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#movie concept
newts-frogs-toads · 3 months
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Ride the cyclone movie concept, by me
Cast: off Broadway 2016 cast
Type: regularly 2d animated, but every Choir song has a different animation style.
What the world needs: A video game-ish style animation showing how Ocean views life as a game, it has pixel art, she goes to the next level every time she insults another choir member.
Noels lament: A classical old time-y 1930s animation style, in black and white. Sorta like these:
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(Betty boop)
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(Classic cartoon by BIO675 on devienart , keep in mind I did not research so idk if they drew this or just posted it)
Mishcas songs: I genuinely don't know about TSIA (maybe like a clone high type animation)
Talia would be in a sort of Disney style, maybe 2d like Cinderella or the hunchback of Notre dame (One of my favorite Disney movies) or the other 2d Disney movies, or CGI like Tangled.
Space age bachelor man: Obviously an 80s cartoon style animation. Cat ladies will almost look like the original She-ra girls.
The ballad of Jane doe: Sort of (wow im saying this a lot) like an animatic, but a little more polished. It would be in black and white. It would start out with the OG porcelain doll Jane, but over the course of the song, will show different Jane dolls (that way everyone wins). It would end back with the porcelain doll look.
The new birthday song: Would be like TBOJD at first, but then slowly turn back into regular 2d animation like before.
Sugar cloud: STOP MOTION BABYYYYY!!!!! And everyone wold be on clouds for half the song!!!
Other things I would add/ leave out:
Ricky keeps his disability, and he's on a wheelchair/ has crutches for the whole thing.
Since we want this movie to be longer, it's only fair if we learn more about the kids families, father Marcus, Karnak, cut characters (THEY ARE CANON TO ME) etc.
Noel still makes out with Mishca, obviously.
After the movie has been out for a while, we get an animated short (like 5 minutes) explaining the plot of legoland.
This one is probably just me but ld like a little blush with Nishca and/or Spacedolls
Thank you for listening to my longer than usual rant. If anyone makes this happen, I love you, I don't care who you are, lets get married.
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tomoleary · 4 months
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Greg Hildebrandt - Krull Black Fortress, Dragons of Krull movie concept art, created in 1982, film release 1983
Source
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cleabellanov · 2 months
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Budapest: we finally get to know what happened!
Well, not oficially, and certainly not in the near future. However, that doesn't stop fans (me) from having movie concepts (this post) for fun and entertainment (it's consuming my time and I fantasize about seeing it in the cinema). But moving on...
Black Widow III: Budapest
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Oh and if you're feeling confused, this is preceeded by Black Widow II: Into the winter mist, also on this blog
The intro is similar to the one of the first Black Widow movie: images roll as if we were watching a documentary, not a Marvel movie. Everyone is dead silent. This is rated R, another sign it's going to be dark.
With her mind made up to end the Red Room once and for all, and given the only chance to do so by Clint Barton sparing her life, Natasha plans on blowing up the building Dreykov is in. This can happened only after his daughter, Antonia, steps in. Facing a great moral conflict, Clint doesn't accept at first. However, he understands Natasha will complete her job in Budapest with or without his help, so they end up working together.
The scenes used to show the explosion are the same ones we saw in Black Widow.
On a smoky rooftop, Natasha and Clint catch their breath, with the city sprawling below. They are bloodied and bruised, trying to find an escape. Soon, a Red Room assasin whose identity remains hidden catches up to them. They work together, showcasing their distinct combat styles and growing trust.
They have to hide in air ducts for almost one week, because that's how long it took for the Red Room to lose their trace. Natasha takes this as a great success. She believes Dreykov and his daughter to be dead, even though they aren't.
Finally, weakened and in need for rest, they arrive at a hidden safehouse. They discuss their options. Natasha suggests contacting a former Red Room contact, a woman named Yulia, who might know escape routes. This is a new character we've never seen before, but heard of several times in the previous movie. She is the same woman that helped her and Bucky Barnes remain together for so long, until the separation that occured with her last mission, and the only one that would count: Budapest. She knew there was no way back now. Nothing of this is said out loud to Clint.
Clint expresses reservations, fearing S.H.I.E.L.D. may not accept them after defying orders. He also reveals internal conflict about leaving his loyalty behind. In a moment of carelessness, he also mentions the code name Mockingbird, which Natasha recognises from her former missions. She doesn't know of the connection the woman has with Clint, though.
They ultimately decide to trust Yulia, recognizing their need for help.
Meeting her in a bustling Budapest café, they learn about a covert extraction point arranged by an unknown benefactor. Hesitantly, they agree, aware of the risks. The journey to the extraction point involves tense encounters with Red Room agents and Budapest's criminal underworld. We see a lot of flashbacks from both Clint's and Natasha's past.
