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#music by ron grainer
duffertube · 2 months
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thedoctorwhocompanion · 8 months
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Celebrating the 60th Anniversary: Doctor Who @ 60 - A Musical Celebration Concert
Celebrating the 60th Anniversary: #DoctorWho @ 60 - A Musical Celebration Concert
Music from across six decades will be celebrated as part of Doctor Who‘s 60th anniversary later this year, with a special concert in Wales, to be broadcast on BBC Radio 2. Doctor Who @ 60: A Musical Celebration will feature music by Dudley Simpson, Paddy Kingsland, Murray Gold, and Segun Akinola — not to mention Ron Grainer’s Doctor Who theme as originally brought to life by Delia Derbyshire (as…
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covers-on-spotify · 1 year
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“Doctor Who”
Original by Ron Grainer
Covered by Mannheim Steamroller
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Doctor Who Theme: The Finale
TV Movie
"For the made-for-TV movie in 1996, composer John Debney did the incidental music and arranged Ron Grainer's theme. Unlike all other versions, Debney's arrangement begins with a building introduction (to coincide with the on-screen narration setting up the tale), before opening with the Middle 8. [...] The familiar bassline was somewhat muted in its melody and did not drive the theme the way it did in previous arrangements."
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Before The Flood
"A one-off modification to the theme was made in Before the Flood, with the Doctor playing his electric guitar over the normal theme tune."
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thefugitivesaint · 2 years
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I’ve posted about Delia Derbyshire many moons ago and I just came across this presentation from the BBC Radiophonic Workshop that originally aired in 1965.  The Doctor Who theme was composed by Ron Grainer but he had only made a basic outline of the song. Grainer then handed it over to Derbyshire (who he stated deserved co-composer credit for her arrangement but Derbyshire was a “workshop assistant” and the BBC kept assistant contributions anonymous so Derbyshire’s contribution went unnoted). Derbyshire had to record thousands of electronic sounds onto tapes (this was prior to the use of computers and synthesizers), adjusting each individual note and then splicing those notes together to craft a melody. She didn’t know it at the time but she was creating not only the sound of Doctor Who but a style of music that would become synonymous with science fiction.  You can listen to the original theme here. While you’re listening, think about the hundreds of hours of labor that went into producing this iconic and enduring music.  (Oh, I basically cribbed the above info from here to properly give credit where it’s due) (Oh 2, here’s a list of ‘10 Female Electronic Music Pioneers You Should Know’ which notes that Derbyshire’s Doctor Who theme was “astonishingly ahead-of-its-time” and “one of the first entirely electronic pieces of music to be used on TV anywhere.”
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llpodcast · 1 year
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(Literary License Podcast)
The Daleks – Part 2
 21 December 1963 – 1 February 1964
 Episodes 5 – 7
 The Expedition
The Ordeal
The Rescue
 The Doctor, his granddaughter Susan Foreman and her teachers Ian Chesterton and Barbara Wright land in an alien jungle and are captured by the Daleks, a race of mutated creatures who survive off the radiation that remains in the atmosphere after a nuclear war with their enemies. As the group attempt to escape the Daleks, they discover more about the planet and the ensuing war, and attempt to broker a peace.
 Opening Credits; Introduction (1.29); Plot Synopsis (8.19); Let's Discuss (10.49); Amazing Design Advertisement (57.27); Favourite and Least Favourite Character (58.39); Let's Rate (1:06.49); Tune In Next Time (1:12.41); Closing Credits (1:15.17)
 Opening Credits– Doctor Who Theme. composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Copyright 1963 BBC World Music.
 Closing Credits:  Cause I’m a Blonde – by Julie Brown.  Taken from the album Goddess in Progress.  Copyright 1984 Rhino Records
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. 
 All rights reserved.  Used with Kind Permission.
 All songs available through Amazon Music.
