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#nat in the wild
lovecolibri · 4 months
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Brennan: *laughing* the die FLEW off the table.
Lou: Can I use this roll?
Brennan: You're determining- we will play this game for years, you are determining, right now, if for the next several years, we take floor dice or not. Do we take floor dice?
Lou: I know what this dice is, and I'm gonna look at everyone else and I'm gonna say, do we take floor dice?
Erika: I also know what it is.
Lou: Okay, so, Aabria, Brennan, do we take floor dice?
Brennan: Aabria? I have to be impartial, I'm the Dungeon Master. Do we take floor dice?
Lou: We'll play other games where you're not the GM, so you have a say. It's gonna come down to you two. Do we take floor dice?
Brennan: I don't think we do.
Aabria: You know what? I don't think we do.
Lou: Great, well. We'll leave that nat 20 on the ground. *all laughing* We don't take floor dice, so that nat 20 stays there, and instead we take the five.
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zellink · 8 months
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god it truly doesn’t even matter if link actually truly remembers his life before he died or not because he followed her voice even before he knew of his name, she is his true north and he has loved her in every lifetime, has loved her even from his mother’s womb. he’d bloody his sword and march into any battle so long as it’s done in her name. even if the mind doesn’t remember, the body does. and his body will always follow her.
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junk-heart · 10 months
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Natalie with short hair lives in my brain rent free
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Yellowjackets characters and their The Wilds counterparts (pt.1)
Natalie Scatorccio and Dot Campbell
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Rebellious, deadpan and sarcastic, traumatized from their fathers, complicated relationships with drugs, had to grow up too fast and raise themselves, compassionate and caring, good survival instincts in the wild due to already being in survival mode in their troubled home environments.
Shauna Shipman and Leah Rilke
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Obsessive (tend to idolize and obsess over a particular person, as Shauna does with Jackie and Leah does with Jeffrey), smart and observant, unhealthy/rocky relationships, feeling invisible, sweet with a darkness underneath the surface, need to be loved, (also both fucking people named Jeff?)
Misty Quigley and Nora Reid
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Socially awkward, have a hard time fitting in, unhinged, highly intelligent and knowledgeable about a wide range of topics, manipulative, and they are both the reason their friends are stranded (Misty broke the black box and Nora helped set up the experiment).
Taissa Turner and Rachel Reid
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Ambitious, determined (sometimes to a fault as this determination to succeed can hurt themselves and/or those around them as we see with Tai breaking Allie’s leg and driving herself mad with her political campaign and Rachel’s ED/almost drowning Leah for the sake of finding the black box), smart, headstrong and stubborn, reliable and loyal, hard working.
Lottie Matthews and Martha Blackburn
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Spiritual and in touch with nature, both have visions and hallucinations, kind and good-natured, healing, both have a tendency to comfort and heal others (the parallels between the Lottie and Travis panic attack scene and the Martha and Rachel scene where Rachel is stuck in quicksand are so strong), both have a connection to a person tragically lost after the crash and are guided by dreams/visions of this person (Lottie with Laura Lee and Martha with Jeanette).
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wistfulwatcher · 11 months
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misty quigley is a lesbian; a comphet reading of her deprivation tank "realization"
in rewatching misty's deprivation tank therapy, i'm more convinced than ever that misty is a lesbian suffering from compulsory heterosexuality. the entire scene, from start to finish, is about misty accepting that walter has feelings for her (not the other way around), and learning to push through her discomfort with that fact.
the deprivation tank scene begins by establishing that misty is afraid. we see quick transitions and hear bubbling water and see a terrifying fish coming at the camera with sharp teeth. followed by a slightly softer stream of images of walter, interspersed with memories of crystal, and of caligula. misty is thinking about three key relationships in this moment: walter, who is actively pursuing her; crystal, whom she loved and hurt and misses; and caligula, who is the only creature that both loves her, and she loves back.
love is the concept that ties these three together: walter is who she could love, crystal is who she did love, and caligula is who she does love.
