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californiannostalgia · 2 months
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the inexorable corruption of power and the question of: was it fate? or was it the individual choices of ten people, twenty--a thousand people's individual choices crushed into sediment over multiple centuries?
is that what we call fate? just stories.
beginnings are such delicate times.
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ladyloveandjustice · 3 months
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My Favorite Continuing Manga I Read in 2023
I went into the brand new manga I read in this post, but here's an update on some great continuing series!
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Shout out to She Loves to Cook and She Loves to Eat for having phenomenal storyline about find the courage to cut toxic family members off, which is pretty rare to see (in manga especially)! The story explores how your family can impose a relationship with food that harms you in many different ways, and how finding acceptance of your food habits helps you heal. It also continues to be a lovely exploration of queer adults finding themselves that makes the point that your experiences don't have to fit in a box.  And I appreciate that they included a character who doesn't like eating that much for me to relate to! See my first review here, 
Now for a quick word about the other great continuing manga I read:
- I Want to be a Wall really upped it's game and included a nuanced discussion about asexuality that I loved seeing. See first review here.
- Yuri is My Job is still the best lesbian drama manga around and hits hard. See previous discussion here,
- A Man and His Cat is still the sweetest and Yona of the Dawn is as action packed and intriguing as ever...I feel a climax slowly coming!
- A Bride’s Story is still wonderfully done historical fiction with lush art while How Do We Relationship continues to develop its web of queer relationships nicely.
- Witch Hat Atelier is still a wondrous story of magic, creativity, accessibility, and struggling under unfair systems, all told in a fascinating fantasy setting with loveable, complex characters and incredible art.
A lot of manga I like concluded this year too, so let's take a slightly longer look at the conclusions!
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Dungeon Meshi- The conclusion to one of my favorite fantasy manga ever was fittingly bombastically weird and fully satisfying. It filled you up like good food should. Live well instead of being consumed by fear of death and loss. Eat well instead of working yourself to the bone and neglecting your needs. Follow your own path, but cherish your connections and get together for a good meal. This series and its intricate world and wonderful characters will stay with me for a long time.
Catch These Hands- See my first review here. I enjoyed the cute conclusion to this series, and it was nice to see a little ace rep and a message about not conforming to society's expectations of "adulthood". It's an ode to delinquent girls that a sukeban stan like me can get behind! A lot of the stuff that annoyed me in the second volume was mostly dropped for the third and fourth, so that's also nice.
Run Away With Me Girl- See my first review here. I wish this had been a little longer, but the conclusion worked well and was cathartic.
Doughnuts Under a Crescent Moon- See my first review here. A nice conclusion to a cute, slow-paced little romance series, with yet more ace rep!
The Two of Them are Pretty Much Like This- see my first review here. This conclusion felt a bit rushed, with plot lines still dangling, like it was cancelled early or something. But the series is still good overall, and I'll miss it.
My Love Mix Up -This sweet-as-pie series about cute gay misunderstandings leading to romance comes to a fittingly sweet conclusion. It's sad waving goodbye to these silly, good-hearted kids, but I'm satisfied with where they ended up.
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fictionalmenmistress · 9 months
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On my second watch, I realized that "Its Raining Men" was still playing, as Nandor literally crashed from the sky in front of Guillermo at his first pride parade.
Guys. Guys. Its raining men. Hallelujah.
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fabuloustrash05 · 8 months
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So the DBZ Abridged Buu Saga clips are out, here are my thoughts:
Android 18 knowing about Maron and her and Krillin messing with people about their daughter being named Marron is genius (cause I always found it weird that Krillin named his daughter after his ex girlfriend)
It's kind of insinuated that both Vegeta AND Bulma see the Capsule Corp interns as slaves, just shows they are perfect for each other, but also shows Dr Breifs' evil side peeking through his daughter
Trunks and Goten's voices were so damn cute!! Shout out to their VAs!
Everyone making fun of Gohan's durag XD
KAISER VOICING SHARPNER!! "He knows I love him. You know I love you" Me: AND I LOVE YOU!! A character I did not like in DBZ is now one of my favs in just a minute!
I loved the detail of Trunks referring to Goku as Kakarot (makes more sense since this Trunks grew up with and spends a lot of time with his father Vegeta)
The baby shark bit XD
"Gohan, you taught him how to dodge, that's great!" "TRUNKS PULL UP!!" LMFAO
Dabura's voice! HOLY SHIT!! it was hot
Buu's voice was also good, similar to the dub but way less irritating.
Goku, Shin and Gohan's discussion on shopping carts and tipping, as someone who worked in both fields, I FELT THAT! THERES A SPECIAL PLACE IN HELL FOR THOSE PEOPLE
Goku's "oh no" and a little giggle when Shin asked if Vegeta has evil in his heart. Goku KNOWS what's gonna happen and he's gonna let it happen XD
Vegeta's "I know you're playing me..." line to Babidi being a parallel line to Perfect Cell
Lani once again NAILING THOSE SCREAMS as Vegeta!
Vegeta killing thousands of innocent people, Goku's okay with, but bringing potato salad to a BBQ, HES CROSSED A LINE!
"God I missed you..." that made me chuckle.
Vegeta going to BBQs and movie nights with Krillin, they are friends now and I love it (underrated dynamic in DBZ tbh), also Vegeta acknowledging that he's now referring to Krillin by his actual name instead of "the bald monk". I always felt that Vegeta referring to people by their names is his way of showing respect, so him calling Krillin by his name, he hates that he now respects Krillin.
"Too bad we couldn't finish our fight. I didn't get a chance to wip out my new form-" *Vegeta knocks Goku out* PFFP- HAHAHAHA if he only knew
"I'm going to hug you now" "Hug complete" *knocks Trunks out* "I'm a way better dad than Kakarot" ASDFGHJK LOLOL
Vegeta referring to Goten as KAKATOT lol <3
The "Vegeta no" "Vegeta yes" bit having a conclusion with an emotional impact tied to Vegeta's death.
Even as a joke, I still got emotional during the abridged version of Vegeta's sacrifice.
BEST BUDDY!! HE SAID IT! HE FINALLY SAID IT! WE ALL KNEW HE WOULD BUT GOD DAMN THAT FELT GOOD!!
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orionsangel86 · 1 month
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Mary & George
So we finally have the show we have been asking for since 2016 (I went back and checked my old posts to make sure and it was indeed 2016 where the "British King Can't Stop Promoting His Boyfriend" post did the rounds).