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bobbybones23 · 2 years
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Happy Birthday ♉️ to and remembering Delia Derbyshire "the unsung heroine of British electronic music" (May 5, 1937- July 3, 2001) R.I.P. 🖤🥀💔 She is a legend and a pioneer in the field of electronic music. At a young age in school she demonstrated an affinity for the potential of every day objects to create music and distinctive sounds. She who came from an upper working class family, won a scholarship to study mathematics and she was accepted at both Cambridge and Oxford when only one in 10 were female students. She became more fascinated with electronic music when she paid a visit to the Brussels World’s Fair in 1958 where she experienced Edgard Varèse's Poème Électronique installed in Le Corbusier's pavilion. This was a groundbreaking fusion of electronic music, architecture and visual art and would have a deep influence on her. She graduated from Cambridge in 1959 with a BA in mathematics and music. After Cambridge, she got turned down at Decca Records for just being a woman. After attempting several jobs, she eventually landed a job at the BBC Radiophonic Workshop in April of 1962 which was cofounded in 1958 by another amazing female electronic music pioneer named Daphne Oram. They mostly recorded experimental audio effects, tape manipulation and synthesizers (soundscapes) in the same style of music composition as Musique Concrète. Delia’s most notable work there from that era was helping arrange the theme music for the sci-fi television series called Doctor Who which was composed by Ron Grainer. This was one of the first television theme music to be produced with entirely electronic equipment in 1963. She collaborated with fellow worker Brian Hodgson and EMS founder Peter Zenovieff and created the organization Unit Delta Plus in 1966 to promote their electronic music. Later in 1968 with the addition of David Vorhaus, they formed White Noise. She is included in a relatively recent 2020 documentary called Sisters With Transistors which is about female electronic music pioneers who remain relatively unknown. She has influenced many great artists, namely one of my favorites Cosey Fanni Tutti… 🖤⚡️🎹⚡️🤍 🎹 🎹 🎹 https://www.instagram.com/p/CdLsshaLo8O/?igshid=NGJjMDIxMWI=
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SLW 2023, episode 28 (2023_08_18)
Broadcast: KTQA-LP 95.3 FM Tacoma, streaming address at KTQA.org
Voice-Over/Intro, music in the background: playlist selection #1.
01. ben. - mercury (Northern Ireland 2023)
02. Nuxx Vomica - Do It Twice (New York City, New York 2023)
03. Morthem Vlade Art - Strange Mood (Paris, France 2021)
04. Judy Collins - Dress Rehearsal Rag (Denver, Colorado 1966)
05. IN GOWAN RING - To Thrum A Glassy Stem (U.S. of A. 1999)
06. Death And Vanilla - Out For Magic (Malmö, Sweden 2023)
Voice-Over/First Break, music in the background: Ron Grainer - Full Version: Main Title Theme (The Prisoner OST (BBC T.V. 1968))
07. Ascenship - Like Blood, Be Spread Upon A Stone... (Indianapolis, Indiana 2023)
08. 2 Libras - Perfect Fit (Seattle, Washington 2023)
09. Brian Eno - Third Uncle (London, England 1974)
10. Error Mortal - Thunder Bay (Gainesville, Florida 2023)
11. Sun City Girls - Kickin' the Dragon (Seattle, Washington 1996)
Voice-Over/Last Break, music in the background: Albert Elms - Fight Between No. 6 and No. 14 (The Prisoner OST (BBC T.V. 1968))
12. An Evening Redness - Pariah (Citizens of the entire World 2022)
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dwsoundtracker · 1 year
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“the more you listen to the original who theme, the better it sounds, and the more you read about the meticulous process that went into assembling it, the more the legend of the who theme gains in stature: which is why i wanted nothing to do with it. but then, in october 2004, the first episode of the new series was on my desk with delia derbyshire’s original recording of the ron grainer classic playing over the end credits. and it didn’t feel right. it just didn’t seem to suit the ebullient clatter and chaos of ‘rose’. i added string lines, a booming horn and some clatter and chaos of my own, and it stuck.” - murray gold (series 1 and 2 soundtrack music notes)
appearances:
1x01 - 3x13 (opening titles)
1x01 - 3x13 (closing titles)
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thedoctorwhocompanion · 7 months
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The New Doctor Who Theme Tune Will Debut on the Radio 2 Recording of A Musical Celebration
The New #DoctorWho Theme Tune Will Debut on the Radio 2 Recording of A Musical Celebration
Doctor Who @60: A Musical Celebration will be broadcast on BBC Radio 2 on Sunday 15th October 2023, plus will be available on BBC Sounds — and this recording will include the debut of the new Doctor Who theme tune, an arrangement by Murray Gold based on Ron Grainer and Delia Derbyshire’s original theme! Those who were lucky enough to attend the Doctor Who @60: A Musical Celebration concert on…
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Doctor Who Theme: Round 1
Seasons 1-4
"Although Ron Grainer has always received sole credit for the theme music, Delia Derbyshire with the BBC Radiophonic Workshop was responsible for all the arrangements for Seasons 1 through 17. She was given the composition by Grainer and asked to create the music. The method she chose was to create each sound from scratch using a variety of methods from pure tones to piano strings. Each sound was then changed in pitch and duration using purely analogue equipment. The final arrangement of the theme was made by making a recording of each section (bass line, melody, etc.) and putting them together to form the final mono track."
