Tumgik
#national theatre live
the-tenth-arcanum · 7 months
Text
Tumblr media
signal boost!! (link)
1K notes · View notes
moxyphinx · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
SOPHIE OKONEDO as CLEOPATRA in ANTONY & CLEOPATRA
901 notes · View notes
dreadfuldevotee · 5 months
Text
Tumblr media Tumblr media Tumblr media
Do as you please, Live, by all means! The laws you will break are not of man's making
152 notes · View notes
softdeb · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I won’t make something that makes demands. Nor will I be depended on.
RUTH WILSON as HEDDA
National Theatre Live: Hedda Gabler (2017)
186 notes · View notes
bcth-uk · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Benedict Cumberbatch Week A look back - National Theatre Live: Frankenstein (2011)
127 notes · View notes
too-funky · 1 year
Video
New trailer for Good, which will be shown in UK cinemas from 20 April and international cinemas from 15 June
144 notes · View notes
killerqueen-82 · 1 month
Text
Michael Sheen and Helen Mirren reunion on ITV talking about the NHS and National Theatre Live 💕
Tumblr media Tumblr media
17 notes · View notes
scotchnlondonfogg · 10 months
Text
It's been two weeks since I was able to take in a viewing of the National Theatre Live production of "Good." I find it is still very much in my thoughts. As I hadn't reviewed it yet, now is a good a time as any (pardon the pun).
I purchased a copy of the screenplay, and if I hadn't seen the production in advance, it would have made for a tough and confusing read. Not unlike Shakespeare plays, this is a play that needs to be seen in performance to make sense. Between the time jumps and the quick cuts of dialogue and scenes it does not lend itself to the reader.
The West End revival of "Good" was supposed to take place originally back in 2020. But as we all know, the world ground to a halt, theatre's and live performance taking an especially hard hit. By some miracle, all three original actors were able to keep to their promise of being in this revival production.
The play, written by CP Taylor, takes place in 1930s Germany over a span of around eight years. It follows a "good" man and how such a good person could, unknowingly, be led into evil.
This revival production has three main actors, two of whom play a multitude of parts. The always mesmerizing David Tennant is the lead protagonist playing John Halder. Halder believes himself to be a good person, and a happy one, he does not see himself drifting into the evils of the Nazi regime. His character has a wife and children and a mother who has dementia. He hears a lot of music in his head. Music is peppered through the play, as a dramatic device it denotes Halder's detachment from reality. Halder also has an inability to listen to others, he has a case of narcissism in his character. Tennant subtly portrays a lurking darkness, that has always been there, under an bookish and affable exterior. He pretends to be concerned for others, but is always acting with selfish motivations. It is stunning and chilling.
Tennant's fellow actors, Elliot Levey and Sharon Small, play multiple roles. Elliot Levey plays Maurice, Halder's best, and only, friend. In addition he plays a range of characters and Nazi supervisors. Elliot imbues Maurice with a sense of growing panic and betrayal as he watches the horrors unfold before him. How can his best friend not help get out of the danger? How can Halder not see what is actually happening around them?
Halder: This is still a capitalist country. The real power is in the hand of the capitalists. They can't afford to have a mystic idealist running their country...this is a temporary aberration.
Maurice: He doesn't listen to people. I'm telling you. There is legislation coming in the next few days...in the next day...today...maybe yesterday.
Halder is above the conflicts in many ways because of his background, and his constant self-justification and moral emptiness will mean he betrays his 'good' sense of self. He rationalizes everything, even when he's in the middle of the "night of the broken glass" (the Anti-Jewish pogroms that took place in November of 1938). He's a literature professor and he doesn't make much of the book burning at the University, as long as he can keep his copies of his books, since his superior has disguised his jazz music records in order to keep them.
Freddie: All right, Johnnie? Can I leave that to you?
Halder: As long as I can keep my copies, Freddie.
Freddie: I've got my jungle music haven't I?
Sharon Small plays Helen - Halder's wife, his mother with dementia, Anne - his mistress, and a couple of fellow SS officers. As Helen, Small portrays a sense of constant putting down of herself, she's frequently looking down at the floor. As Halder's mother, she hunches and shrinks down a bit in stature. If it all sounds confusing to watch, it could have been. However, Levey and Small did a tremendous job of using body language and vocal inflections to keep the characters separate. Once you quickly cotton on to the switches, it works because of these top shelf actors. The stage direction also helps via stage lighting and music to denote scene changes. Seeing this on film was amazing, those that got to see it live on stage, that would have been genuine stage magic.
The strength of this play, through CP Taylor's writing, shows you the varied ways that people delude themselves and shut out realities in front of them. The mentality of "surely they won't take it that far" is a comfortable place to reside. Humans have their fallibles and their ways of convincing themselves "it won't happen to me." Those attitudes will never change. But seeing media like this can help open dialogues among people to hopefully at least step back and think "would I know how to back out and not be a part of the problem?" It makes you ponder tough questions about your own sense of self. In this age of digital division and politics deepening the divide between us all, it is worth trying to see things from the other perspective, and speaking up if you think actions are going too far.
I sincerely hope National Theatre Live adds this to their online "watch at home" option once the movie screening run is concluded. Everyone deserves the chance to see this play.
Tumblr media
46 notes · View notes
tiffanyachings · 1 year
Video
this might be the hymn enthusiast in me talking but i genuinely think one of the best bits of the bridge theatre’s midsummer is the opening. you KNEW this was gonna be good as soon as they started banging that drum
103 notes · View notes
maggiecheungs · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
IAN MCKELLEN as KING LEAR dir. Jonathan Munby (2018)
72 notes · View notes
queenofinys · 1 year
Photo
Tumblr media Tumblr media Tumblr media
RUTH WILSON in The National Theatre’s HEDDA GABLER (2017)
122 notes · View notes
securityholograms · 1 year
Text
Tumblr media Tumblr media
Andrew Garfield in NT Live: Angels in America
131 notes · View notes
moiraiinesedai · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Sophie Okonedo and Ralph Fiennes in National Theatre’s Antony and Cleopatra
Photos by Johan Persson and Matt Humphrey (x)
268 notes · View notes
softdeb · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
RUTH WILSON and RAFE SPALL as HEDDA and BRACK
National Theatre Live: Hedda Gabler (2017)
90 notes · View notes
denimbex1986 · 2 months
Text
Tumblr media
Last night I saw National Theatre Live's Vanya at my local cinema and a few hours shy of a full day later, I'm still thinking about it. All I can say is that it's an absolutely brilliant production - one that has no doubt introduced and will introduce a whole new generation and audience to Chekhov's work - that I would recommend everyone goes to watch.
I've seen a lot of shows over the years but none and nothing like this one. I tip my metaphorical hat to writer Simon Stephens, director Sam Yates, all the crew and, in particular, Andrew Scott who delivered a genuinely phenomenal performance - well done Sir! 👏👏👏
6 notes · View notes
too-funky · 1 year
Video
youtube
Who is uncomplicated? Who is without moments of selfishness? And without moments of selflessness? John Halder has both, and that is what makes the journey he goes on all the more fascinating and chilling, actually, because I think we can all see ourselves in John Halder, to some extent.
David Tennant, Elliot Levey, Sharon Small, and director Dominic Cooke talk about Good ahead of its cinema release with National Theatre Live
52 notes · View notes