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#musing about writing
literaryoblivion · 7 months
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Omg I found (throught a comment of mine) an old Sterek fic you've written 9 years ago and I cant believe its been so long!! Glad to see you're still active <3
Oh gosh, way to make me feel old, anon! LOL
Actually... you kind of got me curious... how about some stats?
My first fic on AO3 was Dean/Cas and was posted in December of 2012 (that's 11 years ago!!!). I had joined AO3 one day before I posted it, on Christmas day! (My youngest sibling gave me an invite LOL.)
My first Sterek fic was posted in 2013 (so 10 years ago!)
My highest kudos-ed fic (also Dean/Cas) I wrote in 2013 for a big bang.
My 2nd highest kudos-ed fic is Sterek and I wrote it in 2015 as a birthday present for @mad-madam-m (I'm actually kind of surprised this is my highest kudos-ed Sterek fic considering it's so short???)
I have fics in 19 fandoms, highest being Teen Wolf (with 198) and Supernatural (63), and I have a total of 779,445 words on AO3.
My most recent fics on AO3 are in the BTS fandom (and are WIPs, don't hate me it's an experiment that I will probably never do again; I don't know how those writers are able to just post and write as they go! It is not going great for me).
It's kind of crazy that I've been writing fanfic for so long, and I know for some it's not even that long! I know I don't write very much these days and definitely don't write much Sterek on top of that. But I will say it's always nice that there's still people that love it and want to read it. I know if I ever did write a Sterek fic again, it'd immediately get hits and kudos, which I can't say the same for any of the other fandoms I've written in. It makes me happy that there's still supportive people that are still around wanting new content.
So thank you anon. I'm glad I'm still around too. :)
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jlilycorbie · 1 year
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So a while back I had an idea for a horror novel about a haunted missile silo turned doomsday bunker owned by a moderately internet famous doomsday prepper/serial killer.
And it’s definitely still backburner because I need to do a lot of research (which will probably include a lot of YouTube that I...don’t want to face), and also because I need to finish either Bad Fences or the fantasy WIP before I start something new.
But now I’m thinking about how little work an angry ghost would have to do with a bunch of heavily armed tough guy cosplayers who are lost in the dark and freaked out.
And also what it would be like to be one of the few competent people stuck in the dark with them.
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buggachat · 5 months
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something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.
But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin
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humunanunga · 1 year
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Enough of the trope where memory loss undoes the damage or the corruption or whatever. More content where removing memories just removes the context.
The tragedy of needing to grieve and not knowing what or who you lost or why. The angst of having trauma and being denied the awareness that it's trauma. The suspense of being different somehow and left to wonder how and when. The tension of knowing that something is off and you can't find where it hurts. The Adventure Zone gets it. Kingdom Hearts gets it.
There is an aching inside you and you don't know how it got there.
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okami-zero · 1 year
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I've seen some asks from a blog I follow, and it got the squeaky wheels in my brain turning. And the thought that my brain has expelled was that I think people who are stsrting out with fiction and go looking for way to make things "realistic" might be conflating that word with "believable".
Now I could be wrong and totally off my nut, and I am not saying everyone looking for realism is doing this conflating. I recall seeing something at some point where the gist was - and I am paraphrasing with my own example because I couldn't find the thing I am recalling for the life of me - that if you are asking about how to make your outer space battle between nebula squidmonsters and dragonriders who can survive without space suits... well, realism is kind of out the window. Because none of those things (so far as we know!) exist in reality.
But you CAN make it believable in the context of the story and setting you have created. What does a nebula squidmonster look like when engulfed in magical dragon breathweapon? You tell me! And, like, the imagery used will likely call on imagery of things in real-life, like maybe they deflate like an un tied balloon, or explode like a bag full of helium lit with a match.
Or maybe not. Maybe I am being pedantic. Or maybe I am the one conflating the intent of some questioners. Just something that popped put of my head while doodling around my favorite hellsite (affectionate). Just write shit that's fun, realism be damned!
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crabsnpersimmons · 3 months
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Y'all liked raincoat chibi!DCA, well it's been snowing a lot in my neighbourhood recently, which means it's time for...
