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My Hawke, Nolan, in DAI. We stan a trans king
Also the Nightmare making me cry as a bonus
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denimbex1986 · 9 months
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'Christopher Nolan has a knack for wrangling impressive ensemble casts for his films, but he really outdid himself with his 3-hour historical epic Oppenheimer. Even if the World War II biopic didn’t include the frequent Nolan collaborator Michael Caine, the stacked ensemble is filled with a terrific ensemble of veteran Hollywood stars, Academy Award-winning performers, underrated character actors, relative unknowns, and a few former box office titans that have seemingly disappeared over the last decade or so. It wasn’t that long ago that Josh Hartnett was the marquee lead of films like Lucky Number Slevin and Black Hawk Down, but his star power has seemingly evaporated, as some actors can only maintain the same level of success for so long. However, Hartnett has always been a more interesting and complicated actor than the roles that he was given at the beginning of his career. Hartnett isn’t just in the middle of a major comeback; he basically steals Oppenheimer with one of the most nuanced supporting performances.
Why Is 'Oppenheimer's Ernest Lawrence So Important?
Oppenheimer is told in non-chronological order, in what has become a hallmark of nearly all of Nolan’s films. While Hartnett doesn’t play a significant role in the black-and-white sections that show the confirmation hearings for Lewis Strauss (Robert Downey Jr.), he is instrumental within the main storyline focused on J. Robert Oppenheimer’s (Cillian Murphy) studies at the University of California in Berkeley, where he first conceived of much of the technology that ended up becoming critical within the Manhattan Project. The sequences in Berkeley aren’t just where Oppenheimer unlocks part of his genius, but also where he falls in love with his second wife Kitty (Emily Blunt), and makes a community of friends for the first time. It is during this period that he works hand-in-hand with Hartnett’s depiction of Ernest Lawrence; having an outsider’s perspective on Oppenheimer’s work was necessary for this sequence to function.
Ernest Lawrence was an incredibly influential figure in Oppenheimer’s life. While he’s not someone that Oppenheimer often looks up to and idolizes like Neils Bohr (Kenneth Branagh) or Albert Einstein (Tom Conti), Lawrence represents the sort of man that Oppenheimer could never really become. Hartnett depicts Lawrence as a man of great importance, intelligence, and class that also has a relatively normal social life and shows an ability to adjust to the stresses within his life. Lawrence encourages Oppenheimer to find a balance within his work, but it becomes obvious that it’s not possible for someone with his capacity for genius. It creates an odd tension between them; Lawrence feels both resentful and sympathetic for his friend. Oppenheimer’s inability to simply “turn off” his brain and focus on something other than his work may end up making him more historically important than Lawrence, but it negates any sense of accomplishment or happiness he may feel.
Josh Hartnett does some really outstanding subtle work with his performance, as there’s an interesting dichotomy to Lawrence’s feelings about Oppenheimer. He’s not resentful, as he and Oppenheimer are able to get along and share much in common due to their shared experience in nuclear research. Lawrence is someone who can communicate with Oppenheimer on an intellectual level about the groundbreaking studies that are being done, but he’s not capable of reaching the same next-level conclusions. Lawrence is well-educated and knows what he’s talking about, but also acknowledges that it’s not his name that the world will remember. It was almost a bit of reflective acting on Hartnett’s part as if he was acknowledging that he was no longer the same star who had led Pearl Harbor to its box-office success two decades prior.
Ernest Lawrence Is Important to the Politics of 'Oppenheimer'
Christopher Nolan isn’t necessarily known as a “political filmmaker,” but while his films aren’t necessarily as overt as the work of directors like Oliver Stone or Spike Lee, there are strong anti-war, anti-escalation themes in The Dark Knight, Dunkirk, and Tenet. Oppenheimer is definitely Nolan’s most overtly political work to date, and Lawrence is instrumental in unpacking the film’s complex understanding (and criticism) of the decisions that Oppenheimer made on behalf of his country during his lifetime. At first, Oppenheimer’s relationship with Jean Tatlock (Florence Pugh) is nothing more than a passionate romantic affair, but it's Lawrence who explains the danger that being involved with the socialist political movement at the time that they are in. Lawrence has his personal feelings about the rising Communist movement, but he worries that Oppenheimer’s mind could be distracted when he’s working on studies that could literally change the way that mankind observes the world.