and so the memories fade into her fantasy sequence, led by caligula, and he begins to soothe her. this creature that represents real (platonic, obviously) love to her (in that it is true and reciprocated, more than she feels it is with any human) tells her "shake off your blues/i'll set the mood for ya". caligula is acknowledging her fear and her loss, and telling her that he can fix it. that he has an answer that will make all of her problems go away.
which is when walter appears, looking like the leading man in a classic musical; an idealized romantic interest, one her fantasy has turned from a real man into a fictional character. and what does he do? performs for her. misty (per the directions of the song, to just "sit right down") sits and watches. she does not interact with him, because she (and her attraction) is not a part of this. one element of comphet is the inability to picture yourself in a fantasy with a man; misty does not put herself with walter, she does not join him.
and while he and caligula perform, three items float around the screen: the plane axe, a syringe, and the black box (which fluctuates between intact and exposed). these three items are such a fascinating choice, because they, 1) all relate to the actions she took in her need to be useful and appreciated, but 2) also represent some of the ugliest things she has done (at a time when she has recently been thinking about what kind of person these things make her). she is thinking about these moments (her behavior with ben, murdering jessica, and stranding the team/breaking crystal's trust) that cause her great discomfort, at the same time she is trying to convince herself that walter is what she needs. she is comparing the discomfort she has with walter's interest and the validation she would feel from a relationship, to the way she's felt about all of these other bad things she's felt compelled to do.
while these items float, caligula sings, "now sit right down/let your troubles melt away/and you'll be sitting pretty in the moonlight gaze". continuing to tell her to push through the discomfort; just let it go. and if you do? "moonlight gaze" is such an interesting choice, because the moon is most strongly symbolic of women. if she lets go and has this relationship with walter, the other women will think she's normal. (especially after just a few hours prior to this, natalie had said, "we're all like this, aren't we?" this is her chance to prove nat wrong, for misty's own sake and/or for nat's!) this is not the first time misty has displayed behavior suggesting that it's important to her that natalie (and other people in general) see her as desirable as a romantic/sexual prospect: telling natalie about her dates on the road trip to travis, "i bet he thinks we're hookers!" said with glee in the jail, "i have a secret boyfriend, too," whispered to natalie in '96. if she decides to accept walter's interest (a man who is so into her that he is literally fine with her being a serial killer!), then maybe the other girls will see how worthy misty is of affection and attention.
once the dance number is over, misty immediately goes to speak with caligula; again, in her fantasy about loving walter, she doesn't interact with walter. instead she seeks caligula out, because he is the one she feels a real connection to; he is the one who knows her and can reassure her - the one whose reassurance will mean something. (walter, a man she barely knows, has been nothing but a concept to her in this fantasy, and that doesn't change.) misty's conversation with caligula is emotional; she is clearly bothered by the idea that other people see her as a murderer. but caligula doesn't give her an emotional response or solution; instead, he tells her she's a "closer". he points out that, even when things are rough (i.e., even though she doesn't like how walter makes her feel), she can persevere and accomplish her goals. it is this reminder that causes misty to transition the scene to to the final piece.
and oh boy, is that final scene a goldmine. because it begins with a close-up on misty's childhood phone. the phone that becky called her on back in 1992, to tell her that she was disgusting. that no man would want her, and that she would never find "a victim" to sleep with. that moment was foundational for misty's issues, for her desire to be wanted and needed in '96, and her deep need to receive validation from men in '21. this scene is so crucial to understanding misty's relationship to comphet, because one of the key facets is wanting a man to see you as desirable, because that is a woman's value in a misogynistic society. this hits misty so especially hard because she's not just lacking interest and validation from men in school; she hasn't been getting recognition from anyone. (for her to break the black box after just a few hours of receiving positive attention? she was starving for it.)
and so walter calls her on the phone - their backs to each other, literal and emotional distance between them - and starts to tell her that he loves her. but he doesn't say the words. instead he uses morse code to send "uoyevoli": "i love you", backwards. a fascinating choice, because it could be argued that the morse code is representative of their shared love of puzzles as crime solvers. but why backwards? surely the symbolism of the puzzle connection has been satisfied by the morse code.
