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henshinwolf89 · 6 months

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Zeiram 1 Retrospective

When it comes to Tokusatsu, it can be somewhat tricky to initially get into. With such a long history and back catalog, and an often 50+ episode long commitment, it can be daunting to newcomers. That’s why I usually say to find what appeals to you and go from there. Maybe find something that’s on the shorter side of things before trying to tackle the bigger ones. Standalone Tokusatsu movies can be a good starting point.

That leads me to suggesting one such movie series as a potential starting point into the larger world of Tokusatsu, the Zeiram series, which consists of two feature-length films and a six episode OVA. Zeiram was created by the insanely talented Keita Amemiya, an absolute legend in the Tokusatsu industry. Having worked on almost every major Tokusatsu franchise in some form at one point before creating his own series, such as the incredible Garo franchise, he quickly established himself as a unique visionary of the business.

Zeiram is Amemiya’s second film after Mirai Ninja, his debut movie in 1988, and began its life as a sequel to it before evolving into its own thing. The first Zeiram movie was released on December 21, 1991, and reportedly had a smaller budget than Mirai Ninja, thirty million yen, which is roughly two hundred thousand dollars. The entire film’s budget is apparently the cost of just a single episode of Garo! However, just because it had a smaller budget doesn’t mean that they skimped on the special effects. The film deploys an impressive array of special effects, ranging from amazing suitmation, puppetry, pyrotechnics, wire work, fight choreography, and even stop-motion animation!

The film stars actress Yuko Moriyama as Iria, a tough as nails intergalactic bounty hunter. Moriyama was a relatively new actress, having her start on a contact lens commercial for Seed Contact Lenses and mostly doing TV work. Moriyama was initially hesitant to play Iria, as she had no prior experience playing action roles, but enjoyed her experience as Iria by the end and came out with a very positive outlook. She wasn’t used to using guns or gun props and was pretty surprised by the impact of the model gun the first time she used it. She got used to it eventually as she knew Iria was a professional and needed to act the part. Soon, she found firing the guns to be really fun. Moriyama also stated having difficulty with the suit Iria wore. It’s bulkyness making her feel like a robot and bruising up her body quite a bit. She got used to it after a month. However, the suit was very squeaky and noisy. You could always tell when she was nearby, much to the amusement of the rest of the cast and crew.

The other two major characters are the two average working Joe electricians, Teppei and Kamiya, played by Kunihiro Ida and Yukijiro Hotaru, respectfully. Ida was in Amemiya’s previous film, Mirai Ninja, and is a varied actor being in the original Japanese version of “Shall We Dance?” Hotaru, on the other hand, is an accomplished stage actor and should be a familiar face to Tokusatsu fans. He played The Evil Emperor Diable in Bishoujo Kamen Poitrine, had a cameo as the suicidal man in Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack or GMK for short, and most famously played Tsutomu Osako in the Heisei Gamera trilogy, and Gonza Kurahashi in Garo. Hotaru and Amemiya are good friends, and they both have a tremendous amount of respect for each other.

Moriyama, Ida, and Hotaru all developed a great working chemistry with each other. Ida was very supportive of Moriyama, frequently psyching her up and giving her emotional support, while Hotaru often gave her acting advice. They did line readings together often and read through the script many times before shoots. They did this in advance as often as possible. Hotaru during shoots would hunch over to make himself look smaller in comparison to Moriyama, so Iria had a larger and more imposing presence.

Next up is Bob, Iria’s A.I. partner. Who is voiced by Masakazu Handa. He sadly died at the young age of 47 due to heart failure on August 26, 2014. Handa was a professional voice actor who also did a lot of narration work and announcement work at events like martial arts tournaments and sports games.

Finally, the titular monster, Zeiram, is played by suit actor Mizuho Yoshida, and the suit was made by famous sculptor and artist Takayuki Takeya. Yoshida’s first role was in Mirai Ninja, but he has played many Kaiju characters as well, such as Mother Legion in Gamera 2: Attack of Legion, Zedus in Gamera the Brave and Godzilla in GMK. In the Rebirth of Mothra movies, he played Desghidorah and Dagahra in the sequel. He has also provided motion capture work for video games such as the Tyrant from Resident Evil CODE: Veronica, Dylan in Dino Crisis 2, Dead Rising, and Onimusha. Most notably was the mo-cap actor for both Solid Snake and Naked Snake/Big Boss in Metal Gear Solid 1-3.

