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merakiui · 1 year

Note

Absolutely love the possessive ex Scaramouche ramble in tags, please feed us more of that.

Gladly!! :D

(cw: yandere, extremely toxic ex scara, modern au, unhealthy behaviors/relationship, stalking, coercion, obsession, forced marriage, violent/suicidal threats, manipulation, mentions of intoxication/alcohol, implied self-harm)

The two of you were what everyone calls ‘high school sweethearts.’ You met him in the cafeteria when the both of you were first years. Despite the scowl etched on his face, he looked lonely sitting all by himself while everyone was finding tables, old and new friends gathering in groups. He’d ignored you, even scooting further away when you’d attempt to move closer. Even though he seemed so averse to you, you remained, silently eating your lunch. Neither of you said anything, but you did introduce yourself. He scoffed under his breath.

You started to sit next to him for every lunch, and he continued to give you the silent treatment. You never pressed him for conversation, instead choosing to enjoy silence while you ate and admired him from the sidelines. He never looked at you, always facing forwards and toying with his chopsticks, bending them so far until they were ready to snap. Eventually, he seemed to grow accustomed to this routine because many weeks into the semester he turned to address you.

“Why do you always sit by me? Don’t you have anyone else to bother?”

“Maybe. But I don’t think anyone’s as mysterious as you are.”

“‘Mysterious…’ Yeah, whatever.”

That seemed to be the catalyst because, as sardonic as he was, he’d begun talking to you. And it wasn’t long until he started to warm up to you every lunch until the both of you were exchanging lighthearted banter. Your friendship would only grow from this point onwards until, at the end of your first year during a study session to prepare for finals, where you were both pulling an all-nighter at your house, he’d asked you out. And you said yes, and the both of you had gone from best friends to lovers within the span of a year. The both of you were each other’s first partner, so it made doing things as a couple even more exciting because neither of you had any experience with dates or holding hands or kissing.

Kuni wasn’t a bad boyfriend. In fact, he was very loyal and sweet. He’d stand up for you if anyone was being rude to you or scrutinizing your relationship with hateful eyes. The two of you were nearly inseparable. When you weren’t spending time together in school, you were out doing things together. And when you couldn’t meet up in person, you’d text or call, sometimes talking late into the evening about all sorts of things. You were so immersed in him that you failed to notice the red flags slowly raising over time. But looking back there were a few notable ones.

He never invited you to his house. In fact, you’d never even met his parents, whereas he’d been to your home so often that your family practically became his own. He hadn’t mentioned anything about his family, and if you tried to suggest going to his house for dinner so that he could introduce you to them he was quick to change the subject. For a while you’d push this, more curious than concerned, but eventually you’d drop it when it became clear that he wasn’t going to divulge anything on the matter. That had stung, but you snuffed those feelings in favor of focusing on other aspects of your relationship.

The second red flag was just how clingy he became when the both of you were in your third year, having been together for two solid years. You never noticed it before because you loved him, but when friends had pointed out how attached he seemed—and it was to rather unhealthy levels, according to their observations—to the point where you were the only person he’d ever formed a bond with while at school you started to see the cracks in what felt like the perfect relationship. He’d text you every single day, at every single hour, all the time. He’d call you nonstop, even more so when you didn’t immediately pick up.

The third red flag coincided with the second. When you couldn’t make it to your phone, he was quick to blame himself and those around him for being responsible for your deteriorating relationship. Did I do something wrong? Are you mad at me? Did those guys bother you again? They probably told you some stupid shit about me, right? Don’t listen to them. Hey, you’re not mad, right? Call me back. I need to talk to you. Just text me when you can, okay? (Name), please don’t leave me. I’ll fix whatever’s wrong. Just promise you’ll stay. Messages of these kinds were what you could expect to receive from him. He’d fluctuate between self-loathing to loathing those around him within seconds, shoving blame onto classmates who’d bully him for being that “weird emo kid with too many piercings” and anyone else who tried to, in his words, “come between you and me.”

By the end of your third year, you started to fall out of love. He was so very dedicated to this relationship, evidenced by how much effort and care he’d put into it, but his clingy behavior was stifling. You’d lost some of your own friends because he chased them away, and it felt like you couldn’t do anything without him breathing down your neck. If you wanted to go anywhere with a friend or two, Kuni had to be there to accompany you. If you looked at another for too long, he’d think you were cheating. If you didn’t text or call him at certain times, if you failed to pick up, or—Archons forbid—you left him on seen, he’d spiral.

