Richard Widmark in Night and the City (Jules Dassin, 1950)
Cast: Richard Widmark, Gene Tierney, Googie Withers, Hugh Marlowe, Francis L. Sullivan, Herbert Lom, Stanislaus Zbyszko, Mike Mazurki, Charles Farrell, Ada Reeve, Ken Richmond. Screenplay: Jo Eisenger, based on a novel by Gerald Kersh. Cinematography: Mutz Greenbaum. Art direction: C.P. Norman. Film editing: Nick DeMaggio, Sidney Stone. Music: Franz Waxman.
Bosley Crowther of the New York Times called Jules Dassin's Night and the City "a pointless, trashy yarn," "a turgid pictorial grotesque," "a melange of maggoty episodes," and a "cruel, repulsive picture of human brutishness." It makes you want to run right out and see it, doesn't it? Crowther today is generally regarded as an old foof, but Night and the City is just a little too dark to be credible, and some elements of it -- such as Richard Widmark's over-the-top performance and the expressionistic camera angles of cinematographer Mutz Greenbaum (billed as Max Greene) -- verge on film noir self-parody. Still, the great energy in Night and the City often reminds me of Dickens's forays into the underworld -- the titular city is London -- especially when it comes to character names. The chief villain (Francis L. Sullivan, imitating Sydney Greenstreet) is a Mr. Nosseross -- you almost want his given name to be Rye, but it's Philip -- and there's a minor character with the über-Dickensian name of Fergus Chilk. Widmark plays Harry Fabian, whose life is a continuous hustle, trying to gather enough money to finance his various get-rich-quick schemes. His long-suffering girlfriend, Mary Bristol (Gene Tierney, in a smaller role than her billing suggests), is a singer in a clip joint run by the Nosserosses -- Philip and his wife, Helen (Googie Withers). Eventually, Harry overreaches by trying to loosen the hold on the pro wrestling exhibition racket in London held by Kristo (Herbert Lom), whose star wrestler is known as the Strangler (Mike Mazurki). Harry cons an honest old Greek wrestler named Gregorius (Stanislaus Zbyszko) into staging a bout between Gregorius's protégé, Nikolas of Athens (Ken Richmond) and the Strangler, but everything goes to hell when Nosseross withdraws his promised financial support. There is a great wrestling scene in which Gregorius himself takes on the Strangler, who has broken Nikolas's wrist. Gregorius wins, but dies of a heart attack afterward, one of the many deaths the movie accumulates. The film makes great atmospheric use of its London setting, which was necessitated because Dassin was about to be blacklisted in Hollywood -- it's to the credit of 20th Century Fox head Darryl F. Zanuck that he warned Dassin of this and, when Dassin decided he would seek work in Europe, allowed him to make the film in London.
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My nayme is bird
And wen it's Yule
And Swedish snow
Lies cold and cruel
I look for seeds
With many friends
But food is scarce
Where flock descends
But then we hear
Of ancient rite
We leave the trees
We all take flight
If fire not
Its end promote?
We do the deed.
We eat the goat.
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The lighting under the bridge makes it look like a crescent moon in the water ♡
Yongqing Fang, Guangzhou, China
source
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