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Seasons 4-17
"With Patrick Troughton now playing the Second Doctor in Season 4, came a new title sequence and another request for Derbyshire to change the arrangement of the music. This arrangement would be used for by far the longest. She returned to the first arrangement and added what has been called a "spangle" sound effect. Again, this arrangement was just faded out as needed for the opening title sequence. This third arrangement formed the basic theme from mid-Season 4 through Season 17, although [...] there were some modifications."
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byneddiedingo · 2 years
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June Ritchie and Alan Bates in A Kind of Loving (John Schlesinger, 1962) Cast: Alan Bates, June Ritchie, Thora Hird, Bert Palmer, Pat Keen, James Bolam, Jack Smethurst, Gwen Nelson, John Ronane, David Mahlowe, Patsy Rowlands. Screenplay: Willis Hall, Keith Waterhouse, based on a novel by Stan Barstow. Cinematography: Denys N. Coop. Art direction: Ray Simm. Film editing: Roger Cherrill. Music: Ron Grainer. What we call "the Fifties" -- including the sexual naïveté and conformity to societal norms -- lasted well into the 1960s, as John Schlesinger's first feature film, A Kind of Loving, demonstrates. It also features Alan Bates in his first starring role as Vic Brown, a young man who lets his hormones and adherence to the values of his working-class family and dreary factory town trap him into a marriage to Ingrid Rothwell, a young woman he quickly falls out of love with. Bates is still a bit green as a film actor -- he hasn't yet developed the sexy bravura that would make him a star in films like Philippe de Broca's King of Hearts (1966), Ken Russell's Women in Love (1969), Joseph Losey's The Go-Between (1971), or Paul Mazursky's An Unmarried Woman (1968) -- but he gives a convincing performance. June Ritchie, who plays the tempting but essentially innocent Ingrid in what was also her debut film, never made it as a big star in an era dominated by the likes of Julie Christie, Vanessa Redgrave, and Glenda Jackson. The film's villain is Thora Hird as Ingrid's sour, shrewish, widowed mother, who dooms whatever chances the marriage had. The film is a bit slow to start -- it spends too much time on establishing Vic's family and work milieu before settling down to the business of the ill-fated relationship of Vic and Ingrid -- and it's less successful in its portrayal of the postwar British working class than such films as Karel Reisz's Saturday Night and Sunday Morning (1960) and Tony Richardson's The Loneliness of the Long Distance Runner (1962).
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llpodcast · 2 months
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(Literary License Podcast)
Dive deep into the world of one of the most iconic characters in television history with 'Behind The Scenes of Doctor Who: The Tom Baker Years - An Interview with Ian Brittan-Hull.' This episode from the Literary License Podcast takes listeners on a fascinating journey into the past, providing intriguing insights into the classic BBC science fiction series Doctor Who.
 Our host, Ramona Schnitger, engages in a captivating discussion with special guest, Ian Brittan-Hull, known for his role as Tom Baker's double on the show. Brittan-Hull shares his unforgettable experiences from his early fan days to the behind-the-scenes life as an integral part of the series. He brings to life his meetings with Tom Baker's publicity agent, his time in newspapers alongside Baker and his eventual transition into embodying the character at various public events.
 Throughout the episode, Brittan-Hull's accounts of working closely with Baker shed light on the human aspects of the legendary actor. He also answers listener queries about his performances, comparisons with other stuntmen, and his perspective on the role of stuntmen in the series. Within this nostalgic and intriguing listen, he candidly shares his journey of faithfully bringing Doctor Who out from the screens and into public spaces.
 The episode does not end there. Brittan-Hull then talks about his present ventures and upcoming projects, from his theater company AMA Theatre to his latest passion project, Pirates. His fascinating narratives of his creative journey make this podcast episode compelling for Doctor Who fans and general audiences alike.
