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#netherfield ball
anghraine · 2 months
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I love that Elizabeth and Darcy are so ready to effectively tell each other they're full of shit. This happens a bunch of times, but I was re-reading their conversation at the Netherfield Ball and they're both kind of refreshingly Done.
[Darcy:] “Do you talk by rule, then, while you are dancing?” [Elizabeth:] “Sometimes. One must speak a little, you know. It would look odd to be entirely silent for half an hour together; and yet, for the advantage of some, conversation ought to be so arranged as that they may have the trouble of saying as little as possible.” [Darcy:] “Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?” “Both,” replied Elizabeth archly; “for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the éclat of a proverb.” “This is no very striking resemblance of your own character, I am sure,” said he.
It's also pretty funny, because I suspect Darcy is thinking of this sort of thing in a later conversation at Rosings:
“You mean to frighten me, Mr Darcy, by coming in all this state to hear me. But I will not be alarmed, though your sister does play so well. There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me.” “I shall not say that you are mistaken,” he replied, “because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know, that you find great enjoyment in occasionally professing opinions which, in fact, are not your own.”
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itspileofgoodthings · 8 months
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this movie HATES that it has to deal with plot it just wants vibes but it's Austen so everything is connected and it can't get away from plot no matter what it does
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error404vnotfound · 5 months
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stop it she's already dead
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tenth-sentence · 22 days
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Mr. Bingley had soon made himself acquainted with all the principal people in the room; he was lively and unreserved, danced every dance, was angry that the ball closed so early, and talked of giving one himself at Netherfield.
"Pride and Prejudice" - Jane Austen
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sebssunshine · 1 year
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i am very normal about pride and prejudice (2005) i say
lying
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whats-in-a-sentence · 22 days
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Till Elizabeth entered the drawing-room at Netherfield, and looked in vain for Mr. Wickham among the cluster of red coats there assembled, a doubt of his being present had never occurred to her.
"Pride and Prejudice" - Jane Austen
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theneutral-zone · 8 months
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the only thing that could make 1995 pride & prejudice better is the appearance of character health bars at critical scenes
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literarybrainrot · 2 months
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Pride and Prejudice is actually hilarious cause Elizabeth goes to the Netherfield Ball with the purpose of finding out what Darcy's closest friends think about Wickham, and when they all tell her Darcy is a really nice guy and Wickham is a liar she literally goes "Mr. Darcy has somehow managed to trick all of his closest friends into thinking he's a good person but I know something about him that they don't (that he sucks)"
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kwistowee · 5 months
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Happy Netherfield Ball Day PRIDE AND PREJUDICE (1995)
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bethanydelleman · 23 days
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I find this post-engagement exchange in Pride & Prejudice between Elizabeth and Mr. Darcy very cute:
...To be sure you know no actual good of me—but nobody thinks of that when they fall in love.” (E) “Was there no good in your affectionate behaviour to Jane, while she was ill at Netherfield?” (D) “Dearest Jane! who could have done less for her? But make a virtue of it by all means. My good qualities are under your protection, and you are to exaggerate them as much as possible...." (E)
Because in a way Elizabeth's right, it's pretty normal for a sister to take care of a sister when she's sick. But in another way, he's right because Mary refused to come and Kitty and Lydia only cared about the ball.
It's this cute thing about how we can't even see our own virtues that others fall in love with.
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rboooks · 10 months
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Can you write a dead on main? Something with a bookstore au please!
Now that I know the ship names, you bet I can! I'll try my best to get through the ones I got requested in the past few days.
Jason liked bookstores.
They were a safe haven for him as a child, even when the fancier ones chased him off when he became a street kid. He adores the various series, the smell of books, and the quiet of stores. Often he thought that they were a small pocket to escape reality.
He had always known he could escape between the pages when everything had been terrible.
Maybe that's what lead him to this store even if it was a bit odd.
It was out of the way by the old docks that Joker used to run, thus making it condemned to the rest of the populace.