Winter coat chibi!DCA
Expectation:
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Reality:
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mccoyquialisms · 1 month
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my fantasy high red-string-conspiracy-theory-board-of-the-main-mystery lore tracker (a long ass post) (because I love both mysteries AND organization of inconsequential information):
rough chronology of events:
In ages past there is a wedding attended in the Chaos Mountains by Sol and Galicaea of their sister the Witch Goddess to an unnamed giantkin god. This god is a summer god, sibling of the giant winter goddess Ruvina
Over centuries, the unnamed god's domain changes from the sun and summer to fire
This unnamed god is killed and their name was wiped from history. The other gods remember who this being is, but due to obliviati mori, cannot reference them directly to mortals. Red shatter stars appear around this time
850 years before present day, the Witch Goddess's name is erased by her followers (encouraged by followers of Galicaea) and she is transformed into the Nightmare King. Before she does she performs the 4 trans-substantiations to resist being "unmade". Her familiar Kalina becomes a plague and begins to spread through the mortal populace. These events likely happen after the death of her spouse, as there is no reference to a spouse when the Witch Goddess was previously mentioned
Roughly 4-6 years before modern day, the pit fiend Bakur attempts to resurrect his god, whose name was lost "so they could not be worshiped." The return of this god is felt to be a significant threat to the world. Lydia Barkrock and her adventuring party stop him by sealing Bakur in a red gem in Lydia's chest, where she keeps him imprisoned with her rage
The Ratgrinders, then called the High 5 Heroes, meet in freshman year and consist of Kipperlilly, Oisin, Mary Anne, Ruben, Ivy and Lucy.
They xp level up by killing rats, twig gremlins and other small magical creatures in the woods behind Aguefort
The events of freshman year happen and Kalvaxus is released. During prom, Ragh spots Jace Stardiamond talking to Arianwen. He is later "barbarian healed" by Porter and after this can see Kalina. Kalina finds Ragh later and threatens Lydia if he talks about what he's seen
Sophomore year spring break happens and the Nightmare King is transformed into the goddess now named Cassandra
At some point Lucy began to return to the woods after party sessions to revive the rats they killed. She did this long enough and with enough regularity that the rats remember her name/face well and think of her fondly
Paperwork is submitted for Lucy to change her god from Ruvina to a god whose name cannot be read, just before her disappearance. A few days later a second request is submitted to withdraw this change. Neither form was ever seen by Lucy's teacher Yolanda Badgood
Lucy was killed near Lake Shimmerstone by multiple assailants with both weapon and magical damage towards the end of sophomore year, in the period of weeks after grades were complete, but before summer break. The area has multiple uprooted trees, some of which were used to hide her body. Unholy rites were performed over her body to force her soul to the beyond, so she cannot be revived.
Lucy is reported as dead but her body was never found. She was described as "not alive in this material plane" via divination
Because of the timing of her death, her party was not moved to pass/fail as all grades for that year had already been submitted
Night Yorb and the long dark summer happens
Buddy Dawn, a cleric of Sol, is specifically requested by the Ratgrinders to be their new cleric for junior year
Also over the long dark summer, the Loam farmers are accused of embezzlement and the Frostyfair festival is moved from there to the Thistlesprings tree at the recommendation of Lola Embers. Sklonda Gukgak is assigned as the Loam couple's public defender
Kipperlilly finds or is found by the rogue teacher and has passed the whole of junior year
Junior year begins. On her first day, Kipperlilly questions Jawbone on where YES! was created
Kipperlily announces she is running for student body president and her primary platform is for uniform equity under the rules without "favoritism"
In the mall of the Synod, the event that kicks off the battle is Cassandra becomes angry hearing Kristen isn't coming to help find followers. She says "This isn't fair!" as a razor-sharp flickering star of red light emerges from her chest. 24-point, red shatter stars infect nearby wizards and turns them into rage-filled, violent, giant versions of themselves. The people taken over by the shatter stars are instructed by an unknown voice to attack Cassandra
Cassandra is able to be calmed by a high persuasion and when she does, she expels multiple shatter stars. She seems to recognize them and says "I thought you were dead.”