 00:00:25 - Journey to the Classic BBC Series of Doctor Who; 00:00:43 - Literary License Podcast Introduction; 00:02:11 - From Doctor Who Fan to Tom Baker’s Double; 00:10:40 - Enlisting Doctor Who Fans as Cybermen; 00:15:22 - Contrasting Stuntmen and Acting as the Doctor; 00:16:14 - Transforming Doctor Who Exhibitions with Fans; 00:22:15 - Unveiling the Abandoned Project: The Letter; 00:34:53 - Embracing the Magic of Doctor Who in Theater; 00:36:15 - Transforming Lockdown: The Pirates Resurrection; 00:43:24 - Closing Remarks and Future Facebook Stories; 00:44:00 - Closing Credits: Nature Boy by Lily and Nicholas von der Nahmer.
 Opening Credits– Doctor Who Theme. composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Copyright 1963 BBC World Music.
 Closing Credits:  Nature Boy by Lily and Nicholas Von der Nahmer.  Copyright 2020 Von Der Nahmer.  (19) Nicholas von der Nahmer - YouTube
Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. 
 All rights reserved.  Used by Kind Permission.
 All songs available through Amazon Music.
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filamentzine · 2 years
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Babis Moulakakis
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Α piece of music that needs to be played loud
Ron Grainer - Doctor Who Theme
A piece of music that moves you forward
Moonlight Benjamin - Moso Moso
A piece of music that gets stuck in your head 
Van Der Graaf Generator - My Room (Waiting for Wonderland)
A piece of music that makes you want to dance
Saodaj’- Pakor Ler
A piece of music that makes you feel badass
Rocky Ericson - Two Headed Dog
A piece of music that you remember from your childhood 
Prodigy - Voodoo People
A piece of music that reminds you your hometown
Pascal Comelade - I Can’t Control Myself
The piece of music you’ve listened to the most
Tribal Tech - Jakarta
Babis Moulakakis is an Athens based guitarist, vocalist, songwriter. He sometimes writes poems and draws imaginary maps sharing it with friends.
Sparn Dame is his new band project with the companionship of talented lunatics, Kostis Stergiou and Kostantis Kοnios. 
His previous band was the Bow (also played in other bands in the past)
So trusted the muse along the way, some post punk, alt 90's, prog 70's stuff and things like that can be found in their debut album Bitter Cherry.
So, what for? Cause a little leak can sink a ship and ennui possible, trying to discover things the moment they come automatically with a sense of universality
Sparn Dame is fascinated by the diversity of musical directions and genres and chaos that can ensue. Let her breath, let her sink in!
https://www.youtube.com/watch?v=OkP0_WNs-sI
https://www.facebook.com/SparnDame
https://www.instagram.com/sparndame/
https://www.facebook.com/thebowofficial
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SLW 2023, episode 30 (2023_08_25)
Broadcast: KTQA-LP 95.3 FM Tacoma, streaming address at KTQA.org
LAST FRIDAY/1 HOUR EPISODE OF THE SLW
Voice-Over/Intro, music in the background: Tom Waits - Flash Pan Hunter (intro)(Hamburg, Germany 1989)
01. Einstürzende Neubauten(neubauten.org) - Die Explosion Im Festpielhaus (Berlin, Germany 1996)
02. The Legendary Pink Dots - A Scented Candle (London, England/Nijmegen, Netherlands 2016)
03. Extra Life - We Are Not the Same (Brooklyn, New York 2022)
04. Executioner's Mask - Wasting Away (Philadelphia, Pennsylvania 2022)
05. Sleepytime Gorilla Museum - Cockroach (Oakland, California 2004)
Voice-Over/First Break, music in the background: Ron Grainer - Full Version: Main Title Theme (The Prisoner OST (BBC T.V. 1968))
06. The Peculiar Pretzelmen - Velvet In The Morning (Los Angeles, California 2022)
07. Nick Cave & The Bad Seeds - Up Jumped The Devil (West Berlin, Germany 1988)
08. IN GOWAN RING - Stone Song II (U.S. of A. 1994)
09. The World of Skin - Please Remember Me (New York City, New York 1990)
10. Dead Can Dance - Windfall (Warwickshire, England 1987)
11. Tom Waits - Flash Pan Hunter (Hamburg, Germany 1989)
Voice-Over/Last Break, music in the background: Albert Elms - Fight Between No. 6 and No. 14 (The Prisoner OST (BBC T.V. 1968))
12. The Peculiar Pretzelmen - Burn Your House Down (Los Angeles, California 2010)
13. DeVotchKa - Strizzalo (Denver, Colorado 2008)
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