How did it fair in reality? Well, its hardly Tumblr friendly fanfiction - though it was certainly raunchy - at least at the start. This show was scandalous, sexy, rather filthy at times (in a good way), and absolutely stunning in terms of its production and costume design for sure. It falls very much in line with the expectations of modern period dramas in a post Game of Thrones world where we have shows like The Great, and movies like The Favourite gracing our screens far more regularly than endless fucking retellings of Henry the Eighth which are so fucking common I have even been in one of them myself (sorry - my bitter hatred for stories about Henry VIII and his bloody wives is difficult to restrain).
So FINALLY getting a show set during the reign of James I and VI of England and Scotland and his love affair with the Duke of Buckingham is definitely a breath of fresh air.
But its definitely not the beautiful queer love story tumblr might have hoped for when we all first saw that post.
Nope. If you're looking for a happy tale of queer love overcoming adversity, stick with Red, White, and Royal Blue. Mary & George is not a love story. Its a story of scheming manipulative people who will do anything to get money and power. It's a story that uses sex as a weapon and a tool for personal gain. There is no fluffy romance to be found here, no sweet queer love story and no happy ever after.
I mean, this IS the British monarchy we're talking about, during an extremely dark and horrific period of our history only a short time before the country was plunged into Civil War and a King lost his head. But you've been warned anyway. All you'll find here is brutality, betrayal and eventual death.
Regardless of that, this show was fucking brilliant. The first three episodes in particular are quick witted and hilarious and refuse to shy away from treating queer sex scenes any differently to straight ones. The full frontal male nudity that crops up was also a pleasant surprise - I'm happy that cinema has generally accepted a more balanced approach to nudity nowadays - also a surprise was the lesbian romance which was probably the only genuine romance in the entire show. It leaves you wondering throughout but by the final few episodes its clear that if any love is "true" in this show, its the love between Mary and Sandie.
I absolutely adored Julianne Moore in this as Mary Villiers, who ruthlessly claws her way into power and money through schemes, seductions, betrayals, murders, and anything else you can think of. But even with all of this, I can't help but root for her. Who doesn't want to root for a scheming lesbian and her lover as they manipulate everyone around them and ensure they always get the better of the horrible men that make up King James' court? In this house we support Womens Wrongs.
As far as George goes, Nicholas Galitzine is brilliant as a beautiful but dim mummy's boy in the first few episodes, throwing tantrums and pouting with perfection. He shines in the later episodes as the arrogant and powerful Duke who believes he is practically untouchable due to his hold over the King, whilst still showing through the vulnerability underneath where that relationship remains precarious. The underlying joke of the show is that everyone wants George, and George wants everyone. He's a slutty slutty man.
You know how tumblr has a tendency to split queer stories into one of two camps - either pure sweet romantic love stories or very bad evil messy queer stories? (a gross simplification but you get what I mean) Well Mary and George falls firmly in the second camp. I enjoyed it for what it was, but I was a bit dissapointed that the general approach and belief of the storytellers here is that George used the King for personal gain, that the King was nothing more than a hedonistic fool who let his favourites manipulate him, and that any actual love between them was shallow and fleeting. Its all extremely cynical.
Especially since we know its not true. the surviving letters we have between King James and George paint a much more romantic picture, one where love was definitely a significant factor in their affair. Yes, historians love to play down queer history as best they can, but I don't believe that George Villiers was quite the manipulative little slut this show makes him out to be.
And yeah, sure, we can laugh and dismiss any true history involved. Its just a story after all? It was a bloody good story and one I enjoyed, but was it a fair portrayal of the actual men involved? Probably not - then again, the actual men involved weren't very nice anyway, and the show glossed over a lot of King James' more infamous sins. His obsession with witches and demons leading to the horrifying witch trials throughout the country were completely left out. There was also no mention of the famous King James Bible - the one that heavily emphasised any passages alluding to homosexuality being a sin which is used so frequently even today by religious zealots to persecute gay men. The Sodomy laws during King James' reign were enforced with such brutality that they brought us the slur "f*gg*t" (which I'm not explaining here). Yet the show displays acts of sodomy as such a normal part of court life that you'd almost think it wasn't totally punishable by death.
I shouldn't complain. Especially not about the lack of homophobia. Its a great show. You should watch it. But take it with a pinch of salt. The true story of James and George was probably one with a lot more secrecy involved, a lot more sneaking about in the night (after all, why build a secret passage between their bedrooms if they weren't trying to hide it?) and therefore a lot more hypocrisy on the part of the King.
There are some very touching scenes between King James and George, and I feel the show attempted to portray the relationship between them as complex and multilayered, but I'm not sure it succeeds as well as I would have hoped. But perhaps I am just a silly tumblr romantic who likes her queer love stories to actually include genuine love within them, and I always hoped that any story about King James and George would focus on how that love grew over time. Because whilst George obviously went along with things initially for personal gain, I think the evidence we have at least gives an indication that he did love the King, and the King clearly loved George, and I am interested in a story about how they navigated that love at a period of time where it did need to be kept secret, even if it was a fairly open secret, where things such as the King James Bible and the Witch Trials would have affected them, and where George's rise to power would have caused so much conflict and anger within the court.
But regardless of all that, I still loved the show. Its still worth the watch. The gays deserve more messy sexy dramas where they get to be ruthless and powerful and slutty and murderous. Its excellent viewing for all.
Ultimately though, I may have came for the gay duke and his love affair with the King, but I stayed for the lesbians. The lesbians were awesome.
#JusticeForSandie
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mezzy303 · 5 months
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So I've been rereading skip beat from the beginning for the first time in uhhhhh almost 10 years and I'm going inSaNE over characterizations and development that I have to write it down
At this point I'm only at the Heel siblings arc so I haven't gotten to the Guam or Saena arcs which are very big for Kyoko and Ren's character development and healing which I haven't reread since those chapters came out
Can we just take a moment to appreciate Nakamura for basing Kyoko and Ren's childhood struggles and trauma on very real things that aren't often, if at all, dealt with in anime/manga and also writing them with utmost care (Not only do the traumas inform their personalities, but their healing arcs aren't just a one and done thing!! It's a very slow process) Like starting with Kyoko, her single mother neglected her so much that she was raised by a family friend. On top of that, nothing Kyoko did was ever good enough for her mother, and both of these things are so apparent in Kyoko's character. She attaches herself to fairytales and magic as an escapism and because she relates to stories like Cinderella. She literally cannot function if she messes up and no one criticizes her. She can't properly acknowledge her own talents and beauty without it being attached somehow to fairytales; she never quite believes shes good enough. Similarly, she didn't want to bother anyone with her troubles, so she always dealt with them alone/in private spaces. Pretty sure she also has lowkey abandonment issues. And this is all parental trauma!! Things she already has before the series starts and she gets so utterly heartbroken she swears off romantic love entirely so she can never get hurt the same way again.
