#music reviewer

[cavedwellermusic]

SEEKING MUSIC WRITERS!!!

We are once again putting out the call for new writers for Cave Dweller Music! We have a brand new website and are looking for more music lovers to help us continue to fill it with new content.

You don't need to have any writing experience, we can help with that, all you need is a love of music and a willingness to write about it.

So if you want the freedom to cover new music or classic albums, write articles and deep dive into music and music history, or to interview artists, we are here to support you.

If you're interested in joining a great team then contact us either through the form on our website at the link below or via Facebook or Instagram.

#music journalism #music writer #music review #music reviewer #underground music #music community #cave dweller music

[reviewblob]

Hug Slut - Brand New Legs

I've been a fan of Brand New Legs since I heard their song "Shade" in 2022 and I don't think they've put out anything bad since and "Hug Slut" is no exception.

Kicking off with a stumbling, skipped heartbeat bassline and a guitar part vaguely reminiscent of John Meyer's "Neon", "Hug Slut" is an understated song that wouldn't be out of place in a chill jazz playlist sonically, but it's the lyrics and vocal performance that take it from "ooh, cool and chill millennial house party" to "everyone's mingling and I'm hanging out in the corner people watching smoking my Marlboro lights". It's being on the outside looking in when all you want to do is be out there being sociable and finding someone to do it with you. Honestly, it feels bang up to date with a society where it feels like we're expected to be sociable, going to parties, meeting people but never emotionally vulnerable enough to be intimate.

A song about being touch starved never felt so groovy.

⭐⭐⭐⭐.5

#music #music review #new music #new music reviews #uk #uk band #manchester #new music reviewers #music reviewer #brand new legs

[vinylburns]

Otaki Airforce - Another Review

“I recently had the pleasure of listening to the music of Otaki Airforce and I have to say, I was thoroughly impressed. This artist has a unique and captivating sound that blends elements of hip hop, electronic, and pop in a way that is both fresh and exciting. One of the things that really stands out about Otaki Airforce’s music is the production quality. The beats are tight and polished, and…

View On WordPress

#good review #music critic #music magazine #music review #music reviewer #new music #original music #otaki #Otaki Airforce #review #reviewer #Reviews #sid

[taylornation]

We’re looking back on this year and feeling like we just lived 13 lives? 🤯

Thanks for making it best year yet! 🫶 Also, since today is 123123, we gotta say it… 1, 2, 3, let’s go (to 2024), bitch!

#Taylor Swift #2023 #Year in Review #Midnights (The Til Dawn Edition) #Karma (Feat. Ice Spice) #Speak Now (Taylor's Version) #1989 (Taylor's Version) #VMAs #Taylor Swift | The Eras Tour concert film #Spotify Top Global Artist #Apple Music Artist of the Year #Google Most Searched Songwriter #Happy New Year

[fandom]

Musical Acts

⇆ㅤ ||◁ㅤ❚❚ㅤ▷||ㅤ ↻ 

Taylor Swift

BTS

My Chemical Romance

Stray Kids

Lana Del Rey

Harry Styles

Ghost

Fall Out Boy

Hozier

Louis Tomlinson

ATEEZ

SEVENTEEN

Panic! At The Disco

Kanye West

ENHYPEN

TWICE

Tomorrow X Together

Lil Nas X

SHINee

EXO

Joker Out

Greta Van Fleet

Megan Thee Stallion

NCT 127

DJ Crazy Times

Beyoncé

Rihanna

Paramore

Olivia Rodrigo

BLΛƆKPIИK

NCT Dream

Janelle Monáe

Queen

Le Sserafim

Red Velvet

LOOΠΔ

Boygenius

Mitski

The Beatles

ITZY

The 1975

æspa

Elvis Presley

SZA

Lovejoy

Dolly Parton

Phoebe Bridgers

The Mechanisms

Dua Lipa

Niall Horan

Agust D

Käärijä

Earth, Wind & Fire

IVE

Arctic Monkeys

Kai

Monsta X

Lizzo

WayV

One Direction

Paul McCartney

Moonbin

Astro

Smash Mouth

David Bowie

NewJeans

The Mountain Goats

John Lennon

Rammstein

5 Seconds of Summer

Weird Al

Jack Harlow

George Harrison

Gorillaz

Britney Spears

Dreamcatcher

Jack Antonoff

Fiona Apple

Snoop Dogg

(G)-IDLE

Miley Cyrus

Cardi B

Sabrina Carpenter

Lady Gaga

Fleetwood Mac

Drake

Kelly Rowland

Ariana Grande

Chloe X Halle

Metallica

Lil Kim

Normani

Nirvana

Led Zeppelin

Blind Channel

Jihyo

Ciara

Jimmy Buffett

Halsey

NCT U

This is a newly-combined list! Yay!

