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#no man of her own
lizztaylor · 10 months
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Carole Lombard & Clark Gable in No Man of Her Own (1932)
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rosepompadour · 4 months
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"We didn’t have too simple a time getting going—me and Clark— because when we first started messin’ around, he was tied up elsewhere and so was I, sort of. So we used to go through the God-damnedest routine you ever heard of. He’d get somebody to go hire a room or a bungalow somewhere. Like on the outskirts. A couple of times the Beverly Hills Hotel but that could be only at night. Then the somebody would give him a key. Then he’d have another key made, and give it to me. Then we'd arrange a time and he’d get there. Then I'd get there. Or I'd get there, then he’d get there. Then all the shades down and all the doors and windows locked, and the phones shut off, and then we’d have a drink or sometimes not. He’s not much of a bottle man. And we'd get going. And that’s how it went on for quite a time. Finally, he got unglued and I did too, and we thought what the hell, we might as well get married. But would you believe it? After we were married, we couldn’t ever make it unless we went somewhere and locked all the doors and put down all the window shades, and shut off all the phones? Even now, swear to God, we’ve been married all this time, he still goes around putting down window shades and locking doors. Don’t you love it?" - Carole Lombard speaks to Garson Kanin, 1940
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normasshearer · 10 months
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NO MAN OF HER OWN 1950, dir. Mitchell Leisen
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lobbycards · 27 days
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No Man of Her Own, Mexican Lobby Card, 1950
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byneddiedingo · 5 months
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Clark Gable and Carole Lombard in No Man of Her Own (Wesley Ruggles, 1932)
Cast: Clark Gable, Carole Lombard, Dorothy Mackaill, Grant Mitchell, Elizabeth Patterson, George Barbier, J. Farrell MacDonald, Tommy Conlon, Walter Walker, Paul Ellis, Charley Grapewin. Screenplay: Maurine Dallas Watkins, Milton Herbert Gropper, Edmund Goulding, Benjamin Glazer, based on a novel by Val Lewton. Cinematography: Lee Tover. Film editing: Otho Lovering. Costume design: Travis Banton. 
If actors weren't cattle, as Alfred Hitchcock is reported to have said, they were at least property, and their studios treated them as such. Clark Gable was becoming one of MGM's most valuable properties when he was loaned out to Paramount to make the only film in which he starred with Carole Lombard, who later became his wife. It was part of a complicated talent swamp initiated by Marion Davies, who had clout with MGM because of her relationship with William Randolph Hearst, who produced films for her that were distributed by MGM. Davies wanted Bing Crosby for a movie, so Paramount traded him to MGM for Gable and No Man of Her Own. Lombard became his co-star only because Miriam Hopkins didn't want to take second billing to Gable. The studio mountains labored to bring forth a cinematic mouse: a passable romantic comedy remembered only for the star teaming. Gable and Lombard are very good in it, though he comes off somewhat better than she does. Lombard was best in movies that gave her license to clown, like Twentieth Century (Howard Hawks, 1934) and My Man Godfrey (Gregory La Cava, 1936). In No Man of Her Own she's simply a woman who knows what she wants, and it isn't necessarily Gable, it's just to get out of the dull little town where she's the librarian. Gable on the other hand is in a role tailor-made for him: "Babe" Stewart, a raffish professional poker player who's as adept at wooing women as he is at cheating at cards. On the verge of getting caught by the detective (J. Farrell MacDonald) who's been tailing him, he skips town and winds up in the burg that Lombard's Connie Randall wants to escape. She catches his eye -- in one pre-Code scene she climbs a ladder and he looks up her skirt -- and with improbable speed they get married. Eventually she finds out that he's not the stockbroker he pretends to be, but nothing fazes her. He gets in trouble again, but just as he's about to take it on the lam, deserting her, he finds of course that he really loves her. The story lacks snap and tension: It was cobbled together from several sources, nominally from a novel by Val Lewton called No Bed of Her Own, a title the Hays Office nixed, but also from another story in Paramount's files. What life the film has comes from Wesley Ruggles's direction and from its performers, including Dorothy Mackaill as Babe's former partner in card-sharping. Lombard and Gable work well together, but reportedly didn't strike any off-screen sparks at the time -- they were both married to other people. They met again at a party four years later and were married in 1939.   
