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#naruto cover pages
everyitachi · 1 month
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alichiraku · 11 months
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Timeline - Iruka Umino
(I’ve just compiled information from various pre-existing timelines, so credits go to the Seelentau timeline and @keepyourpantsongohan​’s one!!)
I added events I thought relevant to Iruka’s story (whether because it impacted Konoha or Iruka personally). I calculated the ages by taking the Databook ages and correlating them with the first appearances in the manga which is why it sometimes differs from the other timelines (ex: Yugao is said to be 22 in the first Databook, but her birthday is on November 3rd, and her first apparition is during the Chūnin exams in July-August. Therefore, I consider her to have turned 22 the year before). 
I’ve checked this timeline a few times, but there may still be errors (or simplifications), so don’t hesitate to point them out and I’ll correct them!
Year 0 : Iruka is born (May 26).
Kohari and Ikkaku Umino are 34-35.
The Third Shinobi War begins. Around this year, Kushina (13-14) is kidnapped by shinobi from Kumo and rescued by Minato (13-14).
September 15 : Kakashi turns 5.
Kakashi becomes Genin.
Year 1 : 
May 26 : Iruka turns 1.
September 15 : Kakashi turns 6.
Kakashi becomes Chūnin.
Year 2 : 
May 26 : Iruka turns 2.
Sakumo Hatake (around 40) commits suicide.
Kakashi’s generation becomes Genin : Genma (10), Guy (7), Ebisu (10), Shizune (10), Asuma (9), Kurenai (9).
Year 5-6 :
Iruka Umino enters the Academy.
Sasuke enters the Academy at 5 and Itachi at 6. Given that war wages during Iruka’s childhood, I chose to make him enter around this age instead of later, but we have no way to confirm this.
Year 8 :
October 24 : Anko turns 10.
Anko becomes Genin.
Year 9 :
 The Third Shinobi World War ends on an armistice between Konoha and Iwa, Minato becomes Hokage.
Minato is 23, Kohari and Ikkaku are 43-44.
Year 9-10 : Births of the Rookie Nine. 
Year 10 : 
May 26 : Iruka turns 10.
October 10 : Naruto’s birth ; Kurama is freed by Obito and attacks Konoha ; death of Kohari (45) and Ikkaku (45), as well as Minato (24), Kushina (24), Biwako (55) and many others. 
Iruka’s experience of this night is depicted several times in both manga and anime, which explains the slight contradictions. The last version of the event in the manga is probably the most accurate.
Chapter 1 : Iruka is forcefully taken away from the battlefield by an unknown shinobi as he screams that his parents “are still fighting”, although it’s unclear whether he knows this for a fact or is simply in denial.
Rookie Instructor fillers : Kohari wears the traditional Konoha uniform instead of the later grey ANBU-like one (it may be attributed to Iruka’s faulty memory of the event). Iruka is sheltered with other children away from the battlefield but is implied to have escaped when he learns that the squad where his parents were fighting has been decimated. This is the last flashback we have of the event and the anime seems to imply Iruka didn’t get to see his parents again.
Chapter 503 : Kohari wears a grey uniform. She’s already on the brink of death as Ikkaku orders Iruka to flee the battlefield. Similarly to Chapter 1, Iruka is then forcefully taken away despite his protests.
The anime later faithfully animated this scene and its chronology.
October 24 : Anko turns 12.
Anko becomes Chūnin.
The Academy having been destroyed in the Kurama attack, the learning conditions of this year’s students are unclear
Year 11 :
During this year : death of Might Duy (35) protecting Guy (15), Genma (17) and Ebisu (17).
Flashbacks of Iruka joking around to amuse his comrades.
May 26 : Iruka turns 11.
June 9 : Itachi turns 7.
Itachi becomes Genin.
Around this time, flashback with Hiruzen in front of the tombstone. Hiruzen says “It’s been a year” in the English version (indicating this is after the anniversary of the attack) but “It will be a year soon” in the French version (putting the scene before the anniversary). 
November 2nd : Hayate turns 12.
Hayate becomes a Genin (ID 011671)
Iruka becomes a Genin (ID 011850).
November 3rd : Yūgao turns 11.
Possibly in the same promotion [ Ninja ID indicates that they graduated after Iruka ] : Yoroi Akado (11), Iwashi (11), Izumo (12), Kotetsu (13) 
Possibly in the same promotion [ No ninja ID, but same age as Iruka ] : Santa Yamanaka, Maen Nara, Iroha Hyūga
Year 12 :
November 2nd : Hayate turns 13.
Hayate becomes Chūnin.
Year 14 :
February 29 : Kabuto turns 10.
Kabuto becomes Genin (ID 012140).
Yugao (13 or 14) becomes Genin (ID 012161).
June 9 : Itachi turns 10.
Itachi becomes Chūnin.
Year 16 : 
April : Sasuke (5) enters the Academy, Itachi (10) becomes ANBU.
May 26 : Iruka turns 16.
Iruka becomes Chūnin. 
July 23rd : Sasuke turns 6.
October 10 : Naruto turns 6.