Before Kalina is taken over by the shatter stars, she looks to Riz and says "Ragh Barkrock". She then slits Cassandra's throat, triggering a new round of rage in Cassandra
Cassandra suffers multiple attacks and begins to transform into a giant, red raging version of herself and attempts to kill the party. Before she's successful, the gang are swept away in a time loop back to Spyre. The Bad Kids see the Synod is destroyed, and Kristen finds she has shards of Cassandra in her pocket
Kristen attempts to commune with Cassandra and hears a voice say "She is at my side once more." The voice then mocks Kristen with YES!'s body and then tells Kristen it is coming for her, and it will break her irrevocably.
Ivy sees Fig disguised as Lucy at the party at Seacastor Manor, and has an inscrutable reaction to it, but did not seem surprised
The cloud rider engine in Fabian's basement is broken and a piece is found missing
Kipperlily does the food truck event with the subliminal OK messaging on the packaging
Ruben Hopclap performs at FrostFaire when he is attacked by Principal Grix. Grix is eventually killed by Fabian. The Bad Kids determine Ruben was doing some kind of ritual with a song about anger above an arcano-tech array in a 24 point star pattern, successfully releasing a large amount of some type of magical energy.
Simultaneously, Yolanda Badgood is killed at Lake Shimmerstone by immense concussive force damage, and afterwards her body is expertly hidden. She is subjected to the same unholy last rites that Lucy was.
The Bad Kids find Lucy and Yolanda's bodies, and Kristen releases their souls, who travel to the beyond on a "trail of moonlight"
Sklonda's clients are found murdered
Mazey reveals that the Vice Principal (i.e. Jace) does not become the Principal, and it would be the student body president who becomes the new principal of Aguefort
additional info we can reasonably infer or that don't fit neatly in the timeline:
Buddy's grandparents, and likely Buddy himself, have a vested interest in his grandfather becoming the cleric teacher. He went to Aguefort and is familiar with the school. Presumably he wants this to be able to preach about Sol and spread his influence
At some point before her death, Yolanda told Jace about her concerns regarding Lucy's deity-transfer paperwork
Cassandra is not dead, but is "beyond reach"
Lucy and Yolanda were noted to be in "realms beyond", which Brennan specifically noted they were taken from and "whatever was happening there"
The Ratgrinders are gunning for the bad kids and seem to be orchestrating situations to try to get them to take drugs
Porter's philosophical discussion with Fig regarding the concept of protection and how that is often inextricably tied with rage, that one can act as a fuel for the other
Porter is a paladin of the ancestors, and at some point was mentioned to be a goliath, though this seems to be debated in canon. If true, it's possible he's a descendant of giants
Kristen bring's up Sol's wrath and Buddy does not refute this, agreeing Sol's wrath is a well known aspect of him and he has been quite angry because of the dark summer/night yorb situation
As above so below. What the gods do affect their mortal followers, but conversely, what the mortals who follow them do also affect the gods
A god can only come back from death in a place a god had been born or created, meaning Bakur's decision to try to revive his fallen god in the Red Waste was what doomed it to failure
Bakur's documents are written in the language of giants, and his deity is said to be from the same region as Ruvina. Combining this with Adaine’s research, and the “mitochondrial magic print”, Bakur’s god is Cassandra’s former spouse
The cloud rider piece was likely stolen by the Ratgrinders as Kipperlily asked Aelwyn to research schematics of the device
Kipperlily seems to be keeping information from some of the other Ratgrinders, telling Aelwyn she needs to "protect Oisin" from their shady deals
Kipperlily's mother works for the city treasury and her father is in real estate. Neither are super wealthy, but Kipperlilly has been paying Aelwyn large amounts of money to obtain arcane components. Given the timing of this with the disappearance of a large sum of money from the Frostyfair accounts, the timing of the murder of the people who were blamed for it, and that the new chosen location happens to be the home of one of the Ratgrinders rivals, the Ratgrinders involvement is thought to be likely
Cassandra's whispered clue of "spies, tongue, curse"
Places outside Spyre, like the Synod, are easier for dead gods to reach
For whatever the Ratgrinders have planned, a student being the principal of Aguefort is essential for it. A lot of people have had to be conveniently absent or dead for this circumstance to occur.
This is all not even touching Aguefort's whole journey through time and possible time quangle issue and whatever the fuck Fig's Bad Luck Thing is. I'm not convinced that these are related to the god stuff and are likely their own separate issues. also, I am tired lmao. If you want to hear my rambling theories, I'll be making a separate post.
