Tumgik
#nexus beings
musclesandhammering · 7 months
Text
Can someone explain mcu nexus beings to me?
Like my understanding of it was that they were beings that weren’t supposed to exist- these powerful anomalies that only exist in one timeline and are absent from all the others- which allows them to sort of transcend past their specific universe.
This was confirmed with America Chavez- she said she knew there was no other version of her in any other universe because she checked. And then it was confirmed again with Wanda- yes there are Wanda Maximoffs in every universe but there is only one Scarlet Witch (our Wanda), so SW is the nexus being, not Wanda herself.
But all of that gets thrown off with Kang. He’s definitely supposed to be a nexus being, and yet there are infinite variants of him (one from every timeline), so like… what?? I’m confused. Did he only become a nexus being once he defeated all the other Kangs or…? So that would mean all the Kangs aren’t nexus beings, only He Who Remains is? Yeah idk.
12 notes · View notes
turtleblogatlast · 9 days
Text
I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#His aptitude with subterfuge sleight of hand stealth and speed really push how being a ninja really comes naturally to him.#it’s arguable that his desperation for the spotlight and validation is an act of subterfuge against himself#note that when he’s offered a job as a mascot he’s fine being unknown#when he and splinter win the battle nexus Leo immediately says ‘they love YOU pops’#idk I think so much about how good a ninja Leo is#and how much his persona is more an actor#Leo as a tot is shown a natural skill at katana too so hear me out-#every Leo is a natural ninja but every Leo’s route in life is directly tied to their splinter so#since rise splinter is an actor Leo too aims for it#and he brings it into his whole life - masking always because a Leo makes what they do who they are#I think that Leo naturally falls more in line with that of a typical ninja#his eccentric performer self is his subterfuge skill just set to an 11 at all times#not that that’s NOT him - like I said it’s still undoubtedly a part of Leo#but? idk I think about little moments like Leo being the only one to choose stealth in bug busters#or Leo being the only one to almost get Gus’s dog tags in The Ninja Art of Hide and Seek (he was so close but luck was against him alas)#like- he’s clearly in his element there and he falls into those skills so easily#it’s like how everyone has skills in so many things but some exceed more in some than others do#like Raph? Raph’s the biggest Hero of the bunch of them let’s be perfectly real here. Raph is THE Hero#All the boys are smart in their own rights but Donnie is THE Genius.#and they all have mystic powers but Mikey is THE Mystic Warrior with immense untapped potential#likewise Leo I feel is THE Ninja#but yeah I love how much Leo goes for the spotlight anyway for better or for worse#he IS a performer again make no mistake! but again the way he does it still lines up with his natural ninja aptitude and I love it#Leo loving magic tricks and magicians so much works doubly well here because like#you’d think he’s focused solely on the performance flair - no it’s ALSO and ESPECIALLY the DECEPTION
513 notes · View notes
somsonsomsoff · 6 months
Text
Tumblr media
headcanons for the employers have somehow turned into a crossover with de skills
779 notes · View notes
glfry · 7 months
Text
Tumblr media Tumblr media
Reminder that Hank doesnt get sarcasm
700 notes · View notes
lord-squiggletits · 2 months
Text
I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Tumblr media
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
Tumblr media
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
278 notes · View notes
sparrowchute · 29 days
Text
Tumblr media Tumblr media
I dont know how to draw hank
237 notes · View notes
guard-en · 7 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
once again magmaggie is my savior. hot dog!
165 notes · View notes
Text
Tumblr media Tumblr media
this one post from @poryphoria has been living rentfree in my head for months. it’s so true. i am so normal about this concept and this theme and this fandom.
alt ending below the cut, based off the project nexus ending. while it’s cool as fuck, i am not sure if it conveys what i wanna convey!! so it’s just here as bonus content
Tumblr media
946 notes · View notes
sariphantom · 6 months
Text
🍂Risetober 2023 Day 15: Battle Nexus🍂
Tumblr media
Well it was either that or another LFLS-related drawing. I already made people sad with the Green prompt so… Leo in his Lou Jitsu outfit it is albeit LESS icky this time.
386 notes · View notes
elfcollector · 11 months
Text
Tumblr media Tumblr media
I WAS PROTECTING MY FRIEND!