(I don't think I'll ever get over how Kyoko told all this to Kuu and he was literally like I'm adopting you. Your mine now. Sorry I don't make the rules ¯\_(ツ)_/¯ And Kuu going home to his wife like hey we got a new kid 😂 Like Kyoko freezing up when she made mistakes and then Kuu showing her love instead of reprimanding her makes me go 🥹😩💖✨😭💝 Kyoko getting all fluffy from head pats🥹🥹 But on the downside she literally can't bring herself to call him dad unless she's in acting mode sjdfhsf)
When I really consider it, I wonder if Kyoko really loved Sho as a person or like.... the idea of him. Like he was just a convenient guy via proximity bc Kyoko needed someone to be her "prince". We haven't been shown exactly why she fell in love, but it would explain why she stuck with dedicating herself to him despite his terrible personality and knowing he never saw her the same way. It's portrayed like the concept of hatsukoi in anime where its ✨pure✨and innocent✨It seems very idealistic. Whereas Kyoko's love for Ren is more mature. She sees every aspect of Ren and doesn't sugarcoat it, she sees him as he is (she does him up on a pedestal but partially bc she admires him but also as an extreme measure to protect her heart and hide her feelings imo)
And REN. trauma to the max. He had to deal with the hardships of making a name for himself when his parents are already famous, extreme racism from being biracial, his friend/mentor dying from an accident he unintentionally caused???? Like boy hates himself so much he's literally disassociating 24/7 he needs a fucking therapist. I get how being Ren has helped him in some capacity but he needs a professional asap. Though deep diving into this is so interesting because Ren/Kuon compartmentalized his issues and the parts that he hates about himself so much he created its own persona ("Dark Kuon"), to the point he's rarely ever just himself. And he buried it so deep that as soon as he cracked the lid open, those emotions just spilled out. He can't even allow himself to be happy, and when he does feel truly happy, his automatic response is acting nonchalant,,,,,,,,,,,, he didn't even realize he was doing it at first 😢
Also the symbolism with Ren's watch makes me go a little feral. I don't remember if it's originally his or Rick's but it obviously stopped when the latter died and Ren keeps it as a reminder of what happened and why he went to Japan. It's a weird item since it grounds him but also represents his heavy trauma, and I think having those two things in one kinda showcases Ren's unhealthy coping mechanisms (like grounding himself to something traumatic isn't... great...). But that scene where he realizes he took it off and he has a moment of whether it to keep it on as Cain Heel or not??? *clenches fist* it was so good. (To recap it, he had his watch so he wouldn't lose himself in the role of BJ and then forgot it in the bathroom after an unexpected trauma response) Ren narrates his thoughts as choosing between Rick or Kyoko but interpreting this, he's choosing whether to keep himself stuck in his past trauma or move forward and let himself be happy AKA stick with unhealthy coping mechanisms vs try something healthy and rely on people he trusts. Kyoko essentially becomes someone Ren grounds himself to 🥺 He still needs therapy though lmao. He's so mentally unstable in this arc,,,
As I'm writing this I'm seeing a parallel between Kyoko and Ren and how they both had an experience that completely and utterly broke them, and it was this that pushed them onto their current paths in showbiz. And they likely would never have met each other again if those things never happened (they had to lose themselves to find each other?? 😭). It's so funny to me that Ren is all like ThEiR fAtEs ArE iNtErTwInEd with Kyoko and Sho when you have to consider the fact that him and Kyoko meeting again was like. a chance in a billion. It was fate 😂
KyoRen is such a poetic ship to me. The fact that they're different people when they meet and don't recognize the other. How Ren starts falling in love AS SOON AS HE REALIZES KYOKO IS THE SAME GIRL HE MET (Ren being gray/demiromantic.... more at 5). Kyoko lowkey starting to crush on Ren when she witnesses a bit of his real personality. These two things happening around the same time??????? And Ren being SO afraid of being Kuon, his true self, because of his bad qualities, but Kyoko pulling out the good qualities without him fully realizing it?? (I'm 100% referring to Kuon being a mischievous little shit and I live for how he teases Kyoko) tbh they treat each other differently from other people without even realizing it lol. And Kyoko being surrounded by toxic and possessive men pursuing her, and Ren being anything BUT. Like my man is a gigantic green flag. He recognizes that he can't seriously pursue Kyoko bc she's a minor and he really tries his best to only be a friend and mentor in her life and keeping her trust and never crossing her boundaries despite the stereotypes of men being "unable to control themselves." Y'all take point this should be the standard at minimum☝️
I have to talk about Sho bc this boy is so fucking toxic but he makes such a fascinating character. As much as I hate how Kyoko got heartbroken in the way she did, I think it was necessary so that she could leave Sho's sorry ass and cut him out of her life. Seriously,,,, he took advantage of her and used her as a servant. she literally dropped out of school, moved to a different city, and took on two jobs for the sole purpose of helping his career and then he threw her away like a used rag (JUST THROW THE WHOLE MAN AWAY). And then he has the audacity to fall in love with her smh. Anyway the fascinating part about him to analyze is how he's so possessive of Kyoko. Like she was a mere fly in his life, but she was always his. Until she wasn't. And I think those twisted thoughts kinda morphed into feelings for Kyoko. Ig in a way he still cares about her, but it could never hide how toxic he is. Anyone who's like I don't care how this person thinks of me as long as I take up the biggest space in their heart is egotistical and narcissistic. BUT he and Kyoko bickering like siblings will always be funny. Like epitome of two people who've lived with each other for way too long so they know how the other ticks and also get on each other's nerves 😂😂Sho does makes a good foil for Ren though. Like he's basically everything Ren is not: immature, temperamental, possessive, vain, the list goes on. His only redeeming qualities as a character is providing good drama and humor and being an example of what Ren isn't.
Skip Beat is really a story about healing and learning to love yourself and letting others love you and Nakamura is such a good story teller 🥺
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daphnebowen · 4 months
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percy jackson and the olympians tv show episode 2 thoughts
again, just copying my original thoughts from last week 😭😭 lots of rambling, screaming, and general freaking out ahead!