An old warehouse turned into a three-story bookstore. The entire first floor was aisles placed in side-way lines with the main counter as its center. The second floor had cozy reading nocks, plush futon couches, pillows, and blankets, complete with a small cafe. The rule was that anyone could take a book off the second-floor walls to read for free.
Employees asked to be informed if any food or damage was done to the second floor since the second book only had one copy of each. The owner would pull one off the bottom floor shelves to replace it.
The final floor had various reading rooms, but Jason loved that each room was based on a book. The room was professionally decorated to the point it left visitors feeling like they actually stepped into the world of the book.
Sculptures, playable settings, phenomenal little details the hard die fans could spot, and even sound systems playing sounds that sounded like the world. Jason could only compare it to Disney World or universal studios. The fact that people could rent the rooms for an hour for only fifteen dollars made them much more popular.
The third-floor rooms- ten in total- would rotate between series after a few months. Hence, the rooms were always different, but inside them were recommended books with the same kind of theme that was always the perfect recommendation, or maybe people just wanted to explore a room of their favorites.
Jason had visited the strange little bookstore with Tim after his brother had gone on a date with Bernard there.
Tim and Barnard had rented the "Hogwarts common rooms" room for three hours. Jason had been amazed by how real the four standard rooms looked, how there were even dragons spitting fire in one corner, moving portraits, a sorting hat ceremony, a small teddy bear decorating corner, and even a wand building second. All for only fifteen dollars. Tim had practically been glowing when he came home with his Ravenclaw bear and his own wand.
And maybe Jason is a huge Harry Potter fan; perhaps it was one of the first things he boned with Tim over, so maybe his brother had taken him to have an experience that he compared to the first time Bruce took him to Universal Studios.
Then he ran into the owner while one of the employees had been helping him pick runes to have burned into his wand.
Jason started to come back for an entirely different reason.
"Hi, Jason!" Elle says when she sees him climbing the stairs toward the third floor. She's the store's co-owner and has gotten to know him on a first-name basis due to how often Jason has visited the store in the past year. If they made a reward points system, Jason knows he be the highest one on the chart.
She's sitting at a table that is decorated like a galaxy. The books for these quarters' room themes are on the table's surface, all with a door key under them and a clipboard for the various hours.
Jason's eyes land on Pride and Prejudice, and his heart leaps.
"Hi, Elle. What's the wait time for door seven?"
She smiles, flipping the clipboard to the time slots. "The Ball at Netherfield Park has a lot of openings today. I got a three, four, six, or seven. When shall I fit thee dance card in milord?"
Jason laughs and checks his phone, ensuring he doesn't need to do anything for a while before saying. "Three will be fine. It's only thirty minutes. I'll go get a coffee while I wait."
She nods, writing his name down for three. She then passes him some disclosure forms he has to sign, forgoes the long-winded explanation of the rules, and sends him on his way, promising to send him a reminder text.
"Just so you know, Ball at Netherfield Park comes with a unique costume option. Five extra dollars to go through our costume section, and you can dress up like Mr. Darcy for a full hour."
Jason shakes his head though it's a very tempting offer. "Thanks, Elle but I'm okay with my street clothes today."
The other shrugs and checks her nails- their asexual theme today, he notes- before nonchalantly commenting. "Too bad. Danny really wanted someone to cosplay with him. Jane Austin's books are less prevalent in Gotham than we thought, and he's been dying to wear his Mr. Bingley outfit. I thought you like to, so I told him to come over when you arrive, but I can text him to cancel-"
"Five dollars, you said? For the full outfit or just like a coat?" Jason ignores her smug expression and quickly places a twenty on the table.
"Full outfit. What do you take us for?"
He glares at her just as the man of the hour himself runs up the stairs. Danny Fenton, founder, and co-owner of Ghost Zone Reads. He's in a light blue Regency period man coat that makes his eyes pop. A pair of white pants that hug his hips and thighs in all the right places, black knee boots, and a black gentle top hat.
Jason's knees go weak at the sight of him.
