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#namaari
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Something I thought of doing a few days ago but decided to publish it until today to coincide with lesbian visibility week
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moon-spirit-yue · 2 days
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Benja, probably, after hearing his daughter is dating Namaari: I tried to be supportive for Raya. I really did. But I wanted to kill myself
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musenilla · 4 months
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Rewatched Raya and have forgotten how much I love her!!
I have also forgotten how much tension they had?? Why were they constantly flirting with each other like that 😭 Honestly had me gasping from the start, how did Disney fumble this so bad-
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tessalation · 1 year
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The best trope is enemies to found family. This either works as “we all used to try and kill each other but now we fight for each other” or as “you were sent to assassinate my found family but we simply adopted you, and now you’re on a redemption arc like no one’s ever seen,” and they both mean so much to me
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synergysilhouette · 5 months
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Everyone keeps talking about "traditional villains," but in retrospect, I wish Disney had gone in a different direction for the Revival Era. Hear me out...
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King Magnifico's failed characterization and poor writing in "Wish" really bummed me out. I was looking forward to a complex villain who was kinda right. I was hoping it could usher in a new age of Disney villains who were more grey than black and white, who made the characer grow as a person because they challenged their perspective. But then I realized that the opportunity existed in earlier revival-era villains:
Dr. Facilier is a villain first and foremost, though thinking back on it, I do think he is kinda proto-Magnifico, granting people's wishes, only for them to find that what they wanted isn't what they expected. I do wish he tied a bit of truth in with his scams, mentioning (similar to Magnifico) how people's dreams are very difficult to achieve--especially in the post-WWI American South, particularly POC. Naveen is generally assumed to be a POC himself, so he could juxtapose this viewpoint as someone who's never really had to experience such hardships. Dr. Facilier could still be 100% villainous, but further emphasis on dreams, wishes, and hard work would be part of his character. However, this is the reverse of "Wish"; Tiana has already worked hard, but she's lost a lot of her innocence and light-heartedness trying to achieve it, thus causing her to reevaluate how important love is and how she may not have realized it, being more practical about her dreams. It all starts with a wish.
Mother Gothel was already right; the world can be dark and cruel, and will destroy any light it finds. However, similar to Magnifico, since she's completely evil, the protagonist she goes against doesn't really change to understand what she's saying. Rapunzel doesn't see the world as dark or dangerous anymore; it's the opposite, thanks to her experiences. Because of this, I do wish Rapunzel did have a bit more negative experiences independent of Gothel to prove Gothel's point rather than it being "hey, she's just saying that because she's the villain." Maybe Rapunzel tries healing someone and people start lusting after her hair.
Hans is DEFINITELY a missed opportunity. He was the anti-Anna; isolated and alone, and he became bitter and cruel because of it. It's mentioned that the deleted song "More than Just the Spare" was removed because it made Anna too much like Hans. I don't think that, and if anything, it furthers my point: Hans gave up on his brothers, who he felt overlooked by and pestered by (he doesn't even mention his parents). Maybe give Hans less brothers and feature them a little in the movie so we can see how they interact with Hans and how it's a "what could be" for Anna and Elsa. His evil character is exactly what Anna is trying to avoid, but she understands how he became this way rather than it simply being for shock value.
Yokai was a great villain to me, but the reveal happened too late. I'd have loved seeing a more thorough exploration of his character and parallels to Hiro (which were done great in the film; I just wish it was expanded on). Highlight how people quickly forget about the dead and don't always learn from history, how there's this cycle of loss and hatred that you have to break.
Bellweather was on a power trip, but I do wish she had a storyline similar to Judy and Nick, since--in an interesting twist--they come off as more interesting and complex than the villain. She doesn't really say what made her act like this, and comments that "fear always works." I wish we got more of that, especially to play the two sides card; Zootopia is mainly predator-phobic, and challenges to this, ie predators playing down predator-related crimes in order to get people to look past their identity (and the fact that many predators are in positions of power) may have caused Bellweather's abuse by predators to be overlooked, causing her to want them all gone.
Te Ka is interesting. Despite "Moana" being a great film, I do feel like Te Ka and Maui's storyline was underutilized. It's revealed Maui stole Te Ka's heart for humans, but from what we see, Moana lives in this ideal community where their heritage, culture, and nature is loved and respected. Maybe embrace the fact that Tala is the only one who tells the story of the ancestors and how being they became "comfortable" since they were no longer voyagers, being used to the hierarchy and their stagnant society. Highlighting some humans' selfish natures would've been nice rather than Maui just telling us about it, with Te Ka being a metaphor for the destruction and disregard for nature and love.