Literally the whole first part of the episode I was sitting on the edge of my seat wondering “is annabeth going to say it? is she going to say percabeth’s iconic line?? I will be so incredibly disappointed if she doesn’t” and then SHE SAID IT SHE SAID IT OMG I LOVE HER and Percy’s reaction lol “huh?”
dude Dionysus is actually perfect “PETER JOHNSON IS HERE” man I am so looking forward to all of their banter
uhhh not me saying chiron’s name wrong for five plus years now and only now finding out it’s KYron and not CHEEron *sobs*
the whole thing with mr d saying he’s Percy’s dad was so funny I was cackling the whole time lol and not Percy ACTUALLY believing him and then Chiron shows up and it’s like “uh wait a minute hold on”
okay it is totally weird realizing that none of these people know who Percy’s dad is or what he can do but everyone watching (or mostly everyone I’ll say) does UGH I FEEL OLD
the music growing scarier as Luke approaches ACK FORESHADOWING he’s kinda cute tho I love his hair
i absolute adore how they made Percy mad about the injustice of the unclaimed at this young age not just as a fifteen year old and I freaking LOVE that for him
Clarisse is amazing, perfect, and gorgeous in every single way
DEMIGOD IN A WHEELCHAIR ALERT 🚨
“is there a greek god of disappointment? maybe someone should ask him if he’s missing a kid” dude I feel bad but the way I lost my mind - walker’s comedic timing and inflection was on point
AND THE FACT THIS GUY HAS AN ANSWER BAHAHAH
OMG WAIT THATS CHRIS AS IN… CHRIS CHRIS??? CLARISSE’S CHRIS??? CHRISTOPHER FREAKING RODRIGUEZ?? AHHHHH
percy is breaking my heart bro praying to his momma and everything it’s ok honey
YES THE BATHROOM SCENE that was lowkey kind of anticlimactic…
ANNABETH YAY
the fact that she just calmly admitted she’s stalking Percy and he’s just like “okay” onto the next thing lmao
was it just me pronouncing Thalia’s name like TAlka and not THAlia like how it’s spelled *sobs* I am really bad at this apparently
luke is making it really hard for me to remember he’s a bad guy, he’s so charming and sweet!
YES CAPTURE THE FRICKIN FLAG LESGOOOO
”sunshine” IS SO CUTE I CANT IM FANGIRLING Annabeth is everything I ever imagined her to be
NOT PERCY FLOSSING OH MY
AND SINGING ROBIN HOOD AND LITTLE JOHN RUNNIN THRU THE FOREST OR WTV HES PERFECT I CANT
percys battle instincts are JAW DROPPING that fight scene was perfect
dude that claiming! Honestly didn’t picture the trident being so big but I think it kind of fits, bc how else is everyone 20 feet away gonna see it?
percy being so confuzzled when Mr d tells him he stole the master bolt is so funny “wHaT?!”
WHERE IS THE ORACLE BRUH
final thoughts: okay, that episode was PHENOMENAL! Camp half blood is absolutely gorgeous, the capture the flag scenes were perfect. Walker is crushing it as Percy and that was genius casting and I will say that till the day I die. I cannot wait for the third episode! my only complaint is, where’s the Oracle?? I genuinely want to hear the prophecy! because if she’s not here now then how’s Rachel gonna become the next oracle? I will hyperventilate bc perachel was so good for percabeth’s growth hahaha. I really really hope she’s in the next episode! I guess we’ll see!
haha thanks for reading my chaotic notes
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laf-outloud · 5 days
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So, this was a very character focused episode of Walker! I absolutely adored Cassie and Liam's interactions, like a brother/sister vibe (which, could happen in the future).
I had hoped that with Stella growing up, we'd be done with all the bad decisions, but I guess Sadie's too much of a bad influence (and without Hoyt's charm).
I'll admit that I liked Cordell's communication issues when talking to Geri, but I'm still missing the chemistry between them. It certainly does feel like two people who've known each other forever, and even though they said they wanted to know everything about each other, I have to wonder if what they don't know is all that interesting. Jared did a great job portraying Cordell's hesitation, though (and where I thought the staccato speaking style actually worked.)
Poor August still seems so lost. I know Bonham's glad he found something to focus on, but is boot camp the right thing? Wouldn't it be better for Augie to still have other hobbies that help keep him well-rounded? Trey seems to be keeping a very watchful eye on him, which can only help.
Also loved Cordell and Abby's little sit-down. I melt every time he calls her Mama.
I'll be interested to see what happens with that cliffhanger. Apparently, not everything is as it seems! All in all, a good episode that seems to be leading up to some very exciting stuff!
And by exciting, I mean Detective Luna, lol! Two glances in the promo for next week and I'm done!
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graspingremlinhands · 24 days
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So @milk-powrit asked me to draft why I didn't like GxK, to which I decide to oblige.
DISCLAIMER: Those are my personal opinions; of a fan of Monsterverse since 2014 and a nobody with any competence in analyzing media, save some common sense and maybe rudimentals??
Also I already hugely disliked Godzilla vs Kong so my discontent had a part in how I enjoyed the movie.
To conclude English is not my first langauge and even in my langauge, debate is not one of my strenght.
Spoilers alert; so skip or I kindly suggest to block the tag: Godzilla x Kong spoiler.
Let's start with the first thing: I don't enjoy how the tone of the movie shifted so drastically from Kotm to GvsK.
In this post, a youtube user explained better than me why the shifting tone felt like a downgrade. If in Godzilla (2014) Godzilla was introduced by hearing his foot stomping on the ground. It was heavy, massive, it reverbered on the glass of the airport. It felt natural, realistic. How a creature that BIG would move in the real world.
As the user said Realistic =/= Seriousness. Godzilla can be goofy. But Monsterverse!Goji was estabilished in a setting, that was the real world.
In both GvsK and in GxK Godzilla does not feels natural. Was necessary for Godzilla to evolve, to be more nimble, when already in GvsK was already moving in a way unnatural?
Or pulling the 0 gravity fight? What purpose had the evolution, if in the end it was not even necessary. Had really improved his fighting skills? They were the same, on earth and in the hollow earth.
2 reason: I've seen around posts about how media litteracy has gone bad; in some ways about people can no longer sospend their belief and calls anything a plot-hole.
But I think that one thing is suspending the belief but another is the director of the movie making the plot moving from point A to point B without telling the audience how.
For example: Suspension of belief: They had the Beast Glove ready to use, because Monarch was already working on it ✅
But why Jia is the chosen one of the day? How the Iwi in hollow earth knew of Skull island? How the shard to control Shimo works? Why Godzilla would respond to the distress call of the people who fought against him? Why Mothra has a connection to the iwi, in particular. Since in Kong: skull island there's no reference to her? How Jia flew back on Earth with Mothra, without dying for the gravitational pull?.
Not everything has to be the viewer's guess that's what I'm saying.