Danny's face is flush from the run, but his whole face lights up when he sees his sister and her guest. "Jason! I'm so glad you choose the Ball at Netherfield Park experience. I can't wait for our dance."
"Dance?" Jason chocks. Elle chuckles.
"You can't experience a Ball at Netherfield without the ball part dingus." She waves a hand at her brother. "Told him Dick canceled on you, so he offered to step in."
Jason never even mentions Dick to her but he's not about to call her out on her lie. She's doing him such a big favor.
"I always wanted to go to a Jane Austin ball!" He says instead, mentally wincing at how lame he sounds. Thankfully Danny's eyes only light up even more as the other man starts explaining the instructional videos installed in the ballroom mirrors so they can learn the real moves of Contra Dancing.
Jason falls just a tad bit more.
(Elle watches with a fond smile as Jason and Danny get lost in Austin's most significant works. She quickly texts her allies in Wayne Manor under the table. This is a big step in the "Make us in-laws" operation; the Fenton and Wayne children started a few months back. They were all tired of watching Danny and Jason dance around each other. Damian's idea to use Jason's favorite author was working fabulously.)
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ofswordsandpens · 2 years
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I love just how blatant and embarrassingly obvious Darcy’s affection for Elizabeth is on your second watch through of p&p 2005. I love him describing an accomplished woman as someone who “must improve her mind by extensive reading” and immediately eyeing Elizabeth with her book. I love him asking Elizabeth to dance at the Netherfield ball when, at the previous ball, Elizabeth had told him that dancing was the best way to encourage affection. I love piecing together the shots and realizing that Darcy is almost always looking in her direction. I love realizing the reason Darcy is walking through the crowd at the Netherfield Ball is because he’s searching for Elizabeth. I love him coming over to hear Elizabeth play piano and I love him telling her that he has trouble conversing easily with people he’s just met and knowing he’s attempting to be open and vulnerable with her.
His first proposal is so jarring and unexpected for Elizabeth but damn girl this idiot has been openly pining after you this whole time
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misscrawfords · 4 months
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I was listening to Pride and Prejudice on my drive back from my mother's today and it's been so long since I've actually read the novel as opposed to engaged with one or other adaptation...
Goodness, it's good, isn't it? And Elizabeth is so much more complex a character than she is often presented in adaptations.
The thing that was standing out to me today - I was listening to from when Mr. Collins proposes to Charlotte and I stopped just when Elizabeth was talking to Colonel Fitzwilliam at Rosings - was the chapter which is just Jane and Elizabeth talking about Bingley. This gets cut from adaptations or so condensed to be meaningless, but it's incredible. It's just a whole chapter of the sisters chewing over why Bingley ghosted Jane (for lack of a better term) and what Caroline's motivations were and the thing that gets me is that they're both right. Jane is right that Bingley can't be blamed for being a friendly young man and that he had no malicious intentions but Elizabeth is also right that young men can be thoughtless in their dealings with women who have less freedom than them and their thoughtlessness can do real hurt. (She's also right about Caroline, of course.) It struck me as such a modern issue. Maybe I've just been thinking about the unwitting hurt that thoughtless young men can cause recently, but everything is so complicated. Bingley is a flake who makes a mistake with regards to Jane but he's also a genuinely lovely young man who makes it right in the end - he's still on his own journey through life which he will continue with Jane. Jane herself lets her desire to see the best in others cause her to see friendship where it isn't, but being deceived in a friend is not so uncommon, is it? And she's not stupid or weak. Heck, she endures her heartbreak being talked about openly by her mother in public for months silently and without rancour. And she does it all without ever resenting Bingley! Jane's the strongest character in the whole novel and an inspiration to the rest of us - FIGHT ME on this!