it's because misty doesn't want to hear "i love you." she wants the implication of walter's desire, she wants to know she has value, but she doesn't want the actual feelings. she wants him to say i love you in a way she can't feel. she wants him to call her and turn his back so she can do the same. she wants to "get the ball over the goal line" and to do that she needs this level of distance.
so this scene with walter? it isn't about walter; it's about recreating that brutal memory. it's about rewriting her past. in her fantasy, walter calls her to prove that becky was wrong, that he is choosing misty because she is desirable. that he does want her. and this is so key because this whole scene is about how walter feels. that walter wants her. in misty's "realization" that she wants to be with walter, it isn't about her feelings at all. the purple flowing line of love comes from walter, the words "i love you" - twisted as they may be - come from walter. misty's only role in her fantasy is to "sit right down" and accept her role; surrender to the fact that walter is the right choice.
and when she does, when she finally, finally comes to the end of this moment, she still doesn't interact with walter. the natural progression of a love confession is physical contact. a kiss, or a relieved embrace. misty seeks neither! in this fantasy of hers where she can have anything, she makes no effort to acknowledge walter at all. instead, she turns to caligula, representative of her real connections. and she celebrates her victory with him. misty can close this deal, can get through this decision she's made, by clinging to the people she does actually care about.
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elennemigo · 9 months
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Benedict and some stills from Running wild with Bear Grylls: the challenge. (full gallery)
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dianadeadwing · 1 month
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For Day 2 of See More Seymour’s Bay Week: Gayle x Nat. They’d be so chaotic and messy but like in a good way. @seemoreseymoursbay
Nat thinks Gayle’s unique and interesting and is a 1000% behind all her weird passion projects. Gayle is thinks Nat is gallant and romantic and is down for any number of Nat’s adventures (eventually. They make her feel like the wild free spirit she imagines herself to be) and thinks all her stories about almost celebrities are super interesting.
+ Aunt Nat
[ID:
Digital fan art of Gayle Genarro and Nat Kinkle from Bob’s Burgers on a light peach background. Gayle is leaning heavily on Nat’s shoulder, looking up at Nat, and has a big smile on her face. Nat has her arm around Gayle’s shoulders pulling her close. She looks down at Gayle with a small fond smile.
/end ID]
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hwarangs · 1 year
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pulsingvoid · 3 months
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insane
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noirsfantasy · 5 months
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The Outlaw’s Embrace
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𝔭𝔞𝔦𝔯𝔦𝔫𝔤 ➛ Jonathan Majors as Nat Love x Black!Fem Reader
𝔱𝔶𝔭𝔢 ➛ Smut, semi-fluff
𝔣𝔞𝔫𝔡𝔬𝔪 ➛ The Harder They Fall
𝔴𝔬𝔯𝔡 𝔠𝔬𝔲𝔫𝔱 ➛ 2.6K
𝔰𝔶𝔫𝔬𝔭𝔰𝔦𝔰 ➛ When Nat Love shows up after another one of his travels, you give him the cold shoulder. Although, you know as well as he does that you can’t stay mad at him. Hell, you can barely resist his smile. But you won’t make it easy for him…
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The sun hangs low, casting long shadows through the dusty streets of Deadwood as the familiar creak of leather and jingle of spurs announces the arrival of a lone rider. Nat Love, the notorious bounty hunter, guides his horse to a halt in front of a weathered apothecary shop. He dismounts, a confident swagger in his step, and pushes open the creaking door.
Inside the shop, he spots me, my back turned as i carefully measure out herbs. I barely glance at the door towards the visitor. I continue my work, wanting to finish up before I tend to anyone. Nat clears his throat, his eyes fixed on the assortment of dried plants and glass jars that lined the shelves. “Need somethin’, ma’am,” he drawls, a hint of mischief in his voice as he picks up a jar of medicine. My fingers hesitate for just a moment, then resume their task with practiced precision. I know that voice, even after all this time.
Without turning around, I respond curtly, “Can’t help you if you don’t ask.”
He takes a step closer, his presence filling the small space. “Might be I need a little… healin’, Doc.”