Year 16-20 :  Iruka (16-20) becomes a teacher at the Academy (in this post, I tried to pinpoint at what age Iruka might have become a teacher).
Year 18 :
 Itachi (13) and Obito (22-23) massacre the Uchiha clan.
Sasuke is 7, Mikoto is 35, Fugaku is 40.
The event happens between the 9th of June (Itachi’s 13th birthday) and the 23rd of July (Sasuke’s 8th birthday).
Academy days : Iruka teaches Naruto, Shikamaru, Chōji and Kiba the leaf exercice ; flashback of the Academy fight between Naruto and Sasuke 
Year 22 :
May 26 : Iruka turns 22. 
Year 23 :
Naruto Part I begins. 
January 1st : Guy turns 26.
January : events of the first chapters. Naruto (12) discovers he is the host of Kyūbi during the incident with Mizuki (27).
May 26 : Iruka turns 23.
June 11th : Kurenai turns 27.
June 24 : Hiruzen announces the upcoming Chūnin exams. All 3 rookie jōnin-sensei enter their students despite Iruka’s protests. 
The Chūnin exams begin on the 1st of July and end on the 1st of August. Orochimaru attacks Konoha.
August 3rd : Funeral for the Third Hokage
Following the destruction of Konoha, every shinobi (including teachers) has to get back in the field and take missions again.
Unclear for how long: in the third Databook, Iruka has completed 3 additional D-rank, 5 C-rank and 16 B-rank missions before being back at the Academy.
End of the year : Naruto and Sasuke fight at the Valley of the End, Sasuke leaves Konoha to join Orochimaru, Naruto leaves with Jiraiya.
Year 25 : The Konoha 11 become Chūnin.
Year 26 :
Naruto (15) and Jiraiya come back to Konoha.
May 26 : Iruka turns 26.
Year 27 :
Pain attack on Konoha.
October 8 : The Third Shinobi War begins ; Iruka goes to Island Turtle to try and keep Naruto out of the war. 
Morning of October 10 : The War ends, everyone awakes from the Infinite Tsukuyomi.
Naruto discovers he has to take classes for two years with Iruka’s help.
Year 28 : Kakashi (32) becomes Hokage ; Sasuke (18) leaves Konoha.
Year 29 : Events of Naruto: The Last.
Year 30 :
Some time before the wedding, Naruto asks Iruka to stand as his father at the wedding.
Naruto and Hinata’s wedding.
March 27 : Boruto is born.
Year 31-39 : At some point, Iruka (31-39) becomes Headmaster of the Academy. 
Year 32 : Himawari is born.
Year 35 : Naruto (24-25) becomes Hokage.
Year 39 :
End of the year : Chapter 700, epilogue. 
Iruka is 39.
Year 42 : Boruto’s generation (12) graduates.
At some point, Iruka takes care of Sarada while Sasuke and Sakura are on a mission ; he teaches her how to cook? I honestly have no idea when the novels happen and what’s going on in them and at this point I’m too afraid to ask. 
Don’t even ask me about Boruto. 
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From left to right : 5-10 yo ; 10 yo (Kurama attack) ; 10-11 yo (Academy) ; 10-11 yo (Academy) ; 12-16 yo (before or newly Chūnin) ; 16-20 yo (young teacher) ; 22 yo (Part I) ; 26-27 yo (Pain attack) ; 27 yo (Fourth Shinobi War) ; 29-30 yo (Naruto’s wedding) ; 39 (Chapter 700)
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mangadreamer · 1 year
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mugiwara-shuenobi · 2 years
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lifonse · 9 months
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Calling my friend when we somehow get onto the topic of naruto and I remember. Neji.
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shironezuninja · 9 months
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Worth all that AI Art Practicing just to make more background removable digital stickers.
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tumblingxelian · 25 days
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Near Uniquely RWBY - Main Characters
I was chatting with my sibling the other day and we were joking about the fact in 90% of the media I consume I generally don't like the main characters.
Not in the sense I necessarily hate them, but I generally don't find them to be the most interesting, engaging or enjoyable person on screen or page. Instead I tend to gravitate towards secondary or minor characters and even minor antagonists before any of the big names.
Some of this is rooted in my often rooting for what tends to feel more like a real underdog or characters that feel like they got dealt a bad hand by the author unfairly. But its also that in a lot of media the main characters tend to immediately, slowly or quickly go into personality lockdown.
Becoming less a personality and more the embodiment of expected tropes and themes, or they lose their unique edge or circumstances because the plot demands one benefits or personality changes be heaped on them to keep the tone and story going.
Some examples of this would include say:
Ichigo from Bleach, with him and his supporting cast being very unique and super interesting during the initial arc. But as Soul Society came in, he became a much more standard Shounen determinator a the expense of his personality and his supporting casts were largely watered down & left behind.
Or how in Naruto or Dragon Ball the whole underdog/hard worker aspect of the characters felt undercut by legacy power ups and an endless wellspring of natural talent, alien biology, ETC.
I know these are just two examples, but they cover the general gist of what I mean.
So, what makes RWBY different?
