hand over your mouth.
"no one can see us here but that doesn't mean they can't hear us," heeseung says against the shell of your ear.
"so i need you to be quiet for me, baby, okay?"
melting at these words, you could do nothing more but nod. heeseung kisses the back of your head tenderly. you hear him tugging his sweatpants down, letting it pool around his ankles.
you whimper when you feel a hard poke on one of your asscheeks, anticipation bubbling in you. you wriggle around, spreading your legs slightly apart and sticking your hips out.
"good girl," heeseung praises you, pressing his tip right against your hole. "doesn't need me to tell her what to do."
heeseung keeps his hand pressed firmly on your mouth, ensuring to muffle any sound that escapes you. and it's a good thing, too, because you're tempted to sob when you feel him push in, filling you in one swift motion.
"god," heeseung grunts as he bottoms out. "spent so long imagining what it would feel like to fuck you like this."
heeseung lets go of your face in favor of bracing himself against the door. you gasp out, the feeling of him quickly overwhelming you. and to think he hasn't even moved, yet.
"tried so hard not to let my hands wander but, fuck, you make it so difficult," heeseung says directly into your ear. he gives his first thrust and you decide to take on the responsibility of covering your own mouth because the stretch from his cock threatens a scream out of you.
"those goddamn stylists putting you girls in those tight dresses," heeseung continues. "and they expect us to keep our eyes and hands still?"
your eyes roll back at the filthy admission. heeseung grips you harshly by the waist and the whole world falls away from view when you feel him hammer in and out of you.
it's unknown to you how you could keep yourself upright, your knees feeling as if they could give out any moment. heeseung fucks into you roughly, your words about finishing quickly before your absence raises any questions seemingly spurring him on.
"so good, so fucking good," heeseung blabbers on, surely lost in his own pleasure. you lean back against his large frame for support and heeseung is quick to wrap a hand around your throat.
"yes!" you gasp out, blood rushing loudly in your ears as you feel heeseung squeeze down around your neck.
you wonder what you must look like right now. if anyone on the off chance would walk in on you and see your clothes and hair disheveled, your already short skirt pushed up even further, back arched in pleasure as heeseung fucks into your throbbing, drenched pussy. as if reading your mind again, heeseung prods against your mouth with two fingers, slipping them inside, leaving you no choice but to suckle on the salty skin.
at this moment, the two of you are possibly the very image of sin.
"squeezing me so tight, babe," heeseung breathes out against your neck. you gasp when you feel his teeth sink into the skin of your shoulder, soft moans escaping his own lips.
heeseung pulls his fingers out of your mouth and drool drips down your chin. he grabs at your neck once again, tighter this time, his other arm wrapping around your midsection as he picks up the pace.
"fuck, i'm getting close," heeseung practically growls, maneuvering the two of you away from the door.
"help me out, baby," heeseung pleads in your ears. "tell me how good you're feeling."
you finally let out the sob that's been fighting its way out of you.
"h-heeseung you feel so g-good," you comply, voice breaking from heeseung's vice grip around your neck.
"want you to ruin me like this every day. need you to f-fuck me in front of the practice room mirror," you continue, trying to find the right words despite the growing haziness in your head.
heeseung lets out a noise. "yeah? wanna watch yourself get split open like this? every day, huh?"
you nod frantically. "yes, yes, yes! d-didn't know i needed you this bad."
heeseung grows quiet as he holds you against him, hips snapping up erratically. you're sure that you've made a mess on the floor by now, seeing as you're absolutely drenched. the thought pushes you closer to your own release.
"c-cum for me please," you implore, feeling yourself shake at the thought of your impending orgasm.
"yeah, angel, gonna cum for you. g-gonna cum in this tight, gorgeous pussy. so good for me, letting me fuck them in s-some dark room right next door to m-my manager and members and all the staff, fuck—!"
heeseung abruptly stills, hand falling away from your neck. you take in a gulp of air, your fingers frantically reaching down to rub at your clit. you feel heeseung twitch and spill himself inside of you and you squeeze your eyes shut, coaxing yourself closer to euphoria.
finally, the floodgates open and your whole body seizes up from your orgasm. heeseung's face is buried in your neck and you can vaguely register him encouraging you through it.
you relax after a few seconds, leaning hard against heeseung as you feel your body nearly give out. heeseung pulls out but quickly replaces his cock with two of his fingers. you whine weakly, head lolling back against heeseung's shoulder.
"i got you," heeseung coos, working his fingers in and out of you at a languid pace. you twitch in oversensitivity, complaining how it's too much.
heeseung retracts his fingers and you catch him licking them clean just as you turn to face him. your eyes have adjusted in the dim lighting, heeseung's features coming into focus.
"you just tasted yourself," you say in half surprise and half bewilderment.
heeseung breathes out a laugh, letting his fingers out of his mouth with a soft pop.
"had to keep it in somehow," heeseung says nonchalantly. "seeing as i, ah, compromised your underwear."
you roll your eyes, giggling. "i think you more than compromised my underwear. you tore it in half, heeseung."
heeseung shrugs, donning an unapologetic expression. you swat at his chest playfully but you stop mid-laugh when you feel something drip out of you.
"oh god, fuck—," you start to complain, but before you could get another word out, heeseung drops to his knees, doe eyes peering up at you.
heeseung prods your legs apart, sticking his tongue out just in time to catch his own cum dribbling out of you.
"i'll clean you up, baby," heeseung says, mouth already pressing against your leaking hole.
all you can do is grab onto his shoulder, eyes rolling back as you feel your clit twitch with newfound arousal.
1K notes · View notes
orphicdreamers-wp · 4 months
Note
I want to send a request for the umich boys. So every Sunday they have a “family dinner” where the friend group comes over with their girlfriends and they make an actual good dinner every Sunday night. Readers cooking and her boyfriend rutger gets handsy, so they sneak away and come back just in time for dinner, and just in time for the boys to tease rut about the hickeys on his neck
Get Your Lovin On — Rutger McGroarty
Tumblr media
Summary: In which your boyfriend gets handsy while you guys are cooking
Content Warning; mild suggestive content(making out & hickeys), cussing, established relationships, UMich hockey players teasing Rutger & Reader
Pairing; Fem Reader x Rutger McGroarty
A soft laugh left your lips as your boyfriend placed a kiss on your bare shoulder, “Rut, we’re cooking.” Rutger placed his hands on your hips, “Well how am I supposed to focus when you look so pretty?” You hummed, “Tell you what, finish your task of cutting bread for garlic bread while I finish checking this lasagna and we’ll talk then.” Rutger grinned as he pressed a kiss against your lips, “Yes ma’am.” You grinned to yourself as your boyfriend returned to the other side of the kitchen and went back to the task in front of him.
You had turned lasagna and put it back in the oven, setting a timer in 45 minutes to take it out, when you approached your boyfriend and wrapped your arms around his waist, “So how about we go talk? In your room.” Rutger smiled widely, “I’ll meet you up there.” You grinned as you walked out of the kitchen. Luca munched on a handful on grapes as he watched you whisper something in his friends ear and then magically you both left the kitchen.
The moment your boyfriend entered his room your lips were interlocked. Your hands found their way to Rutger’s hair like they always did. His lips lightly sucking at your neck eliciting a soft breathy sigh to leave your lips, “Rut, as much as I love this, all our friends are here. So we can’t do anything more than this.” Rutger looked up at you and smiled, “This is all I need. To be in my girlfriends arms.”
You smiled, “Keep talking like that and you might be getting lucky when they’re all gone.” Rutger grinned, “You say that like I shouldn’t be excited.” You grinned as your lips attached to your boyfriend’s neck. Leaving small hickey’s across the base of his neck. Rutger let out a breathy sigh as he nuzzled his head into you chest. You grinned at your boyfriend as you laid your head against his pillows, “What’s going on in your head pretty boy?”
Rutger shook his head as he traced shapes on your bare arm wrapped around him, “Just thinking about how lucky I am to be with you. Sometimes I think about how crazy it is that your with me.” You furrowed an eyebrow as you sat up crossing your legs over each other, “Why’s that so crazy Rut?” Rutger blew out a breath, “Your perfect, your kind, smart, hilarious, the easy going person I’ve ever met, you have an energy that people gravitate towards. Also your the most stunning person in the world. And I’m just me.”
You smiled at your boyfriend, “I think you are the most amazing person I know, your considerate to everyone, your extremely kind you’d give the shirt on your back to a stranger if you thought they needed it, you are the most reassuring person I know. You say things that make me melt into a puddle because of how sweet you are. You have the prettiest eyes I have ever seen. Your laugh makes me feel so safe, and the way your looking at me right now, makes me feel like I’m the only person in the world. I don’t know who I’d be without you.” Rutger grinned as he placed a soft peck against your lips.
Rutger sighed as he melted into you, “We should probably head back out there now. Before they get any ideas.” You laughed, “I’ll be right down. I just wanna fix my hair.” Rutger nodded as he kissed you and headed out of his room. You walked into the bathroom he and Ethan shared and ran your fingers through your hair straightening it. You did your best to cover the hickey’s that were prominent across your collarbone. You made your way to the dining room where Ethan and Mark where prancing around in matching aprons Luca had bought them as a gag gift for Christmas. The two boys were tasked with bringing all the food to the table from the kitchen.
You slid into your seat in between Rutger and Ashley, Mark’s girlfriend. Luca sat directly across from Rutger with a smug smirk on his face upon seeing Rutger leaving his bedroom adjusting the collar to his shirt. You guys sat around the table laughing over whatever had happened in the week since you all had dinner together. You had been reaching out to grab your cup when your hair fell to the side revealing the growing purple hickey on your neck, it was only visible to Ashley and Luca, who both decided to say nothing even though they had both noticed.