Namaari is such a missed opportunity. Despite caring about her community, she comes off as more villainous than an antihero since she doesn't show any sympathy or care for Raya--in fact, she seems rather smug about hurting her. By making her a villain burdened by expectations and love for Fang while slowly being redeemed would've been better to me, shifting her POV slowly, making Raya angry with Namaari but understanding her motives. Having some regret about her choices--even if she believed they were the right ones--would've gone a long way for Namaari's characterization.
Magnifico...well, you already know he could've been one of Disney's most complex villains. Horrifying backstory and powers that are the result of hardwork left him with a jaded view on wish granting. He wants to help others, but has MANY reservations about it.
This is just my POV, of course; some of you may disagree (or feel like the aforementioned villains already achieved what I ask for), but I do hope future Disney villains have that "they're kinda right, even if they're wrong" characterization. It'd be a nice new era as the successor to traditional villains and twist villains--though just like twist villains, this trope requires VERY good writing.
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womeninfictionandirl · 3 months
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Raya & Namaari by Emil Lundmark
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thepropagandists · 11 months
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Here are My Favourite Female Animated Characters from various eras! Interestingly, I've noticed a recurring pattern among them, Ummm.
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ariel-is-a-goddess · 4 months
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Disney princess/heroine ethnicities/places of origin part six: 2019-2021
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namaari-simpery · 6 months
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Ya'll
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I swear they are in love.
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lovewillthaw-j · 6 months
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Some random characters I spotted in Once Upon A Studio:
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The Christmas elves from Prep and Landing
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John Henry (from the eponymous short film), Lewis' adoptive mother Lucille from Meet the Robinsons, and Kida from Atlantis.
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The Godfather and his daughter from Zootopia, Shank from Ralph Breaks the Internet and Namaari from Raya.
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adorascake · 6 months
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i couldn’t help myself
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undergroundpuppy9 · 30 days
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Nap time
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Some time ago I had a conversation in which I came to the conclusion that Raya could still find it hard to sleep since she got used to being alert during the 6 years she was alone, which led me to want to draw her taking a nap feeling protected by the rest of the gang
Besides, I wanted to draw Boun and Noi because there aren't enough fanarts where the two of them are
*I have pending to draw tong at least once but it will be later*
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moon-spirit-yue · 2 days
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Raya, after getting caught at some point in the six year time gap: a-are you gonna kill me?
Namaari: no I’m gonna kill other people and you’re gonna be my girlfriend
Raya, weirdly okay with that: cool!
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sengiewhy · 1 year
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disney lesbians,,, thats all i have to say
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synergysilhouette · 5 months
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Disney hero/villain tropes and personalities I'd like them to revisit or try for the first time.
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An optimistic male lead. Pessimistic leads are a dime a dozen, so having someone who's more innocent and sees the world in a positive light would be awesome.
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2. A male hero/female villain dynamic. Male villains are more common than female in Disney canon (though the female villains have better odds of being iconic), and usually when we have a female villain, we have a female hero. It'd be neat having a male protagonist and a female antagonist.
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3. A villain who's kinda right, or has selfless or selfless-adjacent (ie not "I'm doing this just for me," but "I'm doing this for someone I care about--and maybe me too") intentions and bad methods. I feel like Disney has done this trope before (or at least tried), but I'd love them to do this more; a complex villain who CHALLENGES the protagonist to grow as a person, whether they're doing "I'm selfish but now I understand how it hurts others" or "I thought I was doing everything right but now I see the situation isn't so black and white."
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4. A forgotten/fallen hero as the villain. I like the idea of someone who was originally a typical Disney protagonist, only to get to a situation where they gave in to their fear, hope, despair, grief, etc. I remember the 2015 remake of Cinderella doing a really good parallel to how both Cinderella and the Tremaines had suffered grief, but while it embittered the Tremaines, Cinderella held strong, making them resent her further (particularly Lady Tremaine).
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5. A shy Disney protagonist. Most Disney protagonists are pretty outgoing and/or social, so having someone who isn't the best at socializing would be a cool Disney lead--plus if it was a musical, the singing could either all be done from the protagonist and co's minds rather than out loud, or the protagonist only sings when they think they're alone. Perhaps they eventually gain the confidence to sing publicly.
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6. A hero and villain romance. This may not be something that you wanna have with a film that caters to a younger audience (glamorizing abusive relationships and such), but if done correctly, I like the idea of a villain redemption and subsequent falling in love with the protagonist. As such, they'd probably have to be a secondary villain in order to keep their crime/kill count low. It's a controversial idea, but I do like the enemies to lovers trope (note: ENEMIES to lovers, not two people who pester, annoy or argue with each other then fall in lover over time; not a fan of that).
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indianaclems · 3 months
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