Amemiya drew many designs to find the look of Zeiram, an alien wearing a sedge hat. He settled on the look of a traveler from the Edo period, as he thought it would be scary to see someone like that in the streets in the middle of the night. The Zeiram costume was quite heavy, most of the weight being on the head with tension on the neck. According to Amemiya, Zeiram is female, but in the films, the characters use male pronouns, so I’ll be using gender neutral terms to refer to Zeiram. I mean, it’s a bio-mechanical alien. It probably doesn’t even fall into our human definitions of gender anyway.

But enough about the behind the scenes tidbits for now, let’s get into talking about the actual film!

The movie opens with an intense scene showing how dangerous Zeiram is. A group of armed men are brutally slaughtered by the ruthless alien. A bounty is placed on the capture of Zeiram, and Bob accepts the order and claims no one may interfere with Iria and Bob’s job. Next, we see Iria skulking through the streets of Tokyo, gathering supplies. Then we are introduced to Kamiya, who is elated to finally strike it big gambling on horse races. Kamiya is divorced, most likely due to his gambling habits. Teppei is next, trying to contact Kamiya about their next set of jobs. He wants to quickly get them done as he has a date with the company’s secretary, Yumi, something Kamiya teases him about.

I like Kamiya and Teppei. They’re just two average dudes that are about to find themselves in something extraordinary. They are the source of comic relief and provide a contrast to Iria’s stoic badass demeanor. Their hapless antics don’t distract or ruin Iria’s action scenes, and they even contribute tremendously to helping Iria. Honestly, they remind me of Val McKee and Earl Bassett, played by Kevin Bacon and Fred Ward from the movie Tremors.

Anyway, Iria and Bob’s base of operations are siphoning a lot of electricity, and so Kamiya and Teppei are called in to investigate. Iria and Bob are building a device to trap Zeiram in a place called the Zone. They need to use the Zone to capture Zeiram to avoid causing collateral damage to Earth’s environment and population. Bob says that they need this job to pay off debts racked up by Iria. After catching Zeiram in the Zone, the two electricians arrive, and Teppei accidentally stumbles into the Zone’s teleporter. Iria gives chase, and Kamiya invites himself along. This is where the movie primarily takes place in the Zone, where no other life is allowed in outside those permitted or teleported there.

Iria traps Kamiya in a protective barrier and goes off to pursue Teppei and find Zeiram. Unfortunately, Teppei encounters Zeiram first and is attacked. He flees, and Zeiram produces a creature called the Lilliput monster to give chase.

The smoke in the scene where Zeiram attacks Teppei with the Lilliput was created with oil at 2 o’clock in the morning. One of the first locations they shot according to interviews. People who hung their clothes out to dry had them covered in oil the next morning, Amemiya feels guilty for it and was sorry. The Lilliput monster was played by suit actresses Mayumi Aguni. Apparently, an early example of a woman playing a monster in Tokusatsu. It’s unfortunately difficult to find information online about female Kaiju actors. The only others I’m aware of are Yumi Kameyama as Super Gyaos in Gamera: The Guardian of the Universe and, of course, the popular and adorable Rie Ota as Baragon in GMK.

Back to the movie. Iria manages to track down Zeiram and lures it to a warehouse that she previously laid with booby-traps. She ensnares Zeiram in a wire trap and begins to gloat about her victory. Her confidence gets the best of her as Zeiram seizes the opportunity and surprises Iria with the parasite in it’s hat, and cutting itself free. Meanwhile, Teppei stumbles upon Kamiya frozen in the barrier. He attempts to free him. The fight between Iria and Zeiram rages on, as they exchange fire between each other. However, Bob warns that conventional weaponry is useless, so against Bob’s wishes, Iria reveals her battle armor and switches to hand-to-hand combat.

Iria’s armor proves effective as Zeiram’s payload of artillery is reflected. Zeiram chooses to fight with melee as well and begins to overpower Iria with shear might. Iria lures it to another trap, restraining it in place. Zeiram unleashes more Lilliput monsters to buy itself time to escape. Iria defeats the Lilliput monster, but Zeiram escapes its binding. Zeiram presses forward and corners Iria, but just before it can finish her off, she manages to finally trap it in the same confinement barrier she trapped Kamiya in.