I finally turn, my gaze meeting his with a cool detachment. He stands at the counter, towering over me as he watches me. “You might be needin’ more than that, from the looks of you.”
Nat chuckles, the sound warm and familiar. “You still not talkin’ to me?” he asks, his eyes searching mine for any sign of softening. My expression remains steely, my lips forming a thin line.
“I reckon I’ve got nothin’ to say.” I reply, my tone icy. He leans against the wooden counter, studying my face.
“You know, darlin’, you can’t stay mad at me forever.” I meet his gaze with a flash of defiance.
“I’ve not been keepin’ track of time.” The tension between us is palpable, a silent battle of wills that echoed through the apothecary shop. We stand there, locked in a familiar dance of push and pull, the weight of our shared history hanging heavy in the air.
As the moments stretch on, Nat’s gaze softens, a flicker of regret in his eyes.
“Y/n,” he says, his voice gentler now, “I didn’t come here to stir up no trouble. Just… needed to see your face.”
I hold his gaze for a beat longer. I lean in so that our faces are inches apart, then turn away, my hands resuming their work. “Well, you’ve seen it. Now what?”
Nat sighs, a mixture of resignation and longing in his expression. He knows that winning back my trust wouldn’t be easy, but he is willing to try. The wild frontier had a way of bringing people together and tearing them apart, but perhaps this time, they could find a way to bridge the gap that had grown between them.
"You fixin' to make a purchase, Mister? If not, reckon it's time to mosey on." I quipped, my voice dripping with sarcasm.
“Might be I’m lookin’ for a remedy to deal with a stubborn woman,” Nat shoots back, a playful glint in his eye.
“You’ll need more than a potion for that, cowboy.” I scoff, turning back towards him and crossing my arms. Nat’s eyes stay on me, his eyelids low. His spurs click against the widen floorboards as he makes his way around the counter, closing the distance between us.
“You always did have a mouth on you, Y/n. But you know, a sharp tongue won’t keep me away.” His eyes have a seductive glint in them. I meet his gaze, unyielding.
“Guess we’ll see about that, won’t we?” I retort, tilting my chin up as if to raise a challenge. Nat’s expression turns determined, a challenge accepted.
“You’re just beggin’ for trouble, ain’t you?”
“Trouble’s my middle name, Nat. Don’t you forget it.” I remind him, causing him to quirk his eyebrow. I defiantly do the same, a smirk playing at my lips. The air between us thick with tension as we stare each other down, daring the other to fold. Although, underneath all this bravado, there’s an undeniable chemistry that neither one of us can deny. He is, in fact, right. I can’t stay mad at him forever.
“Well, darlin', if you're gonna give me trouble," Nat grins, "then I reckon I'll just have to show you who's boss."
As the sun dips below the horizon, the last lights of the evening shine across the shop. Nat and I stare each other down, not giving in. After what seems like an eternity of silence, he finally leans in, his lips meeting mine in a kiss that is as fiery and defiant as I am. In that heated moment, I allow myself to be carried away, my bratty facade melting into the raw intensity of our connection.
Nat's hands find their place on my waist, his fingers pressing into my hips as he draws me closer to him. Our kiss is fervent and intense, a clear reflection of the magnetic pull between us. I wrap my arms around his neck, lightly grazing his lower lip with my teeth.
Nat lets out a soft moan against my lips, his hand gliding up my thigh to caress and grip one of my cheeks through my bloomers. Soon, he firmly holds both of my thighs, lifting me up, intensifying the kiss. Our desire is palpable as we move clumsily towards the stairs.
As we reach my room, he playfully throws me onto the bed. His hat lands beside him as he nonchalantly discards his jacket and unbuttons his shirt. Meanwhile, I effortlessly shed my clothes down to my undergarments.
Nat's gaze intensifies as he watches me undress, his heart racing with anticipation. He throws his shirt to the side, unveiling a sculpted chest and defined abs. His bulge is prominent as it strains against the fabric of his jeans. He leans me back into the bed, hastily removing the rest of my clothes as he gazes upon my dripping wetness. He doesn’t waste any time and presses his mouth to my pussy, causing me to gasp with pleasure. His tongue slips between my lips, lapping up all of my juices.