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Best Clark Gable movies and performances:
1. Gone with the Wind - Victor Fleming (1939)
2. It Happened One Night - Frank Capra (1934)
3. No Man of Her Own - Wesley Ruggles (1932)
4. Red Dust - Victor Fleming (1932)
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gifsfrommydvds · 2 years
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ohheyjjstmelol · 3 months
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you don’t need a man to be thrive.
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stil-lindigo · 9 months
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bite of winter.
a comic about a princess who died in the snow.
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--
all my other comics
store
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uncahier · 4 months
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No Man of Her Own (1950) is definitely a holiday movie, since a huge chunk of the movie takes place during the holidays
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phantomrose96 · 9 months
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The realest part of the Barbie Movie was when Barbie was like "okay but what if this hurts his feelings? what if this makes him sad? :(" after Ken stole her house, stole her car, and stole her agency, because as a woman you still have to second guess everything you do on the assessment of whether it might hurt a man's feelings.
And then that apprehension was proven right one million times over by the entire Conservative Internet Manosphere pissing and shitting and screaming themselves hoarse over Barbie daring to hurt a man's feelings.
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rosepompadour · 4 months
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The most in love woman in all Hollywood—Carole Lombard. Watch pictures of Clark and Carole together. Carole either clings lovingly to her husband’s arm or gazes adoringly into his eyes. She openly tell the world with her eyes, “I love this man. He is mine.” For the most in love [girl] we dare you to find any that surpasses Carole Lombard with her Clark. - Movie Mirror, May 1941
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movieposters1 · 6 months
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lobbycards · 27 days
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No Man of Her Own, Mexican Lobby Card, 1950
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crowdvscritic · 8 months
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round up // AUGUST 23
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Well, it’s been a month. In August, I…
Quit a job
Started a new job
Went to the emergency room for two unplanned surgeries to remove my gallbladder
Celebrated a birthday
Yeesh, I’m exhausted just thinking about it, though not nearly as exhausted as I was just after surgery. My recovery has been steady, but it’s also been slow, which means little victories have included eating solid food and going a full day without napping. With that energy level, you can bet how I spent my short waking hours: watching a lot of movies! (I also read two books—I had some time!) My viewing in the two weeks at the hospital and recovering at home was a combo of Turner Classic Movies’ annual Summer Under the Stars celebration (with 24 hours of programming dedicated to classic movie stars like Stella Stevens, Jackie Cooper, and Greer Garson) and of comfort food faves (including ‘90s action flicks, ’00s rom-coms, and…Mary Kate and Ashley movies). You can see everything I watched in those two weeks on Letterboxd because between the sleepiness and pain meds, I needed a way to remember what was going on. I’m not sure what it says about me, but the idea of staying overnight in the hospital for the first time became a lot easier once I realized their cable packaged included TCM…
It’s also been four years. Yes, August marks both my birthday and the birthday of these Round Ups. In the last four years, I’ve rounded up…
6 stage shows
10 museums
14 concerts and events
15 series of Saturday Night Live sketches
20 podcasts
21 books
46 musical selections
49 TV shows
52 collections of articles, social media fun, and new movie trailers
421 movies 
Yes, I’m excited just thinking about all those Crowd and Critic selections, though my pace going forward will slow some. Going through so many life events in just a few weeks makes you take stock of how you’re spending your time and energy, and my motto is becoming, “If it ain’t easy, it better be worth it.” If I hate cooking, why do I make myself do it every week? And if writing a Round Up with 20 picks is challenging to squeeze in every month, then it’s time to make adjustments. Author Ingrid Fetell Lee summarized this philosophy well (and provided some practical suggestions) in her blog post “12 Ways to Be Gentle With Yourself” this month. In that spirit, Round Ups are becoming more exclusive as two Top Fives. Keep reading to see which movies, concert, book, album, and articles earned coveted this month's coveted spots...
August Crowd-Pleasers
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1. Meg 2: The Trench (2023)
I could summarize the plot of this big dumb shark movie, but Bill Hader said it best on SNL: 
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Since the trailer surprisingly didn’t give most of the best moments away, I’ll remain coy and just say I spent a lot of Jason Statham’s newest charisma-fest laughing out loud. Crowd: 9/10 // Critic: 6.5/10
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2. Jonas Brothers: The Tour
68 songs! 5 albums! 1 night! As I have recommended Jonas content no fewer than four times in the last 4 years of these Round Ups, you should not be surprised to see this here. Like in 2019, I turned into an embarrassing fangirl freak at this show, singing along with every single song (though finding I really need to beef up on few Happiness Begins tracks) and shaking my sister with excitement every 15 minutes. (I think she was vibrating at the same energy? It's also possible she's just learned it's better to smile and nod when I'm like this.) The boys’ showmanship and knack for shelling out bops do not disappoint.