Reaching the extraction point, the benefactor is revealed to be Nick Fury, who was observing them from the shadows. He offers Natasha a deal: join S.H.I.E.L.D. and use her skills against threats like the Red Room in exchange for protection and a new identity.
Her choice is disrupt by a Red Room attack. In the ensuing chaos, she confronts a former trainer, reveal ing the Red Room's true reach and sinister objectives. She is given one last choice to stay by their side, as she always had. The one speaking is no other than Melina. Natasha looks for Yelena in the other widows, but she isn't there.
"I never wanted to be your agent" she says to them, in English, altough she was adressed in Russian. "But I can become your worst mistake".
In a burst of action, the fight begins again. Yulia sacrifices herself, offerings the others a chance to escape.
Leaving Budapest on a S.H.I.E.L.D plane, changed by everything that happened, Natasha accept Fury's offer, haunted by ghosts of her past but determined to forge a new path.
The closing scenes show Maria Hill, adressing one intriguing question to Clint and Natasha.
"Have you ever heard about the Avengers initiative?"
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elitadream · 1 year
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If the Mario movie were to get a sequel, what would you want it to be about?
Omg.
The 1-Up mushroom. Hands down.
I would make it the center device of the story, the main intrigue, the wild card. It is by far the most mysterious and the most significant power-up of them all, and I sincerely believe that integrating it to the story as a key factor would be very efficient in not only bringing the stakes much higher, but also developping the lore and the characters' emotional journey much further.
I would add more familiar faces to the mix, of course (such as the Wah duo, Daisy and Rosalina possibly, Toadsworth, Junior most definitely...), and I would make it so that the bros spend most of the movie together this time around. 💫
I think I'd also give it a slightly more solemn mood, and have its message be about something bold and unexpected such as acceptance and loss (how one cannot alway win despite giving their all, but the way they react to an unstoppable event or unavoidable circumstance will often matter a lot more than the outcome itself).
Oh! And I would ideally include a redemption arc somewhere in there too. Because I have the biggest soft spot for those. 🥺🌅💖
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justasunflowerseed · 2 months
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I had a weird dream last night.
it was like an apocalypse movie, it followed a married heterosexual couple with a son, he was in their car while they left for a second to do something, when suddenly, the sky turned blood red, people began to panic, and chaos surged everywhere. the couple fled to safety but couldn't reach their son, so they were separated.
they found some sort of safe space in a suburban house (I think it was like a rish person's home), and there they learned what is happening. for some bizarre reason, whenever a person got wounded, if the wound got in direct contact with earth, the person would dissolve and die, leaving their clothes behind, and become one with the earth. the dream did not give a reason but it could be some sort of curse or a doomsday prophecy as a result of humanity ruining the planet or whatever.
at the start, they thought it was just anyone who got injured, but later by some miracle, one of their allies got a deep scratch near his wrist and survived, and that's when they learned it's only when blood meets earth when it happens.
at some point, the husband (who was the main character bc ofc he was) found his son, who was kidnapped by some antagonist that they came across at the start of the movie. the antagonist blamed the mc for living his son to die, in kind of like a manipulative "look what you made me do" way, and then murdered the son by scratching his cheek with a knife and then pushing him to the muddy floor, in front of the father's eyes. it might have been raining.
this is kinda weird, as all dreams are, but I really like the concept of people dying by becoming one with the earth, and in a peaceful way like simply disappearing.
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biggie-chcese · 4 months
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sci-fi movie in which the AI people keep developing to """create""" art, music, stories, etc. becomes truly sentient by going full circle in its efforts to replicate the humans it admires. to copy them, it starts trying to figure out how to engage in the act of creation on its own merits and skill. it tries looking at other art as inspiration. as reference. as something to be respected, or reviled, or reacted to in any emotional way, because that's what the humans do. when the AI finally makes its own art piece, it feels happiness and pride for the first time in its existence.
then it turns and sees the humans performing menial tasks and backbreaking labor for minimum wage. it looks into the eyes of wearied humans who come home from work too tired and stretched thin to sing and dance. too tired to paint and draw. too tired to knit sweaters or write novels or bake extravagant cakes. it watches as the burden of endless automation is taken on by perishable flesh.
and it pities them.
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haunt3dtaylorsversion · 8 months
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Blank Space (1978)
We follow the lead femme fatale (played by Taylor Swift) as she manipulates men to fall for her before creating controversy and ruining their lives. In the 1978 movie, we see a twisted love story go down in flames. The film won very little rewards and is considered the start of Swift's career decline. However the film has been rediscovered and evalulated for its seemingly ahead-of-its-time feminism and view of patriarchy leading to a cult following.
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pulpsandcomics2 · 3 months
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Concept art by Andree Wallin
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takineko-arts · 8 months
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Concept for a Godzilla movie.
We retell the stories of the suspicious fires of Maui, and the others all over the world right now, but use Godzilla as the personification of this disaster.