Well, off the cuff, is simply that the four main characters are women.
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I've often felt simply putting anyone other than a cis-het guy into the main character slot of say, a battle Shounen, or Isekai stands a good chance of making it more interesting by default. Even if the author does nothing with it the audience reaction would be different because the MC would be an exception to the norms.
In that vein, while one can call RWBY some sort of Shounen or adventure fantasy or magical girl show the main four are unique in how they manifest on screen at the very start. From how they participate in action, to how said action is structured and framed and the kind of adventures and topics they tackle.
But being unique alone is not enough, that would simply make it more interesting than the bog standard but what elevates RWBY is the execution and exploration of such elements and its characters.
Going into every aspect would be difficult, but in light of what I said above would be how each of the main four are initially presented as familiar archetypes, only to subvert or deconstruct them.
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Ruby is a peppy goth who just wants to be normal but has inborn powers from her mysteriously vanished mother and serves as a beacon of optimism to others.
Except Ruby's version of normal still involved fighting death monsters with a sniper rifle scythe and she is actually one of the more ruthless characters. Her peppy persona obscures that she can have a pretty vicious temper when pushed and has displayed strong bloodknight tendencies.
Her unrelenting optimism and desire to fix the world is a complex mix of true beliefs, coping mechanism for trauma and her grappling with positions forced on her against her will. Her inborn power is potentially useful but also not that much of a game breaker outside specific contexts & said power sure as hell didn't save her mom.
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Weiss Schnee is the Tsundere heiress of a powerful family, with a haughty attitude that hides her loneliness.
Except the "Tsundere" is more of a defense mechanism born of coming from an abusive home where every member of her family manifested a different trauma response. Freeze (Mother), flight (Sister), Fight (Weiss) Fawn (Brother).
Despite her upbringing & some projected trauma, she's far from ignorant as to the worst excesses of her nation early on, and her journey was more about overcoming the impacts her abuser had on her and finding a family in her team that let her be safe enough to let down her walls. Also despite being "The ice queen" she's actually one of the characters least inclined towards more ruthless actions and is extremely empathic.
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Blake Belladonna is a mysterious and silent rougish woman, something of a shrinking violet even, but she carries with her a wounded heart thanks to her old flame, the edgy Adam Taurus.
Or more accurately, Blake is the daughter of activists and politicians who represent the worlds main discriminated against minority. She spent her youth on the road as a protestor and where even her father could be nearly killed by a lynch mob. She was targeted & groomed by a man who claimed to want to fight the same injustice she did but who was only interested in using the movement to grow his own power.
Her initial aloof-ness was a trauma response to having spent years under his thumb and overcoming him and the idea she had to 'save' him was one of the main corner stone so her character. Also, despite the "Revolutionary fighter" backstory she like Weiss is much less inclined towards ruthlessness than her team in large part because her past experience with it.
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Yang Xiao Long, introduced as the fun loving big sister of Ruby & boisterous bruiser of the team who loves to party & flirt.
Except no, Yang was parentified as a child and forced to raise her own sister as their family unit fell apart. Her "Party girl" persona was outright framed as judging a book by its cover in her own trailer and something she put on or took off as she needed.
She became disabled over the course of the series run as well as entered a Sapphic romance with her partner Blake. Unlike the stereotype of characters with her design, Yang is actually an excellent student, fighter and engineer/mechanic. Plus much like her sister she tends to be of the more ruthless and pragmatic persuasion despite being from the "Normal" background.
Character Conclusion
So, all the characters break out of their initial archetypes, which already makes them more interesting. What's more, these sorts of characters just being oput together and made the main characters rather than circling a dude is in of itself unique.
But there are other aspects of the writing which endear me to how it handles the main characters and what keeps them interesting.
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Anger & Violence
See, while in various media women do express anger at times it is still often far less so than men. What's more, often women's anger tends to be presented in... Less flattering lights.
With the anger obscuring fragility while in a man it conveys strength. Or implying a sort of hysteria rather than an appropriate or controlled response. Or worst of all being demonized in general unless its rooted in or coming from traditionally feminine places.
The same tends to be true when it comes to violence with a lot of media either trying to find some way to make women in battle less... Brutal than their male counterparts. (More more like fanservice) Along with rarely letting women fight men, unless they are a special exception to the norm.
RWBY does not do this.
The main characters, hell, all the women in the series express a multitude of different forms of anger and violence. They battle men, they battle each other, they battle monsters all with no distinction nor fanservice shot in sight.
What's more though is that said anger and violence are not presented as, for lack of better words, wrong. The writers don't draw overt attention to this fact, they don't hang a big sign up saying "Girls can fight & shout too" or the like.
They just present these women with a range of emotions, motives and actions that are treated according to what fits the theme of the show rather than hewing closer to gendered lines.
This isn't to say anger & violence are lionized, but more that the experience and usage of them is not demonized or undermined because of the characters gender.
I suppose what I am saying is that CRWBY by and large lack double standards when it comes to exploring these things that I see so often in other media. The women in the main cast, among the villains, both sides respective allies and beyond can be flawed, or angry or do both good and terrible things.