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3. Romantic Comedy by Curtis Sittenfeld (2023)
A jaded comedy writer (basically Tina Fey) for a late night sketch show (basically Saturday Night Live) discovers a spark with a singer-songwriter rock star hosting an episode (basically John Mayer). So yes…this is an extreme overlap of my interests. Like SNL, this novel does at times lean into saucier and cruder content than I prefer, but the descriptions of the TV show’s behind-the-scenes process and of the relationship between a celebrity and a normie felt so authentic I had to Google Sittenfeld to see if these were based on her own experiences. The best part? A third of the book is a series of email exchanges in the style of You’ve Got Mail. Again, I told you it’s an extreme Venn diagram of my interests!
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4. You Are So Not Invited to My Bat Mitzvah (2023) 
I mostly avoided Adam Sandler until 2020—somehow I’d only seen Happy Gilmore and Bedtime Stories before the pandemic. But since May of that year, I’ve watched 17 of them, and it’s time I finally just admit I’m an unironic fan of his, and now of his daughters, too! Bat Mitzvah is the update to Sixteen Candles we didn’t know we needed, and one of its pleasant surprises is Sandler is happy to stand back and watch his daughters shine (as Taylor Swift would say). His supporting role is the perfect choice for a comedy designed to launch his daughters’ Sunny and Sadie’s careers as leads, and Alison Peck’s sincere, funny script describes the pre-teen girl experience honestly. While there’s plenty of overlap with Are You There God? It’s Me, Margaret., it’s not a rehash, which makes the pair a perfect double feature. Crowd: 8.5/10 // Critic: 7/10
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5. The Rocketeer (1991)
This action-adventure lives in the world we only imagine 1940s Hollywood to be, one where you could date an Errol Flynn-esque movie star (Timothy Dalton) after he notices you on set, one where you could accidentally find a rocket designed by Howard Hughes, and one where Bonnie and Clyde-style drive-by shoot-outs are everyday occurrences. With Billy Campbell, Jennifer Connelly, Alan Arkin, and a dash of the spirit of Indiana Jones, my only regret is I didn’t watch this years ago. Crowd: 10/10 // Critic: 8/10
More August Crowd-Pleasers: Elvis goes gaga in Hawaii for Girls! Girls! Girls! (1962), a musical comedy both corny and winning; Arnold Schwarzenegger goes ham on militants who kidnap his daughter in Commando (1985), an action flick both corny and thrilling; Michael J. Fox is a former child star who discovers a future child star in the comedy Life With Mikey (1993), the kind of family movie we don’t get enough of today; Sally Hawkins tells the true story of an amateur historian who discovered the remains of The Lost King (2022) Richard III in a drama with a fantastical twist; Paramount+ continues to abuse my nostalgia, but I continue to let them because Carly and Freddie are finally together in the third (and best) season of the iCarly reboot; like every Muny production, Sister Act was a blast on stage
August Critic Picks
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1. Carole-thon!
Fun fact: Every Carole Lombard movie I’ve watched since starting this Round Up has become a monthly recommendation—why stop now? Lombard was TCM’s star of the day on August 18th, and it only took one viewing to realize I wanted to marathon everything on my DVR. Most of these titles are short and sweet screwball rom-coms, which means you can knock out quite a few of these in just an afternoon:
No Man of Her Own (1932) - Lombard falls for a con man (real-life future husband Clark Gable)—could she be the one to set him straight?
The Gay Bride (1934) - Lombard marries a gangster for his money, but her true love might be his second-in-command
Lady by Choice (1934) - Burlesque dancer Lombard “adopts” a mother for some positive PR, but she ends up getting more than she bargained for
Hands Across the Table (1935) - Lombard is a manicurist seeking a rich husband, but Manic Pixie Dream Boy Fred MacMurray throws a wrench in that plan 
The Princess Comes Across (1936) - Lombard is a con woman pretending to be a princess on an ocean liner, but her plans get tangled with another person's secrets (MacMurray)
True Confession (1937) - Lombard is a compulsive liar married to a compulsive truth-telling lawyer (MacMurray again) defending her for a murder she didn’t commit
Swing High, Swing Low (1937) - Lombard and MacMurry (for the last time) are musicians caught in a romantic, bi-continental melodrama
Fools for Scandal (1938) - The cutest little rom-com about a hotheaded American actress falling in love with an affable European fellow this side of Notting Hill!