The political differences between Lawrence and Oppenheimer are fascinating, and Hartnett does a great job of showing Lawrence’s conviction in his belief and handling the dense political dialogue. It’s fascinating that Lawrence’s political beliefs aren’t delved into that deeply other than his expressed desire to keep all discussions about the socialist movement out of the classroom. Lawrence tells Oppenheimer that he considered himself a patriot, but he also wants the University to be an institute of science, and not a hangout spot for a potentially dangerous movement to begin. He and Oppenheimer begin to grow further apart as a result of this, but they still share a mutual understanding of which events transcend their own personal beliefs. Both men react with the same surprise and fear when news of Adolf Hitler’s invasion of Poland breaks.
Josh Hartnett does a great job of showing Lawrence’s empathy for Oppenheimer. While he understands that a traditional celebration isn’t necessarily something that Oppenheimer would enjoy, there’s a friendliness between the two men that continues after General Leslie Groves (Matt Damon) whisks him away to work on the Manhattan Project. Lawrence refuses to report incriminating evidence on Oppenheimer during the government’s investigation, and the two are able to shake hands at the end of the film. That’s more than Oppenheimer can say about Edward Teller (Benny Safdie), whose pro-nuclear beliefs created too much of a divide between them.
Josh Hartnett is in the midst of a much-needed comeback, and it’s great to see that Oppenheimer gave him such a nuanced role to execute. While it may have taken a while for him to finally get the chance to work with Nolan, his performance is one that is essential to show what made Oppenheimer tick on both an intellectual and personal level.'
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chaanderperry · 2 years
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Dead Poets Society as tweets Pt.3 📓
This batch is basically ones that didn’t make the cut for the first two posts but i spent time on them so imma just post them anyways, start college tomorrow and i’m trying to cope HARD right now
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richardarmitagefanpage · 10 months
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Red Eye, a new six-part thriller by Peter A. Dowling and Jingan Young, starring Richard (Dr Matthew Nolan), Jing Lusi (DC Hana Li), Lesley Sharp (Madeline Delaney) and Jemma Moore (Jess Li) will be released on ITVX in 2024.
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chenfordsbby · 10 months
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"The Hawke"
Season 1 Episode 6: “The Hawke”
“The team must help capture a cop and his former mentor from the academy after he becomes a fugitive following an assault; Officer Tim Bradford needs Officer Lucy Chen to learn to predict the moves of criminals in order to capture them”.
Original Air Date: November 27th, 2018
Written By: Frederick Kotto
Directed By: Timothy Busfield
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If you are reading this, that means for some reason, you are sticking around with me and all of my happy thoughts and I cannot thank you all enough!
Happy Sunday and Happy Fathers Day to those who celebrate!! 
Onto the next one shall we…
We have a new cold open, it is short and sweet with our favorite Rookie and T.O duo…Chen and Bradford! I think this is the shortest]cold open we’ve seen so far, and I think the first one between Tim and Lucy as well!
We are introduced to a random, yet important for this episode, character, The Hawke, who trained John Nolan as a recruit! Hawke is a police officer as well, as his current position is a trainer in the police academy; He seems to be jealous of John, or at least of Johns position, which is one of a soon to be patrol officer.  Mayne Hawke is done with the academy life and is envious of what John has.
Can you say fishy, which is the vibes I am getting from “The Hawke”.. what type of person he is, or even yet, what type of cop is he?
After a morning roll call room, Tim and Lucy get the leftover jobs that were incomplete from night shift and have been sequestered to serving and completing a search warrant.  They head over to the apartment complex  and Tim immediately starts giving Lucy lessons in how to properly serve a search warrant and succeed at one as well.  This is definitely not the first one Tim has done and it won’t be the last either, but with that being said, Tim is doubting Lucy’s skills, which is understandable as he has never seen her properly serve a warrant and search a house.  This deadbeat of a guy hits on Lucy as she is searching his apartment, Tim does what any respectable guy would do and puts this kid in his place and comes to Lucy’s defense because she’s oblivious to it as she is in the zone.
We are introduced by Tim to the D.E.A.R method: Deception, Elusive, Access and Repulsive.  Lucy is trying to take down everything Tim is telling her as she pulls out her pad and pen to jot everything down until she basically gets told she has to continue her search in the repulsive category "You might want to glove up” he tells her as she storms off into the bathroom (Best belie we will circle back around to that later”.
A pissed off Lucy comes out of the bathroom to see Tim at the table with the stash of the stolen objects that he sent Lucy to go find, anger arises even more for Lucy yet a bit of gloating surfaces for Tim.  He knew what he was doing the entire time, and where the stash was hidden but he couldn’t let Lucy off the hook that easily.  Tim’s “Tim Tests” are becoming a normal occurrence for Lucy, what else can Tim throw at Lucy?!