You and Ashley were engrossed in a conversation about the professor in your shared public relations lecture. Rutger had thrown his head back as he burst into laughter. Luca grinned to himself as the hickey’s planted across Rutger’s neck was now visible to not just him but the entire group, “So that’s where you snuck off to Rut.” Your eyes immediately widened as Ethan walked over to your boyfriend and pulled his shirt away from his neck, “Damn Y/N you sure do mark what’s yours. Mark look at this!”
At the call from his best friend Mark waltzed over and tried to bite back a laugh, “Hold on she has some too.” Ashley moved your hair to the side revealing the maybe two hickey’s on your neck compared to the many on your boyfriend’s neck. Mark burst out laughing, “I knew Y/N had the power behind closed doors.” Your face was beat red as your boyfriend and you burst into laughter. You jokingly smacked Rutger’s arm, “We need to get our own place.” Rutger nodded, “Agreed.”
498 notes · View notes
lyneira · 11 months
Text
Tumblr media
♡ how they love ♡
Tumblr media Tumblr media
-> what kind of love do the genshin men and hsr men give?
Tumblr media
A fiery, burning love
Kaveh, Itto, Childe
They'll overwhelm you with their love. Their gestures, displays of affection, words, and gifts to you would all be grand; and whether you two are arguing or making love, everything would be full of passion. Nothing would ever be lukewarm with them. They're the types that pour their hearts and their souls out to their lover. They'd basically have an "all or nothing" mindset when approaching matters of the heart.
A romantic love
Venti, Heizou, Jing yuan, Sampo
They would be chivalrous and big on doing things that would make you swoon and would have you feeling butterflies. They'd believe being in love should make one feel like they're soaring in the sky, full of ecstasy and excitement, so they'll make it a point to make you feel that way as your lover.
They might wrap their arm around your waist or keep their hand on the small of your back as you two simply walk together, they might whisper lowly into your ear, knowing how the seductive tone of his voice and the heat of his breath hitting your skin sends tingles up your spine. Maybe even letting his fingers ghost over certain sensitive spots that would have you yearning for more; to which, he'd gladly give.
A quiet love
Alhaitham, Dainsleif, Cyno, Tighnari, Albedo, Ayato
Their kind of love isn't the type that is expressed directly or brazenly through fancy words. They wouldn't really feel the need to be all romantic in order to show that they love you. Instead, they'd prefer letting their actions speak for themselves. They'd rather show their love through subtle gestures, doing things that would help you in any way, whether it's helping you finish a task you've been struggling on, or remembering certain things that make you happy.
They might not verbally say "I love you" so often, but the kisses and acts of service that they'd provide would tell you that they indeed did.
Loves tenderly
Zhongli, Kazuha, Baizhu, Thoma, Gorou, Luocha, Welt, Gepard
They would love with such admiration in their hearts for you. They would look at you dearly, embrace you like you're the most precious thing in the world. They would be extremely patient, kind, and considerate with you. Heck, they'd always thinking of you: wondering how you are, if you've eaten enough today, if there's anything that's troubling you, or if you're tired. He'd want you to lean on him for rest or for anything.
Loves hesitantly
Xiao, Scaramouche, Diluc, Kaeya, Dan heng, Blade
They're going into waters that they aren't used to, but when they feel that they're able to truly love you and be vulnerable, it'll be so special, so sweet, and so protective. They would hold you close, keeping you by their side as much as they could, in fear of ever losing you. If they have to, they'd follow wherever you'd go because they'd be that devoted. Once you've became theirs, they will become yours. And for as long as they live, they'll protect and guard this relationship you two share with all that they have.
Tumblr media
a/n: honestly not one of my best works, but just wanted to post something short and sweet! My blog has been barren lately haha
© 2023 lyneira. PLEASE DO NOT COPY, PLAGIARIZE, OR REPOST MY WRITING ONTO OTHER PLATFORMS
Tumblr media
2K notes · View notes
looking-for-wisdom · 7 months
Text
I’m curious to see how betty’s expedition is handled in the long term for the show, in the sense that it’s clearly meant to be symbolic of their relationship. I’ve seen some analysis which points to what I feel may very well be the direction the show is going — that Betty is always making sacrifices for Simon, and he lets her.
But the thing is, I don’t feel that’s a fair consideration of the events. She asks to go on the expedition with him, tells him she doesn’t want credit for their discovery, and — when he finds her at the bus stop — she doesn’t ask him to come with her.
And this pattern continues into the main series. She jumps through the portal of her own volition and proceeds to dedicate herself solely to saving Simon. The temple of mars episode really puts it best. She’s flat out shown how she does everything for him, and she says that’s how she wants it. That it’s what makes her her.
That’s not to say Simon didn’t play a part. He’s certainly not particularly observant, and he’s much less prone to taking the initiative. But he clearly adores Betty and thinks she’s brilliant. He only ever opened the portal to apologize. He naturally would have wanted her to be happy and successful.
In the series finale, he’s the most content to be digested by golb. it seems like a natural outcome to him — and this way, they get to be together.
The two of them sort of work by the laws of physics. Betty is constantly in motion, making choices to propel them forward. And simon is at rest. He’s usually content with his fate, unless a strong force comes in to change his status quo.
Both of these features are taken to a detrimental extreme at times, but neither is more malicious than the other. sometimes, Betty makes choices without stopping to ask if it’s what he wants to. sometimes, Simon lets opportunities slip by that stifle them both. They’re human, and they didn’t really get the time they needed to learn how to communicate through these things.
I think to argue that Simon let her be self sacrificing disservices them both. Betty is fully capable of making her own choices, and Simon is more than willing to make sacrifices of his own. He did it for Marcy and Fionna. He’d do it for Betty too — but she never leaves an opening.
For better or for worse, they’re two halves of a whole. In the best of times that means they enhance each others best qualities. And, on the flip side, they wind up enabling the worst.
911 notes · View notes
elitadream · 5 months
Text
It occurred to me recently that I've never shared the headcanons I had regarding Mario's strength in my version, so I thought I'd list them out in a single post for you guys.
Enjoy! :D
Tumblr media
- Even without power-up, Mario is stronger and notably more resistant than average.
- This is mainly due to his high muscle density. He has a considerable body mass and is surprisingly heavy despite his short stature.
- He has a very healthy heart and incredible cardio. Sustained efforts that would leave others winded will affect him a lot less.
- His sturdiness gives him great equilibrium and stability, allowing him to keep his footing even on unsteady terrain.
- The man can lift objects up to five times his size and can pull tremendous loads across a short distance.
- He can carry the equivalent of a person's weight for long periods of time without feeling strained or tired.
- He makes labor look deceivingly easy to the point that others constantly underestimate how hard it truly is (and are always astounded when they try it for themselves, only to fail miserably).
- Mario doesn't workout outside of his daily tasks and activities. His job and naturally active disposition are his only form of exercise.
- He sometimes forgets how physically powerful he actually is, and has warped/broken quite a few things by accident.
- He is however extremely mindful of his capabilities when surrounded by others, and always significantly tempers himself when playing or interacting with friends.
- He never uses his strength to its full extent; both because he doesn't need to and because he fears causing harm otherwise.
- His intervention on a rampaging chain chomp was the greatest demonstration of brute force anyone had ever seen in the whole Kingdom. (See here for context)
- The exploit has made him famous among the guards and citizens alike, earning him the prestigious title of "Super" for the first time.
- While not typically one to show off, Mario loves entertaining people through various feats of athletic prowess.
- Out of all the things others seek his help for, he feels most useful when the favor requires either heavy lifting or manual expertise.
- Albeit very efficient when doing more dynamic chores, his prefered way of working is with his hands only.
- He can punch through almost any surface except literal stone and can bend even solid metal out of shape.
- A rush of adrenaline will cause his endurance to skyrocket, making him temporarily able to endure abject levels of pain and exhaustion.
- Despite those physical advantages, he values qualities of the mind and heart a lot more.
- When asked, Mario always says: "My brother and my friends give me strength. I owe them everything."
•°•°•
(There! Feel free to add your own if you have thoughts on those or feel inspired! ^-^)
436 notes · View notes
howtofightwrite · 18 days
Note
I don't know if you covered this before, but how does being left-handed effect handling weaponry? I imagine it doesn't impact too much with guns, but I've heard it can alter how using a sword works. How true is this, in the end?
That's sort of backwards. With a handful of exceptions, being left-handed doesn't do much to how you handle most melee weapons. The big exceptions are if you're wielding a shield, and in some medieval siege assault situations. Being a left-handed shooter, on the other hand, comes with a host of considerations, and in some cases, requires modifying your firearms so that they're convenient to use, or in others, it straight up requires learning to shoot right handed.
So, the part about this that is true, has nothing to do with which hand is dominant. Speaking from personal experience, it is much easier to accurately shoot with your off-hand, than it is to wield a melee weapon off-handed.
So, the issue with being a lefty with a shield is that your shield will be on the right side of your body while your opponent's shield will be on the left side of theirs. This means you're mirroring each other, and blocking an attack with your shield (or your opponent doing the same to you) is far more vulnerable to stepping out of line slightly and striking your opponent's weapon arm. This goes both ways, though a left-handed fighter is more likely to be prepared to immediately exploit this opening, simply because there are more right handed fighters, so they'll be encountering this situation more often.