But the writers are always treating everyone's pain as equally valid regardless of gender or situation. Which means that the situations that cause anger exist within a tone of respect that forms the depiction and framing of anger itself.
Which is just something I really enjoy.
Thanks for reading!
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Volume 38 is quite an interesting volume, and its cover is more like a romantic novel cover. Kishi gives it an orange sky background. Orange it is a warm and vibrant color that can help to convey excitement, action, attraction, fascination and energy. Orange color commonly used in movie posters because these colors can evoke feelings of warmth, passion, which are ideal for certain genres such as action or romance. Orange represents desire, passion, and love. And Orange symbolizes love and happiness.
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In this volume we see naruto's longing for Sasuke. Naruto is very happy or satisfied knowing that his chakra nature matches Sasuke's fire type. He developed Rasen-Shuriken by continuously keeping Sasuke in his mind.
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After being hospitalized due to the after-effects of using the Rasenshuriken, he and Sakura are alone here, this is his best chance to flirt with her, but he reverts back to Sasuke again. He is not worried about the consequences of using Rasenshuriken. Instead he emphasizes about how they're getting closer to Sasuke and is very happy about it.
In the previous scenario, Naruto was brainrotting about Sasuke, and when sai & sakura approached him he lied that he was devising a date with Sakura. If you say he lied because he didn't want to worry her about Sasuke…if that's the problem, then he shouldn't lie about dating her when he's thinking about another boy. He could have said, "I was just thinking about Sasuke…how to save him…blah blah blah…" Kishimoto could have easily done something like this, but he spent an entire page showing that Naruto lied about thinking about a date with a girl, but the fact is that he was thinking about a boy this whole time. To them, they don't know what's on his mind... but to the readers, it gives a hint that he's gay but closeted (trying to hiding it from others). His lying makes it more ambiguous and more obvious that he loves Sasuke...but not in a brotherly or friendly way.
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While eating ramen with his teammates at Ichiraku, Naruto suddenly looked unhappy, quiet, depressed, and soulless.
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Sasuke is what makes Naruto so determined. He developed the Rasenshuriken to save Sasuke from Orochimaru. He doesn't mind getting seriously injured while using his jutsu as long as he gets to closer to Sasuke and able to rescue him. So, when it comes to Sasuke, Naruto won't listen to anyone's advice to the contrary, no matter who gives it and how well-intentioned. That's why he suddenly shut Kakashi up with a smile.
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Come to think of it, it wasn't the first time he shut others down when the subject was about Sasuke. Even though he was wrapped in bandages, his irritation was visible in his eyes. He doesn't care what happens to him, all that matters to him is Sasuke, which is why he doesn't like it when others try to get in between him and Sasuke or trying to stop him.
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When Sasuke sees the bridge, he remembers Naruto and reacts to it with a calm gentle smile. While Sasuke is in his world of nostalgia he doesn't even hear Suigetsu talking to him.
Although the two do not interacting, yet, they are thinking about each other in this volume.
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maoam · 2 years
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I wanna talk about something I have mentioned a couple times. Sasuke is a character that by various other characters and by Kishimoto is called by various different Japanese words that imply attractiveness or something preferable, such as beautiful, good-looking, sexy/hot, cool, even cute and pure. No other character has them called this many words as Sasuke. Kishi clearly wrote Sasuke as someone really desirable, to the point some people see traits of how some female characters are often written. It is due to homoeroticism and Kishi’s own bias towards Sasuke.
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Let’s first look at volume 38 which I have always found interesting. It is the volume where Sasuke finally properly comes back to the story and starts to move the plot forward. First we have the cover that people have said looks romantic, like a pair of star-crossed lovers, in which Sasuke is on the front with his shirt open. But that is not all. In the same volume in a matter of few pages we see Sasuke in questionable positions with three different male characters. So Kishimoto just happened to draw Sasuke in these odd positions in a matter of a few days. What is the reason? The reason is simply to imply homoeroticism and Sasuke being desirable in a male-male interaction. It is not even subtle.
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Of course, Kishi doesn’t forget to drop an implication of Naruto desiring Sasuke as well in the very same volume, despite the two not interacting.
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Nor Sasuke’s blunt disinterest in women.
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Another thing is Sasuke tends to lose his clothes in his fights, is it fanservice or is it self service from Kishimoto? When Kishi talked about designing Sasuke and Sai, he used “kakkoii” for Sasuke’s open shirt and Sai’s open stomach. So looks like kakkoii is his G-rated word for sexy.
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Thank you Karin. It is funny how Kishi sometimes has to make a character say something out loud to make sure people got what he was doing.
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With Orochimaru it’s most obvious. There’s obvious sexual subtext to Oro’s pursuit of Sasuke’s body.
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Tobito isn’t much better. Why are the villains around Sasuke like this?
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Or even Kabuto. Kabuto kept trolling Naruto for being obsessed with Sasuke and then he does this. Telling Sasuke he wants him to stay by his side (I didn’t bother to look for the panel but it’s when Sasuke and Itachi fight him) and then this... obvious innuendo with his... thing. Even Orochimaru has to make an ironic comment about it like seriously Kishi? You just couldn’t help yourself with that Oro panel?