Kuni had this habit of sounding dangerously self-destructive when he feared you were being unfaithful or he thought you were going to break up with him, which meant you’d have to sit on the phone for hours convincing him that you loved him, that you’d never leave him, that you’d always be here for him, that you were sorry for not responding, that he needs to calm down and please, please, please don’t do anything rash. Those phone calls were always so stressful. You cried a lot; you’d beg him to put the knife away when he’d threaten to use it on himself, on you, on anyone who might try to take you from him. And, after a few hours of this, he’d be back to his usual self, as if a switch had been flipped. You could hear his adoring smile in his voice when he spoke, when he’d lovingly whisper into the phone, “I’m happy you’re mine. I love you so much.” And you’d shakily parrot the affirmation, too frazzled to say or do anything else.

One of your best friends Rosalyne, who you’d befriended in the midst of all of this, had been so supportive the minute you spilled the truth to her. Kuni hated her the most because she wasn’t afraid of him. Because she’d shut him down when he tried to pull you away from her. Because she wouldn’t approve of any of his toxicity. Rosalyne would take you on shopping sprees, brunch dates, and jogs at the local park. She was plenty of good to outshine Kuni’s bad, and the more time you spent with her the clearer your head would become. The both of you had plenty of sleepovers together, and she let you rant your heart out while she listened. She’d tell you to break up with him, but you’d agonized over how terrifying that would be. You couldn’t bear to tell Kuni the truth—that you wanted to separate because things had turned so rotten—because you were so scared. Scared of him and what he might do.

Scared that if he really did take a blade to himself it would be your fault. He told you that a lot. That it would be your fault if he did anything. That his blood would be on your hands. You believed him every time.

By your final year, you’d already had a plan for university outlined and you’d started applying to a few in advance. You never told Kuni about any of them because you worried he might apply to each one in hopes of going to the same school as you. And when there was the dance for the graduating class and Kuni had asked you to it, you’d told him you were going with Rosalyne and a few other friends as a group. He didn’t like this, as expected, but you’d been so sick of him and his behaviors that you snapped and spilled everything to him. You’ll never forget the look on his face when you told him that you were done with the relationship and that you never wanted to see him again.

He looked as if he could lunge at you and tear you to bloody ribbons at any moment.

You graduated single and so very refreshed, and your summer had been filled with friends. Kuni didn’t message you at all, which was surprising considering you were certain he’d spam you relentlessly after the break-up. But he never did. In fact, you never saw him again. Graduation had come and gone, and now that you could recover from such a terrible relationship he was becoming less of a burden for you. For a while you were anxious. You kept expecting to receive a phone call or to see some news about Kuni, but neither ever came. Rosalyne told you to stop thinking about him. It would only make you even more paranoid and that wouldn’t do your mental health any good. You were so grateful to have her in your life, but most importantly you were glad Kuni failed to scare her away.

Now you’re a second year in college and things have only gotten so much better for you. You and Rosalyne still keep in touch despite going to different schools. She’d gone to a university in Snezhnaya, while you enrolled in one in Sumeru, and you’ve blotted Kuni from your mind. You’ve made a fresh group of friends while attending classes: criminal justice major Shikanoin Heizou, creative writing major Kaedehara Kazuha, musical therapy major Venti, botany major Tighnari, and so many more wonderful people who have all welcomed you into their circles.

So when Venti drags a familiar face to your usual weekend outing, which is really just a retreat to the forest for drinking and smoking, creeping cold settles into your bones. He looks awkward with Venti’s arm slung around him as the more bubbly of the two drags him towards the bonfire, where you sit with the others roasting marshmallows for s’mores, and it’s a look that is so uncharacteristic on him. What’s even weirder is how friendly everyone greets him—as if they all know him—and you’re completely lost when they turn to you and ask if you’ve met Kunikuzushi.

“No,” you lie through your teeth, forcing a pleasant smile and extending your hand for a stiff handshake, which Venti snickers at. “No, I’ve never met him before.”

