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#my god she did so well there
kaereth · 2 years
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Really REALLY need this team up to happen sometime in s3 now bls
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mispatchedgreens · 1 month
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oh, to be an absolute ten while a repressed belligerent asshole administers to you the kiss of life
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bumblingbabooshka · 7 months
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In 'vis a vis' Janeway doesn't mention B'Elanna in the list of people who're worried about Tom which implies that B'Elanna didn't report the fact that "Tom" grabbed her arm, called her a disappointment and broke up with her (as Janeway definitely would have mentioned it as evidence of him acting strange if she knew about it) which makes sense on several different fronts but also makes me scream and cry loud enough to break glass.
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cluescorner · 2 months
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I gave myself a writing challenge and I am fascinated by it
So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.
Stephanie, the first sidekick who defines the role
Tim, the sidekick who dies and comes back wrong
Dick, the sidekick who saves Batman from himself
Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong
Jason, the youngest sidekick who is still the Kid Wonder
...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).
I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.
#uhhh what am I calling this??#randomizedrobinsau#stephanie brown#oh my god I am so excited to figure out how tf to write this.#because she's my favorite of these characters and having HER be the first sidekick + the one who has a mentor/older sister relationship#with the others?? kickass. though I'll probably keep her and Tim's relationship as 'dating-then-exes' because I think it's funny#and then SHE can be the Robin who Tim got fixated on + figured out her identity?? holy fuck and then the angst of Tim later dying#Tim Drake#tbh I kinda wish he'd gotten a different position because 'sidekick who dies' Tim has kinda been done a lot with the standard#reverse robin aus. But it'll still be fun to write. Definitely going the Joker Junior route with this because Batman Beyond kicks ass#Dick Grayson#He'll honestly probably be the easiest. Like...his role has not changed much outside of being younger/not the one who defines this#But I still think it'll be good to see how well I know Dick beyond his eldest brother thing (which is my best way of relating to him)#Damian al ghul#damian wayne#oh this is gonna kick ass#Bruce does not want his son to be a sidekick but Damian just kinda forces his way into that role#and everybody doubts him because of his history with the league but he later proves himself more than capable#to the point that he can set out mostly on his own and still thrive#Jason Todd#Jason being the baby of the family is also something I have never thought about but holy shit it could kick ass#I really hope that I don't roll 'Jason must die' or 'Robin 5 must die' on the randomizer. I just kinda want Jason to live this time#But unfortunately I double-screwed him because he's on the 'must happen' wheel twice now. I did not think these prompts through#TBH I am so happy that none of them rolled their OG roles. because that would have been so fucking boring
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brookheimer · 11 months
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i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.
(read more under the cut because jesus christ did this get long)
in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.
again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.
so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.
really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.
i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.
shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.
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alchemania · 6 months
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Finally got enough energy to talk about Furina's SQ and while I loved her and the troupe, MC and Paimon were .... Not Great. I talked about this with friends but in Paimon's case especially, the way they interact with Furina feels like people who just don't understand trauma and depression and then engage with someone suffering from both in all the wrong ways.
Talking about how much of a downgrade her house is from the opera house, making fun of how she can't cook, pushing her to act when she's set a very clear boundary and then guilt tripping her after she's stuck to her guns, shaming her for not being able to fight well (Paimon literally talks about how second hand embarrassment is overwhelming and I'm just like ?????), telling her she's "not acting like herself" when she attempts to open up and be vulnerable....it's just really rough. That and the MC asking "is something wrong" when Furina gets sad over Poission ..like bro people died and she couldn't save them and she's tearing herself apart over it. Those people are never coming back and you know it and you have the gall to ask her is something wrong??? Of COURSE there is!!
It just feels especially odd because we literally get to see all of Furina's suffering and Paimon in particular is. SO mean? Like she was more understanding with Wanderer and Ei and THEY'VE tried to kill us multiple times!! I don't get it, and honestly I'm very proud of Furina for refusing to waver. Let her rest!! She's tired and depressed and she needs time to heal; and honestly fuck Paimon for trying to make her feel bad. Furina's worked harder than she EVER will.
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ayrennaranaaldmeri · 6 months
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man the dev notes w/ the stormshore tabernacle convo. whatever they're there for it's kind of remarkable how so much of the notes there for her are just textbook abuser stuff.
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xomby · 7 months
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torchwood rewatch is beginning to really set in (i’m almost done). i have to rewatch it again immediately i think
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thresholdbb · 24 days
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I'm a Kai Winn apologist but not because I think she's a good person. She's a compelling tragic character
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onehopefuldreamer · 7 months
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Clever Grace
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bumblingbabooshka · 2 months
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Tom & B'Elanna give off closeted gay vibes in that I think if you asked them to describe their ideal woman and man they would respectively describe a swimsuit model (bonus: who's Not Like Other Girls) and the lead in some sort of romantic novel. Nothing even close to a real person. The most generic you can get about straight romantic and sexual attraction.