Nat takes his time, licking and slurping at my folds, using his tongue to probe and tease my clit before moving to the entrance of my pussy and thrusting his tongue inside of me. His hand’s grip remains firm on my thighs as I buck into his mouth.
“Oh, sweet Jesus, Nat~” I moan as my fingers knot into his hair. Nat groans into my crotch, loving the way I'm falling apart. He continues to lap at my folds and thrust his tongue deep inside of me, his other hand moving to grope my breast.
"That's it, baby girl. Keep calling my name." With every flick of his tongue, my release builds more and more. Feeling my body tense up beneath him, Nat increases the intensity of his actions. His tongue fucks my pussy relentlessly while his fingers pinch and roll my nipples, sending waves of pleasure coursing through my body.
"I'm gonna make you cum so hard," He remarks as he keeps one hand on my hip to hold me down. I squirm and writhe as the my climax reaches the breaking point. My moans fill the room as I squirt into his mouth, drenching his beard as well.
Nat groans around my swollen clit, his mouth filled with my sweet nectar. The taste of it drives him wild, his cock twitching in anticipation.
"Fuck, you taste amazing," He husks. I pant heavily as I lay back onto the bed, coming down from the high. But he has no intentions to give me the luxury of rest.
Without breaking eye contact, Nat slowly pulls away, his mouth still full of my juices. His eyes stay on me as he pulls down his britches, allowing his hard cock to spring free. He reaches down and grabs hold of his bulging erection, positioning it at my entrance.
“Ready for more, darlin’?” He teases. I bite my lip as I watch Nat stroke himself, his tip pressing against my entrance. My silence earns me a firm smack on my thigh, causing me to yelp in response.
“Where all them words from earlier, lil lady? You ain’t seem to struggle with words none when you had all that sass earlier.” Nat gives me a smug smirk as he sees my change in attitude. I gulp nervously, feeling the heat of his gaze on me. My mind goes blank as I try to think of something to say.
"I... I want you to fuck me." The words tumble out of my mouth before I can stop them. Nat chuckles darkly, his hand moving to grip my thigh roughly.
"That's more like it," Nat grins, his cock now rock hard and leaking precum. He continues to rub his cock between my folds, his tip getting slick with my juices. I whimper softly as the anticipation is killing me. I move my hips towards him, hoping for him to slide inside me. Nat clicks his tongue at me, smirking as he shakes his head. "You seem a mite impatient, don't ya?" He asks, causing me to groan as I grip the sheets.
“Nat, plea-” With a swift motion, Nat slams his cock deep inside me, filling me up instantly. A high pitch gasp emits from my lips as his girth stretches me. He groans loudly, bracing himself against the wall as he begins to pound his hips against mine. I cry out as he fills me so completely, my body aching with need. Nat's rough lovemaking sends shivers down my spine; it's both painful and exhilarating. The headboard bangs against the wall in rhythm with our grunts and moans. It’s as if all this time apart allowed our lust and longing to build and it’s all being released at once.
The more he hammers into me, the louder my moans become. I bite my bottom lip hard, trying to stifle some of the sounds but failing miserably. Nat's hips are like pistons, driving him deeper and harder into me. My body starts to adjust to his size, and I feel myself growing wetter around him. I clutch at his broad shoulders, my nails digging into his skin lightly.
"Fuck, Nat," I pant, "You so big." With a smirk, Nat leans down and captures my lips in a passionate kiss. His tongue dives deep into my mouth, tangling with mine as he goes deeper with each powerful stroke. I cry out, moaning into his mouth as the pleasure builds up inside me, my legs shaking with each movement. Nat's thick cock feels like it's hitting all the right spots, driving me crazy with need and lust. I arch my back against him, meeting his thrusts with my own, our bodies slapping together in a primal dance of desire. The headboard is starting to creak under the force of our passionate lovemaking.
I can feel myself getting closer to the edge, my orgasm building up rapidly. I try to match his pace, meeting each of his thrusts with a sharp gasp or moan.
