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#netherlandish artist
thepaintedroom · 3 days
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Henk Helmantel (Netherlandish, b. 1949) • Cloister of Le Thoronet • 2021
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collectionstilllife · 5 months
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Joke Frima (Netherlandish, b. 1952) • Path of Life • Private collection
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pagansphinx · 4 months
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Kees van Dongen (Netherlandish, 1877-1968) • La Lecture ou Rabelais • 1912
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matyas-ss · 1 year
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The Garden of Earthly Delights, Hieronymus Bosch (c.1500) Museo del Prado in Madrid
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Jacob de Villeers, Netherlandish A Panoramic Landscape with a Waterfall, 17th century
This monumental landscape with rolling hills and a waterfall is one of the sole works that can be surely attributed to the Rotterdam landscape painter Jacob de Villeers (cf. the documentation of this painting in the RKD, the Hague, no. 105752). Little is known about de Villeer's life and work, only that he married in 1641 and that he painted two ship's cabins for Prince Frederick Hendrick five years later - proving that he worked for illustrious patrons.
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art1for2the3masses · 4 months
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Rembrandt’s Debut in Amsterdam
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When he was still in his early 20s, Rembrandt closed his studio in Leiden, the Netherlands, and moved to the expanding metropolis of Amsterdam, where he quickly became the most sought-after painter in the city. His employers included many influential people, including the Prince of Orange, who commissioned biblical pictures from him. Focusing on the Portrait of Aeltje Uylenburgh (1632), John Walsh, B.A. 1961, Director Emeritus of the J. Paul Getty Museum, Los Angeles, considers the artist’s early career and the reasons for his success.
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oldpainting · 10 months
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HOYTEMA, Theo van. Vijf ooievaars in een wei, c. 1900s.
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HOYTEMA, Theo van. Vijf ooievaars in een wei, c. 1900s. by Halloween HJB
"Five storks in a meadow"
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Peter Paul Rubens: The head of Medusa, ca. 1616/17. Kunsthistorisches Museum, Vienna
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egoschwank · 1 year
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al things considered — when i post my masterpiece #1133
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first posted in facebook november 13, 2022
michaelina wautier -- "self-portrait" (ca. 1649)
"we knew nothing about her. as a specialist working in the field, i didn’t know she existed" ... christopher atkins (director of the center for netherlandish art at the museum of fine arts)
"'it’s really pretty amazing,' said atkins, describing how art historians have traditionally focused on male artists from the era. 'how did we miss these things as a field for so long?'" ... malcolm gay
"i wonder if institutions know it is a problem. there is a lot of discussion about women having more exhibitions, so from the outside it seems like we are celebrating women of different ages. but i wonder if institutions realize that there needs to be a lot more work done. maybe they don’t understand how imbalanced it is" ... naima keith (vice president of education and public programs, los angeles county museum of art)
"the explanation that women [are poorly represented because they] have often decided to leave the art world? i don’t believe that for a minute. i think there have been women working hard in the art world forever and if we haven’t seen them, then shame on us" ... brooke davis anderson (director, the museum at the pennsylvania academy of the fine arts)
"i call bullshit on the idea that it takes a while [to see change]. how much more time does it take? if a new generation of art historians and curators have to be resensitized to this then my god, we have amnesia at this point" ... michelle millar fisher, (curator of contemporary decorative arts, museum of fine arts, boston)
"well, first of AL, i probably would fire christopher atkins (the alleged director of the NETHERLANDISH art at the museum of fine arts here in boston) IF he really did not even know that a master from the 'dutch golden age' like wautier even existed" ... al janik
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clairity-org · 3 months
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Unidentified Netherlandish artist, Christ Carrying the Cross, ca. 1510-1520, Oil on wood panel, 11/21/23 #legionofhonor
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Unidentified Netherlandish artist, Christ Carrying the Cross, ca. 1510-1520, Oil on wood panel, 11/21/23 #legionofhonor by Sharon Mollerus
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A Laughing Fool by Netherlandish artist Jacob van Oostsanen.