The second exception is architectural. We've mentioned this on many occasions, but medieval castles were designed to favor the defenders. This took multiple forms, but among them were stairways designed so that someone invading the castle would have their right arm pressed up against a wall, while their left hand was free. (This was true both with open stairways, and also with spiral stairways inside the keep.) The assumed word here is, “designed to favor right-handed defenders.” A left-handed assaulter would be able to use their dominant arm freely as they assaulted, because the keep was (accidentally) built to favor them. In some cases, they might even have advantages over the right-handed defenders, such as being able to attack freely from above as they descended.
I'm been mostly thinking about the standard infantry sidearms of the era, but is worth remembering that a left-handed spearman would be a problem in a tightly packed formation (such as the phalanx), because their arm would be running extremely close to their fellow fighter on the left side of their battle line, while leaving a gap to their right.
It's also worth knowing that most lefties train (often involuntarily) some degree ambidexterity. Everything from doorknobs to jars are built for right-handed people, so, you learn to do things with your off-hand that a right-handed individual would never even think about. Hell even just putting on your clothes in the morning will train some dexterity in your right-hand, which a right-handed individual would never do with their left. (Amusingly, the major exception to this would be some articles of women's clothing, which were originally oriented opposite a man's clothes so that a servant could fasten her clothes for her, using their right hand for the more dexterous bits.) (Actually, if you know your Latin, there's a pun in the previous sentence, and I am truly sorry for that.)
Now, when it comes to firearms, being a left-handed shooter can be annoying. It also means you're far more likely to write about firearms in some public capacity. So, that's a weird trend.
The biggest problem tends to be the controls. A lot of firearms will position their controls to be convenient for a right-handed operator. If you're left-handed, you'll find yourself having to reach over the weapon, or break fire position, to interact with those settings, more than a right-handed shooter would. This can include safety switches, fire control groups, magazine releases, slide/bolt catch releases, and even decockers.
It's fairly rare to encounter a handgun where the slide release and safety are ambidextrous. Ambidextrous mag releases are a bit more common these days than they used to be, so that's always nice. But, whenever someone breaks out a 1911, yeah, that's really expecting you to be right-handed.
This isn't just with modern firearms either. One of my favorite handguns is the Colt SAA. The gun is over 150 years old, and if you're left-handed, reloading it will see you dropping spent brass onto the back of your hand. (Or cradling the gun, and clearing the cylinders that way, which is entirely valid.)
Sometimes, you can modify a gun for left-handed use. This will often involve things like replacing the magazine release (and praying that the mags' manufacture considered someone would switch the release button, or cutting new release notches into your mags.) Revering the safety (which in some of the most obnoxious cases, also means replacing the grip paneling.) This is all doable, but you're going to put a lot of work into making the gun comfortable for your left hand.
Though, there are other solutions. The H&K USP's massive slide release leaver, designed for use with gloves, can easily be operated by a left-handed shooter's index finger. (Also, the USP has an ambidextrous mag release, and the safety/decocker is positioned so that you can, at least, safe and unsafe it with the first knuckle of your index finger, though, good luck decocking it, without moving your left hand out of the way entirely), and in other cases, you can flip your thumb over the slide to adjust it.
In the case of most push button releases, you can simply eject it by drawing back your middle finger and pressing the button directly. Though, this does lead to another problem. Your hand is not supposed to be right over that button at all times, and until you learn how to manage the recoil on a gun, it can very easy for a left-handed shooter to accidentally drop the mag after they fire. This is especially an issue for Glocks and SIG P220 series pistols. (Ironically, this is less of a problem with the Beretta 92/M9 family of pistols, given how the push button sits in the grip.)
If you what a modified left-handed pistol can end up looking like, McClane (Bruce Willis)'s Beretta from Die Hard was modified to accommodate his left-hand dominance, with the major differences being the slide release being modified, and the mag release being replaced with one that was easier to reach.
Behind the controls, is the slightly less common non-ambidextrous grips. I still remember this MP5 variant with a contoured thumb rest on the left side. Perfect for a right-handed shooter, but if you're a lefty, it would dig into your palm. This is slightly more common with hunting rifles, and sporting guns in general, but as the MP5 above indicates, it's not exclusive to them.
It's also worth remembering that this last issue can pop up with melee weapons as well. If a rapier is designed to be held in the right hand, it might not be compatible with your left hand. I've never seen this personally, but it's something worth remembering.
The end result is, a lot of left-handed shooters learn to shoot right-handed for situations where the firearm simply isn't compatible with their dominant hand. (Cue: multiple people saying, “hey, I never learned to shoot with my right hand.”) I don't know who those individuals are, but, frankly, unless they've only handled customized, left handed guns, I'm dubious about that one.
So, it is certainly a thing, but it affects firearms far more than melee weapons.
-Starke
This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.
218 notes · View notes
havocskies · 3 months
Note
bro pls pls pls pls 🙏 do an NSFW alphabet with hobie ill do anything?!!!
HOBIE BROWN | NSFW ALPHABET
Tumblr media
i am losing my self respect day by day.
anyway im also sorry for not posting ive been flirting w this dude for the past few days he is so cute but that will not stop me from writing for yg xoxo
╭──╯ . . . . . ༶•┈┈୨♡୧┈┈•༶ . . . . . ╰──╮
A = AFTERCARE
- hobie is an absolute GOD at aftercare n i wholeheartedly believe this. especially when he knows he can be a bit much at times, there’s never a time where he skips out on aftercare. i think he would like to just relax, cuddle, and talk for a bit after he cleans you up thoroughly. then probably get a little treat, but he always likes to make sure you actually had fun as well. he’d put all of his attention on you way before he started worrying about himself, you’re always his priority
B = BODY PART
- i think hobie doesn’t have a MAJOR preference for anything but he seems like a thigh kinda guy. doesn’t matter the gender or size, he’s a thigh enthusiast. not always in a nasty way, he also just thinks they’re comfortable and whatnot. wear anything that shows your thighs and he is all for it 🙌
C = CUM
- im sure hobie keeps up w his health and cares for it, so i don’t think he’d taste horrible. he’s considerate guys 😭 idk if he’d really have a preference for where he cums either. probably asks beforehand or just knows what you prefer but if you’ll let him he’ll switch it up for funsies
D = DIRTY SECRET
- hobie doesn’t really keep secrets much, and i don’t think he’d be doing anything vile enough to really have to keep secrets anyway 😭 he’s just a normal dude imo but thoughts wise ?? he’s definitely imagined some things he’s too scared to talk abt im sure (take that how u will)
E = EXPERIENCE
- im sorry ik yg see him as like a sex god manwhore but i cant see it 😞 he’s spiderman he’s a nerd and he’s goofy, like yes he’s hot but he definitely fumbles without knowing the opportunity was even there LMAOO but regardless i think his body count is VERY low if not even zero. that doesn’t mean he’s ignorant, though. he’s figured out enough to know what he’s doing and what to do, he’s considerate and never wants his partner to be left out of thought
F = FAVORITE POSITION
- i can’t really see him having a favorite position i think he would’ve had little to no opinions but the moment yg find one you specifically like a lot he LOVES it. loves anything that makes you react the most, he’s such a pleaser yg cannot convince me of anything different
G = GOOFY
- yg write him to be all serious n i dont like it 🙁 he’s hobie he’s gonna crack a few jokes, especially if he’s nervous or he sees you’re nervous and he wants you to relax. probably jokes about how he’ll try his best not to send you to the hospital or wtv (he is not that confident)
H = HAIR
- hobie probably isn’t always clean shaven so he believes you don’t have to be either. still he’d at least be trimmed just to make things easier and whatnot. just his preference, whatever you do w yours he could not care less. other than that i think if sony was allowed he’d have a happy trail but unfortunately sony are pussies (im kidding)
I = INTIMACY
- i think hobie would prefer intimacy over anything else. he’d see sex as less of a pleasure thing and more of something to be shared when you’re extremely close. i don’t think sex w him would ever be meaningless, he’s always trying to show how much he loves you
J = JACK OFF
- hobie’s probably just an average dude. doesn’t do it too much bc like ?? why would he when he has you. ofc, if you’re not up to it yea he’ll go somewhere or just deal with it, you’re never obligated in his eyes. i just think he’d prefer you over anything else
K = KINK
- he’s gotta be a little freaky. like i say a lot (im sorry) he does joke abt biting, so he probably has some small kinks but i doubt anything serious. maybe at the most a very minor corruption kink, but its only about introducing you to things if you’re entirely willing. something about knowing he’s the one introducing you to it makes him wanna do it more
L = LOCATION
- hobie doesn’t strike me as a very public kinda guy. like maybe on occasion, but it’d have to be somewhere he’s pretty sure yg won’t get caught. i do think he’d prefer in your or his own home though, makes it more intimate and less stressful. he would however joke about fucking near someone yg don’t like out of spite
M = MOTIVATION
- you’d probably have to be actively trying to get him going, sex is never really the first thing on his mind. ofc it can very well happen unintentionally. i think gestures, positions, anything that shows off something ALONG WITH the clear intent will make him realize. maybe. i still wholeheartedly believe he’s pretty oblivious most of the time, he can be wanting it but he won’t realize you’re trying to make him want it. he’s a little dumb bear with him. he also just doesn’t associate revealing clothing with you wanting sex, so you’ll have to find other ways to get him to realize you want him. anyway i think mostly anything that shows off your thighs will get his mind wandering. anything that shows off their shape or just shows them off in general
N = NO
- in no way ever will you get this dude to do cnc (consensual nonconsensual) he gets sometimes its a trauma response but yg also have to remember he’d have to be getting off by pretending to assault you and i just can’t see it. he couldn’t do it, he’d rather try and help you with that trauma in other ways
O = ORAL
- happy to give always 🙌 he sees it as no different than you giving. even so, i don’t think he’d ever ask you for head. he’d see it more as a bonus, not something that’s expected in a relationship. if you’re never comfortable giving or even receiving head he will not be losing sleep whatsoever
P = PACE
- probably likes to switch it up. while i do think most of the stuff he said in his intro were jokes (runway model, inconsistency, labels, etc) i do think he does like to switch things up. he doesn’t like being limited to one thing, he likes to explore a bit and keep you on your toes xoxo
Q = QUICKIE
- hobie doesn’t strike me as someone who cares much for quickies. he’d much rather take his time, show he actually loves you. if both of yg are REALLY struggling then yg are going home, end of story. if you were to suggest a quickie he’d be unsure but he’d be willing to try at least
R = RISK
- hobie’s big risk taker im sure, but sex is a lot different than everything else. it’s a lot deeper and meaningful, so he doesn’t want to risk upsetting you or causing problems. idk if he’d even wanna risk being caught bc that’s just an inconvenience to everyone else 🙁🙁 only if it’s inconveniencing someone neither of you like i suppose
S = STAMINA
- pretty good stamina. not crazy or anything, but he can definitely go for a while. i think he finishes fairly average time but he can go multiple rounds, yk ?? like i said not a sex god guys
T = TOYS
- im sure hobie isn’t against toys at all ☠️ kinda goes back to what i said w introducing you to things. he’ll definitely try anything (as long as it’s humane 😭) and really doesn’t have much shame. take that part how u will.