#year in review #music #tumblr2023

[2023yearinreview]

Tumblr's 2023 Year in Review: Musical Acts

⇆ㅤ ||◁ㅤ❚❚ㅤ▷||ㅤ ↻ 

Congratulations to DJ Crazy Time (@kylegordonisgreat) for being the 25th most talked about musical act on Tumblr, ahead of...

To see who else DJ Crazy Time beat out, visit the link below. ⤵

#year in review #musical acts #tumblr2023

[duncanlesbianism]

I'm having some thoughts while watching the nine hour Sam and Cat video

#starkid #tgwdlm #quinton reviews #the guy who didn't like musicals #sam and cat #henry danger

[real-odark]

i think tumblr would appreciate my review....

#i did not just watch it btw thats just when i reviewed it #falsettos #jett talks (me) #musical theatre #theatre #musical #musicals

[pintsofguinnesmakeyoustrong]

a handful of my favourite letterboxd reviews

bonus: the iconic, the legendary, the sensational ~

#letterboxd #movies #films #movie review #bound 1996 #barbarian 2022 #barbie 2023 #barbie #bones and all #bones and all 2022 #come and see #rocketman #rocketman 2019 #matilda the musical #matilda the movie musical #matilda 2022 #we need to talk about kevin #we need to talk about kevin 2011 #joker #joker 2019 #memes #film memes #movie memes #shitpost #cinephile #film critique #film critic #tw sui joke #across the spiderverse #come and see 1985

[azinemagazine]

Jus doin' sum random scrollin'. 📱 - r3al' 🐉 #mambamentality🐍

Call it mindless, yet we all (in some sorta way) do it. It'd been a minute since anything had been posted for Azine. Supposing it appeared as though only reviews about Ye, Drake, Billie, or Taylor were worthwhile, it still felt integral to take my time. I'd go as far as to say that my creative nuances were both amusingly and unapologetically unafraid of patience. Cut to what one could curate as chancing upon the profile for Canadian singer, songwriter, and dancer Kallitechnis's Ardene interview on YouTube. While snuggly lotus sedentary in a lounge chair Kassandra (a.k.a Kallitechnis) sorted words on some pretty deep stuff. (See, I'm the type to keen in what artists fr say alongside of winnowing amid whatever it is they craft.) All her talk about authenticity, longevity, and even therapy, backdrops her latest Single releases, to delicately while devoutly dream weave some of the most sensational late night Trap Alt. Soul/R&B that I'd ever heard. After hours of zoning out on Spotify & Apple Music, I'd seemingly stumbled upon a mound of sound designs showcasing that Kallitechnis latest releases, "KALEDISCOPE LOVE" & "SOFT LIFE, are sonic gems worthy of ethereal shine. 

"KALEDIOSCOPE LOVE" is the most recent release by Kallietechnis.  Lyrically it's the lift off elements of romance dazzled in the depth of the "bedsheet ballets'" that hopefully accompany it. If you tap script Kallie's verses here, it'll literally take your breathe away. This 2024 Soul Over Ego Single release paints a sensual sonata, saturated in the palates of lovemaking by the likes of a Jhene Aiko, Victoria Monet, & fav Kehlani. My cherished over the two songs is the latter 2023 released, "SOFT LIFE", where the copulation carved crooning by Kallitechnics feels more assured in its contour.  Lyrics like, "Cocoa butter kisses on the back of your neck...No ones around, go and say it with your chest." sets up a between the sheet session, where direction details desire and more importantly: pleasures for both parties. The hedonism hails heavy here, and when ya place that alongside of Kassnadra's visceral vocal layerings, you're insatiably sedated into this ‘sensational style of life’ she's sojourning. 