With Zeiram in custody, Teppei finds Iria and requests she release Kamiya. Iria complies, and she explains the situation to the two men. Just as Bob is preparing to teleport everyone back, a Lilliput monster attacks the group. Iria defends the two but gets transported along with the monster, leaving the electricians behind with the frozen Zeiram. The scuffle with the monster damages the control panel, cutting off access to the Zone. Bob reveals it has also destabilized the Zone too, and not much time is left before it completely vanishes.

Waiting for Iria, Teppei rifles through Iria’s bags as Kamiya grows impatient. Another Lilliput monster attacks Kamiya, and Teppei uses Iria’s weapons to fight it off. In the struggle, Zeiram’s stasis pod gets damaged and releases it. The two electricians attempt to flee by hot wiring a truck. Unfortunately, Zeiram corners them and bites Kamiya’s arm with it’s parasite. They manage to shake off Zeiram and escape. It’s revealed that by consuming its victims’ DNA, Zeiram creates its clone monsters. It creates an imperfect clone of Kamiya, but it is unable to follow orders. In its rage, Zeiram kills the clone.

The scene where Kamiya gets attacked by Zeiram’s tentacle is one of the final scenes to be shot. The tentacle was controlled by wires, and the prop was quite short. They had to utilize camera tricks to make it look longer. After Zeiram removes its scarf, revealing its face, to make the Kamiya clone, its face seems reminiscent of the Predator. I wouldn’t be surprised if Predator played a role in inspiring Zeiram in some way.

The two electricians flee into a beer storage warehouse and attempt to defend themselves from Zeiram. The fight causes Teppei to get separated from Kamiya. Teppei is unable to locate Kamiya, escapes, and contacts Iria. Iria and Bob debate sending Teppei the Metis Cannon to fight Zeiram after Teppei resolves to make a last stand after he assumes Kamiya might be dead.

Teppei heads to the drop-off point on a motorcycle to retrieve the Metis Cannon, Zeiram intercepts, and corners Teppei. Suddenly, Kamiya returns to save Teppei with a construction crane. However, Zeiram overpowers it and knocks Kamiya out of the vehicle. Then Iria swoops into the rescue, armed with a bazooka. Iria unloads the bazooka’s only shot towards Zeiram, severely damaging its body. Zeiram discards its lower half, revealing its true body is the hat, and mutates into a more skeleton-like creature to continue pursuing our heroes.

The bike scene was shot in a plane hanger in Haneda Airport. Amemiya had no prior experience with shooting a scene with a stunt like this before and was worried about the safety of the actors. The wire connected to the stunt actor on the bike fortunately snapped off, had it not, Yoshida, in the Zeiram suit, would have been hit and seriously injured. The Zeiram skeleton showcases Amemiya and his teams talent at practical effects with an impressive display of both stop-motion animation and puppetry, bringing the creature to life.

The trio, with Zeiram in tow, flee through a maze-like web of rooms in search of the Metis Cannon to kill Zeiram. Iria stays behind to stall Zeiram, leading to her being flung out a window after damaging Zeiram with a grenade. Kamiya and Teppei find the Metis Cannon but struggle to put it together in time, Zeiram tracks them down and corners them. Iria locates them in the nick of time and quickly assembles the Metis Cannon and uses it to destroy Zeiram’s skeleton. She then captures Zeiram’s hat in a barrier.

Bob transports Kamiya and Teppei back to home base outside the Zone. Then, he brings back the captured Zeiram. Next, he attempts to bring back Iria. However, Zeiram breaks free, damages the transport device, and goes on the offensive once again mutating further. Iria is trapped within the Zone as it is collapsing. Bob instructs Kamiya on how to repair the transport device as Teppei attempts to hold Zeiram back with a makeshift wooden barricade. Zeiram breaks free and is poised to kill Teppei when Kamiya fixes the device, and Iria arrives to save the day by lighting Zeiram up with as many shots as it takes, finally killing it.

As the morning comes, the trio catch their breath and thank each other for everything. Iria cuts off two locks of her hair and gives it to Kamiya and Teppei as a way of saying thanks and for them to have something to remember her by. Bob then asks if the three could group up for a commemorative photo. As Bob snaps the picture, everyone smiles and credits roll.