The other thing I really picked up on was what an important moment in Elizabeth's character development Charlotte's engagement is. It actually kind of breaks my heart - her best friend makes a life choice that she can't support but has to and nothing will ever be the same again between them. It's the first dent into Elizabeth's world view that forces her to see that people are different from her and can make different decisions and this is okay and not just something she can laugh at. It's so relatable in terms of life events - when a close friend marries and then when they have a baby, these things absolutely still do alter friendships. Elizabeth gets over it and even enjoys seeing Charlotte in Hunsford but we are frequently reminded by the narrator that the previous confidences they enjoyed will never be the same again. It's a really big moment for Elizabeth and really the first event in the novel to start to shake her foundations of her comfortable existence. The other two are Bingley's desertion of Jane and Wickham's decision to pursue Mary King over her. By the time she goes to Hunsford, she is prepared in a way for the final massive shock to the foundations of The World According to Lizzy Bennet, not that she knows it. Such is growing up.
And OMG Lady Catherine is SO vulgar and inappropriate! She is a direct parallel to Mrs. Bennet and the rest of the Bennets. Just as Elizabeth feels accute embarrassment at the Netherfield Ball, Mr. Darcy is feeling exactly the same at Rosings. Beautifully done. But their awareness of what is appropriate behaviour is something that unifies Darcy and Elizabeth even if Darcy massively fails to behave like a human around Elizabeth. Pride and Prejudice is such an expose and examination of "how to behave in social situations". There is nobody who doesn't come under scrutiny and pretty much every type of behaviour is gone over with a fine tooth comb.
Sometimes I feel almost ashamed when people ask me what my favourite novel is and I say "Pride and Prejudice" because it's such a damn cliche. I should say something heavier or more obscure or at least I should say it's Persuasion, the "thinking girl"'s favourite Austen. But P&P is so special to me on so many levels and you know what? It is a MASTERFULLY written book.
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ardentlyinlovedarcy · 6 months
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harmonizingsunsets · 7 months
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Pride & Prejudice Summarized by Taskmaster
Elizabeth and Darcy after their first meeting
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Mrs. Bennet when Jane has to stay at Netherfield because she made her take the horse in the rain
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Audience @ the hand flex moment
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Mary playing the piano at Bingley's ball
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Mr. Collins
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Charlotte accepting Mr. Collins' proposal
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Lizzie about Darcy after he calls the house charming and bolts
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Darcy after the first proposal
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Wickham scamming everybody for money
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"You have bewitched me, body and soul. And I love, I love, I love you."
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linmeiwei · 3 months
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Deconstructing Mr Darcy
My favourite character in all Austen canon is Mr Darcy. Unfortunately, as soon as I say this, everybody is like
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Because when I say this people think of this…
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And this…
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But that’s not why he’s my favourite character.
There is this famous quote by P.D. James in which she argues that Austen's Emma is like a predecessor of the detective novel, in the way that she sprinkles clues as to what's really going on with Frank Churchill.
And ever since, I've been reading Pride and Prejudice differently, because of course she does something similar there too.
Specifically, Austen constructs this elaborate character puzzle with Mr Darcy at its centre. Every time he and Elizabeth clash, throughout the novel, one of the central conflicts sparks up: what is Darcy really like?
Elizabeth’s early interest in him is often interpreted as sexual tension/latent attraction. I’m not saying this isn’t the case (you can argue about this). But what is evident is that her intellectual interest in characters is roused by him. Because, well, he really presents her with a tricky puzzle.
1) The mysterious man at the ball
When Elizabeth and her sisters go to the Assembly Ball at Meryton, remember, they go there to ogle Mr Bingley. He is the rich, handsome bachelor they hope to dance with when they get there.
But then they actually arrive and it’s someone else who has everyone talking. Mr Darcy. He’s the tall, handsome stranger who turns out to be much, much richer than Mr Bingley, and who gets everyone excited.
Who will he dance with?
Well, nobody because he’s like way too important to deign to notice any of them. He stoops to acknowledge that Jane, literally the most beautiful girl in the county, is somewhat pretty. But her sister is totally beneath his notice.
With this twist upon a twist, the author invites Elizabeth and the reader to abandon their first suspicion that he’s the hero and to consider him a little absurd instead. And this is a comic novel. By that point we have met multiple absurd characters, so we know this is what is to be expected from this story.