Both releases mode just a mere of the music you can muse through courtesy of Kallitechnis. For me it's the completeness interwoven in the listening experience of these two tracks. Detailing what it takes to call yourself professional in this or any realm is something I valued early on. The attention to detail, care, production, and most importantly the passion, tentpole sound designing success for any act whether indie or not. On that note, Kassandra does something else, almost effortlessly. She ate, and fanged deep into the fact that there are stars who are not signed. Stars: real artists who are crafting carefree of what seemingly fates, what often lacerates acts who sign with labels. Definitively, I'm the late night type. I'm good either playing the pull while out, or layinlow at the cribbo, playlsitin' on the MacBook with Apple TV or YouTube dressing the backdrop. Either in or out, this pair of indie soul sounds soothe both the mind, as well as those other places the sensations may align.😉 

♾️

🔥🔥🔥🔥

∆³

#azrelazitgetz #music review #billboard #musicians #newmusic #writers #music #azinemagazine

[girlreviews]

Review #146: Parallel Lines, Blondie

Man oh man oh man. I love Blondie so much. I found this record in the Windsor Oxfam. I don’t remember exactly how old I was, but I remember what boyfriend was with me so that puts me between 15 and 18. Yeah, same guy. I actually don’t remember if he ended up getting his hands on this record or not. I think I still have it. Will rifle through my collection later to check.

Blondie was in the “being cool” wilderness for some absolutely crazy reason at that point, and nobody really gave a shit about them anymore. When I was 17 or 18 they were playing the Reading Hexagon which is honestly still just such an unbelievable insult I’m still annoyed about it. I’ll circle back to that.

Parallel Lines epitomizes the complete and total coolness and badassery of Debbie Harry. I have never wanted to be someone more than I wanted to be her. So much confidence. Such incredible cheekbones. Such commitment to art. No apologies. The voice of an angel one moment and snarling whimsical warnings, like, hey you, don’t fuck with me, the next. Always standing in front of all of those completely non-descript nobody dudes. Yeah they’re playing the music, but who cares, who are they? It’s all her. She is Blondie.

Can I pick a favorite? It opens with Hanging on the Telephone, in which she is really threatening to rip the phone clean off the wall. It might be that one. But we’ve also got the classic One Way Or Another, which needs no comment, and one of my actual favorites of all time, Heart of Glass which never fails to fuck me up, but like, it’s a god damn disco track? Like sure, yeah, let’s boogie away our heart break. And I did. And I have. And I will. And these are all SINGLES. We aren’t even discussing the actual album tracks yet. Just listen to it. Honorable mention goes to Sunday Girl, which I always really loved. It’s cute and it’s kind of sweet in a very teenage girl kind of way that worked for me since I was in fact, a teenage girl. Also, not on the official album release, but there was a version of that track where the latter half was sung entirely in French and I always really dug it.

Okay so circling back to the Hexagon. This is a weird story and I’m still not sure how I feel about it, to this day. As I said, Blondie were playing a show at the Hexagon. I was absolutely obsessed with them, and Debbie Harry. I was also 17 or 18 and spent every penny I had on going to shows, but those pennies were pretty limited. I worked as a waitress at the pub that was two doors down from my house. It was full of characters. One such character was a regular, he was in his late 40s, was very wealthy, didn’t drive, was single, and spent literally every bit of his spare time in that pub. Think on that. He paid a lot of attention to the various young women that worked there. Was he creepy? No not exactly. But did it make you uncomfortable? Yes it did. Because you never knew when he might make it weird. Everyone liked him well enough. One day out of the blue this guy presented me with five tickets to the Blondie show. I didn’t know what in the hell to say or whether to accept them. Or what it meant. Whether there were expectations attached to them. Whether it was okay to take them. I was uncomfortable. I was 17.

Here’s what happened. My Mom, who sort of knew him too, since he was always there, decided it was fine, because she wanted to go. But for it to be okay, she decided he also had to come. So we went, he came, and a few friends too. The thing is though, she never knew him like I did. I saw him every day. I saw him with the other girls that worked at the pub. I saw him drunk off his ass. I don’t know that I ever would have taken the tickets. Or if I did, I’m not sure I ever would have invited him. I feel a bit queasy about it to this day. I think in the end something really off-base happened one night between him and someone on staff and he got barred. That was usually the way it went with regulars who were there that often.

The other thing to note is that Blondie ended because Debbie Harry was with Chris Stein, who was literally dying of some rare autoimmune disease throughout their last tour. There were other factors at play, but essentially, they broke up because he was too sick and she stayed at his side and became his full-time carer. When he was well, he left her. They are, remarkably, still close friends to this day and still perform together. Just never forget that men are dogs, and that Blondie is and always will be Debbie Harry. I love her. To this day she looks better than I do in a mini skirt and I love that for her.