Jackson and Angela respond to 9-1-1 call of a woman who called the police the previous night.  She called because of her unruly, drunk, soon to be ex-husband who was at the brink of assaulting her, and she reveals that said soon to be ex-husband is the character we were introduced to earlier in the episode, Jeremy Hawke.  Things seem to be getting a little dicey for this guy, how do they proceed with going about arresting a fellow police officer?
Jackson and Angela’s side storyline seems insignificant this episode compared to what everyone else is dealing with.  What we have seen so far in the past 6 episodes, there is always more than 1 storyline, conflict in every episode of The Rookie, so even thought Hawke is the main arc of this episode, there has to be a secondary storyline, which is for Angela and Jackson.  They end up dealing with what they think is a drive-by shooting at first, then a suicide call, but Jackson figures out it was a shooting out of anger: an angry so over his dad not accepting him as gay and allowing him to be with his boyfriend.  “Look, we can’t choose our fathers but we can choose how we let them shape us”. The quotes that this show gives us have been some top tier stuff, let me tell ya!
Grey calls into John and Talia, to speak to John to see if he can figure out how to proceed with dealing with Hawke.  We are reminded by the John from the very first episode and how he reacts to situations like the one he is currently in.  He is quick to think on his feet and he knows how to relate to others, and especially those of his age as well.  The Hawke situation escalates quickly for everyone and it becomes one of questioning.  How do they go about proceeding with him when he is a police officer.
It is obvious he’s friends, or at least acquaintances, with some of the other officers at Mid-Wilshire.  So not only do they have to figure out a way to go about arresting another officer, but now a friend as well.  I don’t think the decision is that hard because we find out that he is quickly turning into a criminal “Anything you can do, I can do better” comes to mind; how do you outsmart a cop, or a quick approaching crooked cop at that as well?
I think that we have seen Captain Anderson in this episode the most.  We still don’t know very much about her at all, but her time will be coming, I am sure of it!
I like watching Jackson and Angela work together, you can already tell the type of relationship and friendship that is going to form between the two of them.  John and Talia are a steak difference from everyone else and it has been an odd number of weeks/months into their training days, but I still don’t find them meshing well together, there is something missing in that professional relationship.
Chen and Bradford find Hawke’s truck sans a Hawke.  Tim confirmed my suspicions, Hawke is quickly becoming a criminal cop and is now going to do anything to avoid an arrest which includes outrunning everyone looking for him by any means necessary.  John saw all the signs wrong with Hawke when he met him out the previous night, but did nothing about them.  He just chalked it up to Hawke having a “bad night”  whereas I think that if he had a bit more training, he would have acted on his instincts and at least maybe reported Hawke to someone higher up, things could have turned out a little bit differently.  Talia knows that Hawke is trying to outsmart everyone just like Tim knew as well.  Hawke is taking no chances in getting caught.  It’s a no holds bar in getting Hawke and arresting him, everyone is on his tail and John and Talia announce that he has kidnapped his son and has put him at risk, which just made this situation that much more dire.
Tim devises a plan to get Hawke to fall right into their trap.  Lucy thinks it won’t work but Tim knows it will because he thinks that he is going to outsmart Hawke but yet again Hawke has the upper hand because he still has his police radio on him, much to everyones frustration.  They all realize that Hawke is going to one of the most public places he could go to: the mall.  We are always reminded that John is to be the big hero of these episodes as he starts to confront Hawke in the mall. Hawke lays it all out for John; he is angry, desperate, and humiliated.  He thought he had no other choice but to act the way he did.  He has nowhere else to go and he is at a loss but that still doesn’t stop him from continuing to run but this time he leaves his son.  He doesn’t need to be brought down with him. 
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The gang put their heads together to figure out just what Hawke is going to do next.  What is his next move, his next target? Is he really going to be able to outsmart this group of cops?  Turns out everyone knew exactly what he was going to do next, which is stay exactly where he is at the mall, even though he hopes that they vacate and search for him elsewhere.  Its a bit of a renaissance that John and Tim are the ones to corner Hawke as he was the one who trained both of them: “one in the field and one in the classroom” but Hawke is not going down without a fight and as punches are thrown, and mainly at Tim and John, it is Talia with a little help from Lucy that gets the job done and finally arrest Hawke.
We end the episode on the highest note, a very memorable #Chenford scene..