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collectionstilllife · 3 months
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Salomon Garf (Dutch 1879 - 1943) • Still life with Masks • c. 1929 • Pastel on paper • Private collection
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pagansphinx · 4 months
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Frederik Hendrik Kaemmerer (Netherlandish, 1839-1902) • Winter Fun
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matyas-ss · 1 year
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The Adoration of the Magi, Hieronymus Bosch (c. 1475). Metropolitan Museum of Art, New York.
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pathetic-gamer · 1 month
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Pentiment's Complete Bibliography, with links to some hard-to-find items:
I've seen some people post screenshots of the game's bibliography, but I hadn't found a plain text version (which would be much easier to work from), so I put together a complete typed version - citation style irregularities included lol. I checked through the full list and found that only four of the forty sources can't be found easily through a search engine. One has no English translation and I'm not even close to fluent enough in German to be able to actually translate an academic article, so I can't help there. For the other three (a museum exhibit book, a master's thesis, and portions of a primary source that has not been entirely translated into English), I tracked down links to them, which are included with their entries on the list.
If you want to read one of the journal articles but can't access it due to paywalls, try out 12ft.io or the unpaywall browser extension (works on Firefox and most chromium browsers). If there's something you have interest in reading but can't track down, let me know, and I can try to help! I'm pretty good at finding things lmao
Okay, happy reading, love you bye
Beach, Alison I. Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge Univeristy Press, 2004.
Berger, Jutta Maria. Die Geschichterder Gastfreundschaft im hochmittel alterlichen Monchtum: die Cistercienser. Akademie Verlag GmbH, 1999. [No translation found.]
Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985.
Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol 62, no. 2., 1990. pp.298-314.
Brandl, Rainer. “Art or Craft: Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-1550. The Metropolitan Museum of Art, 1986. [LINK]
Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Bercelona.” Masters Theses. Western Michigan University, 1997. [LINK]
Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol 2, no. 1-2, 2010.
de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986.
Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014.
Eco, Umberto. Baudolino. Translated by William Weaver. Mariner Books, 2003.
Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork. Jan Jose Univeristy, 2020. [LINK]
Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140
Harrington, Joel F. The Faithrul Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013.
Hertzka, Gottfired and Wighard Strehlow. Grosse Hildegard-Apotheke. Christiana-Verlag, 2017.
Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010.
Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford Univeristy Press, 2015.
Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017.
Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boudell Press, 2007.
Kieckhefer, Richard. Forbidden rites: a necromancer’s manual of the fifteenth century. Sutton, 1997.
Kuemin, Beat and B. Ann Tlusty, The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017.
Ilner, Thomas, et al. The Economy of Duerrnberg-Bei-Hallein: An Iron Age Salt-mining Center in the Austrian Alps. The Antiquaries Journal, vol 83, 2003. pp. 123-194
Lang, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008
Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2019.
Lowe, Kate. “’Representing’ Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol 17, 2007. pp. 101-128
Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv fuer Reformationsgenshichte, vol. 89, 1998. pp. 125-143.
Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol 23, no. 191. Springer, October 2021. pp. 1-27.
Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32.
Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests, and Occullt Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013.
Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissectionin Renaissance Italy.” Renaissance Quarterly, vol 47, no. 1, Spring 1994. pp. 1-33.
Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983.
Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present,vol. 150, no. 1, February 1996.
Salvador, Matteo. “The Ethiopian Age of Exploration: Prester John’s Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp.593-627.
Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli.” The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.
Throop, Priscilla. Hildegarde von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998.
Usher, Abbott Payson. “The Origins of Banking: The Brimitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4. 1934. pp.399-428.
Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Peter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp.427-501.
Wendt, Ulrich. Kultur and Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907.
Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp.751-777.
Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008.
Yardeni, Ada. The Book of Hebrew Script: History, Palaeography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010.
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art1for2the3masses · 1 month
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"Saint Sebastian" by Nicolas Regnier at the Old Masters Gallery, Dresden, Germany
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Nicolas Régnier (1591–1667), known in Italy as Niccolò Renieri, was a painter, art dealer and art collector from the County of Hainaut, a French-speaking part of the Spanish Netherlands. He is often referred to as a Flemish artist because this term was often used to designate people from the Spanish Netherlands.
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