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zillychu · 9 months
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I'm half asleep when I get up from my bed, and sit down next to my ten-year-old self.
"You're an adult. You're not like me." They say.
"I'm still you." I reply with a sadness I wasn't prepared for. "I'm still just like you."
"No," they insist, "you're an authority. An other. Something I don't understand. I don't see myself in you."
"But I see myself in you." I'm desperate, and I don't know why.
"How?"
"You know about infinity, right?" I already know the answer, but I ask anyway.
"Yeah." They look up at me from the scribbles of Pokemon in a math notebook, from the stuffed animals arranged in a town made of blankets. I don't see the life in them anymore, but I remember what it was like to.
"The universe is infinite."
I pick up a stuffed animal. I still have this one, it now sits on a shelf untouched for years. The fabric is still just as soft, just as loved.
"So adults might know more." I say with conviction, surprised it's my own. "But we all carry the same amount of unknowing. We're all just as lost."
My ten-year-old eyes stare at me. I stare back.
"Why is this important to you?" They ask.
"I don't know." I answer truthfully.
"Maybe I'm just still scared of being left behind."
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xxcallmemaryxx · 2 months
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Vessel x GN reader.
Vessel and you with very obvious oral fixations hehehehee
It’s kept a secret. At first.
It begins with kisses. So many kisses. Always, all day, any chance either of you get. Your lips are always red and puffy when Vessel is around because you just can’t stop kissing him.
He eventually takes it up a few notches, when your lips tire and you just can’t keep up with him anymore, he gives you a few moments but he doesn’t want to stop. So he keeps going, moving down your jaw and making his way to your neck. He finds very quickly that your neck is his favourite place to bury his face. His lips wreaking havoc on the skin that resides there. But he just… can’t stop.
He cops it too. When he is fresh out the shower and his skin is warm and dewy. He crawls into bed, probably expecting an early night with you. But no, he’d be so so wrong. Because the moment you get your hands on him your lips are glued to his stomach. The soft pouch of skin that sits just above his waist band… fuck… your mouth waters just looking at it. You kiss and nip and suck at the beauty that is him. Leaving your marks all over his soft belly with a smile.
He starts to lose his mind a little. Always fighting a constant urge to drop everything and get his mouth on you. He sees the same look in your eyes. He doesn’t miss the way your eyes linger on his waist when he walks around without his top on. He loves to mess with you. Pulling his pants down just a little further than normal, letting them hang lower on purpose just to see if you’d crack. You never do. You’re stronger than he is.
But he’s nothing if not patient.
You don’t expect it. At all. Vessel knows this. But it’s his turn to cook dinner tonight, he’s stood at the stove stirring a pot of sauce he’d made. He wants you to try it but he stops you from reaching for a spoon. Your confusion disappears when you look at him and he’s already got two of his fingers, dripping with this sauce, hanging expectantly in front of your lips.
His smirk puts the word ‘smug’ to shame.
You hold eyes with him. Because if he wants to play this game then by god you’ll make him watch every minute of it. But your confidence diminishes the moment you wrap your lips around his fingers, and he knows he’s got you. Your eyes give you away immediately. Your pupils blow wide, and your eyes glaze over, telling him everything he needs to know about the state he’s got you in right now. By now the sauce that once coated his fingers is long gone but neither of you make any moves to pull away. He lets you enjoy this. Clearly awakening something within the both of you that he is just dying to explore.
To exploit.
And it’s then that Vessel has the small realisation that maybe his desire to have his mouth on you all the time extends beyond just wanting to kiss you. And he has an inkling that perhaps this little desire sits snug in your brain too.
He gently pulls his fingers from your beautiful lips, a string of saliva keeping the two of you connected as he reaches over to flick the stove off. You don’t even have time to wipe your mouth clean before his lips are on yours again. Dinner is immediately forgotten. His mouth will be occupied with someone much more delicious.
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irregularcollapse · 3 months
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In youth librarianship, we often talk about mirrors and windows when considering collection development.
A mirror is a story which allows someone (in this case, a teenager) to see their own experiences reflected back to them.
A window is a story which allows someone to clearly observe experiences which are not their own.
