#nikon one touch

[davetada]

Priscilla

Hollywood, CA

#priscilla #sunset #hollywood #dress #film #analog #ishootfilm #filmisnotdead #la #los angeles #point and shoot #compact camera #nikon one touch #35mm #kodak ultramax 400

[myjourneythroughfilm]

Cuyahoga Valley National Park Camera: Nikon OneTouch Film: Fuji Superia 400

#35mm #film photography #film community #film is not dead #nikon one touch #fuji superia 400

[contac]

#nikon one touch #nikon #autofocus #AF #compact camera #film camera #film photography #camera #photography #vhs #gif #35mm #1984 #80s tech

[juliachadrysiak]

summer stories #10, made with Nikon One Touch L35AF2

#Nikon l35af #nikon #nikon one touch #35mm #35mm film #analog #analog photography

[janus-borne]

🕯️

#im sure this will be my phone background when i move #35mm #nikon one touch #hank williams #patsy cline #life

[operationvanityblues]

#35mm #c41 #nikon one touch

[westkauai]

Oceanside November 2023

#not untitled #westkauai #california #© all rights reserved #b&w #blackandwhite #black and white film #fomapan 200 #arista 200 #Nikon One-Touch #35mm lens

[silvergyus]

Bro doggy style with beomgyu would be so sexy like- imagine him taking pics of u from behind or damn recording it. I literally need a fic dedicated to it.

take a photo

pairing: beomgyu x fem!reader

summary: beomgyu likes to record when he fucks you from behind

warnings: kind of dom!beomgyu, beomgyu (consensually) photographs & records during sex, creampie, reader has a vulva, pussy slapping, mention of y/n's hair being long enough to pull, hair pulling (y/n receiving), use of "baby/ babe/ pretty girl/ good girl" for y/n

word count: 1,100+

author’s note: not sure if this is what you were looking for anon lol please enjoy my first time writing this kind of dynamic

＊*•̩̩͙✩•̩̩͙*•̩̩͙✩•̩̩͙*＊

Beomgyu fucking you from behind with deep strokes, relishing in the way your pussy sucks him in. He’s big and in this position you can feel him all in your belly. He has a grip on your hip, lazily pulling you back onto his cock, hips still as he moves you back and forth. You let out a long, low moan at the feeling of being filled completely.

You can hear his smirk even before you turn to look at him chuckling quietly. His bangs fall in his face, shadowing his eyes as he looks down at you. He caresses your side and ass, still slowly pulling you back onto him. His guitar-calloused fingers leaving a trail of goosebumps in their wake. You whine at the sensation, your skin electric under his touch as he moves you along his hard cock once again, his personal toy to use and play with.

“Pretty girl, already so fucked out,” he says, kneading the flesh of your ass, “and I haven’t even done anything yet.” You can hear the edge in his voice as his hands push you forward until just the fat tip of his cock remains inside you. “How are you gonna act when I fuck you for real?” he taunts, hips finally moving, pushing all the way in with a sharp thrust. His hand wraps in your hair as you moan again, burying your face in the crumpled sheets to muffle the loud sounds of your pleasure. Beomgyu tugs your hair, pulling your head back and making you arch your spine. You hear the click of a shutter and see a bright flash as he snaps a photo.

He moans as the photo displays on the small screen. His hips pick up the pace, spurred on by the permanent image captured in pixels. The digital chip in this old Nikon is filled with photos just like this one.

“Gyu!” you cry out, “hnngh- it’s too much.”

“Shhh,” he shushes you, “you can take it baby; I know you can.” He continues his quick, punishing pace, the room filling with the sound of skin slapping skin and your wet cunt sucking him in.

You moan again from his words, hands gripping the sheets tightly. Beomgyu’s hand is still in your hair and he pulls it once again. His other hand moves from your hip, supporting you as he pulls you up, back pressing to his chest as he continues to fuck into you. You see the camera as he raises it high, fitting both of your bodies in frame. “Smile for the camera baby,” he says right before the flash goes off.