3 point: Shimo and Skar King are as much wasted potential as it was MechaGodzilla was in GvsK.
Skar is menacing yes, has the ability and dexterity of a formidable foe. He's vile and disgusting, oppressing his clan (let's call it that) and he's even an abusive father. All of these things: but as a villain he's really that dangerous?
He was introduced as this terrible tyrant, a danger to the world. And he wasn't even trying to go on Earth; he went up by accident basically. Because the Iwi had to play with gravity. Or should I believe him, forcing his subordinate moving rocks was to build a staircase to the upside?
And Shimo, sweet girl. She looks so horrible. Her white scales don't blend in for anything. Like she was photoshopped last minute. Her powers do damage I see. But her being presented as one or The first Titan do actually mean something to the plot, to the character? Or a simple red-herring to made her more interesting than she actually is?
Because at the end of the day SHE IS A PET!!
"Oh Kong now has found a mate, so cute". My brothers on earth, she goes on four, is used as a mount the all time and she kept panting the whole time. That's a pet, the old dog you have to force inside when it snows.
It was pretty disappointing.
Last but not least the reason I personally dislike Wingard take on the Monsterverse, which is the point you could probably throw away all my arguments, compelling or not because it's really a ME issue, who don't think no one'd agree and I don't blame anybody for it.
I HATE HOW WINGARD DECIDED TO PORTRAY GODZILLA.
I don't hold nothing over him for having Kong as his favorite. That's personal taste, I respect it.
But when it comes to at the expense of the other protagonist, it rubs me so in the wrong way.
On this point I don't know if I want to discuss it further, but boy I do have to complain on this topic.
To summarize I'm mad Godzilla doesn't get to have the same introspection and grace is allowed to Kong, knowing he can to (if you read the Dominion comic. But since they are only distributed in the US not many does. OR should care about it. Cause I'm first a supporter of the idea that if a media is not capable to give all the informations in like the Movie, you the audience should not have to pay for more. So basically the Novelitation are cool but also a scam)
That's all I had to say about it.
Hoping any of this uphere is comprehensible. If in the end I only sound like a rambling idiot I accept it. This movie is too stupid to be too mad about it.
I'll just ignore it
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Review: Gwen & Art Are Not In Love (Lex Croucher)
Rating: ★★★★★/5
"'It's not too late to cut you out of this speech.' 'You wouldn't,' Arthur said dismissively, putting an arm around Gabriel's waist and then grinning when he didn't remove it. 'You think I'm far too charming.' 'When they come for my kingdom, I'll tell you if it was all worth it.' 'Please stop flirting,' said Gwen. 'You're giving me a headache.' 'You are sitting in Bridget's lap,' Arthur pointed out. 'And I can very clearly see that she's got her hand on your thigh.'"
Oh my GOD this was adorable and hilarious and SO much fucking fun.
Gwen and Art have been betrothed since Gwen was born. She's always loathed him and his nice hair and his devil-may-care attitude, and really, she's had a crush on Bridget, a knight who comes to fight in the tournaments at Camelot, for years. Art himself is no stranger to crushes; he's had many, always on boys. Art is now being sent to Camelot for the summer's tour, and their marriage feels imminent. How can the two of them reconcile their true feelings when the good of England seems to be at stake?
I love the mish-mash of historical fantasy romance comedy that this book is. There were multiple pages that had me laughing out loud, top tier banter, a fascinating historical backdrop, and romances that you can't help but root for. It all fits together in such a fun package, I don't know how anyone could leave this book and *not* be smiling.
I have to start with the characters, because my god, they're just so, so good. I immediately loved and empathized with Gwen, solitary introvert that she is, and I rooted for her and Bridget SO hard. But Art really does steal the show - he's hilarious, dashing, sweet, and with a heart of gold underneath his bumbling. He and Gabriel have such a great dynamic, with Gabriel being his exact opposite in so many ways, and though I did have a few moments of wishing Gabe ill, overall, what a well-written romance they have in these pages.
The plot here is also much more fleshed-out than a lot of romances, and I love it for that. There are tournaments and battles, layers of subterfuge and ploys for the crown. I didn't go in expecting much on this side of things, and it really blew me away because of it.
The whole underlying current of being true to yourself and finding your crew and all of that just takes this one to the next level for me too. I loved watching these guys figure things out and come together. I love every single one of them.
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kithj · 20 days
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also i've been reading a lot lately this month i read
apparitions by adam pottle 5/5
hijab butch blues by lamya h (audio & physical) 5/5
lighthousekeeping by jeanette winterson 5/5
the devil thinks i'm pretty by charlene elsby 4/5
i shudder at your touch edited by michele slung 2/5
what feasts at night by t. kingfisher 4/5
the salt grows heavy by cassandra khaw 4/5
dehiscent by ashley deng 3/5
the corpse exhibition and other stories of iraq by hassan blasim 3/5
kitchen confidential by anthony bourdain (audiobook) 4/5
whipping girl by julia serano 3/5
freshwater by akwaeke emezi 5/5
blood orange by yaffa as 4/5
things have gotten worse since we last spoke and other misfortunes by eric larocca 2/5
a lot of good reads only a few bad ones.... i'm officially giving up on eric larocca i just cannot get into his work it is so overhyped which i think is part of the problem, both books i've read from them have been hugely disappointing.... i shudder at your touch was also really disappointing and really fucking dull, with a title like that i was really expecting a lot.... but it was just really boring. also i had some conflicting feelings about whipping girl i just fundamentally disagreed with some of her ideas and found the book to be really shallow (which does make sense considering it's over 15 years old and one of the First) but overall i really enjoyed the essays where she talked about her personal experiences as well as some of the history around the pathologizing of gender and transsexuality, and i can appreciate her work and the book itself and what it meant at the time it was originally published. i'm hoping to read a short history of trans misogyny by jules gill-peterson and who's afraid of gender? by judith butler soonish as well not necessarily to compare but just to absorb More.
apparitions was probably my favorite and hijab butch blues, too... i'm also really looking forward to reading more stuff by akwaeke emezi they have a new book coming out called little rot and i'm 👀
currently i'm reading:
into the drowning deep by mira grant - not sure what i'm feeling about this one yet, it's been very repetitive through the first part so i'm hoping things pick up going into part 2.