Though Moriyama was inexperienced as an action actress, by the time of filming the final confrontation with Zeiram, she was completely in character. Amemiya found it easier to direct her, as she had become accustomed to fighting, and he had gained more experience as a director. Despite a few bumps in the road, the cast and crew had a pleasant experience with the movie. The only major problems were the weather, which seemed to be against them, according to Amemiya.

As for my thoughts on the film? I absolutely love it! I would wholeheartedly recommend it to anyone, whether you’re into Tokusatsu or just like monster movies or creature features, like Predator or Alien. I’d even recommend this movie to a Resident Evil fan! I couldn’t shake the feeling of being reminded of my love of the intense rivalry between Jill Valentine and Nemesis. I wouldn’t be surprised if this film played some role in inspiring Resident Evil 3, though I have zero evidence to back that claim. Zeiram even goes through several mutations, like a final boss from Resident Evil.

Even if you’ve never heard of Keita Amemiya’s work prior to this, chances are you’ve encountered his work vicariously through some games you may have played. Games like Hagane: The Final Conflict, Onimusha 2-3, Clock Tower 3, Genji: Days of the Blade, Final Fantasy 14, and Shin Megami Tensei IV. Like I said, he’s a legend of the industry, and he has fans all across the world.

If you’re interested, you can easily pick up a Blu-ray copy for a good price. It recently received a fantastic 30th Anniversary Edition re-release back in 2021 by Media Blasters. Go check it out! You won’t regret it!

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hrodvitnon · 4 months

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Assorted Abraxasverse Headcanons

- Ladon probably did not get along with Shin or Leo initially. Both because it’s really difficult for him to trust now given his circumstances but also becausd of their fundamentally different viewpoints and philosophies - Ladon doesnt like humans at all but tolerates them because Mom and Dad do (he gets better about this over time, but not all of that resentment goes away), Shin wants nothing to do with humans and would rather them stay far away, and Leo is the classical Shonen Hero who believes the best in everyone. So naturally, conflict will arise at some point.

Shockingly though, Leo was always the mediator and kept his brothers from going too far, and eventually after plenty of scuffles (and the ouccasional scolding), thry mostly chill out. Ladon is still a ball of surpressed rage though.

- Mothra is the only being outside of Ladon (and eventually Leo) Megalon respects - both because of them being Gods but also because even though they embody two opposite concepts - War and Life - they both love sharing their views and philosophies in spirited debate whenever they meet, with Mothra finding it a bit sad that Megalon still thinks so little of surface dwellers. That, and Megalon is deeply pleased by her hidden bloodlust.

- You’d think Manda is entirely cool and calm just based on being raised by Abraxas and the way he carries himself most of the time would sell it, but it must also be kept in mind that his father is Rodan. So Manda is just as prone to coming up with stupid or reckless stunts as his dad or being somewhat of an airhead. Keeta is better than their brother, but that’s because he’s the type who prefers to come along and watch rather than directly participate. Biollante!Maddie actually finds Manda at his goofiest endearing, which only reinforces his Rodanisms.

- King Caesar exists somewhere, with his usual backstory of being the ancient protector deity of the royal family of Okinawa. Thing is, nobody but the descendants of that line know where he is and it’s unknown if the Mass Awakening changed that. People have reported a strange dog-shaped Titan appearing to take down hostile monsters then vanishing as quickly as it came, but nothing concrete has come up. Monarch suspects there’s some unknown channel in the Hollow Earth he’s using to move between place to place extremely quickly.

- No one knows what the fuck Hedorah is. All that the Fleet knows is that it used to show up and feast on the dying remnants of civilizations Ghidorah had ravaged, making them suspect it’s some manner of parasitic scavenger.

- Gigan Rex and the Gigan Miles from GvGR were possibly either an unrelated group of planet conquerors that were suspiciously similar to Gigan himself or they were other models of Gigan that had somehow survived, just without becoming the sort of horrific techno-flesh deity and cult that Gigan and his Fleet have become.

- Speaking of Gigan, due to the nature of him in the Abraxasverse, Gigan is probably very much nothing like what he was originally designed as. The assimilated tech from countless worlds is offered to him and made one with his own body as he deems fit so to some degree or another, Gigan is essentially the depraved bastard caricature of a million dead worlds, and he relishes in it.

