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inkydigit · 8 months
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cluboftigerghost · 4 months
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subcuticular-records · 10 months
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Still taken from Slooshy Me O Brother's track: "God" from the debut album "The Zeitgeist Collection". Watch the video in full at:
ttps://www.youtube.com/watch?v=7oM_CVL7Dn0
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beautifulsignals · 1 year
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“Noise Experiments”. Ambient, experimental sound design by A.G. (c) 2023. All Rights Reserved. / "Expériences sur le bruit”. Conception sonore ambiante, expérimentale par A.G. (c) 2023. Tous droits réservés.
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2 new singles ready for release! Currently rushing to get some other tracks done. I did some nice Eurorack Modular soundscapes on the SVH track and recorded some experimental guitar soundscapes in my home studio for the Metzger track. #eurorackmodular #eurorack #modularsynth #modularsynthesizer #synthesizer #synthesizermusic #synthesis #synthmusic #synth #soundscape #noisescape #noiseproducer #musicproducer #newsingle #newrelease #spotifypresave #distrokid #ambientmusic #ambientguitar #noiseambient #experimentalmusic #metzgerdarkambient https://www.instagram.com/p/Co7p8jFpyU7/?igshid=NGJjMDIxMWI=
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between-myself-and-me · 6 months
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boygenius / Westville Music Bowl, New Haven / September 28, 2023 / photos by Anna Downs for Noisescape Magazine
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The boygenius performance in New Haven photographed by @/anna_downs for Noisescape Magazine
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goodbysunball · 5 months
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Fresh trimmings
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Alienator, World of Hate 7" (Convulse)
New recording from Portland, OR's Alienator following a 2021 demo. The band plays a sort of mid-tempo hardcore, burly almost-metal riffs and gruff vocals filling out the space afforded by the lower speeds. Passes surface level inspection, especially "I'm Nothing" or the stomping outro of "Social Disease," but all of the parts here don't really coalesce into the total package as advertised. Lyrics are clunky and hackneyed, even by hardcore's low standards, and I'm annoyed on each subsequent listen at how chugging death metal riffs are teased at the beginning of "Senseless Violence" and the title track but not fleshed out. It's all competent and fashionable, from the artwork to the execution, but doesn't really distinguish itself and, at worst, inflicts some secondhand embarrassment.
Delco MF's, March of the M.F.'s 7" EP (MF Records)
Seems recently any hardcore that catches my ear has to be verging on grindcore tempos, and Delco MF's do it better than most. The first 7" was great, and March of the M.F.'s continues the winning streak. There are some strong riffs on here, most potent on the title track, but this is a band primarily carried by the vocals and the drumming. "Future World" is a prime example, the vocals and violent tom fills racing and tripping over each other, until "Death of Me" pleases the crowd waiting to mosh. Six songs in six minutes, no room for filler (or, perhaps thankfully, a lyric sheet) - almost makes me agree with the "Hardcore Rules / Fuck Off" banner pictured on the back of the sleeve.
Mark Van Fleet, Vordenal CS (Refulgent Sepulchre)
I saw Mark perform as Face Place a few years ago, and it was cool, but felt very restrained and almost academic in its approach to noise. I was hoping for something a little closer to the heaving noisescapes he created as 1/2 of Sword Heaven, and now Vordenal comes close to fulfilling that wish: syrupy thick loops are urged to disintegrate, harsh sounds reflect off thin metal walls and a general unease presides. There are tracks, but this works as two side-long pieces. Side A's a little roomier, sounding like a high rise construction site on a windy day, creaking metal-on-metal and eerie whistling, until bolts shear and welds fracture during the swirling fever pitch of "Vordenal Slurp." Side B is just two tracks, and here's where the anxiety begins to burrow under your skin. The chomping and pounding of "Volume Fog" is particularly effective, and its guts are poured into the atonal drone of "Dungeon Summer," a drone that begins to pile on itself and buckle. When I listened to Vordenal on an airplane recently, it felt as if the plane were being ripped apart until the abrupt end of "Dungeon Summer" allowed the oppressive hum of steady cruising back in. What Mark's doing is in the league of Tom Darksmith and Aaron Dilloway, albeit a bit less polished than their recent works, but the stitches showing works in Vordenal's favor.
Life Expectancy, Decline CS (Iron Lung)
One of maybe three hardcore releases to leave a mark this year, Life Expectancy's Decline is a cavernous, feedback-ridden bullet train ride, except you're strapped on the outside like Mad Max in Fury Road. Plenty of noise here, including intro/outro on/off ramps, but the middle section is a pretty potent slurry of metal and punk, a combo that just doesn't add up for most bands. Vocals are a vicious black metal caterwaul, becoming more and more prominent as the tape plays, fully emerging on "Liquidated Flesh" and "S.M.R.A." where the tempo slows just enough for things to get really grimy. Blinding, blown-out, bleak: all applicable here, even if they curiously titled a track "Eggz." Completely unassuming packaging and quietly released, Decline sets a new bar for the skulls-and-chains crowd to gawk at.