2) The cracks
The narrator hints that Darcy enjoys a good gossip with his friends and spends his free time dissecting the many ways in which the local women don’t interest him. Again, absurd, remember? Elizabeth is among the women he judges harshly, but as he sees more and more of her this happens:
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So the reader is now invited to some irony which Elizabeth is not privileged to enjoy. But it’s all in service of the comedy, right? Because it’s more delicious for the reader to see the contrast of how much Elizabeth is wrong about what he thinks of her.
You, the reader, have a good chuckle with the author about this, don’t you? But while you’re laughing you’re MISSING A CLUE! And it’s right there: Elizabeth is wrong about Darcy. It’s lampshading the fact that she doesn’t really understand him at all.
3) The real deal
So then we get a little closer to Darcy. Elizabeth stays with him and his friends at Netherfield to nurse her sister. As Darcy continues to admire her, and as she continues to be oblivious, one evening he approaches her and this happens:
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Again Elizabeth is wrong about Darcy, but here Austen adds another clue:
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So… the guy who has the superpower of turning any normal situation awkward makes this super awkward situation… charming?
And then Austen adds some misdirection by immediately adding:
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And we’re focusing on the irony that this guy is more enchanted with her the more she rejects him. And we’re a little amazed at how arrogant this guy is that he doesn’t see how much he is disliked at this moment. Almost as self-important and oblivious as Mr Collins.
And so we don’t see that… he’s nice? And I mean, an arrogant, self-important arse, as Elizabeth thinks of him, wouldn’t be nice at this point. He’d be wounded. He’d make it awkward. Importantly, he’d make it awkward for her.
It’s hard to get out of a situation like this gracefully. But he can. He knows how. He has that ability.
And this works as a bit of foreshadowing too, of course. Dancing and courtship are pretty strongly linked in Austen (and culturally in that era) and so his acceptance of her rejection in this manner lampshades his character as a lover.
But there’s so much more. That time at Netherfield is so rich in character studies, I feel like someone could write several PhD theses on that section of the book alone.
My favourite is the one that happens when Darcy and Elizabeth literally talk about characters. Miss Bingley asserts that Darcy is perfect, has no flaws. Elizabeth is delighted: this is just what she thinks Darcy thinks of himself.
Darcy says: No, I’m plenty flawed, thanks.
Elizabeth is curious now. Go on, oh prideful one, enlighten us mere mortals!
Darcy explains that he’s resentful, that he doesn’t forget or forgive easily.
Elizabeth has to admit that that’s a non-ridiculous answer. She’s disappointed, a little, because what good is that to her, since she wanted to have a good laugh at this expense? But he predicted as much and at the beginning of this conversation challenged her on this to preempt her making a joke of the whole conversation.
He wants to continue to be serious and this happens:
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Again, Austen’s sleight of hand: when we first read this, it sounds more like Darcy is just a misanthrope who has a negative and pessimistic attitude towards people. That’s how Elizabeth hears it too.
But he tells us himself: that’s not what he means. Elizabeth (and the reader) is misunderstanding him. And he shows us, right away, by taking her jibe in good humour right then and there.
Multiple times, Elizabeth teases or attacks him, and he’s cheerful about it. He thinks it’s kind of funny. Bingley gets a shot or two in, and Darcy takes that on the chest too.
Austen manages to create this impression of him in the reader’s mind of a guy who is angry and prideful all the time, but when we review his actions, how often is this really true?
4) Darcy through the eyes of others
In many analyses, Elizabeth is blamed for being so easily taken in and so stubbornly mistaken in Darcy, but in all fairness, look at what she has to work with!