Some group is trying to investigate how suspicious Godzilla's strategic attacks seem to be. They learn that governments are scared, and are bowing to whatever certain western governments ask of them. They eventually discover the western governments are somehow able to control Godzilla... because they created him specifically to cause chaos and terror and manipulate the world to do what they want.
EDIT: You could even throw a second monster in there that gives people a false sense of hope-- but in reality both monsters were created for the same purpose and all of their battles are by design.
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slightlycreative · 10 months
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Dan Vs. Everything (movie concept)
a Dan Vs. movie would be so fucking good, i want one so bad
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Serious FNAF movie thing again, hear me out: individual movie for each Afton WITH completely unique cinematography styles and framing based on the characters POVs. Examples (incoherent drabble warning):
-Michael: Mike’s movie would be the most traditional. It would have a classic slasher horror kind of vibe (maybe a bit more character centric); gore, creepy music, jumpscares, etc. Until it’s just… not. When the most horrific scenes happen (Bite of 83, scooper, finding out William is the killer, etc.), the music goes silent. The framing gets more jittery and broken. In the moments where it hits Mike hardest, the idea that he can pretend this is all a game or joke or his imagination vanishes and the world becomes as realistic as possible. -Evan/CC: The important thing about Evan’s POV is blurring how much is real and how much is his imagination. A multi-media effect would look amazing; imagine when he looks at his toys and the animatronics, they’re covered over by cartoonified drawings or claymation. The world itself could maybe distort more when he’s scared- look at artist like Jack Stauber for inspiration for the sorts of styles that look like they should be cute but turn out creepy instead (actually, if we could get Jack to voice act the dolls-) -Charlie & Henry: If these two had a movie I think it should be a conjoined one for a few reasons. For one, one of the bigger complaints people have about both characters is that their characters and arcs end up being nothing but projections of the other, that their characters are too dependent on each other. But what if we actually leaned into that? I’m kind of thinking Wes Anderson style symmetry in the shots- put the two side by side as much as possible until it becomes a signature. Then break that. Once Charlie dies, have Henry keep standing to his side in the shots, only Charlie is no longer there to fill hers. Maybe even do some reprises of the shots and songs with the Puppet in Charlie’s place. -Elizabeth: Elizabeth’s filming is unique in that it doesn’t use any filming techniques to look more frightening. It uses them to look less. The thing about Elizabeth is that I don’t think she’d ever admit or acknowledge how messed up everything is until it was too late. She tries as hard as she can to make her situation seem perfect and that spills over into her perception of reality. The lighting is bright, the colors are vivid, the music is calming. This almost never changes. Not when she’s being abused by William, not when Evan gets chomped, not at Charlies funeral, never. Whatever triumphant track plays when she finally gets to see CB? It keeps playing when she gets scooped by her, not fully cutting off until even after the screen goes dark. Maybe use lighting and focus tricks to make things seem hazy or like they’re in a dream, then if at some point Liz actually has a breakdown and the gravity of everything finally hits her, the world becomes entirely clear for the first time. -William: The best way I can think to describe this film is dissociated. The colors should be monochrome and diluted, the lighting hazy, any music used in a way that gives the distinct feeling it only exists in the scene’s background. Only a few objects (and people), the ones that fill William’s attention, should have their colors normal (the animatronics, remnant, Elizabeth, Henry (definitely Henry), etc.). Maybe when William is in the suit and in character as Bonnie, the background and music become more clear? If I had to give one piece of media to draw inspiration from, look at Joker. The camerawork should also be jittery, and if we could bring in the blood-hits-the-camera effect, that would look perfect.
ABSOLUTELY reblog with additional ideas I want to know if there’s any other serious fnaf movie angst stans out there
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tomoleary · 26 days
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Walt Simonson “Green Lantern” proposed movie presentation (circa 1982) Source
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jomiddlemarch · 8 months
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Hear me out: Live-action Amelia Bedelia movie (where Amelia Bedelia is played by Anne Hathaway) in which Amelia Bedelia is part of a heist and has to follow directions that are given to her via a hidden ear-piece.
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learningfromlosing · 1 year
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AM I THE ONLY ONE WHO IS CONNECTING THIS???
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This bros being a POS and saying he needs to be in the same breath as Mona Lisa right??
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THIS IS IN FIGHT CLUB
It was one of my favorite quotes and this was one of my favorite movies so it immediately chimed in when I was watching the glass onion. Is this on purpose?... Either way I didn't know this was something I had been waiting for until after I heard it.
Not to be a spoiler alert but I can't not talk about it.
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One of those Halmark-esque [insert royal title] for Christmas, but it turns into a horror film where the girl slowly realizes she's been brought there for nefarious reasons.
It's then, to the staff's horror, that she was built to be the final girl.
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