mrs. s by k. patrick - loving this i'm obsessed with it i'm nearly 50% through. definitely not going to be for everyone, they write in a very clipped style and kind of stream of consciousness as well as no dialogue markers (which i know some people get really pissy about lol)
written in bone by sue black - i'm listening on audiobook and almost done i'm hoping to finish it today while playing stardew. i love an audiobook narrated by the author and she has such a lovely voice. she fucking loves her job and has so much passion for bones and people and their stories sometimes i almost get weepy just listening to her talk about it
also i think i'm going to start crying in h mart next after written in bone... i have the physical as well so i'll probably jump between listening and reading like i did with hijab butch blues. anyways thanks for reading this post and you should tell me if you've read any good books recently 🥺👉👈
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californiannostalgia · 11 months
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saw this tweet and thought about how before the spiderverse movies, comic!miles storylines were largely inspired by different spiderpeople/superheroes
and spiderverse fully embraced this as a miles morales signature: he's the one most fit for the position of main character in a multiverse trilogy precisely because he was originally created as an amalgamation of the characters that came before him
and now this animated movie series is going to propel miles morales as the incomparable, irreplaceable spiderman in our cultural canon by giving him his unique spiderman narrative within the context of his character having been created as a parallel to other spideys
he learns things from the people he meets and he makes them his own! he puts his own twist into it! he does what no one else can! he is exactly like the others and absolutely nothing like them!
the glowup of a spiderman achieving full individuality in a Multiverse Trilogy featuring a hundred other spideys is just absolutely incredible, who is doing it like him
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ladyloveandjustice · 3 months
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My Favorite Books I Read in 2023
I read a ton of good novels last year- 36 in all (and uh, 78 manga/graphic novels, but we'll examine that in another post). Here's a link to my Goodreads year in books (the manga is at the beginning, the novels start with Siren Queen) and my storygraph wrap up.  
I reread a ton of Discworld this year, and it's as spectacular as ever. But what about new reads?
Well, here are my favorite books I read in 2023!
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In the Dream House by Carmen Maria Machado
This is an autobiographical memoir about the abusive relationship the author went through with her ex-girlfriend. It's absolutely gut-wrenching, and at times, achingly beautiful. Machado uses the house she shared with her girlfriend, which she calls the "dream house", as a back drop. It's a place she always wanted and also a place she became trapped in, Machado's language is beautiful as she explores the relationship from different lenses-- The Dream House as Lesbian Cult Classic, the Dream House as Noir, the Dream House as Creature Feature, the Dream House as Stoner Comedy....All facets of the relationship are explored in a way that grips you by the throat and makes you remember everyone who ever tried to suffocate you-- but it also explores the hard work of moving on, of picking up the pieces, of living and embracing tenderness along with hardship.
I especially related to Machado's struggle to talk about abuse between queer lovers because of her fears of giving homophobes more ammunition...and when she says "we deserve to have our wrongdoing represented as much as our heroism, because when we refuse wrongdoing as a possibility for a group of people, we refuse their humanity", I felt that deeply.
This wasn't just one of my favorite books this year, it goes on the list of all-time favorite books. I wish I had this kind of writing style. I'll be returning to this again and again.
Zachary Ying and the Dragon Emperor by Xiran Jay Zhao
A middle-grade novel about a Chinese-American teen who feels a bit alienated from his heritage, which becomes a bit of an issue once he finds out the First Emperor of China has possessed his A.R. Gaming Headset. Now he needs to close a portal to the underworld with the help of other kids possessed by emporers.
This was a whole lot of fun, and often quite poignant. I was unsure if I could really enjoy middle-grade books as an adult, and this absolutely proves I can. There's a lot of really interesting Chinese history blended with action-packed fantasy, and exploration of the complicated feelings a kid can have about their own heritage . The dynamic between Zachary and Qin Shi Huang was so entertaining with the Emperor being villainous, heroic, charismatic, detestable-- and Zachary realizing how his complicated feelings about him mirror his relationship with his culture at large. There was also a lot of fun with other historical figures, and Xiran's take on Wu Zetian is a joy. (Also, if you like Yu-Gi-Oh!, you'll probably like this, since Xiran says it was one of their influences).
Camp Damascus by Chuck Tingle
Rose is young woman who's raised in a fundamentalist Christian household, and she's a devout, obedient daughter. But some weird things are happening. She's seeing a terrifying demon everywhere, insects are coming out of her mouth....and she's possibly having feelings about other girls. What's going on?
Yes, this is by the Chuck Tingle who makes all those Tinglers. But THIS one... will make you tingle with fear! It's a great horror novel! It's skin-crawlingly creepy at times, but also does a great job digging into how fundamentalist dogma harms queer people, and the hypocrisy of such beliefs. The conversion camp aspect is handled tastefully, and overall it was a great spooky read that's also ultimately very affirming, cathartic, and hopeful.
Qualia the Purple by Hisamitsu Ueo
You might go into this thinking it's just a quirky yuri light novel about a schoolgirl and her crush who sees everyone around her as robots (like literally, when she looks at someone she sees a robot instead of a human). But it quickly becomes surreal queer psychological horror steeped in absolutely wild applications of quantum mechanics and thought-provoking time travel.  Some of the quantum mechanics  exposition dumps were a bit much but I deeply enjoyed having my mind cracked open by this book. 
It's one of the most interesting takes of time loop stories I've seen. But it definitely covers a lot of rough subject matter, including a relationship with a serious age gap and extremely messed up relationships, so be cautious if you have triggers.
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Our Wives Under the Sea by Julia Armfield
This book follows Miri, whose wife goes missing on a deep-sea submarine mission for six months. Miri thought her wife dead, but she miraculously returns one day...but her wife has changed. She's like a stranger. She may have bought the horrors of the sea home with her.
This is a gripping exploration of grief and loss combined with a delicious, slow horror that creeps under your skin. There's excellent Lovecraftian and body horror elements to the novel, but it works very effectively as a metaphor for a loved one going through trauma, and a relationship starting to crumble because everything seems different. A moment that really stuck out to me is when Miri copes with her wife's disappearance by frequenting an online community where women roleplay as wives with husbands missing in space. The way the online drama of the community interacted with her grief was  both funny and heartbreaking. 
This is another example of a book that makes me deeply jealous with its lyrical writing, and another one for the ever-lengthening all time favorites list.
Otherside Picnic Volume 8: Accomplices No More by Iori Miyazawa
The latest entry in a series about two girls exploring an alternate dimension full of creepypasta monsters, while also falling in love with each other. See my other reviews here and here.
This volume has the payoff to a lot of careful character work and relationship building, and it was completely satisfying. In fact, it was...show-stopping. Spectacular.  Incredible. I loved the exploration of how love, sex, and romance are so different for different people and it's impossible to put it in neat boxes. The frank and messy conversation our leads have about their relationship was perfect and so was that absolutely  bonkers, wonderful finale. This is another one for the all times favorite list, and I loved it so much I wrote a extremely long review/recap here. 