U = UNFAIR
- hobie definitely likes to tease, no doubt. not all the time ofc but he can be an asshole just for jokes. if you’re genuinely upset he’ll stop. plus i think edging and overstimulating would count as something that deserves to have a conversation over first, not everyone’s completely into that and he knows full well
V = VOLUME
- i don’t think he’d be loud. not a whimperer probably but definitely a groan kinda guy. he has no shame breathing and groaning in your ear if he’s really goin (with you ofc he is)
W = WILD CARD
- switch. i think by default he’s more dom leaning but if you take that position he won’t complain, he thinks it’s hot as hell. would probably let you do almost anything to him 😇
X = X-RAY
- he’s pretty tall guys, it’s not small that’s for sure. i think honestly he’d be around 6-8, anything above is just scary in my full opinion so that’s not what he has ummm. i do think he’d be pretty normal girth. and, ofc, if he is pierced he would’ve done it himself. a stranger handling and piercing your dick is not for the weak im sure
Y = YEARNING
- probably a pretty normal/average drive. he didn’t think much about sex before you so going without it isn’t a problem for him at all. i don’t think he’d be like horny 24/7 around you, most of the time he’s just happy to be around you
Z = Zzz
- like i said w aftercare hobie prefers to stay up with you and spend time. even if it’s late at night he will try his absolute best, he’s not sleeping until he’s sure you’re comfortable and completely cleaned up. unless you like emptied his balls or destroyed him or something, then aftercare is on you i guess 🤕
336 notes · View notes
luckycharms1701 · 3 months
Note
Oh, please, I must know now… Donnie during mating season??? :D I’m loving ur writings about this :)
Tumblr media Tumblr media
alright you thirsty purple fans, it’s time!
sidenote: i am. so glad. that people are enjoying these. they’re a lot of fun to write!
double sidenote: i have added a link to my masterpost to all my bayverse mating season headcanons! you can also find them here
sooooo donnie. he's a freak in the sheets, you cannot change my mind. so especially strong spicy warning for this one 🌶️
Donnie is extremely matter of fact about mating season. The first time he brings it up with you, he’s more nervous about your answer than he is shy about explaining what it entails. (You couldn’t hear the words, but you did hear him muttering to himself before he came up to ask you. You suspect it was a pep talk.) He is very thorough when explaining mating season in general and how it affects him in particular. You are grateful and also a little turned on by the time he’s done.
Before you were in the picture, Donnie used to work himself until his system overloaded and he passed out during this time. Now he finds himself working a lot less, because he has you to focus on. He appreciates that you make him spend more time on leisure and don’t let him overwork himself. He also appreciates that you do let him work at least a little when the desire hits. Getting to cuddle with you is a surefire way to get him to rest when he needs it though. As long as you’re nearby, he’s happy to do whatever.
Donnie is a talker in general, but it gets ramped up to 100 when it’s his season. Unless his mouth is busy doing… other things… it’s basically a 24/7 stream of consciousness fest. Mostly it’s about you. How much he loves you, what in particular he loves about you, how exactly he wants to make love to you. His morning star, his starlight, his celestial beauty. Sometimes, though, he’ll interrupt himself to talk about something that just occurred to him about one of his projects. It never fails to pull a laugh out of you and make him rub the back of his neck in (adorable) embarrassment.
He enjoys physical affection and often seeks it out from you, and this holds true during his season. He won’t whine or get grumpy if you don’t want to be touching him all the time (*cough* like his brothers will *cough*), but he does prefer if you’re in contact with him somehow. He enjoys watching movies with your head on his lap and your hand in his. He especially likes it when you're on top of him.
Donnie is used to just taking care of himself whenever necessary, AND he is used to handling delicate things during his season. So there is a lot of gentle manhandling when the time comes. You can't do anything particularly engaging because he will come up and interrupt you whenever to have sex. IF you are wearing clothes at all (not often), you cannot wear underwear or pants, at most a skirt. That way he can just lift it up and enter you whenever the urge hits. He is especially fond of doing this when you're sitting on his lap while he's working (... "daddy's little cockwarmer").
Having you around does not mean that all of his toys go unused, oh no. He is very considerate, and would rather resort to them when you're getting rest. (He got your permission to stare at you while you slept and he used his toys. So considerate.) He also came up with some new toys that the two of you can use together. Having toys custom designed for your pleasure? Well. It really adds to the experience of mating season.
He likes to take his time and study you. He is always coming to you with a new experience he wants to try. He does get a lot of pleasure out of trying new things, but he mostly just wants to know how you'll react. He is intimately familiar with your body and how it reacts, and he wants to see if those reactions hold true when different stimuli are applied. His prodigious brain is always working. He particularly likes when something catches you off guard and a surprised gasp comes out of your mouth.
Donnie is not overtly possessive, even in his season. But there is always one hickey very carefully placed somewhere noticeable that you can't cover easily. He knows just how much force to use to leave an imprint of his hands without hurting you more than you enjoy. And if he catches someone looking at you? You will probably be walking a little funny the next day. When he ties you up (he enjoys tying you up. a lot.), he'll take a minute to sit back and observe you, pleasuring himself to thoughts of how you belong to him the same way he belongs to you.
When his season is over, his favorite thing to do is cuddle with you while the both of you sleep it off. He won't leave the bed, not even to work, until he deems you fully rested. (He will work in bed while you sleep on his plastron though.) His second favorite thing to do is bathe you. He takes his time to make sure every inch of you is clean and cared for. It's a lot like going to a spa, because Donnie did a lot of research into spas so that he could replicate that experience for you. And if you give him a little pampering in return? You'll get to hear him chirp and churr in complete satisfaction.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
head bonks: @yorshie @avery73 @justalotoffanfiction @thejudiciousneurotic
267 notes · View notes
pillarsalt · 1 month
Note
hi! i was wondering your opinions on how hrt affects the body? i hold a lot of radfem beliefs but i am trans (taking testosterone). would being a woman to you have to be completely about chromosomes? for example, trans men years on T do not have the same genetic makeup as cis women. same with trans women on E, their genetic makeup would be very different to cis men, and would more correlate to cis women. does this factor in who you consider female/male or having experience as women?
Hi there, thanks for reaching out.
Firstly, I think you may be a bit confused. Taking exogenous hormones does not affect your genetic makeup. Your dna will stay the same unless you're exposed to something extreme like radiation - this is a good thing because dna mutation is bad for you and causes cancer! Your genetic sex is immutable, a person with XY chromosomes cannot have their dna altered to have XX chromosomes instead.
Hormones will affect the expression of your genes, for example turning on facial hair production in women who are taking testosterone. This is why those patterns of facial hair, even in women, differ from person to person. The genes for it were already there, but hormone replacement therapy uses the endocrine system to change what signals get sent to your genes to tell them what features to express.
Beyond chemically induced genetic expression, there are particular physical features in males that do not occur in males, and vice versa. This is a feature of the /ancient/ evolution of sexual reproduction. Despite the variety of metaphysical beliefs about identity and personhood, the truth is that humans evolved to reproduce between two sexes, and human beings cannot change sex. Every cell of your body has your sex encoded within it. This affects us physically in many ways. I and most feminists believe that this fact should be irrelevant to any person's ability to pursue their passion, be themselves, and love who they love. Even so, recognition of biological sex is something important. This is really critical in a medical context. For example: men who receive a blood transfusion from a pregnant or recently pregnant woman have an increased risk of death by transfusion-related lung injury. Another example: tracheostomy tubes differ in size depending on sex due to dimorphism in average tracheal diameter. A women who is reported as a male risks considerable injury by having a male sized tracheostomy tube forced into her windpipe. A considerable amount of medications differ in dose effectiveness and side effects based on biological sex. Something as straightforward as a heart attack has different symptoms depending on if the patient is female or male. Denial of biological sex is dangerous, and as it stands, medical science has not advanced enough to change the biological sex of an individual. If you are born male, you will stay male for your entire life. You say that a transwoman who has taken estrogen is more genetically similar to a woman, I'm sorry but that simply isn't true. A male person will always be more genetically similar to other males than to a female person.