Apparently, he’s in one of Venti’s classes—it’s a course he’s taking solely because he needs the credits. Tighnari knows him because they usually work the same shifts at the campus café. Kazuha knows him from his linguistics and philosophy classes. Heizou’s ate with him in the dining hall plenty of times now and they’re also taking the same psychology class. It feels so genuine and yet so fake at the same time. Too perfectly manufactured to be a mere coincidence. But you do your best to push past these suspicions, and when he sits across from you, smiling at you and saying how nice it is to meet you, the warping flames paint his face in devilish shadows. That’s what you think he is when he acts like a completely different person from how he was when you dated: a devil who’s good at being kind and outgoing, noisy and abrupt, and always so foul-mouthed, but in a way that makes him charming. Your friends are so enthralled. They love him and his sense of humor. They love his quick wit. They love how fun he is. And suddenly weekends spent in the forest aren’t so enjoyable.

You do your best to overcome your doubts. For a few months you’re on edge. How he even found you is a mystery. Surely he wouldn’t stalk you and enroll in the same college just to get revenge or…whatever vengeance he wants from you. But when he treats you to coffee, when he brings you and the others pastries every other morning, when he invites the lot of you to study at the library, when he tells the funniest stories while crossed and everyone’s giggling like schoolgirls it really feels like he’s…healthier. Like he’s turned a fresh page in his life and is starting anew. Like he’s changed for the better.

Perhaps he just doesn’t remember you. You’ve changed your style over the years, so it’s possible he’s simply forgotten your image and can’t place memories to your name. Eventually, after soothing yourself with these theories, you begin to accept his presence in the group. He fits in so flawlessly, as if he’s a missing piece to the puzzle, and you can’t believe you’re admitting this, but you like this version of Kuni. He’s confident, not cocky. He’s kind, not rude. He gives everyone space. In fact, he rarely texts frequently in the group chat. And he’s funny! He’s so funny. You don’t think the Kuni from your past was ever as funny as the Kuni who regales everyone with lighthearted stories of how he once took in a stray cat that turned out to belong to his neighbor or how his old job had the strangest customers.

Maybe he truly did change. Maybe all of these coincidences really are coincidences. Maybe it’s for the best that you leave the past in the past.

Finals season looms, and the group hasn’t had time to meet up outside of class. Venti has tried to persuade everyone to come study at his apartment. His roommate won’t care (yes, he will. Xiao hates it when everyone gets blackout drunk and he has to wake everyone come morning), but if you’ve known Venti long enough you’ll know there is no studying that happens at these study sessions. This is probably the reason why he’s had to repeat a year.

With everyone’s schedules packed with academics, it’s difficult to find a time where everyone can get together to study. You think you might just be better off studying on your own, but Kuni’s message of you wanna pull an all-nighter for these lame af finals together?? accompanied with a photo of snacks and coffee, any thoughts of studying alone instantly vanish.

This is how you find yourself in his dorm, sprawled on his bed while he sits on the floor, whacking your dangling feet when they get too close to him. His roommate Albedo is currently out tutoring a few students at the library and won’t be back until much later, so it’s just you, Kuni, and a pile of textbooks and notes. You’ve hung out with Kuni a few times and he was great company during each. You’ve also fallen asleep in his dorm before, when you’d come over to binge a show the both of you enjoy, and you’d lost track of time and had slipped into a dream halfway through the marathon. You’d woken the next morning with Kuni looming over you, grinning deviously and holding an uncapped marker. He’d leaned down and whispered, “You drool in your sleep,” and you’d swatted at him and groused about how you were sleeping so peacefully when he just had to ruin your sleep (and your face) with his antics. And then there was that time when you were so drunk at that one party and you could hardly stand, he’d been there to help. He even stayed with you for the rest of that night, offering his assistance when you became nauseous or needed water or a snack until you passed out.

Despite your initial apprehensions, you consider him a friend. He’s no one nearly as close as Rosalyne or your other friends. He’s just a mutual friend, someone you’ll spend time with when you feel like it, but you don’t truly need him in your life. That, and part of you still struggles to trust him after all of the stress and unhealthy obsession he subjected you to.

“Kuni,” you whine, lifting your head from the textbook. “Can you get me some water? I’m thirsty.”

“Do I look like your maid?” he snaps, immersed in organizing his notes. “Get it yourself.”

“I’m picturing it now and you’re in a frilly dress and—”

“Forget I asked.” Setting his notebook down with an exaggerated sigh, he crosses the distance to the mini fridge and withdraws a bottle of water.

Grinning, you slide off of his bed and reach for it with a grateful hum. He smirks and takes a step back, holding it away from you.

“Seriously…”

Rolling your eyes, you lunge for it and he side-steps you with the practiced grace of a cat. You brace yourself against the wall and swipe at him. Again, he dodges, unscrewing the cap and shaking the bottle teasingly.

