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#my influence!
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This user believes that fiction tastes and preferences do not dictate moral character
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fallahifag · 4 months
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you say you’re christian but you use words like mashallah and allah yerhamo and stuff. confused..
bro……. wait til u find out christians believe in god too
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celes-unchained · 8 months
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ref post: here it's too late, you already agreed with my point ;3 if youre agreeing with "terfs" maybe you should do some self reflection😊
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toxtricitylow · 1 month
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playing around with some historical french fashions on furina (+ neuvi).. I think she should always get big silly hats
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18th+19th century mens fashion is one of my fav fav fav things is ever so this was fun 🫡 love being fashion history neurodivergent
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littleogreboii · 5 months
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i see a lot of people talk about edward being disabled in fma, but it's less often talked about how alphonse is also disabled. i think it's partially because alphonse doesn't experience physical pain like edward so for a majority of the series, he's not having any of those kind of symptoms, but he is still disabled. also because alphonse's experiences are unique. like you don't see ant walking, talking suits of armour in real life (unless they're piloted by a human being physically inside them) and in world, there are about 3 others like alphonse).
alphonse is dependent on edward's survival to function. after fighting scar for the first time, alphonse is literally in pieces. he can't walk or anything until edward is in a position to fix him. similarly his body is dependent on nutrients from edward's body. like there's the point towards the end where edward gets impaled and alphonse collapses. furthermore, these periods where alphonse collapses start to become debilitating towards the end of the series and massively alter his daily living.
also, alphonse constantly talks about how upsetting it is for him to not feel any physical sensations. yeah, he's not feeling physical pain, but he's also not feeling the warmth of a fire, the sun on his face, or the fluffiness of the cats he keeps petting. he talks a lot about not being able to eat or sleep, and how there's a lot of foods he wants to try.
there's another thing that highlighted by edward at one point. alphonse's body doesn't regenerate at all. the parts scar destroys are gone forever; edward stretches out the metal that alphonse has left to repair his body. and obviously human beings don't regrow limbs, but imagine if your skin didn't ever heal over a cut. how long would your body last?
also alphonse gets told several times that his body is great throughout the series, and he literally argues against it every time, because to him it is shit. like he is missing some of his senses just for some supposedly immortal body that isn't even immortal.
even once alphonse gets his own body back, the amount of physical therapy the boy has to go through. his body has essentially been doing nothing and only receiving what nutrients it can get from edward for years. by the end of the series, he's still using a cane as a walking aid. it's unknown whether he requires that cane for the years to come, but for at least a period of time he requires a mobility aid. I don't know enough to say what effect muscle decay from inactivity and severe malnourishment during a major portion of his teenage years would have long term.
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gerardwaygirlmoments · 10 months
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Picture of Dorian Gray AU where he's a celebrity in the modern day (broadly speaking) and his stans post pics of him looking the same through the years on Twitter and caption them "How you age when you're unproblematic 💖💖💖"
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t00thpasteface · 5 months
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sorry but i love his big dumb smile in ye olden comix. it's so fun to see batman grinning. like just give a bitch a break
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tendermiasma · 8 months
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I watched Fire and Ice (1983) and it has an unhappy and mentally unstable sorcerer who gets his tits out for the man who tried to kill him so of course I did frame redraws
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o0kawaii0o · 1 month
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Nami on the brain!
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inkskinned · 1 year
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something bad happened to you, and you died, and you came back wrong.
not wrong all the way. the little ways. you forget important dates, stopped going out with friends. it's harder to make you smile. you're apathetic towards things you used to love, afraid of places you used to go to cheer up. quieter. flinching. different.
you came back for love. you're still here for love. what pulled you back was a brightness so loud that even death couldn't outshout it. death heard the call and smiled at you and said okay. go home. somebody is waiting for you.
but you came back different. like lot's wife; you've turned into salt. you used to chirp through life in hops and skips; but now you lose skin just standing up. you have to move slower, skimming across this world without-touching-it. most things feel dull - until they're suddenly all-too-much. life, and being alive just rushes up and over you and you get hopelessly crushed.
you try to explain it to them: it is ugly, but this is what you are, now. the huge golden hoop of your halo now a little bronze ring. you are still watering your plants and wearing the same clothes. after all, you worked hard to come home. this life; so odd and off-color, now that you are wrong.
but they waited for you - it's just that they wanted the "you" that happened before this. the "you" that could sing in the show and hug people tight and look at a blade without breaking down to cry. the you with a smile in pictures. god, holyshit, it's like looking at a completely different person, isn't it. that other-you; the one they actually wanted.
you are the consolation prize. you are the body that forgot the ghost. you are the memory of the bad thing, and the death after; like you are wearing that memory as a banner. you are a fragment, an assembly. simulacrum. you don't make eye contact in mirrors, afraid the light will glance off and your true nature will flash back at you.
you hear them talk about it in their hushed, desperate whispers. sometimes they even admit it to your face; harsh and violent, acid thrown at christmas dinner. god, can you just fucking be normal again. you do not remember what normal is. you had to climb so far to get back here; you are far too exhausted. you want to open the glass door of your heart and show all the gears. can you help resolve whatever got messed up?
you try so, so hard. you came back for them. because you believed they would love you, even when you were so horribly broken. because you believed they would be patient. because you believed unconditional meant "without exception." you cannot do things the same way. you just get tired too quickly these days.
you want to put them on a couch and pour them the tea with hands that shake more than they remember. you want to line them up and draw them a map of where you have had to wander. you want to show every bruise in a backsplash; the little helpless ant of your soul carrying all that weight, over and over. you want to say: yes! it is different! but i did it for love!
you want to say: "i'm not the same, but i'm yours and i'm here. can that be enough?"