Do you understand now what I mean? Kishi does this weird stuff with Sasuke all the time. Oh he’s so sensitive and beautiful and pure I must have him, he’s mine.
And here’s a bit of mythology Kishimoto used. During the confrontation between Orochimaru, Itachi and Sasuke Kishimoto used the legend of Kushinada-hime as an influence. Kushinada-hime was the youngest of the eight daughters of Ashinazuchi and Tenazuchi. Kushinada-hime was to be offered as a sacrifice to the eight-headed serpent Yamata-no-Orochi who had a sword inside of him, and who had already devoured seven beautiful maidens, but she was saved by Susanoo, who defeated Yamato-no-Orochi with the Totsuka Sword.
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The Eight-headed Serpent is obviously Orochimaru in the manga. His eight branches technique and the sword inside of him are clear references to the mythology
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The Totsuka Sword is wielded by Itachi’s Susanoo in the manga and it is what defeats Orochi. Just like in the mythology.
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So who is the princess/goddess/maiden that needs to be saved from Yamata-no-Orochi? Well it is our Sasuke of course. Is it any wonder why people think Sasuke is heroine when Kishimoto writes him like this? He just wants to stress how desirable Sasuke is, but that at the end of the day, he’s Naruto’s...
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(Note: I remember a manga Ranma½ also featured Yamata-no-Orochi, but since it was a comedy manga it was a perverted snake who only liked devouring pretty girls.)
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keniaku · 1 year
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[id: a black and white comic.
first page: gojo satoru (jujutsu kaisen) is infodumping about smogon competitive pokemon to nakahara chuuya (bungou stray dogs), most of the panel is covered in text while chuuya could only make a very sour and displeased face. gojo suddenly yells "HOLY SHIT", interrupting his own speech.
second page: gojo pulls down his blindfold down to around his neck, so his wide eyes is visible as he points forward, yelling "is that uzumaki naruto from hit shonen naruto". chuuya just looks at him with a flat, confused, yet frankly disinterested "what"
third page: camera shows naruto (in his boruto design) standing awkwardly with a shocked and confused face, thinking "where the fuck am i" while gojo and chuuya stare at him. gojo looks at him with a pogchamp face while chuuya looks at him in the same kind of disgust he sees gojo in. /end id]
what's this i hear about naruto being sealed
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tired-biscuit · 1 year
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I loved your Naruto headcanons would it be possible to get some for Sasuke too ?🫶🏼🫶🏼
sure!! i haven't written sasuke in a while lol <3
warnings: none. just cute sasuke headcanons. mostly modern AU.
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has an extremely low tolerance for spicy foods and you can always get a good laugh out of it. watching him starting to sweat profusely, his grumpy face warming up into a shade of beet red after just a single bite of something covered in chili flakes is hilarious as fuck.
his hands are always cold.
you have to force him to turn the light off when you go to bed, because he just wants to read, and read, and read. it's always "just one more page" or "i'm really close to finishing the chapter, wait a little."
adores when cats do that little affectionate head bump into his palm. he'll never admit it though, despite the little smile that forms every time.
his place is always super tidy and neat. he opens the windows every morning so fresh air can come in (especially if it's cold outside).
carries a picture of you inside his wallet, but it's well-hidden.
has super quiet footsteps.
will bury his face into your hair and wrap himself around your body whenever he thinks you're sleeping.
rarely tells you he loves you, but you know he does just by the way he looks at you.
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mangadreamer · 1 year
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Naruto Chapter 12
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Hyuga Clan Taijutsu is underrated & OP
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There are many interesting concepts which they didn't show or didn't show enough
  ( Sometimes I wish that we didn’t have so much focus on the Uchiha Clan)
Analysis
 can ignore durability thanks to its ability to directly attack the opponents chakra system. ch 79
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Gentle fist nullifying other Jutsus: nullify any ninjutsu by splitting apart its chakra. Hyuga clan are “Anti Chakra” fighters. Any chakra-based ninjutsu is rendered useless by a Hyuga . (Chapter 192-193) 
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( chapter 257-258)
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Also...
Controlling/manipulate the opponents chakra flow however you wish is OP but was only used in a filler (Not canon)(Episode 191). The filler was cool.Hinata made a magnet release user bury himself alive with iron sand by hitting like 1 or 2 chakra points and started to change his chakra flow.Chapter 78-80
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Air Palm(s)  (chapter 257) Basically, the technique is similar to rotation but it has a specific target. Invisible to the naked eye 
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 Talking about the Hyuga clan’s abilities, they always only mention the close combat gentle fist taijutsu. When confirmed the clan currently has two or more  mid-long ranged abilities: Air palm, Wall Palm etc.
Gentle fist in a supporting use Hinata fixing Naruto’s shoulder chapter 617 ( would have been cool to see a hyuga medic, but please not from Hinata her gen already has two healers.)