- Following his ‘birth’/'rebirth’, Assimilation!Mechagodzilla basically becomes Abraxas’ little brother essentially - and swiftly reminds both Vivienne and San that little brothers can be a pain in the ass. The 'Abraxas Siblings’ are often found trying to beat the shit out of each other just as often as they are sitting down and chilling.

- Assimilation!Mechagodzilla acts pretty much exactly like a bratty teenage boy or a college frat bro due to the lack of inihbitions from both the San half and Ren half within so it essentially falls to Abraxas to wrangle him whenever he goes too far. He mostly limits it to 'pranks’ or such, but he gets astronomically bored very quickly and might just kick over a building if not stimulated enough. He gets along very well with the other kids such as Leo, Shin, or Ladon - which ends up causing problems since both him and Leo will eagerly goad them into stupid shit or all kinds of shenanigans. Manda and Keeta swiftly become the only sane ones.

It gets worse after he molts too - Desghidorah takes and multiplies Mechagodzilla’s childish and impulsive behaviors by three.

- The Super Complete Works and novelization also say that Desghidorah is some weird amorphous magma blob thing that simply copied Ghidorah’s appearance and might outright be the embodiment of the universe’s tendency to trend towards entropy. As such, it cannot die but is the embodiment of death and destruction themselves.

Going by this, I think it would very rapidly become apparent that Abraxas!Desghidorah is fucking weird to anyone with a spiritual sense such as Gods like Megalon or Mothra - having the presence of a divinity despite being a Ghidorah offshoot and never once displaying any indications of assimilating that power from elsewhere. Neither one knows what the fuck is up with Desghidorah and it raises serious questions about Ghidorah’s actual nature.

A villainous Desghidorah would essentially be an unkillable nightmare barring being sealed like he was in the Rebirth of Mothra films and they’d always risk breaking out to become a threat again in the future so that would be a looming issue they’d need to deal with, even ignoring their sheer power potentially putting several Titsns out of commission. And Assimilation!Desghidorah would probably use their nature as an eternal shapeshifting magma monster to troll people.

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Lordy, what a smorgasbord! I do like Manda inheriting Rodan’s goofiness; he grows into a regal and elegant dragon who is caring of humans, yet he has his moments where he becomes a bit of a dumbass that makes him more relatable and approachable.

#submission #abraxasverse

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chernobog13 · 2 years

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From the model room at G-Fest XXVll:

“Godzilla Tokyo SOS” by Carrie, 37

Can’t you guys leave the Tokyo Tower alone?

photos by me

#G-Fest XXVll #model room #Godzilla: Tokyo S.O.S.#Mothra #Mechagodzilla #Kiryu #Mothra larvae #Godzilla #kaiju #mecha #chibi #models #diorama

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moffbby · 10 months

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Hello! My name is Mothra, but I also go by Marina! I'm a baby modder in FFXIV, and am always learning. This blog is mostly for mod inspo, oc inspo, RP/ lore dump, and a place to hold my screenshots.

• Modding • I have a degree in 3D modeling and animation, though I prefer modeling by a lot. I enjoy everything bug related and want to help players create the bug character of their dreams! I have a passion for jewelry, and try my best to make inclusive jewelry mods. I still have a lot to learn, but I'm enjoying the process and I greatly appreciate all the help and support I've received so far.

• RP • I have two OCs, Marina, a blue xaela jeweler/ artist, and Bim, a WIP BJD. I manage an IRP kink venue where we teach BDSM safety and try to foster a healthy and safe community. I don't get to do IRP often, but I do enjoy it when I do. I really love the FFXIV lore, and I try to have my OCs follow that lore, just with the sparkle of modding to enhance them.

• Links • https://ko-fi.com/mothra666

#pinned post

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astoundingbeyondbelief · 2 months

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Kaiju Week in Review (February 11-17, 2024)

vimeo

Warner Bros. unfurled the second trailer for Godzilla x Kong: The New Empire, which seems to be going over much better than the first. There are multiple glimpses of the ice Titan Shimo throughout, and an even briefer look at Mothra reflected in Jia's eye. (My favorite shot, of course, is Kong decking Skar King as he's holding out Suko like a wriggling shield.) The rough shots from trailer #1 still look rough, but at least the new footage is more impressive.