Determination of sex is very simple, it's about the easiest genetic test to do. They have kits for high school classrooms to try out ffs. We need to leave the "meaningful sex change is possible through medical intervention" thing in the past, all we accomplish with that is giving people false hope and an unattainable goal to fixate on. Sex is real and immutable, I wish it didn't matter, but it does.
And why it matters is, maleness and femaleness have become inseparable from certain stereotypes and assigned qualities by societies in human history. Overwhelmingly, the male people subjugate the female people. Since men, male humans, discovered womens' ability to give birth could be taken advantage of, it was capitalized upon. And this is the foundation of patriarchal society. Religions were founded to justify this as the will of god. To deny that women have historically been persecuted due to their sex is, well, misogynistic. There is no "woman feeling" that makes us targets for child marriages, FGM, trafficking/prostitution, and other horrors from the minute we're born and even before. No, it's the sex we were born with that makes the world think it can decide our fate. In fact, the way that people treat male children differently from female children is so different so early, that we are genuinely unable to study human behaviour unaffected by gendered expectations. This is what feminists are talking about when they discuss "socialization". There is not a single man on the planet who knows exactly what it's like to see the world from a woman's eyes, no matter how feminine that man is. Womanhood isn't something you can achieve or acquire through effort: you were either born a woman or you weren't, just like you were either born with detached earlobes or not. It's so simple.
All that to get to my final point: Yes, I believe the definition of womanhood comes down to biology, because anything beyond that is a meaningless stereotype. Women can do anything, be anyone, look any way they want, go through any experience they do. The one thing they have in common is that they are female adult human beings. There is not way to fail at being a woman or do it wrong, you just are. Womanhood is the experience of having been a female person in this world, and nothing else. There are certain things only female human beings need, like abortion and female contraceptive rights, access to spaces where we can be safe from our subjugators (male human beings), and the ability to define ourselves and fight for our collective rights.
(At this point you may object and point out that male people who identify as trans women are also subject to violence and scorn from men: unfortunately that is often the case, but this does not make male people who identify as women, well, female. We need solutions for them that do not involve requiring women to sacrifice our comfort and safety for the sake of a particular subset of men, because of the inherent risks involved and the fact that women do not owe men anything even when those men have it bad.)
One last thing: my opinion is that prescribing exogenous cross-sex hormones is unethical (so are all elective cosmetic medical procedures but that's a post for a different day). I understand the distress that gender dysphoria inflicts on people, however the ill effects of hrt are too numerous to condone. The huge increase in risk of stroke with estrogen, heart disease and uterine atrophy with testosterone, and the way that trans medicine studies are notorious for losing followup with patients after a year or less... it's short sighted and frankly, financially motivated. The amount of trans patients who are prescribed hormones without access to an endocrinologist, it's honestly infuriating. People deserve the best care possible, not lab rat bullshit where they cut you loose when it's not working out. I won't judge anyone for what they do to themselves to cope with distress, but I want everyone, especially girls, to be aware of the lifetime effects medical decisions may have, and that you also can find happiness within yourself without hurting your body.
Thanks again for your question, be well ✌️
201 notes · View notes
Text
Lucky Break Chapter 5
Yandere Straw Hats x Fem!Reader
4.6k words
Beginning / Previous / Next (to be written)
Tumblr media
A partial night of rest did little for you. Your head was still killing you, and the dreamless, fleeting sleep did nothing to aid in jogging your far away memories. 
Nami was kind enough to let you stay in her boat for the rest of night, and you were still on it this morning. You didn't feel confident in your ability to cross boats again now that the wind had picked up and the waters were slightly rougher. The last thing you wanted was to fall into the ocean again right after getting a change of clothes. 
You watched with mild amusement as Nami and Luffy bickered about the Grand Line. Well, Nami was bickering. Luffy was dismissing everything. 
“How do you expect to so much as make it into the Grand Line as you are? You have no supplies, no ship, and only two people. You're even more insane than I thought you were if you think that's a good idea.” Nami returned her attention to the map in her hands, muttering under her breath about pirates being a nuisance.
Luffy shoved the rest of the apple he was eating into his mouth, core and all. Cyanide poisoning be damned. He did appear to at least be taking her words into consideration, which was an improvement. “Yeah, we're going to have to get some meat before we go.” 
You snort at the exasperated look Nami shoots him. Of course that was what he was hung up on. Luffy cooked his head to the side, “And what do you mean I only have two people? There's four of us.”
“I am not a part of your crew, this is just a temporary alliance. I'm not about to sail into the Grand Line with anybody, much less someone as in over their head as you are.” Nami pointed at you, “And Lucky doesn't count. She doesn't even remember her name, what are you expecting her to do?”
“What's that got to do with anything? She doesn't need to remember her name to be my crewmate.”
“She's got a gaping head wound! She needs to see a doctor, not get dragged into the most dangerous place on the planet by a delusional captain!” Nami picked up and chucked an apple at his head. An extremely ineffective attack given that he just opened his mouth and ate it whole like some sort of snake-person.
“Maybe we'll find a doctor on the next island, and then she’ll be good to go.” Luffy perked up, “Are we getting close to one yet? I want to get some food.”
The navigator's eyes flitted back down to the map. She still looked annoyed but answered his question, “Yes, we should be at the Gecko Islands soon.”
Luffy cheered and whirled around on his perch to stare into the distance. You followed his gaze and saw a speck of an island in the distance. Being on solid ground again sounded lovely. The unsteadiness of being on a constantly rocking boat felt extremely unnatural to you. Based on that, you felt safe in assuming that you had never spent a prolonged period of time at sea before this. 
And of course, you were looking forward to the possibility of seeing a doctor and having your injury inspected and cared for by a professional. Zoro definitely needed to see a doctor, too, what with his stab wound. 
Though, as you glanced at him, he appeared to be entirely unbothered. The only thing that even hinted at what had happened was the hole and bloodstain in his shirt. Other than that, he seemed fine. Shit, maybe he can sleep off stab wounds. If only you could do the same for your injury.
Luffy kicked his legs in excitement as the island drew closer. “We can get supplies here, and maybe even a new ship! Oh! We might even get some new crewmates! We're going to need a cook before we get to the Grand Line. And a musician.”
Having a cook around made sense, though you were more than a little baffled at him prioritizing a musician over a doctor. Well, whatever. He’s the captain, not you. He can recruit whoever he wants, and you’re sure that he will. Especially considering how much he’s been brushing off Nami stating that she isn’t a part of the crew.
The two boats hit sand as you finally make it to the island. You’re at some empty beach far away from the docks. Nami insisted that this would be for the best considering that her ship has Buggy’s jolly roger plastered over the sail. You jump off the ship and help pull them further onto the beach to prevent them from drifting away.
Being on solid land feels just as good as you had expected. The sand has a give to it, of course, but it isn’t constantly rocking back and forth. You stretch as you scan your surroundings. The beach is boxed in by cliffs, with a manmade walkway leading into a lightly packed forest that helps to hide your ships further. Someone would have to go out of their way to find you guys here.
“The village isn’t far from here, right?” Luffy was looking around excitedly, no doubt eager for a chance to stretch his legs. You were, too. The island appears to be normal and peaceful. It’ll be nice to explore a town without a bunch of pirates in it… you guys notwithstanding, of course. 
“Yes, it shouldn’t take long to get there,” Nami answered passively while scrutinizing the map in her hands. “I wonder where we could find a ship.”
“We’ll worry about that later. Let’s find a place to eat first!” Luffy was actively drooling as he spoke. You’re not sure how anyone can be so hungry after eating what you’re pretty sure was in the ballpark of twenty apples, but you aren’t about to try and get between him and food.
Nami pushed him out of her face harshly, “Would you stop talking about food for five seconds?!”
Your attention was drawn away from them as you saw movement up on the cliffs. You squint and see several bushes rustling from what you’re assuming is some local wildlife. Zoro unsheaths a sword behind you and steps forward.
“Careful… I think we have company.”
That catches everyone’s attention. Nami tenses and steps back while scanning the forest herself, while Luffy is visibly excited about whoever could possibly be here. To you, Zoro seems to be over reacting. It’s more than likely just some animals running around, you’re not sure why he’s instantly jumping to this being an ambush or something.
Then someone starts shooting at Luffy’s feet. Perhaps Zoro was onto something. He scrambles to get out of the way while Zoro rushes forward to help. Before you even have a chance to react, Nami grabs you by the collar of your shirt and drags you back to the boat before shoving you into it and climbing in beside you to take cover. You cough and gasp as she releases your shirt.
The attack stops, so you and Nami peer over the side of the ship to see what’s going on. Luffy and Zoro appear to be fine, thankfully, but now a bunch of flags are popping out of the bushes. All of them have the same jolly roger on them. Ah. So much for you thinking that this island was pirate-free. You just hope none of them have any weird-ass super powers to contend with.
This display does nothing to intimidate Luffy, who by all accounts seems to be having a grand time watching this. A boy suddenly emerges from behind a tree, looking extremely pleased with himself. Some of the tension leaves your body as you are distracted by the fact that this kid has the longest damn nose you’ve ever seen. You didn’t think that was physically possible. You shake your head, reminding yourself that now is not the time to be getting distracted by appearances.
Long-nose crosses his arms and puffs out his chest proudly. “I am Captain Usopp! Leader of the pirates who reign over this village! I’ll have you know that everyone here fears me as much as they sing my praise! Which is a lot!” He gestures behind himself with a dramatic flare, “Go ahead and forget about attacking this village, it’s under my control! Me and my eighty million subordinates won’t let you get far!”