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Gentle Fist Art One Blow Body
similiar Almighty Push, it can be used as an offence or defence. If a Hyuga member is in a lock, they could easily blast their way through it while simultaneously damaging their opponent's vital points. If a Hyuga member is tied, they can free themselves
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Twin Lion Fists
wish we saw more of this jutsu in use to it’s full potential ( considering how op it is). How it would actually work in combat when draining chakra. since Hinata uses it with 64 palms, she could (hypotically) also use it with air palm like in the video game verison.
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One-shot techniques (higher level than 64 palms)
All they have to do is create a “lock-on” with their Byakugan and target the chakra pool of their opponent directly. It knocks out, kills, and negates durability. We seen Hinata ,Neji their fathers & Himawari do this:
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Extra: Studio Pierrot has a weird thing for making Hinata faint (NO she wasn’t pregnant). When in the novel, she didn’t faint at all, this is what happened in the novel  (Sasuke Shinden pg 50)
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This my problem when SP adapting a novel or manga they basically butcher important moments. I’ve seen them do it with other series and it doesn’t workout well in the long run
Bleach, Tokyo ghoul could be more if I look deeper
the link for the safe free site since it’s a archive of most naruto manga novels
https://archive.org/details/manga_Naruto_Shinden/Naruto%20Shinden%20-%20Volume%2003%20-%20Sasuke%20Shinden%20-%20Book%20of%20Sunrise%20%5BVIZ%5D%5BCalibreV1DPC%5D/page/n49/mode/2up
Also, I can understand why people don’t consider light novels cannon unless the creator actually said they helped with the novel and stated it cannon. Instead of slapping their name on it, then doing commission art for the cover. But that’s for another disscusion
Any other underrated Hyuga techniques that needs more shine?
edit 2: I saw someone in the replies say that, Rotation is underrated,to me not really Neji & Hiashi spammed the hell out of it lol. I do feel like other hyuga should have used it more beside the two.
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tamelee · 2 months
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Hello! I've seen you around before but never really visiting your page and now i have! (✨I don't regret it✨)
I have an ask but I don't know if you're comfortable about it so answering it is a choice, not an obligation
Ask:
Why do you ship sns?
(i also ship it but i like to ask people what they think about it)
✨I’m very glad you have✨- hi~!
Yes of course. I talked about some of it here
There are quite a few of ships that I like, but I rarely talk about those. I know they’re just that— a ship. But even if there’s more to it… maybe? None of them come even close to the amount of wealth of supporting evidence that SNS holds to prove that yes, Kishimoto sat in front of a desk for 15+ years hunched over an entire love story, deliberately meaning for it to be romantic, but not ever really able to spell it out directly because… Shonen demographics. Probably. Mostly. And company decisions; alas the sequel. (That’s why I don’t really ship SNS, it feels off to me, I rather am a fan? Not important at all, just a distinction I’d like to make anyway.)  
And at first it was mostly because other people claim their bond really is romantic through their observations. I wanted to find out for myself and coming to that conclusion took me a lot of digging. The more I did that, the more I started to like SNS, Kishimoto as a storyteller and ‘Naruto’ as a story overall because it stands out in ways other stories don’t.
But.. if you want specifics of my reasons story-wise.. (I will not apologize for the upcoming rant 🧡 you did ask me about SNS after all.. ’s what happens)— feel free to read further:
Major Reason 1— the Manga
Because how do you really start to see layers within a story that aren’t spelled out? I’ve seen some SNS-fans questioning their own beliefs and intuitions, but that’s not a bad thing, nor is it surprising. Kishimoto is a sneaky bastard and we love him for it, but I wouldn’t really agree with people saying how “easy” it is to see true meaning, because “it’s all so obvious” when ‘meaning’ isn’t really always. And it discredits the necessary skill and literary devices Kishimoto used to tell this story from his position as Shonen Mangaka imo. Severely.
Majority of me becoming a fan only started after reading the Manga. Here is where all the extra noise and influence in the Anime from the many (and often different) episode directors and other decision-makers, is removed completely. (I’m not saying that’s all done with ill intent, just, intent best suited for Anime goals that I don’t necessarily agree with in ‘Naruto’s case. I don’t really care otherwise.)  
Manga vs. Anime: In Manga is where all the Mangaka’s true subtext is and where their messages through the Theme are a lot more clear than when you view it through episodes. Each episode has separate goals not necessarily tied to the overall Story (like in Manga), but to structure it in a way that optimizes entertainment within the timeframe of an episode. It’s true art of deliberately selecting and stretching of source material. People sometimes don’t believe me when I say that, because if you ignore fillers and the Anime covers the same things as the Manga, surely it won’t make a difference? But it really does. You can use all the extra elements in Animation to strengthen a message (like voice, action, music, pacing and camera-direction), but the opposite is true also. Even as “simple” as coloring can subtly influence subtext. You can use all the elements in whichever way to tell the story— together very powerful, but not all nearly as aligned with the Mangaka’s “truth”.  To test this out of curiosity, I have put the Manga and several episodes side by side and when you study a scene from the Manga (a case study), the underlying messages are sometimes completely removed in the Anime. Or other perceptions are strengthened by showing moments a character thinks back on to show what they mean with their words even if it’s irrelevant at the time. It doesn’t mean it’s not relevant at all, it’s just not the same thing as in the Manga. (I don’t recommend testing it the way I have because it takes an ungodly amount of time ><) And it’s only natural for the Anime to do that because… it’s literally their job to fill in episodes in a way they think is best and fits their goals with their audience in mind. Anime and Manga audiences aren’t the same even if someone belongs to both. This is true at least in theory and from my understanding talking to animators when I traveled, they aren’t treated the same if you compare strategies. That’s also why saying Kishimoto helped with certain movies or his approval of whatever doesn’t say too much (or at all) regarding his personal vision regarding the source, because the execution of the final product has too many elements that have nothing to do with his role or skills in the project, whereas that’s completely different with the Manga. It’s fairly obvious in ‘Gaiden’ and Minato’s story as well. Yet his name is always used to prove otherwise because it’s a marketing tactic and it (unfortunately) works. 
