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#nicolás muller
henk-heijmans · 6 days
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San Cristóbal de Entreviñas, Zamora, Spain, 1957 - by Nicolás Muller (1913 - 2000), Hungarian/Spanish
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fragrantblossoms · 4 days
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Nicolás Muller. Niñas en la fuente, Xauen, 1943.
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federer7 · 9 months
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Fête du Mouloud I – Al Mawlid I [Mouloud festival I] Tangier, Morocco. 1942
Photo: Nicolás Muller
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suenosyfantasmas · 8 months
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Fotografía: Nicolás Muller. Fotógrafo húngaro nacionalizado español, (1913 - 2000). Fotografía de carácter documental.
Fuente: Google.com
Sueños y fantasmas. El arte de soñar
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gacougnol · 1 year
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Nicolas Muller
La Madeleine
Paris, 1938
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vincekris · 11 months
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Nicolás Muller
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yama-bato · 2 years
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Nicolás Muller                              | 1957                            
Arcos de la Frontera
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immemorymag · 2 years
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Nicolás Muller (Orosháza, Hungary, 1913–Andrín, Spain, 2000) was one of the leading exponents of Hungarian social photography.
He spent much of his life in exile: born into a bourgeois Jewish family, he left Hungary shortly after the Anschluss in 1938, spending time in Paris, Portugal and Morocco before finally setting in Spain. This experience, and the situations and people he encountered along the way, did much to shape Muller’s work.
“I learned that photography can be a weapon, an authentic document of reality. […] I became an engaged person, an engaged photographer.”
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Nicolás Muller y el corro de niñas en Argamasilla de Alba
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paulaarantzazu · 1 year
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Cuenca, circa 1947. Fotografía de Nicolás Muller.
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henk-heijmans · 10 months
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Sunbathing, Hungary, ca. 1935 - by Nicolás Muller (1913 - 2000), Hungarian/Spanish
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Nicolás Müller (1913-2000) :: Desnudo. Tánger (Marruecos), 1940. Copia: Gelatinobromuro de plata, papel baritado (1985) | src Museo Reina Sofía
view this nude & more by Müller on wordPress
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federer7 · 9 months
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Casares, Mälaga. España. 1967
Foto: Nicolás Muller
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filmnoirfoundation · 3 months
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#NoirCity21 opens this Friday, Jan 19, 7:30 PM at Oakland's Grand Lake Theatre with our newest restoration project NEVER OPEN THAT DOOR. Eddie Muller will be signing his books up in the mezzanine, 6pm-7pm. Tix: http://NoirCity.com
Restoration performed by UCLA Film & Television Archive.
Program notes follow.
FRIDAY, JANUARY 19:
7:30
World Premiere FNF Restoration!
NEVER OPEN THAT DOOR | NO ABRAS NUNCA ESA PUERTA
Argentina, 1952. Estudios San Miguel. 85 minutes
Screenplay by Alejandro Casona, from two short stories by Cornell Woolrich (William Irish)
Produced and directed by Carlos Hugo Christensen
More noir films have been based on the stories of Cornell Woolrich than any other writer, and NOIR CITY is proud to present this brand-new restoration of one of the best of those adaptations. In “Someone’s on the Phone,” Ángel Magaña plays a man bent on avenging the death of his sister, driven to suicide by gambling debts. In “The Hummingbird Comes Home,” Roberto Escalada portrays a racketeer who brings the gang to his boyhood home to lay low after a robbery. His blind madre doesn’t approve. Originally a three-part anthology of Woolrich tales, Never Open That Door was released separately from the 73-minute If I Should Die Before I Wake, also adapted by Casona and Christensen. Benefitting from the incredible cinematography of Pablo Tabernero, this is one of the most evocative realizations of Woolrich ever produced, featuring masterful sequences of sustained suspense. Said Buenos Aires film critic Horacio Bernades, “Rarely has an Argentine film been more purely cinematic than this.”
CAST: Someone on the Phone: Ángel Magaña (Raúl), Renée Dumas (Luisa), Diana de Córdoba (Nelly), Nicolás Fregues (money lender), Pedro Fiorito, Orestes Soriani, Percival Murray, Rosa Martín , Arnoldo Chamot. The Hummingbird Comes Home: Roberto Escalada (Daniel), Ilde Pirovano (the mother), Norma Giménez (María), Luis Otero (Juan)
9:30
STREET OF CHANCE
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United States, 1942. Paramount [Universal]. 74 minutes
Screenplay by Garrett Fort, based on the novel The Black Curtain by Cornell Woolrich
Produced by Burt Kelly. Directed by Jack Hively
The first case of amnesia in the film noir era comes with a typically intriguing Woolrichian twist. Frank Thompson survives a near fatal accident only to have the shock partially restore his memory! He realizes he’s lived the past several years as someone other than his true self. With the help of his incredulous girlfriend Ruth, Frank embarks on a nocturnal quest to determine his true identity. This modest offering from the B-unit at Paramount benefits from some A-list contributors, principally stars Burgess Meredith and Claire Trevor, and director of photography Theodor Sparkuhl, whose contributions to the look of early ’40s noir have gone largely unheralded. A wonderful gallery of supporting characters skitter and sneak through Frank’s waking nightmare, well rendered by journeyman director Jack Hively who had previously helmed many entries in RKO’s mystery series The Saint.
CAST: Burgess Meredith (Frank Thompson), Claire Trevor (Ruth Dillon), Louise Platt (Virginia Thompson), Sheldon Leonard (Joe Marucci), Frieda Inescort (Alma Diedrich), Jerome Cowan (Bill Diedrich), Adeline deWalt Reynolds (Grandma Diedrich), Arthur Loft (Sheriff Stebbins), Clancy Cooper (Burke), Ann Doran (Miss Peabody), Paul Phillips
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gacougnol · 1 year
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Nicolas Muller
Casares
Malaga, Spain, 1967
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lilium--bosniacum · 2 years
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Nicolás Muller / Tangier, Morocco, 1944  
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