The image that develops is your sweat-soaked skin, hair plastered to your face- Beomgyu in a similar state as the hand that isn’t holding the camera cups your breast, holding you in place as you’re impaled on his length.

Beomgyu groans when he sees the photo in the tiny, pixelated display. He presses a wet kiss to your cheek, moaning into your ear- “so pretty baby, always so pretty for me when you're taking my cock.” His words draw a high-pitched whine from your throat and he allows you to flop back onto the bed. His hands are rough as they position your legs further apart to give him better access to your pussy. Once you’re exactly as he wants you, he snakes a hand up to again paw at your chest.

He drops the camera onto the bed, moving the hand that was holding it to your chin. “Look how pretty you are.” He turns your head towards the camcorder filming from the nightstand. You can see yourself in the grainy display. You moan loudly at the sight of you being groped and filled. Beomgyu laughs again, placing a kiss to your shoulder as he continues to pump into you.

“Can you cum for me baby? Want to see it in the movie.” He makes eye contact with you through the pixels on the screen. You nod, shivering with anticipation and the knowledge that he’ll watch you cumming over and over again.

“Good girl. Let me hear you when you cum, okay?” His hand finds your clit, neglected up until this point. You squirm when his rough fingers tease the bud. “Does that feel good baby?”

“Yes! Yes Gyu- so good!” Your voice is high and wobbly as he continues to rub your clit, his fingers dipping into your wet folds, coating them in your essence before returning to where you need him most.

His hips continue to pump into you as he chases his own high, his grunts and moans loud behind you. The dual sensations of his cock filling you completely with each thrust and his fingers finally playing with your needy clit cause you to cry out a series of broken whimpers and moans. The incoherent babbling of just your boyfriend’s name again and again as all other thoughts are driven from your mind. You can feel your high approaching rapidly, the tension building in your tummy as you race towards release.

Your cries are broken by a swift slap to your pussy- Beomgyu’s fingers landing perfectly on your clit, sending bolts of electricity through your body. Your orgasm hits you like a truck and you shake in his grasp, moaning loudly as you come undone.

“That’s it baby, that’s it. Cum for me baby, right on my cock.” He moans, feeling you clench around him as your orgasm washes over you.

“Please!” you beg, “cum in me!”

Beomgyu’s rhythm falters as he cums. Burying himself to the hilt as he collapses against your back, the two of you moan in unison as he paints your walls with his hot cum. You can feel his hips stutter against your ass, chasing his pleasure for as long as possible. You clench around him and earn a low moan in your ear. Your skin is hot and sticky everywhere his body touches yours.

You lay like that for a moment as the two of you catch your breath. Your knees burn, suddenly able to feel them as you come down from your high. You wriggle your hips, signaling to your boyfriend that it’s time for him to pull out.

He pulls out of you, marveling at the white, sticky mess dripping from your swollen pussy. “You’re so hot, baby.” You hum in content, face resting against the tangled sheets.

----

Later, after you're both all cleaned up, you find Beomgyu sitting at the edge of the bed, watching the video play on the tiny screen of the camcorder, the shitty speakers distorting your broken moans. You catch him smiling as he watches the video, eyes wide and extremely focused, tent obvious in his shorts.

"Hey babe?" he asks, "would you want to go again?"

author’s note: this is a work of fiction not meant to accurately represent the idol. please do not repost.

#txt smut #txt hard hours #txt hard thoughts #beomgyu hard hours #beomgyu hard thoughts #beomgyu smut #ari writes #ari's mailbox 📬 #txt: beomgyu

[renderprism]

Large Magellanic Cloud, 26th Dec 2023

This is my first attempt at a properly tracked and stacked image of a deep space object (and one of the few easily photographed from my sheltered yard).

Shot with a Nikon 50mm f1.8 G lens adapted to mft for my Lumix G85. About 280x 15sec exposures went into this, stacked and processed with Siril (and a little bit of touch up and recomposing in GIMP).