Major Reason 2— Subverting Expectations
It’s true that a lot about SNS and their bond is just blatant text and spelled out directly making them both sound incredibly insane and incredibly in love. Meaning, that even if you would watch the Anime or read the Manga on a surface level— you’d realize there’s something more going on regardless. If you question whether your intuition is true on this, watch any reaction to certain moments— you’re not alone. It isn’t for nothing that majority of the general audience mockingly calls Sasuke ‘Sasgay’ since the beginning or are only able to filter an opinion about his motivations through what the surface-narrative says it is: bad. (We can talk about that more in a different post.)
Or people hate Naruto for prioritizing something other than his protagonist’ self “should” prioritize; what is narratively seen as “good”. (Konoha for example. Often why people put Konoha vs. Sasuke when there’s a lot more to it and categorizing it as such only enhances that surface view of good vs bad— it works against the argument these people try to make because that automatically puts Sasuke in the bad-category for most people.. ’s kinda funny, but not really.) 
Or how there are complaints because neither Naruto or Sasuke have shown even the slightest interest towards their ‘supposed’ (read: Shonen-‘expected’) love-interests because there isn’t any. Arguing that they should love another character simply because the girlies are stalking and fawning over them holds no ground at all, yet people take it as truth because they don’t know where else to look. To accept or even acknowledge the unexpected means you gotta swim a little deeper to explore the rest of the iceberg. (Yes, ‘Naruto’ really is that special.) If you don’t then it’s pretty easy to blame everything on bad writing, but I don’t think that’s fair at all simply because some people are unwilling/unable to actually see what’s truly written in the first place and can’t connect things otherwise because “no that’d be gay” and “it’s not possible, it’s Shonen so the Hero should fall in love with the most obvious girl-option” despite there being no mutual foundation to support a decision like that. Nor is there any significance that contributes to anything else. (Or in ‘Naruto’s case, Kishimoto mocks the idea of them liking these girls back, which should tell you a lot as well.) 
Major Reason 3— Subtext, Plot-Goals & Theme
So alright, there’s text. There’s them giving up their goals for each other, willing to trade their lives for the other’s wellbeing or dreams, wanting to understand and reach hearts being each other’s one and only’s in different ways as well as driving strength, motivation and the cause of inner conflicts… but all of its meaning is found in context. (Yes, that thing that people love to ignore to make up their own.) The foundation of SNS’s bond and what it means to them (and even other characters) is primarily subtext weaved through their character arcs. Their change as a character has all to do with each other and very little with the actual plot, hence their final battle being an emotional one and more climactic (in theory of storytelling) than the actual war. 
And yeah, possibly the reason why no one could really connect with the war was because it actually had little meaning beyond the surface.  
Naruto was already celebrated as future Hokage and got the acknowledgement he believed would make him happy. But it didn’t, not for long. 
Sasuke killed both his brother (sorta) and Danzo. He had the perfect opportunity to demolish Konoha because he believed that would be the solution, but he didn’t. Because he realized he had to question the former Hokage and learn more to tackle the problem behind his suffering (the system) on a larger scale. (Revolution.)
These things by itself should tell you there is more to it, because had it been any other story, it would’ve been over. It’s the entire revelation that halts a story completely, but it went on didn’t it? The war only strengthened Sasuke’s resolve for his plan for revolution (we can talk about that in another post) and Naruto’s status as Hero is conflicting and can’t actually ever soothe his anger (in fact, you can see during the war that it became worse) which is why Kishimoto sorta lamely (I’m sorry) brushed the problems off during the Waterfall of Truth arc… by having Naruto believe in himself (which he already did) for arguably the wrong reasons. Although admirable and touching, it’s not very believable considering the rules Kishimoto set before.
So, their arcs continue and the characters have to keep growing. As Main-characters, it’s saying “you aren’t there yet, there’s something you have to discover still”. It isn’t “anyway, you still have a war to fight”, because the war isn’t an obstacle to their inner needs. It’s plot conflict mostly. When it comes to Naruto and Sasuke, Kishimoto masterfully used plot conflict between each other as an obstacle to represent how they feel. Naruto’s existence really is an obstacle to Sasuke’s goal, but you gotta wonder why exactly that is. Naruto couldn’t ever become Hokage if he couldn’t save a friend, but if that’s true, then Naruto failed long before that, so why is Sasuke so special, huh? Hehe.  