“I think I’ll take a sip for myself. All of this studying has left me so parched.”

“No fair! That’s mine!”

“Is it?” He pulls it away from his lips to observe the bottle and feigns surprise. “That’s weird. I don’t see your name on it.”

“Look closer!” you exclaim, but just as he’s about to humor you you pounce, tackling him to the ground—there’s a beanbag cushion that breaks your fall—and the water spills all over the both of you in the midst of the tumble. A slew of colorful words stick in Kuni’s throat and your laughter rings out melodiously. You seize his wrist and hold it down while reaching for the bottle in his other hand, where there’s still some water left. He struggles halfheartedly, relinquishing the bottle with a disinterested scoff, and you pull away from him to down what’s left.

While crushing the plastic bottle into a ball, you notice something on your palm—the palm that had grabbed Kuni’s wrist—and it takes a minute before the skin tone-colored substance registers in your mind.

Concealer.

You peer at him and notice that he’s cradling his arm, and confusion sprouts.

“So funny,” he spits with a hollow laugh. “You owe me a new beanbag if this one’s ruined.”

“Hey, hold on. What’s with the—”

“Forget it. You got your water, so let’s get back to studying. Or do you no longer want to be a perfect student?”

Without thinking, you grab his arm as he’s standing and when you look at his forearm you can see where the water’s started to wash the concealer away. Curiously, you scrub at it while he tries to yank his arm away, but when you unearth a dozen scars littering his wrist and climbing the length of his arm that creeping cold from before returns.

And suddenly you’re brought back to those phone calls—the ones where he’d threaten suicide and murder—and you stumble back as if you’ve been burned, half-expecting to hear those threats once more. Kuni’s staring at his wrist, his features twisted in grim disapproval, and for a moment you think he looks…hurt. Or maybe that’s sadness you see. Whatever emotion it was, it doesn’t linger because a quiet chuckle slips past his lips, and the sound is so very frigid it has your blood crystallizing.

“It really hurt when you said you never wanted to see me again.” Kuni peers down at you, and his eyes that had once been so bright and filled with light are dull and dark. “But nothing hurts more than loving you.”

You open your mouth to say something—anything—but the words won’t come. You’re rooted to the ground, horror slinking through your body and rendering you immovable. Your heart is in your throat, pounding so loudly it’s practically a drum, and a cold sweat washes over you.

“Each time I found myself hating you, I thought it was odd because I love you so much. I can’t possibly hate the one I’ve loved all this time.” He scowls. “But loving you hurts. Loving you feels like chewing glass and drinking poison. Loving you isn’t fair because while you moved forward with your ‘friends,’ I was forced to stay behind and pick up the pieces of what was left of you. So for every moment I couldn’t stand you, I tallied it on myself so that I’ll never forget the times I loved you so much I hated you.”

This can’t be happening, you’re thinking, curling your hands into trembling fists. He changed. He changed, right? This isn’t the same Kuni from before. This isn’t…

“And when I saw how well you seemed to be doing without me, I hated you even more.” Without warning, he’s grabbed your arm and hoisted you up. You open your mouth to scream, but no sound comes—not that anything could when he’s pulled a switchblade from his pocket and poised the pointed tip at your jugular. “You have poor taste in friends. Those guys suck.”

Tutting, he shakes his head at you like a parent might when scolding a child, and says, “Do you know how fucking tiring it was pretending? You think I care about pastries and stupid campfire stories? You really think I’d ever want to associate myself with that sorry lot?”

“K-Kuni, please let go of me. I… I’m sorry. I didn’t know you were—I’m sorry. So please just…”

“And then the first time you see me after all these years apart and you had the gall to lie to my face! ‘I’ve never met him before.’ Bullshit. You just didn’t want any of your loser friends to know our history, right? Because you’re ashamed to have known me, right?”

“That’s not it! I… I was just—I didn’t… I was… I just…”

“I… I… I…” he mocks, shoving you down onto the beanbag. It dips under the sudden weight, and you sink further into it when he points the blade at you. “Stop tripping over your tongue. I should be the one near tears! You cast me aside and then forgot all about me. You abandoned me when I needed you most.” His voice cracks at that last sentence, and your heart skips erratically.

“That’s not what happened! We needed space. I needed space. You were being too—” You stop yourself, unsure of how to phrase it. Too controlling? Too dangerous? Too scary?