#astrophotography #the focus is not perfect but it was more or less a test run

[campgender]

I am eight months pregnant. It’s a summer night and I’ve curled my girlfriend’s fingers around my own and led her to our bedroom. I have become an expert at making love to my girlfriend. A dozen years of perfecting the dance. I know exactly when to bite her skin, when to caress her, when to pound her, and when to hold her. I know how to move inside, and I know how to rub and pull and make her body rise.

It’s hard to find a position to reach her. Should I sit cross-legged or on my knees or lie on my side? What angle affords me the longest timeframe before my legs or arms get cramped and I lose steam? I twist into a spot and push all the blankets off the bed. I get to work. I feel my confidence return; I feel a little butch again. Even if I barely sense the warmth of my own body, I can take good care of my femme, and I am proud of that. But my fingers begin to go numb.

It’s been happening for the last couple of months. I lose feeling in my right hand. The nerve is squeezed somewhere in my arm, and the midwife and Google tell me it’s a common side-effect of pregnancy. Damn it. I depend on the delicate precision of my fingers. I hunger to touch and feel my girl. Damn. I don’t stop moving my fingers. I can tell by the rhythm of my lover’s breathing that they continue to do the job. I close my eyes and concentrate. I depend on the focus of my brain, even as my fingers lose all feeling.

Is a butch still a butch without her clothes, her body, her libido, her physical strength? Who was I in those moments? I felt far away from other butches and far away from myself. I felt calm, too. The pregnancy, despite its limitations, was peaceful. The hormones had kicked in. The urgency left my bones. I could feel the bliss of the new life in my body as my mind drifted into daydreams of the birth. I inhabited a spacey land, where I didn’t care about anything except the movement of the baby inside. But as much as I enjoyed the tranquility, I might have panicked if I thought it would go on forever. For my entire life, my knowledge of the world has been grounded in a sense of myself as a butch. When I couldn’t see myself any more, I became a body without any meaning attached to it. I felt vague, adrift.

Hilary takes portraits of me. She puts on a sun dress, lifts her heavy black Nikon, and stretches her arms. When she photographs you, she leads your body from one position to the next as she snaps the shots.

“Sit on the chair. Now stand, straddle it,” she directs. “Lift your head, turn, now look away, and turn back once more. Good.”

She searches a body, a face, the eyes for something she understands about its history, vulnerability, desire. You could stand right next to her and take a photo of the same person, but you wouldn’t be able to capture the intimacy of her images.

On the day before my due date, I gather all the butch garments that will still cover my body—a tie, leather suspenders, XXL T-shirts, stretchy blue jeans, an exercise bra—and head outside. It is a cool summer day, cloudy, the sunlight is diffused evenly across our backyard patio. Perfect photo weather, according to Hilary. It’s a last chance to catch the picture of my pregnant body.

I slip in and out of clothing quickly, avoiding the curiosity of the neighbours in the apartment building beside us. They are busy with their barbecue; the smells of charcoal and burgers float over us.

Hilary guides me methodically through the shots. I look past the reflection on the lens, into the tiny hole of the aperture, and wait for the instant when the shutter snaps open and shut. I can see Hilary there, following the lines of my body. I sit up. I raise my chin. I smile. I look at her shamelessly with lust. I reach behind my head and lie down. I curl up into a ball. I give her my fiercest face. I frown. I plead. I worry. I daydream.