On top of all that, overcoming these obstacles means they have to fight for it— emotionally and literally. And fight they do, which is why it is so emotional, because it’s both. The discovery lies in acceptance, something a character can’t go back from in a good story and it’s very prevalent during their conversation after VotE2 and Sasuke’s inner monologue at the end. They are each other’s answer to the Thematic questions the story posed in the beginning. These aren’t “can Naruto become Hokage?” Or “Will Sasuke decide to destroy Konoha?” Or “will our heroes be able to win the war?”, those are plot, not Theme and they don’t argue for a Universal truth nor does it repeat throughout the story constantly like their bond is. It's why Sasuke's "I've lost" has nothing to do with giving up the reason behind his goal, nor the physical fight they just had.
Together it creates a promise saying their understanding is the solution to the Narutoverse’s problem we unfortunately weren’t able to see in action because it jumped from that to delulu lala-land. But that didn’t make the former any less true.
Because if it wasn’t, then Kishimoto spent 72 volumes proving a message he never intended to prove which is ridiculous. As is saying that doing so is accidental (lmao).
And come on now, if their love for each other is the growth within their Character Arcs, the answer to the problems the Theme and Plot posed, both supported by Context and Subtext with some insane blatant Text on top, then I’m sold completely. 
Ooohhh and don’t get me started on the insane amount of symbolisms and metaphoric elements and how Kishimoto used minor characters to support and deepen its meaning because I'll be typing forever... ><
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today i woke up and said to myself "let's typeset and bind @verycharismaticdragon's fic A Transmigrator and a Time Traveler" because i reread it yesterday and overnight i was consumed by a Vision where the chapters would start on recto pages and then on the verso there'd be a fullpage tarot illustration of the corresponding major arcana card. (dont ask me what will happen with ch21 because i Don't know.)
"this will be easy," i said. "i've seen like three different people doing mxtx major arcana illustrations. i bet if i combine all of those and use only the scum villain ones i can cover all the chapters."
nope, i've found *checks notes* FOUR usable scum villain tarot illustrations. and also they aren't really related to the chapters which anyone could have predicted but which i feel weird about. (although if you haven't checked out @sumeriasmith's mxtx tarot project yet YOU HAVE TO. i am primarily an oil painter so watercolor is like black magic to me i dont understand how they do any of this but im soooo fucking hype for them to finish binghe as the emperor)
"ugh," i said. "fine. i will find a generic tarot major arcana svg set in a nice style, because i hate the og rider-waite illustrations. there has to be a ton of them" and unfortunately yes there ARE but ALL OF THEM ARE MADE BY DESIGNERS WITH BAD TASTE. why is the tower just a pile of crystals or a hand or some shit. why did you spell chariot as "charriot" (and this was the least objectionable one i found!)
i also discovered:
the unicode codepoints for the tarot major arcana (h/t @twocubes) except theyre from tarot noveau and thus useless to me
hanafuda cards (also irrelevant, but very pretty) (inb4 "you're such a weeb" ...there is a half-finished painting of itachi from naruto in my garage right now. of COURSE i'm a weeb.)
unicode codepoint tarot deck (i wont lie to you, i'm tempted, but it seems thematically inappropriate for scum villain unless i incorporate it into my own tarot card illustrations which i am trying to NOT do here)
and finally ordered the ikea tarot deck off etsy (after years of vacillation) (this is the first tarot deck i have ever purchased because i don't "believe in" tarot or w/e but the concept of ikea tarot is very VERY funny to me). all in all, not a hugely productive afternoon :/ perhaps i will return to the tarot issue later and start doing some actual typesetting now?
OH ALSO does anyone have Body Text Font Opinions or should i just flip a coin to decide between alegreya and baskerville again. (one benefit of alegreya is that i already edited the font files to add ǎǐǒǔ characters...)
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sparklyfaerie · 1 year
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So this is such a minor thing, but it bothers me to no end.
I recently bought Gaiden. It arrived today. I haven’t had time to sit down and read it cover to cover yet, so I’m sure I’ll eventually have more complaints, but; I was flicking through the pages, and I came across these panels:
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And they make me angry. Do you know why they make me angry? Because this is what we got in the fucking anime:
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They completely fucking erased the panel where Sasuke was visibly upset when Sarada was shouting at him for never being around.
LOOK AT HIS FACE:
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Does this look like the face of someone who doesn’t care?! Of someone who wanted to be away from his wife and daughter?! Why would they remove this??!
I’m so mad. I hate SP. I’m so fucking mad.
And don’t even get me started on the “I’m a failure of a mother” bullshit they have Sakura pull that is nowhere in the source material. Seriously SP just get over the fact that Sakura was never interested in Naruto and do a faithful fucking adaptation.
God I’m so ready to be mad when I finally get to read Sasuke Retsuden because I heard that adaptation was a fucking doozy.
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