“Lucky for you, I’m willing to overlook these past...slights.” The blade twirls effortlessly in his grasp, and you heave a relieved breath when he’s no longer pointing it in your direction. “Marry me and we’ll forget all about the past. We’ll start over.”

His demand almost stops your heart altogether. You stare up at him, mouth agape, and mumble a disbelieving, “What?”

“You heard me.” He seems to soften with his next words, and for a moment he looks and sounds like the Kuni who hangs out with you and your friends. The harmlessly fun Kuni who always takes such good care of you. “You’re the only one I’ll ever love, so let’s get married.”

“K-Kuni, I can’t... I really can’t...”

Within seconds the blade has found itself on his wrist, pressing into delicate flesh. Not enough to cut, but if he applies more force you’ll definitely see blood. You choke on a horrified gasp.

“What was that?” He raises his brow at you, challenging you with a calm smile.

Your mind reels in an effort to conjure a plan. What can you even do? If you take the blade from him, will he turn his anger on you? Will you have to wrestle him into submission? And if you do manage to get out of his dorm, will anyone believe you? He’s painted himself in such a pleasant light. Your friends love and trust him! So what can you say? And if there isn’t any solid proof, no one will even entertain bringing the authorities into this mess.

“I’m waiting, (Name). Are you really going to make me add another tally? Do you really want me to hate you again? Oh, but maybe I should start marking you! We can add a slice for each time you failed to love me. That way we’ll both look like used cutting boards.”

You need help, you want to say, but the words escape you.

Instead, you nod hastily and say breathlessly, “Okay, yes! I’ll marry you!” Swallowing your horror, you glance at the blade as it’s lifted from his skin. Thankfully, there isn’t a cut. “I... I’ll marry you, Kuni. So... So please don’t hurt yourself. Please.”

It feels like you’ve been strangled for an eternity, so when he finally pockets the blade the air in your lungs returns and you collapse against the beanbag, chest rising and falling in short, panicked breaths.

“Good.” He bends down to your height, grips your chin with cold fingers, and forces you to meet his adoring stare. “We’ll look at rings tomorrow. Or maybe you’d prefer bracelets instead? I can be flexible but only for you, so you’d better be grateful.”

You swallow rising bile and nod. “T-Thank you.” You’re not sure why you’re thanking him when he hardly deserves it, but it feels like the right thing to say to ease the tension.

Kuni’s eyes sparkle, no longer a void of endless darkness, and when he leans in to capture your lips in his your heart sinks. You really can’t run from your past, can you?

#genshin chit chat #yandere-romanticaa #yandere scaramouche #scara says he needs you but what he really needs is a therapist first and foremost #adding heizou into the mix!!! he probably takes notice of your change in behavior #and confronts you one on one to ask if everything's okay #and he looks so concerned and his voice is so soft and so you break and spill everything #and he nods while he takes in all of this information before offering to help #he knows the law (he's studying it after all!) so he can help you #but what heizou doesn't tell you is that the law might crush one evil person but it can easily protect other evils :)#especially him who is oh-so-honorable and sweet #you'd never know he wants to be more than just friends #and that he has a journal detailing your every move #but also i like the idea of heizou being a genuine friend and the two of you grow closer while trying to find ways to get scara caught #and taken away from you for good #but yan!heizou just hits so deliciously orz #also also!! adding in rosalyne~~ she went to the same uni as kuni (in snezhnaya)#but when he finally found out where you were he transferred #and rosa only realized they went to the same school when she found out from ajax (who also attends the same uni)#kuni probably worked part-time as a hospital receptionist before he transferred schools #and he's pretty sure the doctor there is a serial killer or he's just on the border of criminally insane (this is dottore after all)#(me looking at every way i can insert each harbinger into this au >:D)

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thunderboltfire · 2 months

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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

#The witcher #Sorry if its convoluted I just got reminded of something and it made me a little angry #and as I had this conversation a lot of times I've decided to put it into written text #sorry about being bitter #but these are some of my favourite books and I'm still upset when I get reminded how badly they were treated in the recent adaptation #I'm not saying you should never change anything #But it's good to have enough background to understand why some things are the way they are in the original #and to understand what the source material is about #we don't talk about particular character's looks or something (altough I feel they could care more about it too)#but central themes tropes and motifs #long post #it may seem like I'm talking from a high horse here #people are welcome to interpret literature however they want #Nobody has a monopol on themes #I just think that in this particular case the cultural context influences the worldbuilding #and if changed it doesn't have the same impact anymore #meta

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