1K notes · View notes
darubyprincx · 8 months
Text
Tumblr media
to be, or not to be (romanticization of the inevitable)
#ray's tag#keys' art#undescribed#skeletons#ok to reblog#the skeleton model that i traced for this was provided by the incredible kiku @kikunai whom you can find right here on tumblr!#so uh. This is a piece about chronic fatigue although the original idea i had for it drifted a bit as soon as I started coloring the linear#(i really enjoy shading and lighting things and got a bit carried away here but i stand by my choice because this is my favorite thing#that i've ever drawn)#anyways. i often feel especially lately with school being back in season that my bones are leaden with this sort of. weariness. theyre heav#it weighs on our mental health and energy a lot and although there's a couple of reasons we have been given for it#that doesn't remove the fact that this is still a thing that affects us in a very real way day to day although we are good at masking it.#often i come home to find that i do not have the physical mental or creative energy to work on things i really want to#especially project: nexus which i feel extra bad about even though i can't help it because i just started it so recently#it is a mild to moderate struggle to make it day to day and i just. wanted to represent this somehow#my original concept for this was a skeleton with some black goop gunk whatever leaking from its joints#but as i started adding the cracks and coloring them gold (a personal touch; kintsugi is a concept that is very dear to us)#i realized that the focus here was less on the condition itself and more on the body that it afflicts.#so i put it into a spotlight.#ironic i know since very little people acknowledge this irl or even know it exists at all but i added rim lighting. I added color gradients#I colored the lineart and made it all fancy and even added a flare for the head to get the point across that even at its core; disability i#a performance. this is not implying that disabilities are fake in fact this is the opposite of that. i wanted to show that with disabilitie#especially i think in my personal opinion the invisible ones#we are all masking at least a little bit during the vast majority of the day. humans are social creatures and it is only when we are alone#or with someone we deeply trust where we allow ourselves to be who we truly are without fear and even then that can be rare#so i wanted to show this bit of the soul in as broad a limelight as i could. idk this is a really abstract piece and i dont know if anyone#will even get it but it matters to me at least. and even though we've been largely bedridden for the past week i think that's okay#we will get it figured out. all of us. okay? okay. i love you. i fucking love you. we are going to fucking make it#(also the xes over the eyes are because i thought they looked cool they have no deeper meaning at least i think they dont#actually i think they do but i cant put it into words idk. Art is subjective assign your own meaning i'm gonna go get a shower)
313 notes · View notes
turtleblogatlast · 20 days
Text
Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
317 notes · View notes
deernozone · 8 months
Text
hello everybody, I love Jorge so much, thanks for listening
Tumblr media Tumblr media Tumblr media Tumblr media
196 notes · View notes
ash-and-starlight · 5 months
Text
Tumblr media
things i’m going crazay about today: the illustrations in the he who drowned the world illumicrate cover
(artist is glassbearer on ig)
109 notes · View notes
rotzaprachim · 1 year
Text
i don’t want to be overly essentialist or talk outside my cultural lane but... there is something so intensely not anglo-’murican about the way the way andor treats death and it’s so fascinating and refreshing. like on one level this is a show profoundly about death from the very structure of its narrative, but it’s about how you live knowing you will die rather than the glorious death-from-martyrdom-death-as-redemption narrative, and therefor, inversely, about the profound interconnections between the dead and the living and those on the liminal in-between. now we have maarva’s death, and the very introduction of her death comes through the assembled chorus of communal voices who have come to clean her house and take her to rest. (i also love the fact that maarva died, explicitly, of old age and so many of the other related issues. i don’t think you can make the case that the empire *wasn’t* involved because she’s someone so utterly and clearly destroyed by its actions, but i do like that this was a so-called “ordinary” death, because of the thematic purpose that even “ordinary” deaths are heartbreaking and awful and worth remembering.)
andor makes it canon that there are communal aid organizations- i immediately think chevra kadishas! though many cultures have their own organisations and social structures for how to support the grieving and honour the dead- which is just one of the ways it highlights community and the complexity of interpersonal relationships. the daughters of ferrix are introduced an episode earlier, and i realised on a rewatch with my family that the daughter of ferrix - keezy maybe?- introduced at the beginning of the episode is also mentioned by bee in the first episode as being someone who helps maarva with her dinner and medication. we don’t see maarva’s body go alone, we see her transported through the streets by the women of ferrix. andor makes the case of elder care as communal connection and antifascist work, AND that it is done by the same people as those that bury the dead. and the way that andor is building up t having the season finale be the funeral, the thing that drags cassian home and into the line of fire being his mother’s funeral, the storytelling possible about funerary customs and memorialisation as acts of cultural resistance and aggressive rehumanisation... i’m too verklempt to say much more but i think the way this thematic arc is so intertwined with cassian’s time in narkina 5 and the scene with him and melshi at the end of the episode like! no one is lovingly honouring every one of those men with two-day funeral ceremonies through the streets. NO ONE remembers but cassian and melshi. two episodes earlier ulaf died, but the closest thing he had to the daughters of ferrix was the doctor, the fellow prisoner, who refused to learn his name and quietly euthanised him in the hallway. until we know more there were nearly five thousand other deaths. and the episode ends with melshi saying, it’s our duty as survivors to carry the weight of memory so that other people will know and remember this. they are also carrying the weight of mourning those whose time it was not to die. fuck. this show guys. it has me 
1K notes · View notes
chaosgenasi · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
An aasimar is a medium-sized humanoid whose heritage shares a bond with celestial powers or whose soul has been touched by the divine. Most have human parents. . . Within the Kryn Dynasty, aasimar are seen as overflowing with potential, and they tend to be trained essentially from birth as dunamancers and echo knights.
1K notes · View notes