I find myself on my girlfriend’s contact sheets. I find myself through her eyes: a femme’s vision of a butch. In some shots, I don’t look pregnant at all. I still look like the young boyish dyke she picked up a dozen years ago. In others, my belly is bigger than a basketball. My proportions are alarming. My skin looks soft. My face is tired but relaxed. My gaze is vulnerable. My dark eyes are wide open, inviting her to capture me, but carefully—please be careful. I don’t look like other pregnant women. I look like an entirely different creature. A queer creature. A beautiful creature.

from “A Beautiful Creature” by Karleen Pendleton Jiménez, published in Persistence: All Ways Butch & Femme, ed. Ivan E. Coyote & Zena Sharman (2011)

#karleen pendleton jiménez #quotes #butch #gnc #butch/femme #pregnancy #persistence: all ways butch & femme #mac’s bookshelf #they are our stigmata #cripsex

[livefromphilly]

Sony RX100 VII Thoughts After Two Months

PROS:

Stacked sensors are the future. Well, technically the present considering that Canon, Nikon, Sony, Fuji, and OM Systems all use stacked sensors in their top of the line cameras. Either way, finally getting to experience shooting with one on a daily basis has made me want one in pretty much any camera going forward. The benefits are twofold: Not only do you get shutter speeds up to 20 frames per second, and without a mechanical shutter flipping in the way obscuring your view in between shots, but you also get no rolling shutter while doing it. Pretty much every Sony camera can shoot 10 fps bursts with the silent shutter, but any movement can give you a jello-like effect since the sensor reads out so slow on non-stacked cameras. The only con, at least on this camera, is that you can’t shoot flash at higher than 1/100 with the electronic shutter. That’s still plenty fast for a lot of stuff, but well below the 1/2000 you get when shooting the mechanical shutter. 

The fast frame rate wouldn’t make much of a difference if the camera was bad at autofocusing, but this camera is great at it. It has a lot of the same fancy focusing stuff that my full frame Sony has like human/animal eye autofocus and all the tracking modes I’m used to. It actually makes the camera pretty solid for wildlife if you can get close enough at the 200mm end. 

Speaking of that, the 24-200mm equivalent is a great range, and one that I missed a lot since I traded away my Tamron 28-200 to help cover the cost of my A7RIV. The small size and extra 4mm on the wide end actually makes it even more convenient than that Tamron. 

Aside from covering a broader range than the 24-70 equivalent lens from the older RX100 cameras, this lens also seems noticeably sharper. The last RX100 model I had, the Mk. IV, just didn’t seem as crispy as this lens is. 

It has a touchscreen! It’s wild to think that the previous RX100 cameras I owned didn’t have this basic ass feature, but Sony was very late in putting touch screens in their cameras. Ironically, I don’t really use it in this one because the AF is good enough that I can just do focus and recompose with tracking. 

CONS:

It’s still only a 1” style sensor so high ISO isn’t the cameras strong suit. Programs like DXO PureRAW help a lot and let you get somewhat usable images at ISO 6400 in a pinch, but you’re kinda pushing things at that point. 

While the lens is sharper and covers a wider range than the older models, it’s also significantly slower. At 24mm equivalent it’s already at f/2.8 where the old cameras were f/1.8. It’s f/3.2 at 25mm, f/3.5 at 33mm, and f/4 at 40mm. From 109mm to 200mm you’re at f/4.5. The relative slowness of the lens combined with the small sensor means that this can struggle getting quality images in low light without a tripod or something. 

No USB-C. My Fuji, Ricoh, and larger Sony all have USB-C charging, which is amazingly convenient when traveling. I haven’t really gone anywhere with this camera yet, but having to account for a micro USB cable is annoying since pretty much everything aside from my iPhone uses USB-C. 

It’s expensive. Just like my Mk III and Mk IV I got it used so it was cheaper than retail, but the copy I got cost about twice what I paid for the previous models. 

Start up time is just a tad bit slower than I’d like. The GRIII and X100V both beat it that regards, albeit those aren’t zoom lens so I have to cut the Sony some slack. 

SAMPLE PHOTOS: 

(The sample photos were edited in Lightroom Classic and DXO PureRAW2. Also, the sensor creates a roughly 2.7x crop factor, so the 9-72mm lens equates to 24-200ish)

Young Bird | ISO 160. 72mm. f/4.5. 1/200. 