In Name Only (1939) - Lombard and Cary Grant fight for their relationship even though his bitter wife won’t allow for a divorce
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2. Executive Suite (1954)
1950s Glengarry Glen Ross! William Holden, Barbara Stanwyck, June Allyson, Fredric March, Walter Pidgeon, and Shelley Winters vie for the seat at the head of the executive table when the president suddenly dies, and together they create a summum bonum of character dramas. Crowd: 8.5/10 // Critic: 9/10
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3. No Secrets by Carly Simon (1972)
I know I’m the actual last person on Earth to realize the greatness of this album from a career that, among many accomplishments, paved the way for songwriters like Taylor Swift and Olivia Rodrigo. “You’re So Vain” is a banger with no less bite than 50 years ago, and the record is filled with gems start-to-finish.
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4. Edge of Darkness (1943)
TCM’s August 5th star Errol Flynn and their August 28th star Ann Sheridan are fighting for their small fishing village, their families, and their love against brutal Nazi occupiers. I couldn't find comprehensive resources to clarify how much of this action-thriller is historically accurate (the novel it’s based on doesn’t even have a Wikipedia page!), but this gritty story of Norwegian resistance captures a similar spirit to some of the best World War II films, equal parts Indiana Jones and Casablanca. Crowd: 8.5/10 // Critic: 9/10
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5. Good Reads
#BillionGirlSummer: 
"It's #BillionGirlSummer: Taylor, Beyoncé and Barbie Made for One Epic Trifecta,” NPR.com (2023)
“Talking With ‘Swiftie Dads’ at a Taylor Swift Concert,” GQ.com (2023)
“Nearly 1 Out of 4 of ‘Barbie’ Viewers Hadn’t Gone to the Movies Since COVID,” IndieWire.com (2023)
Hollywood appears to be meeting a long-overdue reckoning: 
“The Binge Purge,” vulture.com (2023)
"Anonymous Strike Diary: ‘Our Souls Were Cracking … but Then the AMPTP F***ed Up,’” HollywoodReporter.com (2023)
“Orange Is the New Black Signalled the Rot Inside the Streaming Economy,” NewYorker.com (2023)
“Mandy Moore Says She Once Got a Check for a Penny for This Is Us Streaming Residuals,” HollywoodReporter.com (2023)
“David Zaslav, Hollywood Antihero,” NewYorker.com (2023)
Film history and criticism: 
“The 100 Best Movies of the Past 10 Decades,” TIME.com (2023)
“The Fate of the Critic in the Clickbait Age,” NewYorker.com (2017)
“The Instrumentalist,” NYBooks.com (2022)
“The Bradley Cooper “Jewface” Controversy Isn’t Really About That Nose,” slate.com (2023)
And a grab bag of worthwhile thoughts, interviews, and news: 
“Reese Witherspoon Is Starting a New Chapter,” HarpersBazaar.com (2023)
“To Help Cool a Hot Planet, the Whitest of White Coats,” NYTimes.com (2023)
“Beyoncé, Tumblr, and ‘Harlem Shake’: Revisiting Pop’s Most Pivotal Year,” TheDailyBeast.com (2023)
“Elon Musk’s Shadow Rule,” NewYorker.com (2023)
“Why You Rarely Believe Celebrity Apologies on Social Media,” BBC.com (2023)
More August Critic Picks: The kid-and-his-dog dramedy about one of the goodest doggos who ever did live, Tough Guy (1936), hits you right in the heart; Errol Flynn thrills again in a search for sunken treasure that might claim his soul in Mara Maru (1952)
Also in August…
The world’s slowest Best Picture Project continues with 1942’s Mrs. Miniver, a genuinely moving piece of war propaganda. Read my Crowd and Critic reviews.
Until September wraps, you can follow what I’m watching creating lists for on Letterboxd. In August, I updated my rankings of 2023 product movie rankings and Christopher Nolan films by Dead Wife Energy, and I also found some weird overlaps between the August releases Blue Beetle and Meg 2 (warning: spoilers!).
Photo credits: Jonas Brothers, Romantic Comedy, Carly Simon, Good Reads. All others IMDb.com.
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