Eighty… Eighty million? You and Nami share a sideways glance at each other. That seems… a touch far fetched. The island doesn’t appear big enough to hold even one million people, much less eighty million plus the villagers. Now that you think about it, It’s odd that he didn’t name drop his crew. He just called them “the pirates”. You let out a sigh and slump against the boat, relieved that this appears to just be some display rather than a real threat. Nami pinches the bridge of her nose, looking annoyed more than anything, and Zoro puts his sword away with a huff.
Luffy, meanwhile, is star-struck. 
“If you’re going to lie, at least make it believable!” Nami calls out to him.
Usopp gasps, stumbling back in shock, “How did you know?!”
Nami rolls her eyes, “And now you’re admitting to it this easily? You’re terrible at this.” She climbs back out of the boat, and you’re quick to follow suit. You glance up the cliff to see Usopp beating himself up for failing miserably at his intimidation attempt. 
He whips back around to face all of you again, trying desperately to save face. “Well, maybe I was exaggerating a little bit, but I can assure you that I do have some very powerful men at my disposal!” He points at a cluster of bushes not far from him. Unlike the rest of the flags, the ones coming out of the bushes were moving, implying the presence of at least a few people. 
Still, those bushes weren’t particularly huge. You can’t imagine that there were that many people hiding in them. You squint, “What? Like three people?”
The literal second you say this, precisely three people spring out of the bushes looking aghast at your accurate prediction. These “powerful men” looked to be a bunch of kindergarteners, who screamed in terror and ran away immediately while Usopp yelled after them not to leave him here alone. Another impressive victory under your sword-belt, you suppose.
Luffy looks at you in awe, “How did you know?”
All you offer him is a simple shrug and say, “Lucky guess?”
Nami sifts through the sand and pulls out some tiny pellets. She examines them with absolutely no sense of urgency. “Huh. I’ve never seen a pirate captain use a slingshot before.”
Usopp gasps and clutches his chest in offense, “What’s that supposed to mean? Don’t insult me!” He pulls a slingshot from his bag and takes aim at her. Nami stares at him blankly. “I have a lot of pride in my weapon! So much so that people call me ‘Proud Usopp’!”
You’ll give him this much: he doesn’t abandon the bit easily. You call out to him, “By people, do you mean yourself?”
Now Nami’s comment didn’t seem all that bad to him. Usopp changed positions to aim at you instead, “Many people call me that! In fact, they call me ‘Proud Usopp’ more than ‘Captain Usopp’ because they’re that impressed by my pride!” He pulls the leather pad holding another pellet back further. “Behold! You’re about to see that my slingshot skills can put a pistol to shame!”
Given how many other things he’s lied about or exaggerated greatly, you aren’t scared. The pellets that he shot at Luffy had some oomph to them, sure, but comparing them to bullets fired from a gun seems excessive. Getting pelted by some pellets is hardly going to be the worst injury you’ve endured.
Before Usopp can decide if he really wants to fire at you or not, Luffy steps in front of you with the brim of his hat pulled down over his eyes. His voice drops to a surprisingly low tone as he addresses Usopp seriously for the first time, “Now that you’ve drawn your “pistol”, you’ve put your life on the line.”
Both you and Usopp gawk at Luffy. Usopp was clearly scared by the sudden mood shift, and even you felt a chill run down your spine. You’re so used to seeing Luffy be carefree and goofy that hearing him openly threaten someone in a genuinely intimidating fashion has completely thrown you for a loop. On top of that, you feel confused. Nothing about this scenario feels heavy enough to warrant this kind of a response.
“You don’t use those to threaten people.” Luffy makes a show of loudly cracking his knuckles while maintaining intense eye contact with Usopp, who is now looking like he’s really regretting his previous actions.
Zoro grinned and stepped forward, just barely unsheathing a sword, “You’re dealing with real pirates now… Are you prepared for that?”
This is escalating quickly. You lean over to Nami and whisper, “Should we stop them?” 
Nami did not share your concern. She examined her nails, barely even sparing you a glance, “No. He’ll lose his nerve before it gets to that.”
For a long, tense moment, there is silence as Usopp is stared down by Luffy and Zoro. Then, just as Nami predicted, he caved. The pellet slipped out of the slingshot and onto the ground. Usopp fell to his knees immediately after, looking thoroughly shaken up from the exchange. His hand clutched his chest as he muttered about how much scarier the words of real pirates are.
Mercifully, the tension dissipated instantly. Luffy dropped the disconcertingly serious look from his face and laughed loudly. “I stole that from Shanks! Your dad is Yassop, right?”
Usopp reels back at that question. “You know Shanks?! Wait- You know my dad?!” He clambers forward, but he isn’t paying attention and tumbles right over the side of the cliff. He rolls the whole way down, landing ass-first at the bottom. You wince, swearing that you felt some of that. The fall does little to deter Usopp, who quickly gets to his feet and stumbles closer to Luffy. “Yassop is my dad, but how did you know that?”
Luffy opens his mouth to answer, then stops abruptly. “I’ll tell you, but you have to take us to the nearest place to get food first.”
The deal was immediately accepted by Usopp, who nodded eagerly, “There’s a tavern not far from here, I’ll show you the way!”
Luffy followed close behind, cheering at the promise of food. How he intended to pay for it, you weren’t entirely sure, but who were you to ruin his excitement? No one else seemed concerned about the financials of this meal, so you suppose you shouldn’t be either.
Zoro casually trails behind Usopp and Luffy, while you and Nami were at the back. You two walked in silence while you mulled over something. This wasn’t the first time you’d heard the name Shanks. You can recall hearing the name thrown around while Luffy was duking it out with the clown-guy… Bucky? Boogie? You shake your head. That doesn’t matter.
Was Shanks someone important? Or was he coming up a lot purely through a series of coincidences? The name wasn’t ringing any bells for you, but given that you couldn’t remember your own name, that really wasn’t saying much. There’s only one way to find out the truth about him.
“Hey, Nami?” You wait for her to glance your way, acknowledging your inquiring tone. “Who’s Shanks?”
Her eyes widened, “You don’t know who Shanks is?”
You raise a hand and tap near your head wound, only to flinch at the pang of pain that shot through your head from that action. Oh, that was stupid. 
Nami sighs, “You really don’t remember anything if you don’t even recognize his name.” Her face turns to a sneer, “He’s some bigshot pirate that’s worked his way up to being an emperor.”
The answer only served to confuse you more. “Emperor? What does piracy have to do with being one of those?”
“It’s just a title, he isn’t a literal emperor.” She waves her hand dismissively, “Don’t think about it too much. The less you know about pirates, the better.”
Aren’t you kind of a pirate now? At least by association. Not to mention that you’re traveling with two of them. Something tells you that Nami wouldn’t care for you pointing that out, so you continue to walk beside her in silence.
A large wooden sign with the words “Syrup Village” is sticking out of the ground once you’ve walked through the small forest. The village itself was small and quaint, possessing a sort of rustic charm that made it feel homey even if you've never been here before. Unlike Orange Town, this place was clearly populated. The local villagers milled about, going about their daily routines. It was a pleasant change of pace. 
Usopp beckoned all of you into a small tavern. There weren't any customers inside, just an elderly man sitting behind a counter, and what sounds like a small staff in the kitchen. 
“I have a lot of influence here. Go on and take a seat, I can handle the rest.” Usopp hurried over to the old man and started giving him some spiel about how you guys were a part of his crew, and thus, deserved only the best. The old man didn't even look up from his newspaper, but was nodding along anyway.
Nami picked out a booth for you all to sit at. Zoro slid in next to her, while you sat at the bench across from them. You glanced over to see Luffy sticking his head into the kitchen, apparently having not listened when Usopp insisted on handling everything. He was demanding an obscene amount of food, more than you thought all of you could reasonably eat in a week, much less one sitting.
As soon as he was done ordering enough food to make it feel like its own lunch rush, he bounded over to your booth and plopped onto the bench next to you, visibly elated. Usopp joined a moment later, dragging over a chair so he could sit at the head of the table. 
“So, how do you know my dad?” Usopp was staring at Luffy expectantly. 
Luffy perked up, “Oh, right. He was a part of Shanks’ crew, I saw him a lot growing up.”
Usopp's jaw dropped. “He's a part of Shanks’ crew?!” He kicked his legs under the table, a dreamy look on his face, “So that's where he's been.”
You quirked a brow at that statement. He didn't know where his own dad was? Did they never see each other? Or at least talk once in a while? You're surprised he doesn't look more bitter about it. You think that you would be if you were him. 
There's a pang in your head, and your eyes go fuzzy for a moment. It's a sharp pain right behind your eyes. You put your face in your hands and massage your temples, trying to will away the pain and cloudy vision. 
You're startled slightly when you feel someone lightly kick you under the table. You pull your face from your hands only to find Zoro staring at you questioningly from across the table. 
“Everything alright?” His face was casual, so much so that it could be mistaken for disinterested, but it felt like his eyes were staring into you.
“I'm fine, I'm just… hungry.” Complaining about a headache felt childish, so you kept it to yourself. These people are being needlessly kind to you, you don't want to start annoying them and risk making them change their mind. 
Zoro stares at you hard, and you get the impression that he doesn't believe you. He sighs and brings a pint of beer up to his mouth, “Well you better eat something quickly before Luffy gets it all.”
Hang on. You look at the table and finally take notice of the drinks and plates of food on it. When did these get here? You thought you only had your head in your hands for a few seconds… how did you not even hear the dishes being set down?