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todayisafridaynight · 6 months
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whatever og text i had in mind for this post about ko shibasaki looking like sayama in this movie is completely cancelled on account of utsumi (this character)'s first name being kaoru and i only found this out cause i was looking up her name just to be sure when making this post
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like jesus christ i legally have to make this post now
#snap chats#they literally never say her first name in the movie. i think lol LIKE WHEN I FOUND OUT I WAS JUST 'NO FUCKING WAY'#i do have to be tbh and say her face /is/ a little more round than sayama's#and its absolutely predominantly because of how her bangs and wardrobe are so close to sayama's that i think she look like her#BUT I CAAAANT THE WHOLE MOVIE I WAS JUST THINKIN ABOUT SAYAMA... i miss her...#OH RIGHT THE MOVIE THOUGH noooo fuck you this movie was so good it actually made me want to write a summary for it LMAOOO#LIKE I LIKE WRITING SUMMARIES BUT IVE JUST BEEN SO LAZY ABOUT IT WITH THE PAST FEW THINGS IVE SEEN BUT GOD.#ignore the fact i finished this movie two hours ago i was too busy fiddling with a card holder kit but. ill make a post about that next--#THIS MOVIE THOUGH NOOOOO IT WAS SO GOOD //SCREAMS AND YELLS AND DESTROYS A SNOWGLOBE//#god the part where ishigami and yukawa are walking by the homeless and it just lingers on an empty spot.. LIKE I THOUGHT I WAS WACK#CAUSE I WAS LIKE 'hang on wasnt there a guy there last scene' and obviously there was since the shot lingered right#BUUUUTT WHEN IT WAS REVEALED DOWN THE LINE SHUT UPPP I LITERALLY YELLED IM SO GLAD. my roommates arent home..#on god i thought the movie was gonna end with utsumi and fukawa's convo from the beginning#and i was gonna make a gaf about how fukawa was acting irrationally because he was too in love LMAOOO#BUT THEN IT KEPT GOING AND. im so glad it did. ishigami valid tbh#id also cover up and take blame for AND ACTUALLY commit murder for a girl if she said hi to me and made me lunch while i was trying to kms#while fukawa and ishigami were talkin that first night tho i just thought of after the rain.. lol... maybe the mangaka was inspo'd by that.#anyway. this movie was great. it reminded me of sherlock but if it was directed well and actually let you solve the mystery too#CAUSE WHILE I WAS WATCHING THERE WERE POINTS WHERE I TOO WAS JUST 'hang on' AND I JUST POCKETED THE INFO FOR LATER#i kicked and screamed when ishigami was talking abut how he formats his tests LIKE I SAID 'oh you fucking slipped'#when ishigami called and told her he had a white envelope in there bitch i knew it was gonna be the stalker letter i YELLED#LIKE I LIKE HOW THE MOVIE SETS THINGS UP SO ABUNDANTLY. IT'S FUN SEEING IT FIT IN THE MOVIE LATER ON#the twist of there being two bodies was so fun tho cause at the start of the movie i was sure two murders happened the same night#so when it was played off as just one i was like Oh. Ok. im still stumped on how he snuck a body out of the apartment#but yk what one detail is like. whatever in comparison to the rest of the movie being fun to watch#god im running out of tags POINT IS. PLEAAASE watch this movie if you got two hours#ive left some minor warnings on my Watchlist doc but there's nothing. TOO extreme ??#i mean there's an aforementioned suicide attempt but aside from that it's nothing too grotesque. for an rgg fan ig#ok bye i have to ramble about the card holder i got <3
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mechieonu · 4 months
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it actually hadn't occured to me until just now but love & betrayal are @ the site of every villain's spiral. like. "Shifu had to destroy what he had created. But how could he?" vs. "They loved you so much that having to send you away killed them." vs. "I loved him like a brother, and he betrayed me."
it's super neat how love isn't only one of the major themes of the series but also a vicious motivator too
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marchsage · 1 month
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world's most well-adjusted daughter
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morrigan-sims · 7 hours
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Pirate Outfts
I was bored, so I started trying some different outfits on Zara... The last one might be my favorite, if only because I already used another swatch of the first one for Wolf, and I can't have them wearing the same thing... But I also love being able to see all her freckles in the 2nd one...
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goldenstarprincesses · 3 months
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A. Kirkland- Pitbrow Woman, '81
In the last month or so, my interest in nyo!England has blossomed. Yet, I have long disliked the canon stylization of the character.
Ms. Alice Kirkland has never been one to shy away from physical labor or the harsh realties of her own people. Even at the height of her international power, it was rare that- unless directly requested by the monarch or prime minster- that she lived among the aristocrats for long periods of time. A stark difference between her and her French counterpart. While her rebellious days as a sailor were behind her, throughout the 1800s it was not uncommon to find her either in the mines, in a factory, or tending to her own country estate farm.
References and Inspirations bellow cut, Programs used: MS Paint and Krita
I could not have done any of this without these references.
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