Numerous studies have shown that reading fiction has a positive impact on our ability to relate to others with experiences outside our own. A lot of these studies use the word “empathy,” but I’m of the opinion that what they are really looking at is “understanding.”
As the linked article explains, one particular study made use of a test which measures our ability “to comprehend that other people hold beliefs and desires, and that they might be different than our own.” It was observed that participants who read literary fiction showed more improvement than participants who read genre fiction. This difference was attributed to literary fiction being more character-focused, whereas genre fiction is typically more plot-focused.
Part of the benefit of reading windows as well as mirrors is that through windows, we can exercise perspective taking, i.e. assuming points of view which are not our own. This is obviously easiest to do through the perspective character: having access to a character’s interiority through narration allows us to more easily understand why they take certain actions (in theory—this is not always well-executed by the writer).
A more experienced reader can then apply the method of perspective taking to all characters. A sound and cohesive story should allow a reader to take the perspective of all characters in the story—to understand why they do what they do. This can be very difficult, especially when a well-written narrator will always be subjective. The key analytical question, which ties the concept of windows in leisure reading to skill from literature class, is:
Why does this character do that thing?
This process is not about ‘justifying’ certain actions, or ‘excusing’ them. It is about actively exercising and working on your ability to understand experiences which are not your own.
Not all characters or stories will stand up to the why question—as mentioned above, plot-focused stories often have very little why from a character perspective. Sometimes the why is really only ‘for entertainment.’
The why is also something which can vary in complexity depending on the target demographic of a story: a why in a children’s book will be more direct than in a YA book, and a why in literary fiction may be more obtuse again.
Characters are devices through which a writer communicates. The experiences of the characters, and their behaviours which result from those experiences, constitute a discussion which the writer wants to have. The curtains are not just blue, and characters don’t just do things without reason.
This works as advice for writers as well as readers: if you can’t consider the story from the perspective of another character, then are they developed enough? How does another character’s experience shape the way they behave within the narrative? And what’s more, do you understand what the experience of the plot itself is like for each of them?
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butcharium · 1 year
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There will of course be butches who want to go by more androgynous or masculine (nick)names, but I do not think it should be an expectation put on us neither from ourselves or from those around us that we inherently should be uncomfortable by carrying an obviously woman's name.
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literaryoblivion · 1 year
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People still hang out here a little right or no? I’m avoiding cleaning and putting away Christmas decor, so I’m taking one word prompts here and on Twitter! Send me any ship in any of my fandoms and a word/phrase!
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jlilycorbie · 1 year
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I know The Cliffhanger, like most things I do, got cast out into the ocean and sank to the bottom without notice, and that’s ok. It’s getting all of my long aimless play by email rpg energy, and I’ve got so many ideas for dumb stuff to happen in that tavern and the library.
Like, there’s gonna be sky pirates. And virgin-eating unicorns. And dragons of various sizes. There will be misbehaving books. And food.
And playing in that world makes me feel a little better getting back to the fantasy WIP and other, more serious works, too.
So. More Cliffhanger.
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vampykween · 4 months
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bestfriend!simon who’s in a band and is hopelessly in love with you <3
he throws you a huge surprise party for your birthday and sings this song while looking into your eyes adoringly the entire time. you also thought simon was cute, but who didn’t? but now as he serenades you on your special day you can’t help but see him in a whole new light.
at the end of the night, when it’s just you two sitting on your front steps, simon admits he sung the song just for you. he’s rambling on about how he didn’t want to ruin your friendship but he couldn’t go any longer hiding his feelings, and you shut him up with an experimental kiss on his lips. he pulls away and stares at you in disbelief because woah?! is it possible you feel the same as him?
“simon, no one’s ever done something so sweet for me before. you’ll always be my best friend no matter what. i want to take the chance with you.” you have no idea whether this’ll blow up in your faces in the future, but right now under the stars all you know is you’re head over heels for simon riley <3
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crybaby-bkg · 4 months
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cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism
as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.
Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.
it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.
“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.
“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”
his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.
and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.
the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.
the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.
“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.
“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.
he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.
“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.
“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.
“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.
“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.
“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.
you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.
is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?
“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”
you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?
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rueyam · 5 months
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when the war is over // mine
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