The new issue of Empire (how fitting) has a short article on GxK—the big revelation there is that Godzilla Evolved is pink simply because that's director Adam Wingard's favorite color. Collaborations are also popping up. Circle K is offering a movie-branded sandwich, chocolate bar, and Froster drinks/cups. Godzilla and a seriously wizened Kong are also entering the mobile game Lords Mobile.

I don't know much about Oscar politicking, but Takashi Yamazaki's strategy of bringing a model Godzilla with him everywhere he goes seems like a winner. Both appear in the "class photo" taken of all the nominees at the Oscar Nominees Luncheon. At the same event, Yamazaki and Godzilla met with Steven Spielberg, who told Yamazaki he had seen Godzilla Minus One three times. Posting their photo together on Twitter, Yamazaki said he had "met God."

Toho's English Godzilla YouTube channel also uploaded a six-minute video on Minus One's VFX, with a focus on the various ways the production was able to shave off costs. Officially translated behind-the-scenes featurettes for Toho Godzilla films are a rarity, a sign of how badly they want that little gold statue. It's worth watching just for Yamazaki scooting his chair around the office.

youtube

Shout! Factory's onslaught of old Toei tokusatsu films on its streaming service turned out to be a prelude to offering them all on disc. The Classic Tokusatsu Collection Blu-ray set includes Planet Prince (1959; called Prince of Space), Invasion of the Neptune Men (1961), Watari the Ninja Boy (1966), The Golden Bat (1966; called Golden Ninja), Magic Serpent (1966; called Dragon Showdown) , Ninja Scope (1969), and Terror Beneath the Sea (1966). None have ever been released on English-friendly Blu-ray before; some haven't even made it to DVD. The set is $70 and limited to 2,500 copies.

Major caveats seem to accompany every English-language release of vintage tokusatsu these days, and unfortunately this set's no exception. Despite the existence of English dubs for at least some of these films (two of them riffed on Mystery Science Theater 3000), only Terror Beneath the Sea is dubbed; the rest are Japanese-only. And the dubbed Prince of Space well-known to MiSTies was actually an amalgamation of Toei's two Planet Prince films, only the first of which is present here. (Even the first film seems like it's going to be in upscaled standard-def, going off the streaming version.) No special features in the production description either, although one person who got the set early reports that at least one trailer is included (for Invasion of the Neptune Men).

IDW has announced still another Godzilla miniseries, Godzilla: Skate or Die. First-issue description:

It's Australian skater punks versus Varan and the King of the Monsters in this thrilling debut issue by writer/artist Louie Joyce (A Fistful of Pain)! Four years ago, four best friends and die-hard skaters found the perfect location for a DIY skatepark. After months of hard work, they created the world’s sickest spot that they could enjoy for the rest of their lives… That is, until the ferocious Varan appeared in the middle of central Australia and started making a beeline for their beloved park. Why is Varan on a rampage? Why did Godzilla just appear off the coast? What does their beloved skate spot have to do with this? And most importantly…what are these punks willing to do to save it?

Sounds like there's a lot of author appeal here, as Joyce is Australian and calls the tale "inspired by all the amazing DIY spots I've had the privilege of skating[.]" And a meaty role for Varan is a pleasant surprise.

Perhaps inspired by the success of Troll on Netflix, we've got another Scandinavia giant monster movie on the way. Kraken will be directed by Pal Oie (Dark Woods) from a script by Vilde Eide. No cast yet, but here are the plot details divulged by The Hollywood Reporter:

[T]he thriller will follow Johanne, a marine biologist who encounters several strange occurrences while researching a fjord, including the brutal deaths of two local teenagers. “At the bottom of Norway’s deepest fjord rests a mythical monster as large as a mountain, with a myriad of arms ready to crush and devour anything they can grab,” the film’s synopsis reads.

Krakens are certainly having a moment in giant monster stories right now, between Ruby Gillman, Teenage Kraken and the three that somehow wound up connected to the Monsterverse. (To wit: Na Kika was originally called Kraken, the unnamed antagonist of Skull Island bore the same name internally, and the guardian of Atlantis in the Justice League crossover comic is a Kraken as well.) This seems like a more back-to-basics approach.

#godzilla x kong the new empire #godzilla #king kong #shimo #skar king #kraken #godzilla skate or die #godzilla minus one #shout factory

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