So much of what she learns about him is through other people, and so what she knows is filtered by their interests, skewed perspectives and compromised judgements. The fawning of Caroline Bingley and Mr Collins, the hatred of George Wickham, the deference of Mr Bingley, the lack of deference from Colonel Fitzwilliam, the way Charlotte views men, the way Jane always finds good things to say about anybody, her mother’s vulgar prejudice, all of it adds to a picture of absolute confusion. And the worst offender is Darcy himself, of course, because he stubbornly refuses to clarify anything about himself, partly because he can’t and partly because he just won’t.
Darcy’s stay in Hertfordshire culminates in this exchange, at the Netherfield Ball, between Darcy and Elizabeth:
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5) Mr Darcy in love
Darcy really is a hard nut to crack, and in large part it’s because he makes himself hard to crack. The baseline here is pretty bad but it gets so much worse the more he loves Elizabeth and the more he is determined to hide from her.
Before, he just doesn’t care what people think of him. But now, he does care and he desperately wants them not to know that he has, annoyingly and embarrassingly, fallen head over heels in love.
Austen strings us along in this confusion until the absolute shock that comes with his proposal. Even though we as readers always knew more than Elizabeth did, and even though both we the readers and Elizabeth had tonnes of evidence and clues about Darcy and his real character, this twist comes as a complete surprise.
And because we, the readers, and Elizabeth, the protagonist, are surprised, we don’t notice another important clue. Darcy is also shocked. Like, we’re all sitting in this scene, aghast, amazed, shocked. We all came to this point following a trail of wrong clues, misdirections, misunderstandings and mistaken assumptions.
But what does this tell us about Darcy? Other than what he finally reveals through his letter, we learn that the entire time he thought Elizabeth:
Knew what she was doing, flirting with and encouraging him
Understood his prevarication
Expected a proposal
The poor man doesn’t come out of this looking good, does he? It makes him look really arrogant, self-important and big-headed. And to an extent, well, it is.
But there’s also another, kinder, reading to all this: that he’s someone who overthinks things.
There’s the conversation in Netherfield with Bingley where he deprecates those who do things rapidly as if it were a virtue. We know from other parts of the novel that he’s a bookish (he prides himself in his library), intellectual (he admires those who read), “clever” (in the narrator’s own words) guy.
Used to responsibility, used to being relied on to guide and advise people, used to solving knotty problems, Darcy approached his problem (loving a girl who is in every way beneath him) in the same way. He deserves a large portion of the smackdown he receives—no argument from me here. It does him good, later, as we all know. But when we revisit the novel, these deeper dimensions of his character become more apparent whenever we come to this moment: that Darcy’s flaws are not just the obvious ones here (pride, arrogance, lack of manners) but also shades of other traits of his.
6) A mystery to the very end
At this point, Austen begins to clear the mist a little. Darcy gets such a blow with Elizabeth’s rejection that our heart does go out to him, and then the letter explains so much, you begin to feel like he’s been wronged with our harsh view of him. We’re brought into his home, and so, slowly, we are shown that, yes, he’s sort of quiet and taciturn, and maybe his people skills aren’t exactly up there, but he’s actually quite nice, at least willing to try to be outwardly more friendly, but in essence he’s a kind person and a responsible landowner. Elizabeth begins to see that he’s rather attractive.
The reader and Elizabeth begin to thaw towards him. And then Lydia runs away, All seems lost. Wickham has been such a wicked force in Darcy’s life, Elizabeth has already tried Darcy to the edge of what any reasonable man would put up with and Elizabeth’s family exposes herself in the worst possible way.
What I love is that Darcy’s true character is always, always most visible through his actions. This mirrors the whole point of the novel of course: that we should pay attention not to impressions, superficialities (words) but to what people really are, and what they actually do (actions). So, Darcy doesn’t say anything, in fact he swears everybody to silence. He just does. He saves Elizabeth’s family in the most warm-hearted, generous and forgiving way possible.
Anyway, I could write books on this subject just because of how much there is to say, and this is but the tip of the iceberg, but I’ll leave off here. I just wanted to explain why I love Mr Darcy, the character, and why you should too. Not as a literary romantic hero, not as a literary crush but as a really interesting, beautifully written, complex character in his own right.
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