Queer Ducks (and Other Animals): The Natural World of Animal Sexuality by Eliot Schrefer
This was a well-researched, well-crafted, easy to read book that explores queerness (mainly homosexuality, bisexuality, trans and genderfluid expressions in animals, and even the question of if and how animals can related to gender) in the animal kingdom. Though it's definitely aimed at teens, I learned a lot from it (who knew female bonobos were such life goals) and it presented its information in a fun way. It included some interesting examinations of how proof of homosexuality and bisexuality in animals was historically suppressed and filtered through homophobic assumptions. If you want to learn a little animal science in an accessible format, definitely check this out.
Night’s Edge by Liz Kerin
The story follows Mia, a woman in her 20's living with her vampire mother. Her whole life revolves around not drawing suspicion towards her Mom. She also has to make sure to feed her Mom some of her blood every night--lest her mother fall back in with her abusive boyfriend and start hunting humans.  But when Mia meets a cute girl, she starts to dream of living her own life...
It was a really interesting use of vampirism as a metaphor for both living with a parent struggling with addiction and having an abusive parent. It's just a well-told, heartwrenching tale that got deep into the character's mindsets. I thought the ending was bit abrupt and rushed, but it did make more sense once I realized this was the first in a duology. It's a fascinating take on vampires, and I'm interested in seeing more.
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The Adventures of Amina al-Sirafi by Shannon Chakraborty
This novel follows a middle-aged Muslim female pirate living around the Arabian Peninsula. She's supposed to be in retirement, but wouldn't you know it, she's lured in for one last job! I she rescues a kidnapped girl,  she'll have all the riches she needs to set her family up for life. So Amina begins her adventure of fighting demons and monsters and ex-husbands. But the job might not be all it seems.
This novel is full of all the entertaining swashbuckling action and shenanigans that any pirate story should have. It's a rollicking good time, and feeds my craving for middle aged women going on quests and kicking ass. Amina's journey is a fun, wild ride full of dynamic characters and interesting mythology!
Yellowface by R.F. Kuang
Juniper is friends with a successful Chinese-American author, Athena Liu, and has always been deeply jealous of her. When Athena dies in front of her, Juniper decides to steal her manuscript rooted in Chinese history and claim it as her own. But plagiarism might catch up with her...
This is a strong example of a book I thought was really well-done, but one I'm probably never going to read again. The way it depicted Twitter drama is just too accurate and I got anxiety. It did such a good job putting you in Juniper's awful shoes so you can feel the pressure close in along with her. The book's commentary on the insidious racism of the publishing industry was effective, and it made a horrible character's journey fascinating to follow. I was so intrigued yet anxious I had to force myself to finish the last few pages.
Bonus read:
Legends and Lattes by Travis Baldtree
A very cute novel about an orc named Viv who decides to retire from the violent life of a bounty hunter and run a coffee shop instead. She ends up getting a lot of assistance from a succubus named Tandri...and my, is that a slow-burn coffee shop romance brewing? This book reminds me a lot of various cozy slice-of-life anime, and it's nice to be getting more of that feeling in book form. I wish there was a little more specific to the fantasy world rather than making it a coffee shop that line up 1 to 1 to a modern day shop, but it was definitely a sweet read.
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fictionalmenmistress · 7 months
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I bought a special movie first edition copy of SILENCE OF THE LAMBS (which I adore in movie form, and this book is much older than me. The equivalent of a hot older boyfriend that makes people think I have daddy issues, older), and I need to let everyone know how excellent this book is.
And how SHAKEN TO MY CORE I WAS, WHEN HANNIBAL LECTER CANONLY ASKED CLARICE LIKE 3 TIMES ABOUT WILL GRAHAM. And she's like... I don't know will graham personally, so... and Jack is like "dont let him in your head or know personal stuff about you. Careful, we all know what happened to Will Graham" LIKE, YEAH!! OMG WE *DO* ALL KNOW WHAT HAPPENED TO WILL GRAHAM :O
(BUT ALSO JUST ALL OF THE LORE THE SHOW ACTUALLY LAID OUT FROM THE BOOKS, SEEING ALL OF IT UNFOLDING AND THERE IN THE BOOKS?? LIKE, OMG HEY I KNOW THAT DUDE, I WAS THERE :D)
When movie, book, and show, come together so beautifully and masterfully... its one of the purest satisfactory loves in creation, of mine.
(*** I do have daddy issues btw, and Hannibal Lecter sleeks that need, in all versions.***)
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burningvelvet · 4 months
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Quickly and poorly reviewing and ranking adaptations of Jane Eyre (1996, 1997, 2006, 2011) by their pros and cons:
1996 pros:
Best fire scene, easily. It actually gave me that excited feeling that good cinema gives a person. Much of the cinematic art was enjoyable altogether, including the costumes.
This film probably has ond of the best Bertha's in my opinion. She's truly sympathetic, beautiful, and fierce. probably tied for my favorite Bertha actress with 2006. She and Poole are given little time in the story, however.
Most adaptations shit on St. John. Here, that isn't the case. What little time he has is spent in making him much more appealing than I've ever seen him, both physically and characteristically. I like this, because many forget that Jane did love him in her way, and he is supposed to be attractive and nice despite his zealotism.
1996 has the best Adèle, which is amazing for me as a big Adèle fan. There is more focus on her and her relationships with Jane/Rochester. I particularly love the scene where J draws R and Adèle tries to play cupid a little, and when Adèle is offended when the ladies insult Jane.
Best Lowood plot by far. This is the first time I've been able to stand the Young Jane scenes, and little time was devoted to her early life with the Reeds, just enough to let us know she was abused. I like this choice. The young actresses playing Jane and Helen were the best and most rebelious I've seen yet. Their hair cutting scene brought tears to my eyes, which rarely ever happens for me.
Good Blanche plotline. I absolutely love the cinematography/aesthetic & set design.
1996 cons:
the actors are individually endearing in some ways (the scene of Jane and the mirror is particularly touching, as is their reunion). However, The biggest downside to this adaptation is that the chemistry between Jane and Rochester was lacking in my opinion. this is particularly notable in their meeting scene and first proposal scene.
William Hurt is a fantastic actor, and he's likeable, but he's not my favorite Rochester ever. He's alright. On a rewatch I could see myself warming to him more.