Graffiti Shot from a Car | ISO 100. 33.98mm. f/4. 1/400.

Stickers | ISO 100. 29.67mm. f/4.5. 1/100.

City Hall | ISO 100. 38.13mm. f/4.5. 1/200. 

Flip Up Screen Selfie with My Friend Hanae | ISO 3200. 9mm. f/2.8. 1/40. 

Zoomed in Graffiti | ISO 640. 72mm. f/4.5. 1/500. 

Fishing Store Neon | ISO 800. 28.67mm. f/8. 1/200. 

Flowers | ISO 200. 72mm. f/5. 1/640.

Selfie Shots with My Sister | ISO 3200. 9mm. f/2.8. 1/100. 

#Cameras #Sony RX100 #Sony RX100VII #Informal Reviews of Cameras

[davetada]

Julian

Los Angeles, CA

#julian flores #nikon l35afaw #nikon one touch #point and shoot #fuji superia 400 #compact camera #35mm #film #analog #ishootfilm #filmisnotdead #filipino #blond asian #la #los angeles

[myjourneythroughfilm]

Twin Falls Trail Camera: Nikon One Touch Film: Kodak Ultramax 400

#35mm #film photography #film community #film is not dead #Kodak Ultramax 400 #nikon one touch

[contac]

#Nikon One•Touch #Nikon One-Touch #Nikon One Touch #Nikon #film photography #camera #compact camera #35mm #autofocus #point and shoot #vhs #gif #1986 #Nikon L35AF2 #film #photography

[juliachadrysiak]

summer stories #8, made with Nikon One Touch L35AF2

#Nikon l35af #nikon #nikon one touch #35mm #35mm film #analog #analog photography

[spacetimewithstuartgary]

Looking Down on the Andes

This oblique photograph of the Chilean Andes in South America was taken by an External High-Definition Camera (EHDC) on the International Space Station. These high-elevation mountains reach up to 6,962 meters (22,840 feet) above sea level (Mount Aconcagua) and serve as a natural border between Chile, Argentina, and Bolivia.

The Andes mountain chain causes a rain shadow effect that results in minimal precipitation in the Atacama region of Chile. This area—known as the Atacama Desert—is widely recognized as one of the driest places on Earth. Some areas of the Atacama are touched by rain only four times a century. Other areas have never received rainfall for as long as records have been kept.

Precipitation is more abundant toward the east, where moisture is carried by winds from the interior of South America toward the eastern slopes of the Andes. Notice the shift from the moist Amazon basin rainforest (dark green) at the top of the image to dry desert conditions (brown) approaching the coast.

The desert climate is conducive to the formation of salt flats, which are scattered throughout the landscape. Among them are Bolivia’s Coipasa and Uyuni Salt Flats (known as Salar de Coipasa and Salar de Uyuni). Uyuni is the world’s largest salt flat and spans about 9,600 square kilometers (3,700 square miles).

Uyuni and other Atacama salt flats contain high concentrations of minerals such as lithium, potassium, and magnesium in their brines. These brines are often mined for their minerals as resources for the medical, electronic, and renewable energy industries.

Astronaut photograph ISS069-E-65 was acquired on March 28, 2023, with a Nikon D4 digital camera using a focal length of 56 millimeters. It is provided by the ISS Crew Earth Observations Facility and the Earth Science and Remote Sensing Unit, Johnson Space Center. The image was taken by a member of the Expedition 69 crew. The image has been cropped and enhanced to improve contrast, and lens artifacts have been removed. The International Space Station Program supports the laboratory as part of the ISS National Lab to help astronauts take pictures of Earth that will be of the greatest value to scientists and the public, and to make those images freely available on the Internet. Additional images taken by astronauts and cosmonauts can be viewed at the NASA/JSC Gateway to Astronaut Photography of Earth. Caption by Amber Turner, Jacobs JETS Contract at NASA-JSC.

#science #space #nasa #news #andes #earth observatory