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#movies I own
allieatthemovies · 7 months
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Movie Review: The Killer is One of 13 (1973) d. Javier Aguirre - 2.5 / 5 Stars
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Going all the way back to movies like The Thin Man and After the Thin Man and as recent as movies like Knives Out, I just have a soft spot for the “large group of people stuck in a location together and accused of murder” trope. It’s not something I ever really thought much about, but watching this it occurred to me I like these sorts of mysteries a lot - no matter how contrived they might be. This movie falls neatly into that category.
The Killer is One of 13 is by no means the best of its kind, but is serviceable enough if you find yourself in need of something new. The film centers around the character Lisa who brings together a group of thirteen people she believes may have killed her husband, Carlos, two years prior. She disguises this inquiry as a reunion weekend and accuses her guests while they sit around the dinner table the first night. This... genre, i suppose, of mystery / horror inherently comes with a lot of talking - exposition is a key factor - and this movie exposits excessively. For me, I enjoyed the barbed accusations and meandering theories postulated in every scene about Carlos’ murder, but even I will admit it does start to drag at times. There’s very little variation to the scenes, very little movement. The scenes at the dinner table are either wide shots of people looking around confused and offended or tight headshots that cut back and forth between the characters speaking. This applies to most of the movie and the lack of energy from the characters and cinematography hurt it in the long run.
The plot itself is suitably convoluted to this type of story. Theories are proposed and abandoned, character flaws are revealed only to go nowhere. It all serves to steer the audience away from the real motivation. But with so many branching possibilities proposed it becomes a little disappointing how few of them actually come into play by the climax, and for all the talking and theorizing the climax comes extremely abruptly. There isn’t a single death until around the 60 minute mark of this 90 minute movie, but once they start they happen in quick succession. The kills themselves are adequate, but not particularly memorable. When the false killer is revealed - five minutes before the end of the movie no less - it’s frustrating because we, as the audience, know this cannot possibly be the killer. The reveal of the actual killer doesn’t offer a satisfying “a ha!” moment, but rather more of an exasperated sigh moment. It’s not really set up well enough despite the exorbitant amount of exposition, it’s cliche, and half the dinner guests have already left the estate.
So the plot itself leaves much to be desired, but the characters can be interesting and most of the actors still manage to pull off decent performances. These sorts of movies always rely heavily on the interplay of character relationships, and I did enjoy watching the lines drawn between each of them. The standout character was Lisa’s aunt, Bertha. She’s the manipulative and doting mother of Lisa’s cousin who displays a sharper mind than most of the dinner guests and has the air an older femme fatale. In between emasculating her son her efforts to uncover the killer are equal parts the most disturbingly earnest and engaging. I also felt for Guillermo who was probably the most sympathetic and believable dinner guests of the thirteen. The discovery of his wife’s infidelity is probably the most engaging of the subplots threaded throughout the film. Everyone else plays their parts well for as one note as they are: Harry is suitably unlikable as the playboy, Arlen is serviceably awkward, the wives are all perfectly catty, Elena is just naive enough, Henry the Butler buttles expertly, and Ernest feels like he was written only as an excuse to hire Paul Naschy.
It’s the character dynamics that really save this from being a complete slog for me. While it will never be high on my list of recommendations, if it ever is, I can’t say I regret watching it or didn’t enjoy it in parts. I’ll probably revisit it once in a blue moon when I’m going through my movies and trying to remember if I liked it or not.
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formerdino · 1 year
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Movie night!
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twilight-zoned-out · 9 months
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Some things about Allan:
He’s the only one who reacts to the narrator
He’s the only doll (besides the Weird House) who isn’t swayed in some way by Ken’s takeover
He also declares himself as “Ken's buddy" (making canon his official box description) which makes his inability to be swayed more interesting
He has bendable legs (probably the only reason he tries to jump the fence instead of going around like everyone else)
He easily decked a half-dozen construction Kens and could probably singlehandedly win the Ken fight
He seems to know more about the real world than most Barbies
He knows what NSYNC is 
He knows about other Allan copies living in the real world (I’m trying to figure out if he made this up to convince the humans he can live in the real world, but even if he did, how does he know what NSYNC is???)
There are no other Allan models
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mayhasopinions · 10 months
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i am going to throw myself out of a window
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pokimoko · 10 months
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I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.
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phantomrose96 · 9 months
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The realest part of the Barbie Movie was when Barbie was like "okay but what if this hurts his feelings? what if this makes him sad? :(" after Ken stole her house, stole her car, and stole her agency, because as a woman you still have to second guess everything you do on the assessment of whether it might hurt a man's feelings.
And then that apprehension was proven right one million times over by the entire Conservative Internet Manosphere pissing and shitting and screaming themselves hoarse over Barbie daring to hurt a man's feelings.
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aloeverified · 11 months
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for anyone who loved hobie/spiderpunk in the new movie, please know that his best friend is an indigenous gay man who goes by captain anarchy (the person he's kissing is that universe's rick jones).
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and that he's also friends/allies with his universe's ironheart, ms marvel, and daredevil.
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also his symbiote is his dog.
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anyways, stan spiderpunk. hobart brown you will always be famous to me.
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taikk0 · 6 months
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i cant think of a caption i have an exam tomorrow 💀(it is currently 12 am <3)
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ao3-crack · 7 months
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(x)
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anatomical-puppet · 3 months
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my source is that i am autistic about horror
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felsicveins · 4 months
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I'm so lonesome all the time
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Some sweet day
Gonna take away
This hurting inside
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multicolour-ink · 1 year
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MARIO IS SO HAPPY TO SEE HIS BRO THAT HE JUST PICKS HIM UP IN PURE JOY 😭❤💚
And just look at his face after he puts Luigi down
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"Aww come on bro I'm so happy to see you I just want to hug you a bit longer ❤"
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beaulesbian · 1 year
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Glass Onion spoilers ahead! - long post
These parallels in the movie are so *chef's kiss* ✨️
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what a combo these two make! ♥
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potato-lord-but-not · 1 month
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finally watched the movie and was so disappointed I had to draw the man to cope
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when nimona first shapeshifted in front of gloreth, gloreth was a little freaked out, but more just shocked, and then they went on being friends. it was only once gloreth’s parents told her that nimona is a horrible monster that she finally turned on her. this movie isn’t subtle in the least with its themes, but i like this part of the movie because it really shows just how imaginary and baseless (for lack of a better way to phrase this) the fear of monsters (i.e. trans people) in society is. children, like gloreth, when left alone without any societal influences, will be faced with this Other, Different thing and accept it, just go with it. befriend them.
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softichill · 6 months
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I love fnaf literally no one can agree on anythjng
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