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eff-plays · 7 months
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The way Astarion reacts depending on how you compliment him in the mirror scene (I have no interest in insulting him so I won't be covering that here, have fun though!) drives me fucking insane.
"I want to know what the world sees when it looks at me. What you see."
And you get two types of responses. First, your choices for compliments are
Strong, piercing eyes.
The creases when you laugh.
Pick the first, and he's pleased. "Go on," he says, sounding very seductive. You're giving him exactly what he wants, and he's encouraging it.
Pick the second, and he gets upset. He's an eternally young vampire, not your doting grandmother! You can do better than that. Even if you meant it as a compliment (I know my Tav definitely did), he doesn't seem to take it that way.
Your second options are
That dangerous smile.
The way your hair curls around your ears.
Once again, the first one pleases him, and he even praises your efforts. Very good. Now finish the scene and tell him he's beautiful.
But if you say the second, he gets exasperated. This is meant to be flattery, not poetry. Just tell him he's beautiful and we can call it a day, he says with a dismissive wave of his hand. He doesn't need to hear this crap, just tell him what he wants and fuck off.
Of course, it doesn't matter how you get to this point, and every dialogue option at the end of the scene nets you the same amount of approval. If you call him beautiful, it's +1. Call someone else beautiful, it's +1. If you ask whether he just wants shallow praise (aka don't call him beautiful), you get +1. So this is me pulling this out of my ass I guess.
I always choose to call him beautiful becuase 1) he is and 2) my Tav thinks so too and would oblige him if he asked for it that directly.
But I am obsessed with the different routes you can take to get to this point and what they imply.
Strong, piercing eyes and dangerous smile pleases him more outwardly, but doesn't actually affect the outcome. He's satisfied and confident with these compliments. They confirm what he's trying to project into the world, what he aspires to have and to be.
The creases when he laughs? The hair curling around his ears? Those are things he can't control, can't use against someone else. But he asked to be seen, and if this is what Tav sees, then what does that mean for him?
Why are they complimenting his laugh lines? Why are they speaking poetry at him? Why are they seeing things he has no control over, and why are they revealing them to him?
He doesn't want shallow praise. Questioning this nets approval, and giving it to him doesn't increase approval. What he wants is assurance that what he's trying to be is what the world sees, that he's in control.
And if you actually act as a mirror, point out the things unique to him that you see, he gets uncomfortable, because you're showing a reflection of someone he thinks he's not, of someone he has no control over. And that's scary, even if it's supposedly complimentary.
Because what's scarier than losing control?
But then, compared to how genuinely upset he seems when you insult him (I looked these up on YT for context), the laugh lines and hair curls are still accepted as compliments. So what does he think when Tav says these things?
They see past his piercing eyes and dangerous smile. They see something else that they like even more, things he's not aware of or doesn't appreciate as much. What does that feel like, to cultivate such a perfect image of oneself for the purposes of seducing and tricking others, and then be stumped when someone walks past all that and points out something entirely different that they noticed and found endearing?
Do you do him a favor, and tell him you see only what he wants to be? Or do you speak the truth, and show him what he actually is? Which one is better? Which one is worse?
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sofancydancy · 27 days
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The grip his stomach has on me is insane--
Hi!! Editing to thank you all so much and to say the finished version is now in the replies/with the link! 💜
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pherre · 6 months
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you can’t tell me they didn’t have some sort of weirdgirl friendship in the vampverse
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taktitty · 1 month
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Andrew Minyard has cute aggression, pass it on
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time-woods · 8 months
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so i finally watched good omens after years of putting it off. . .
this is how i cope with most things
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hotdrinks · 5 days
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[ID: The Magnus Archives fanart of Jon and Martin kissing in Jon's office. Jon sits at his desk, his fist is balled in Martin's shirt, and he is pulling him down for the kiss. There is a spilled mug of tea, and several papers fluttering to the ground by Martin's hand. There is a painting of Jonah Magnus on the wall behind Jon and Martin. He looks at the viewer with wide eyes. The office is cramped and messy, there are boxes and stacks of paper on the floor and shelves. There are small references to each of the 14 fears in the background. They are as follows: a coffin drawn on the chalkboard, a skull on the shelf on the left wall, a copy of The Bone Turner's Tale, a jar of ashes, and a spider on the shelf behind Jon, fog in the hopper windows near the ceiling, candles, a pair of antlers, a knife, and a clown doll on the shelf behind Martin, a surrealist painting of a door on a flat landscape, a tall painting of a ship on a stormy sea -both on the right wall-, and a cracked cabinet door revealing complete darkness on the left side of the room. End ID]
Jonmartin sucking face in a messy environment?? by me???? it's more likely than you think. (a commission for @primtheamazing <333)
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