"Nat," I gasp, "I'm close—!" My legs shake unsteadily as I try to maintain my balance under the onslaught of his passionate lovemaking. I can feel him getting closer, the head of his cock brushing against my sensitive nub with every thrust. He makes his reply by growling lowly as his fingers dig into my hips, thrusting even harder. The pain is dizzying and I find myself tearing at his back with my nails as I don’t hold back my screams. A slew of unintelligible words and whimpers fall from my lips as Nat drags his teeth across my neck, sucking hard on the skin.
“Cum for me, baby," he demands, driving his cock deeper still. And just like that, I'm lost in a whirlwind of pleasure.
“Oh fuck, Nat!" I scream, my body shuddering violently as wave after wave of orgasm washes over me. Nat follows quickly behind, his powerful thrusts becoming erratic as he releases himself deep inside me.
“Unngh...," Nat groans, collapsing onto me. His weight is heavy, but I welcome it, savoring the closeness we share in this moment. Our chests press against each others as we come back down to earth, our heartbeats matching.
As our breathing slowly returns to normal, I nuzzle his neck, my lips brushing against his soft skin.
"Damn, girl," Nat pants, rolling off of me. He wipes his sweaty forehead with the back of his hand and smirks at me. "That sure was a wild ride, sweetheart. Seems like you had a lot bottled up beneath them layers." He teases. I roll my eyes, giggling a bit.
"Well, I reckon I wouldn't have been so bottled up if a certain cowboy hadn't hightailed it outta here." I retort with a sly smile. Nat laughs and pulls me close to him, his muscles cradling me gently. He plants a kiss on my forehead and his hand runs down my side, resting on my ass cheek. He sighs softly, looking at me with low eyelids.
“Y/n, I’m here to stay, I swear on it.” He tells me, giving me a reassuring half smile. I return the smile, wanting to believe him, but deep down I know it ain’t the truth. A man like Nat can never stay too long. I know as well as he does that he’s got unfinished business.
My hand runs up and down his muscled bicep as I enjoy the time I have with him. It’s a cycle with us. Nat Love has to leave to go do what Nat Love does. I stay here, going on with life as I patiently await his return. He comes home eventually like nothing ever happened and it seems like he’ll actually stay this time, but something always comes up. It’s only a matter of time until-
*Knock knock* goes the front door from downstairs. Nat and I both sit up, instinctively reaching for our guns on the nightstand. Nat pulls on his pants and shirt while I put on a night gown that reaches my feet. We slowly make our way down the stairs, guns pointed as the banging at the door comes again. Nat steps in front of me, inching towards the door.
“We closed this time ‘round. Come back in the mornin’!” I call out towards the door.
“Y/n? It’s Bill Pickett, is Nat with you?” He asks through the door. Nat and I lower our guns and he gives me an apologetic look that I already know the meaning of. Nat sighs and opens the door.
"Bill, you sure do have the worst timing known to man." Nat chuckles, half smiling. Bill looks between us, realizing what was going on.
“My apologies, y’all was making sex. I hate to interrupt but you gots ta see this.” I glance at Nat, knowing what’s next. He turns towards me, giving me a sweet, longing kiss, before giving me his signature smile.
“I gotta go see what’s up, Y/n, but I’ll be back before you know it.” He promises, and I smile wryly. He gives me one last kiss on my forehead, before heading out the door, putting his hat on and riding off into the night with Bill Pickett. I know as well as he does that it could be a while before I see him again. But, still, I’ll wait. He has my heart and I know I have his, he will come back. I know it…
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dailyflicks · 2 years
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THE WILDS 2.01 | Day 30/1
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lastoneout · 3 months
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me trying to solve a problem in literally any fantasy game
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389 · 7 months
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a warning from a familiar character
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filibusterphil · 1 year
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My hot take from the dnd movie is that Edgin is not a bard (no magic) but instead is a mastermind rogue with the entertainer background.
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troythecatfish · 3 days
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bcth-uk · 9 months
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Running Wild with Bear Grylls - big teaser of Benedict's episode
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