Romance, Seven Inches of... 7" EP (self-released)
Hastily assembled sorta-supergroup from Sydney mows down the corny "murder punk" genre tag and reclaims the violent moniker for themselves. The band plays well - bass and drums thump and wallop, guitar slashes with abandon - but the draw here is the feral vocals of Jane, who must've had blisters on her vocal cords after the performance here. "Romance," "Fast Car" and "Surprise" are almost uncomfortable, blurring the line between performance and actual malice, and it's chilling in the best way. Nothing polished here, and all the better for it; you can definitely see why the band chose to self-release these tracks even after a couple of years. There is a palpable ferocity and recklessness across Seven Inches of..., and whoever says "fuckin' nailed it" at the end of "Sex Pact" ain't wrong.
Tàrrega 91', Fill de la Merda 7" EP (La Vida Es Un Mus)
The punk LVEUM mines from Spain almost always hits home with me, and Tàrrega 91' aren't about to break that streak. Fill de la Merda sports a bass-heavy recording, Discharge-style ripping guitars, but makes plenty of room for a prominent Rudimentary Peni influence to show its head, too. Not sure that there's anything groundbreaking to be heard across Fill de la Merda, but it's all performed as if they were the first band to stumble onto this confluence of sounds; that genuine excitement pushes a track like "Autoproclama De L'esclavitut Total" into a burner. Nice quick-hit 7" that checks a lot of boxes for me, especially that little guitar solo on the title track. Yeah, it's comfort food in a sense, but who better to serve it than one of the preeminent labels in punk and hardcore worldwide?
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inkenstabell · 2 years
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Noisescapes - Désillusions
Album cover commission, etching on zinc.
inkenstabell.com
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sajdd · 2 years
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me and the homies pulling up on karaoke night to sing Rumble Works - Ambient Low Frequency Noisescape for Ten Hours
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[audio] Skinny Puppy live in San Francisco, 8 July 1992
Skinny Puppy live on the Last Rights tour, San Francisco, 1992. Back when they were at the height of their darkest, most nightmarish noisescape industrial style. And of course, back when Dwayne was still alive. RIP Dwayne.
Board tape (stereo! no distortion!) landed in my lap recently. So it sounded pretty great in the first place, but as with everything, it needed some substantial work.
For major reconstructions like this, I’ll go so far as to reverse engineer some group multi-track stems (drums, bass, vocals, synths) to give me more control over everything. Definitely the right choice with this one, as the final mix sounds mind-blowing. Especially after I added in crowd sounds.
Unfortunately, this isn’t the complete show. They opened with Addiction and Love in Vein. Addiction didn’t make it onto the original recording at all, and only the last past of Love in Vein did.
Also, Dirty Tricks was actually the first song of the encore, following Left Handshake. The song they played after Dirty Tricks, Testure, for some reason fades out right in the middle of it in the original recording, so I wasn’t able to use that one, either.
Luckily, I was able to save Dirty Tricks by making it the show intro into The Choke.
All love and respect to cEvin, Nivek, and everybody else involved with the band.
Skinny Puppy
Live at The Warfield
San Francisco, California
8 July 1992
0:00 Dirty Tricks
3:34 The Choke
8:44 brap
10:13 Harsh Stone White
14:31 brap
17:35 Tin Omen
22:07 Worlock
27:31 Knowhere?
32:09 Anger
37:08 brap
40:48 VX Gas Attack
46:25 Second Tooth
50:37 Killing Game
54:46 Circustance
59:24 Left Handshake
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inkydigit · 1 year
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youtube
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cluboftigerghost · 6 months
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splattermouth · 1 month
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silent hill 2 ost, regarded as one of the most haunting and effective soundtracks of all time, one of the most beautiful noisescapes, swiftly beaten out in my brainspace by this
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betteraskmymomma · 3 months
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New plugin from @unitedplugins , I really enjoy this one already ! Used it on mono tracks in this very minimalistic eurorack modular soundscapes, to add stereo depth ! #unitedplugins #retronaut #chorus #multieffect #vstplugin #plugin #vstplugins #vst #newplugin #newpluginday #eurorack #eurorackmodular #soundscape #noisescape #noiseproducer #musicproducer #noiseambient https://www.instagram.com/p/Co5T1F3JRCb/?igshid=NGJjMDIxMWI=
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