ETA: I checked and in fact, I do not still have Parallel Lines in my record collection, but I am quite confident it got lost when I moved back to the US. Also, I’m not 100% certain that show was at the Reading Hexagon. I just know it was a shitty venue not worthy of Blondie. This was 18 years ago. You get the idea.

#album review #music #music review #rolling stone top 500 #blondie #parallel lines #debbie harry

[cavedwellermusic]

SEEKING WRITERS!!!

We are once again putting out the call for new writers and guest contributors to join the CDM team!

Have you ever written for another site or publication or even just wanted to take a crack at covering/reviewing the music you love for the first time? Then contact us now!

We would love to hear from you and answer any questions you may have.

#music review #music writing #music reviewer #undergroundmusic #musicreview #cave dweller music #music journalism

[gowns]

ok listen i have been exposed to a lot of music theory and a lot of it has flown over my head -- i understood major and minor and etc and how to play easy chords and how to sing a pitch and all that, but any time people started talking about the circle of fifths and modalities i spaced out. i found this video last week and i was like whoa WHOOAAAAAAA holy shit... i understand now. and i printed out a big color picture of the circle of fifths and put it by my piano.

#music #i recommend watching the whole thing because the first part is just basic review #but then it's like... the precise mathematical nature of music notation? and then i'm like-- #'wait hold on a second man' cat on the verge of tears

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

#kung fu panda 4 #kung fu panda #dreamworks animation #kfp #kfp 4 #movie review #i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality #my time has come #it wasn't THAT bad #i didn't love it #but it is what it is #it's a tentative 6/10 all things considered #free the five #perhaps i treated kfp3 too harshly #don't get me wrong the movie had good qualities and i can tell a lot of work went into it #a lot of missed potential imo #a lot of characters done dirty #i didn't even mention the score but i thought it was just okay #i wasn't wowed #i know close to nothing about composing though so i should probably just not even go there #credits were the best part both cinematically and musically #i feel mean but i'm not going to be dishonest #bc obviously you all simply must know how i feel about the silly panda movie #a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested #as well as my thoughts on bringing back old villains #might make some edits to this in the future but this is all i have to say for now

[aleprouswitch]

Claire Rousay's set at The Point (which is a church, mind you) was incredibly intimate, sad, introspective, but overall beautiful. Her setup was designed to resemble her bedroom, including a rather NSFW image of an adult actress (I had to laugh because I'm sure the church loved that). Each song sort of blended together in a big, sweeping wash of electronics and field recordings, including samples she took of audience members' voices in real time.

I wish I could have attended her Ableton workshop the next day, but it overlapped with other sets I wanted to catch. Regardless, for someone who admittedly wasn't too familiar with her work beforehand, I was impressed with what she's doing and especially how she's doing it. I mean, parts of her set had her just lounging on her bed looking at her phone, but every move was intentional. It was all meant to convey a certain mood to the audience, that mood being "I'm surviving depression and loneliness in front of the world".

#claire rousay #big ears #big ears 2024 #experimental music #electronic music #ambient #sound art #reviews

[fandom]

Music Groups

We have no idea what year it is, either.

My Chemical Romance +1

Ghost +22

The Beatles +4

5 Seconds of Summer +4

Greta Van Fleet +13

Måneskin

Blind Channel +10

Lovejoy +1

One Direction -3

WayV -6

Metallica +22

The Amazing Devil +33

Florence + The Machine +37

Paramore +18

Nirvana +8

Rammstein +11

Fall Out Boy +4

Fleetwood Mac +17

The Merkins

Green Day +14

Arctic Monkeys +9

Gorillaz -12

The Mechanisms -12

Muse +14

AKB48 +24

The Mountain Goats +13

Dir En Grey +2

Chloe X Halle -3

Slipknot -3

Lemon Demon -14

Jimmy Eat World

Will Wood and the Tapeworms

ABBA -5

Twenty One Pilots -15

Panic! At The Disco

Guns N Roses +1

The Cure +3

Little Mix -26

Pink Floyd -3

Led Zeppelin -9

Subwoolfer

Mystery Skulls -37

Depeche Mode +3

Jonas Brothers

The 1975 -3

The Smiths

Bastille -27

Mötley Crüe -1

Citi Zēni

Nogizaka46

The number in italics indicates how many spots a name moved up or down from the previous year. Bolded names weren’t on the list last year.

#year in review #music groups #tumblr2022