You really need to see a doctor. 
A plate of food and some water are slid to you by Zoro, who apparently thought you were taking too long to make a move. You mutter a quiet thanks and gulp down some water before digging into the food. Hopefully having something of substance in your stomach would make you feel better. 
Something was tickling at the back of your mind, but not clearly enough for you to make anything of it. The faintest whisper of a voice and a bizarre feeling of empty loneliness hung over you despite being surrounded by people. The responsible thing to do would be to focus on the essence of a memory that was trapped beneath the surface of your mind, begging to come forth. You should be trying to bring it to the front and realize it for what it was. But… apparently the person you're supposed to be isn't one for responsibility. You shove more food into your mouth and push the thought down. That memory didn't feel very pleasant. You try to focus on what’s going on around you instead of that.
The table is lively, unlike your foggy mind. Luffy is happily recounting childhood memories of Yassop while Usopp hangs onto every word of it, completely rapt in the stories. Luffy is also choking down an obscene amount of food at a cornering rate. You're not sure he's even chewing any of it given how fast he keeps going back for more. No wonder Zoro was insistent on you eating sooner rather than later. Another minute of hesitation and you would have been shit out of luck.
Nami finishes the rest of her drink and levels Usopp with a stare, “Say, you wouldn't happen to know where we could get a ship around these parts, would you?”
“A ship?” Usopp hums in thought for a moment, then stiffens up. “I wouldn't know anything about where to get one of those. This is a small village. We don't even have many ships passing through, much less up for grabs.”
“What about the people living in that mansion up on the hill?” Zoro nodded his head in the direction of it. The large home was in clear view from where all of you were seated. “Surely someone in a house like that has at least a few caravels at their disposal. Maybe more.”
Dishes clatter on the table as Usopp abruptly stands up and slams his hands down. “You can't go there!” His shout and sudden mood change startles everyone. Just as quickly as he became upset, his face dropped into a more bashful look. “Oh, would you look at the time! I have very important business to tend to, bye!” And with that, he sprinted out of the building, only reappearing briefly as he sped past the window. 
What was that all about?
Nami sighed sharply. “What's got him so worked up? He ran out of here so fast that I just barely managed to grab this,” she held up a small, leather wallet. 
“Nami!” You attempted to scold her, but the smug look on her face told you that your words meant nothing. 
“What? He said he'd take care of everything, and that includes paying the bill. I'm just ensuring that he keeps his word, that's all.” Nami barely even glances at you before opening it up and counting the money. Based on the way her face contorts, you're guessing that it isn't as much as she was hoping for. 
Luffy didn't appear to be even slightly concerned about that. He was happily licking the plates clean. Including yours, which was a little weird, but whatever. Not gonna ruin your day. 
When you hear the door to the tavern open again, you don't think much of it. It's not until some little kids storm up to your table wielding wooden toy swords that you decide to pay attention. It dawns on you that these are the same kids you scared away earlier at the beach.
“W-What did you do with our captain?!” The boy with green hair asks the question as if he is already assuming the worst. All of the kids are shaking like chihuahuas while trying to act tough. 
“Man, I'm full! That was some really good meat!” Luffy flopped against your shoulder heavily, having apparently finally satiated his massive appetite. The boys stared at him in abject horror.
“Your captain?” Zoro's once neutral face curled up into a surprisingly sinister grin. He leaned forward, making the children almost trip over each other to back away. “We ate him.”
The children grew deathly pale, screamed, then promptly fainted into a heap on the floor. 
“Zoro!” You kept switching between looking at the incapacitated children and the swordsman. “Why would you say that?!” 
All that he does is chuckle, looking awfully proud of himself for terrorizing some little kids. Luffy is laughing loudly at the whole spectacle, and Nami is staring at both of them incredulously but also not doing anything about it. You huff and climb over Luffy to check on the boys. While they do look horrified, even in their unconscious state, they appear to be fine physically speaking. You glare at Zoro, “That was mean.”
Your attempt at scolding is once again entirely ineffective. He waves his hand dismissively and downs the rest of his pint, “It was just a joke. If they want to be pirates then they should be able to handle it.”
“They’re little kids. They probably want to be something different every week.” There will definitely be a change next week after having a run in with what they believe to be cannibalistic pirates. You crouch down beside them, shaking one of them gently in hopes of waking him up. He starts to stir and cracks open his eyes behind his glasses. He blinks a couple of times, then focuses on you. For a moment, he stares at you dully. Then his eyes snap open wide and he yelps as he scrambles backwards.
“Calm down! I’m not going to hurt you,” you hold up your hands like you’re dealing with a scared animal.
This does nothing to quell his fears. He tries to get to his feet quickly, and you don’t have a chance to warn him before he cracks his head on the table he clearly didn’t realize he was under. Once again, he falls to the floor unconscious.
“Oh, shit!” You curse and scramble over to him, wanting to check and make sure he isn’t now suffering the same kind of brain damage you’ve got. You lift him up to get a better look at his head, when you hear dramatic gasps.
“She’s got Tamanegi! They’re going to eat him next!” The other boys have woken up and are back to hysterics.
“NO! No one is getting eaten!” You glare at your crew that is doing nothing to help and is instead laughing at the absurdity of the situation. “Would one of you help me here?!”
Zoro laughs loudly at your demand, “No, it looks like you’ve got it covered.”
You can’t believe these are the people you’re stuck with.
168 notes · View notes
rollinouttahere · 1 year
Text
Joyride
Yandere Strawhats + Ace x Isekai Reader
2.2k words
Part 2
Yet again, this fic is inspired by @lovelybrooke ‘s Isekai reader stories.
I also want to say thank you for all the support and kind comments on the last story I wrote! I’ve actually been working on my own yandere one piece fic that I’m hoping to start posting in a few days give or take, so if you like what I’ve written so far, keep an eye out for that! All future writings are gonna be posted on my writing blog @rollinouttahere-writes​ so go follow that blog if you’re interested!
Tumblr media
Trying to act normal and inconspicuous in the One Piece universe was a far from easy task. Being the massive fan of the series that you were, it was damn hard to not give away that you knew all about the crew that was so generously letting you stay with them after appearing on their ship with zero explanation.
It became even harder to stay lowkey when Ace temporarily joined up with the Strawhats. All you wanted was to hug that man and tell him how loved he is and that he deserves to live just as much as anyone else, but you really couldn’t say or do any of that without looking weird. You’ll just have to settle for being extremely nice to him, which was very easy.
Ace himself was already an easy guy to get along with (now at least), but he was noticeably very interested in you. You couldn’t blame him, what with Luffy almost immediately outing your insane situation to him. He seemed incredulous at first, but warmed up to and accepted the story way faster than you expected. It didn’t take long for his questions to go from feeling like an interrogation to being genuine.
You were so busy soaking up the attention from such a beloved character that you almost missed how jealous your crewmates were getting. Luffy, Usopp, and Chopper were taking it the best. Chopper probably because he was still so new to the crew that he wasn’t all that bothered by one of them not paying as much attention to him. Usopp was too busy building Nami’s weapon to concern himself with it too much. Meanwhile, Luffy was just so happy to see Ace again that he didn’t really notice that you were spending a lot of time with him. That, and he would usually be hanging out with both of you anyways. 
The others though, oh boy did they not like this. Nami was the most blatant about it, straight up glowering at you and Ace whenever you two were too close for her liking. You’re pretty sure the only thing keeping her from up and dragging you away from him is Luffy dismissing her complaints and telling her to stop fretting over it. You love being a part of their crew, so she should quit worrying!
Sanji and Zoro were both vying for your attention in their own ways as well. Sanji suddenly wanted more help around the kitchen, insisting that he needed an extra pair of hands now that there was another mouth to feed. Given that Ace’s appetite was on par with Luffy’s, you could understand the desire for help. Zoro’s attempts were considerably less convincing. One time he wanted you to spot him while he was working out, making you laugh right in his face at the mere idea that you would be able to help him with the ridiculous weights he lifts. His face had gone bright red after you pointed it out to him, prompting him to walk away immediately, much to your amusement.
Right now, though, you weren’t with Ace. Him and Luffy were busy doing something and you didn’t want to butt in on all their time together. Instead, you were ogling Ace’s boat that was currently tied to the side of the Going Merry.
You absolutely loved the design of his ship, it was such a clever idea to use his devil fruit ability to power a steam engine and make what looks like a tiny sailboat function like a jet ski. It didn’t appear in the anime too many times but everytime it was on screen it looked so cool. 
“I wonder what it’d be like to ride that,” you quietly mused to yourself.
“Wanna find out?”
You almost jumped out of your skin at the sudden arrival of Ace. He laughed at your reaction, not a care in the world for the near heart attack he just gave you.
“Oh my God, Ace, you scared the hell out of me!” You lightly slapped at his shoulder, your other hand resting over your now racing heart.
He laughed some more, “I could tell, and I’m sorry about that.” He didn’t sound even vaguely sorry. Ace elbowed your side, “But seriously, do you want to go for a ride?”
The offer had you staring wide-eyed at him. Then the boat. Then back at him again. “Really? Are you sure?” You were desperately trying to keep your cool and not show how insanely excited you were about the idea.
“Of course! I wouldn’t have offered it if I wasn’t. Come on,” he hopped up onto the railing and held his hand out to you. You didn’t need to mull it over, eagerly taking hold and stepping up with him. As soon as you did, he wrapped an arm around you and was ready to jump down onto his boat when Nami started yelling.