I love Charlotte Gainsbourg more for her music than her acting. Granted, she was young here like Jane is supposed to be, so I do not blame her. Visually, aside from her height, I can absolutely see her as Jane. As the film went on I warmed to her acting style; Jane Eyre is a hard role to perform due to her inwardness. I don't think she was horrible, but Anna Paquin (of later True Blood fame) as Young Jane Eyre somewhat outshined Gainsbourg.
I was disappointed in Adèle being sent away to school before the disaster and her not coming back in the end (why couldn't they have had her running with Pilot in the landscape shot!!!).
1997 pros:
Maybe the most accurate Jane and Rochester. I wasn't expecting to like him at all but he blew me away. excellent chemistry between the actors. The dancing scene was very captivating, as was the scene with him jumping from the walkway, their outdoor talks, him chasing her down the stairs — really, I was impressed, because I thought I'd hate this film. Like in the novel and in 96, both actors are a bit conventionally unattractive (well, compared to 11 and to some extent 06) - and like them, the characters grow on you.
BEST ST. JOHN (although 2006 has the best Rivers sisters) - St. John is described as being nice though serious, and looking like a statue of a Greek God with all the coldness AND beauty - and this movie is the only one who relatively understood that assignment (96 came close emphasizing his niceness). Most adaptations adapt his coldness but not his conventional Eurocentric good looks, which not only symbolize his colonizer attribute but also his appeal to Jane and the others. It's also important to have a conventionally handsome actor play St. John just as it's important to have a conventionally less attractive Jane Eyre because one theme of the novel is the critique of Victorian physiognomy & beauty; Jane/Rochester being unconventionally attractive is a contrast to Bertha, St. John, Blanche, Georgiana being attractive, so I think this element is not inconsequential. The difficult part is that beauty is highly subjective, so relying on conventional standards is key, as is the reminder that Victorian standards were a bit different from our own.
good Lowood plotline, good Gateshead plotline, fantastic Adèle with lots of adorableness & miraculous though OOC bonding between her and Rochester, fantastic costuming (though I don't know about accuracy), good Blanche plotline overall. Probably my favorite Bertha plotline for being sufficiently creepy.
1997 cons:
this isn't really a con for me but many people may dislike 97 Rochester for being passionate to the point of coming off crazy, and physical domineering as when he grabs Jane when she tries to leave — however, this does kind of fit for canonical Rochester & I don't mind it since he's supposed to be that way, but this is still arguably a con nevertheless. he does come off as too forward but i get they were trying to capture the whole overpassionate thing. it does come off as a little more toxic than other depictions perhaps!
I have very few complaints overall. I don't think the chemistry is as appealing as 2006, but it is accurate. I wish there was more Adèle, but you can't have everything.
The posters are bad and make the actors look worse than they are which subsequently turns people away. I think 1996 was marketed a bit better but that 2006 also suffers from bad poster syndrome which had an effect on me also. Presentation is important; marketing and advertising are also important in cinema. The aesthetic isn't as good as 1996 although I don't think the visuals are bad overall.
Jane is a little dissociative seeming, which can be off-putting for myself and other viewers I assume, but to be fair she is described as being like a weird little elf creature in the book, and the actress plays this very well, actually looking quite ill when Rochester asks if she is.
2006 pros:
Best chemistry between Jane/Rochester by far and for this reason will always be my favorite because it actually made me fall in love with Rochester in the end though I didn't like his portrayal at all at first (that's power! — and my love for this Rochester should arguably be a con for the sake of my sanity and pride). best Rochester imo and a fantastic Jane. I love love love the way they did the Rochester storytime flashbacks and fleshed out his character as a result.
Best and most enjoyable Blanche Ingram plotline by far (although no one likes the lack of Rochester-in-drag, the party scenes & insertion of the twin flame theory was delightful).
some of the best dialogue, fantastic Adèle plotline, good Bertha plotline, best Pilot, best Rosamond, good costuming, good sets/locations (the fairytale ambience of Jane walking outside before meeting Rochester! Rochester's weird study!), I like the extra focus placed on themes such as nature/genetics/science, religion, travel, sexuality, etc.
2006 cons:
I dislike the way they did the Lowood and Gateshead plots, and although the Rivers sisters were good, I resent their St. John plotline for the most part. I disliked the lack of mystery surrounding Bertha; I think they made it way too obvious & not creepy enough, especially in showing her perspective from the window and giving her lines (one line, calling Jane a whore in Spanish) which no other adaptation does. I was sorely bored before and after Thornfield and only really revived when she got back to Ferndean (although Jane's flashbacks and some of the St. John plotline [the references to love, reminding us of her inner thoughts of Rochester] kept me alive). I suppose there were prices to pay for the excellence of the Jane and Rochester moments. - in comparison these seem like small prices, but still!
2011 pros:
deciding to go with a non-linear structure was a fantastic choice though I was skeptical of it at first, good St. John plotline for the most part & which they put emphasis on, really fantastic Jane with a lot of good fierce moments & lines, maybe the best Gateshead plotline including Mrs. Reed & the Red Room scene (although the lack of red was disappointing, and the lack of explanation for the chimney monster is conflicting – was it all in her head?), good young Jane, one of the best Richard Masons, star-studded cast, good dialogue, maybe the best costuming, Aesthetic™️
2011 cons:
least favorite adele (not insulting the child actress, this is the fault of the writers/directors)
— this is where i call security to protect me from an onslaught of jane eyre 2011 fans here on tumblr. alright, maybe i should watch it again — but i was expecting a lot more. particularly from michael fassbender as mr. rochester. probably my least favorite rochester by far & the least sympathetic. this rochester captures the dark and dangerous part of him but imo not so much the higher feelings that define him. the lack of humour & lack of unrepressed passion/drama/rage is noticeable - rochester isn't supposed to be quiet; as toby stephens (2006) said in an interview, rochester never shuts up in the book, he's really too eccentric to even be adapted accurately; he has to be toned down to be realistic, but here he's muted too far. - i felt like mia was carrying all of their scenes on her back & that the chemistry really rested on her primarily.
Cinematography-wise, there are some gems in the stills (famous hand holding gif), but I dislike the overall muted palette of the film; many will think this suits the tone and in some ways I agree, however, I will always prefer color and dislike the epidemic of desaturation we've seen so often in 21st century cinema. For this reason, 96, 97, 06 all triumph against 2011 aesthetically for me personally, although I still recognize some of the artistry of 2011, it is not my preference.
My overall ranking: 2006 (primarily for Jane/Rochester), 1997 (excellent overall), 1996 (good but flawed), 2011 (I tried but overall did not enjoy it).
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howlingday · 2 months
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Gotham Knights
6.5/10
You're not Batman. You will NEVER be Batman.
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