“Woah, woah, woah, what the hell are you two doing???” Nami, who was previously pruning her trees, had abandoned the activity entirely in favor of sprinting over to where you were and grabbing onto your leg.
“(Y/N) wanted to try riding my boat, so we’re going for a little joyride, that’s all,” Ace flashed Nami a dazzling smile, not at all deterred by her interruption.
“No way! What if they fall off? That thing doesn’t look safe at all!” Nami was now pulling on you, trying to get you down from the railing.
Ace held on tighter in response, “It’s perfectly safe, it has to be. I’m a devil fruit user, remember? (Y/N) isn’t, so really, I’m in more danger on that than they are. It’s fine.”
You could tell Nami was ready to argue more, but thankfully Luffy piped up, “Don’t worry about it Nami! If Ace says it’s safe then it’s safe!” Luffy, who was perched on his special seat at the bow, came bounding over, “But I wanna go next!”
“Sure thing, Luffy, we’ll be back in a bit,” Ace was quick to jump down with you in tow, not wanting to give any of the other Strawhats a chance to object. After untying it from the Going Merry, he knelt down slightly, “Hop on my back, you’re not gonna want to have your feet down there when we get going.”
Not wanting to get set on fire, you obliged. If you weighed anything to him, he didn’t show it, simply standing up straight as soon as you were on. “Ready?”
You excitedly nod your head, holding on tight to Ace in preparation. It was a good thing too, because he decided to immediately start at the leisurely speed of what felt like mach 7. A shriek emits from your throat as you take off. You think you can hear Nami yelling something again, but couldn’t make it out over your own screaming and the noise of the steam engine roaring to life.
Ace laughed loudly at your reaction, but did slow down slightly, “Sorry about that, I just wanted to get some distance before anyone else tried to stop us.” One of his arms let go of your leg and tugged at your arms around his neck, “But would you mind easing up a bit? I won’t be able to take us back if you choke me out.” 
“Oh oops, I’m sorry!” You immediately loosened your arms and readjusted them. Accidentally strangling Ace was not something you wanted to do today. Or any day really.
He simply shrugged it off, telling you not to worry about it. It’s not like you could really hurt him. “I’m gonna speed up again, you ready for it this time?”
The second you confirm that you are, the boat lurches forward, cutting through the waves like nothing. Now that you weren’t panicking, you could properly take in the experience and thoroughly enjoy it. 
The wind was whipping through your hair and sea water misted the air, droplets clinging to both yours and Ace’s hair. He hit a particularly big wave causing the boat to go airborne for a moment before crashing back down. You found yourself laughing and cheering as Ace continued to show off, which only egged him on more.
After a while, Ace slowed to a stop and let you down from his back. “C’mere, step up on this,” he stepped to the side and motioned for you to step up onto the front of his boat. His hands rested on your hips to keep you steady, presumably not wanting to get chewed out by Nami if you came back sopping wet. 
“This is one of the best parts of being at sea,” he was staring straight ahead. “Sunsets out here are something else, you don’t get a view like this on land.”
He was completely correct, it was beautiful. Orange, red, and pink hues colored the sky and reflected gorgeously in the ocean. It was a breathtaking view, one you would remember forever.
The two of you fell into a comfortable silence, quietly admiring the view with nothing but the natural sounds of the ocean around you. It was nice, very peaceful. 
“What do you think about staying here?”
You tense at Ace suddenly speaking. “Like staying out here a little longer?” As lovely as this was, the others were bound to get antsy if you stayed out after dark.
“No, I mean staying here in this world,” he stepped closer to you, wrapping his arms fully around you and resting his head on your shoulder to be able to see your face. “It’s nice here, right? Why not stick around? I know Luffy wants you to. Hell, I’m sure the rest of the crew does, too.”
You were taken aback by this statement, and weren’t really sure how to respond. Sure, it could be nice here when you all weren’t being hunted for sport by marines, but this wasn’t a place you could see yourself staying long term. That, and you had a life back home, you couldn’t just throw your friends and family to the wind like that.
Sucking in a breath, you searched for the nicest way to say all that. “It is nice here, but I have to go back.” You could feel his posture stiffen behind you, “Don’t get me wrong, you all have been super nice to me! It’s just that I’ve got all my friends and family back home and I miss them terribly.”
“Your family?” Ace said this so quietly that you weren’t even sure he was saying that to you. Abruptly, he straightened up, “I know! If you want a family so bad you can join the Whitebeard pirates!”
What? You joining the Whitebeard pirates? You already feel inadequate enough around the Strawhats, you can’t imagine how pathetic you would feel around those people. Of course, it would be awesome to get to meet them, but you want to keep to yourself as much as possible since you will eventually have to go back home.
While you were thinking, Ace kept going, “Pops would love you, I just know it. We haven’t gotten another sibling in a while, everyone would be psyched to meet you.” His once comforting hug was growing tighter by the second. Suffocating even.
“Ace-”
“And you already have friends with my brother’s crew, so that’s all taken care of!”
“Ace, ple-”
“Of course, I’m your friend too, but after you join I’ll be your big brother!”
“ACE!” Your yell startled him, mercifully making him let go of you. You take the opportunity to inch forward and create some distance, however minute.  “That’s,” oh, how to put this without hurting his feelings, “that’s very kind of you to offer, but I’d rather stay with the Strawhats for now.”
“Oh…” You don’t even need to turn around to know how disappointed he was by this declaration. He chuckled awkwardly, “I’m sorry about that, looks like I got a little carried away there.”
“It’s fine, don’t worry about it,” frankly, you just wanted to go back to the ship after that. The atmosphere was uncomfortable now.
After a few more seconds of silence, Ace cleared his throat and spoke again, “We should probably head back now, it’s gonna be dark soon.”
You were quick to agree and clambered onto his back, “Yeah that’s a good idea, Nami would throw a fit if we stay out much longer.” She’ll probably be mad regardless, but still.
Ace got his boat going and began the trip back. The Going Merry was a lot further away than you’d realized, it was so small that you could just barely make it out in the distance. You internally cringe, your crewmates are no doubt unhappy about you being this far away.
Despite the distance, you couldn’t help but notice how slow Ace was going compared to earlier. It’s like he wanted to drag this out for as long as possible. You decided not to call him out on it, not deeming it worth it.
“I’m not giving up, you know.”
“What?” 
“I’ll drop it for now, but I’m not giving up on you joining Whitebeard’s crew. Just… think about it, okay?” Ace’s voice was quiet, just barely loud enough to hear over the engine. 
The rest of the ride back remained dead silent, giving you plenty of time to mull over what just happened. It felt so… Weird. Out of character, really. He’s known you for, what? 24 hours? If that. Yet he’s trying to talk you out of going home and seems dead set on replacing your family with his own. Granted, everyone’s been more clingy than you thought normal, but this was downright bizarre. 
You really need to find a way home, and fast.
967 notes · View notes
fancystudentpeanutpie · 7 months
Text
I just love the dynamic between the Morning Crew. Not just the cc's, but the cubitos too.
Tubbo is an energetic little shit who immediately got on Cucurucho's nerves. The only things in his brain are create mod, trains, and investigate EVERYTHING. He's a really good investigator and interrogator, but a terrible theorizer. He tries really hard to not trust anyone but also doesn't take into consideration that people might lie to him.
Pac is...the most tramatized person you'll ever meet. He's a complete sweetheart (though still a little shit, of course). But he's also...extremely sad. And scared. And lonely. And suicidal. He mainly started hanging out with the other 2 because his other half was missing, but now that Mike is back he almost seems closer to them than he is to him.
Fit is also the most traumatized person you'll ever meet, but Ramon and the morning crew might be the only people who know that, and unlike Pac, he's healing despite everything. He's the most level headed of the 3 and he was specifically sent to the island by someone, but doesn't know what he's doing any more than they do.
Together, they hold each other back from going insane and encourage each other to do insane things at the same time.
Pac is terrified of Tubbo being traumatized by the Federation like he was, because he is SO MUCH like him, Mike, and Cellbit all at the same time. Fit is also worried and promised to babysit him so he doesn't do anything too bad. But they went to the Nether with him and Tubbo perseveres even while blinded and even wants to go to The End now! He's so unaffected by it that Pac and Fit jokingly hit him around instead of helping him.
Though, he also has a Federation employee buddy that can be used against him. And he hasn't been kidnapped (that he remembers) yet. There's still a lot to be worried about.
Fit and Tubbo are much more aware of how badly Pac's doing than most islanders. Even during the pill arc, with the other most concerned person being the ever-busy, terrible-at-handling-situations Cellbit, Tubbo and Fit were the only ones who seemed to be there for him. They tried to convince him not to take the pills.
After the fact, when they saw the blood on the floor, Fit offered to clean it up for him, and told him that he can talk to him when he's ready. Tubbo, not nearly as gentle, directly asks what it's about, and probably would've kept pressing if Pac didn't show them the warp plate.
Pac and Tubbo are very aware that Fit is keeping secrets. Tubbo keeps trying to convince himself that he doesn't trust him, but he keeps hanging out with him and discussing things with him. When Mike was trying to convince Pac that Fit was bad, Pac still believed Fit despite really wanting to be on Mike's side. If they hadn't gotten so close, he probably would've just forced himself to believe Mike to make them both feel better. But he had gotten so close to his little crew that he trusted Fit over Mike.
They've spent almost every morning since Tubbo de-frosted hanging out. Pac and Tubbo want to make trains together. Fit and Pac are a slow burn romance novel and Tubbo annoys them about it. They're just a bunch of chaotic and wholsome little guys.
371 notes · View notes