The episode ends with Tim hanging out in a bar, answering a phone call.  It is Lucy on the other end of the call, and I think that this is the first time that we hear Tim call her by her first name and not, “boot” or “Chen”.  This is also one of the first times that we see them interacting outside of work.  It’s a small moment, but it is one none the less; it’s a scene that solidifies that maybe there is a friendship forming between Lucy and Tim, albeit a very very small one, practically noting, but baby steps.  Lucy reveals to Tim that she swiped his money clip from him when he was “getting his ass beat”- but hey he wanted her to act and think like a criminal so…
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Before Tim hangs up, Lucy ever so reminds him that he might want to "glove up" before he finds a way to pay for his tab, most likely by washing dishes. I love this for Lucy, not only is she giving Tim payback for how he treated her earlier in the search, but she is also showing and telling Tim that she is not standing/backing down to him. She can handle anything he throws at her, any "Tim Test" he decides to put her through and I love that for her. I already see an improvement from Episode 1 Lucy to Episode 6 Lucy, in demeanor, confidence and on patrol. Tim smirks as he hangs up the phone is nothing short of amazement and bewilderment.  He is impressed to his core that Lucy swiped his money, and his little smirk proved it.  It’s a moment where we see another crack in Tim’s hard exterior and it’s because of Lucy.  I think it is safe to assume that as much as Tim should be mad at Lucy for swiping his “wallet”, he really can’t be.  She just did exactly what he told her to do, and even better than he could’ve imagined.  He is training her a little too well! 
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Honorable Mention:  The Cold Open; a classic.
Episode Peak:  Captain Anderson, we are getting to see a bit more of her each episode!
Episode Pit: Jeremy Hawke
Quote of the Episode:  “I think you were raised to analyze bad guys not be one and to be a great cop you’ve got to have a little outlaw in you” ~ Tim Bradford
Episode Rating: 6/10.  Personally, this episode was just okay.  It kind of felt like a filler episode, with really not much going on really in any storyline for any character.  There was really no advancement in the storytelling for anybody this episode.  One of the only positives that this episode gave us in one of out beloved and classic #Chenford scenes, but besides that, really just an okay episode.  I mean they all can’t be a 10/10 and that’s okay!
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Another episode for the books! Can't wait to hear everyones thought and opinions on this one. Like I just said, I personally didnt think that was a WOW episode, much much more of a filler one, but to each their own! I want to thank you all again for coming along for the ride!
Until next time in, "Get in the Shop"...
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womeninfictionandirl · 7 months
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Hawkwoman by Graham Nolan
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7grandmel · 9 months
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Todays rip: 29/07/2023
Maskettaman - Dr. Pavel's Fly​-​So​-​Good
Season 6 Featured on: SiIvaGunner's Highest Quality Rips: Volume Ruby
Ripped by Dirty Spaceman
youtube
Tentative rip name: Batman V Superman – Dr Pavel's Fly-So-Good
One of my favorite rips made during Season 2 was Battle! The Trainer Inside Your Head!, a rip I initially missed due to being exclusive to an album release. As the years go by, I've begun using these albums as my primary way of listening to rips, which has occasionally given me the inverse problem - missing out on all-time classic rips due to not being on albums. This is less of an issue with Season 7 being the current Season, as I of course try to listen to most rips being uploaded as they come out, but there's still some rips from Season 5 and 6 that I've just not given enough of a chance due to being YouTube exclusive. Such is the case with todays rip, which remained YouTube exclusive for over a year before this post finally gave it its long overdue album release: Maskettaman - Dr. Pavel's Fly​-​So​-​Good.
Initially, I was going to dedicate this day to another piece of excellent Baneposting, but things took an interesting turn. See, in Season 1's fervent experimentation and wild west upload schedule, there were a handful of jokes used in only a few rips each that simply didn't catch on for a variety of reasons. Baneposting, a long-running gag of making fun of Bane's first scene in The Dark Knight Rises, is a perfect example of this - due to its comedic elements not really stemming from a melodic audio source and mostly being carried by dialogue, it's difficult to really make a rip hit home in relying on just it as the crux of the joke. Despite people's affection for the joke - and how it even got tied to some of the earliest lore of the channel - it simply wasn't as natural a fit for the channel as many other of its contenders.
Quality Baneposting, both on SiIva and out, is not something you can simply churn out, and its left the meme as a sort of cult classic. Which is demonstrated perfectly by just how easily I'd glossed over today's rip - a loveletter to the meme and a tribute to one of its final big appearances on SiIva in Season 2, Lazy Banes ~Crashing in Paradise~, which is what I was originally planning on covering today. Both it and Maskettaman - Dr. Pavel's Fly​-​So​-​Good share the same basic concept - replacing the vocals of the original song with a duo performance between fan inimations of Dr. Pavel and Bane, with lyrics relevant to the meme's origin. This kind of parody has its roots in the 2014 classic Bane Star (the same concept applied to Smash Mouth's All-Star) and SiIva carries the torch forward with perfect execution.
Be it the slightly off-kilter singing performance, the never-not-funny Bane impression, or the clever yet absurd lyric changes, it works just as well today as it did in 2014 and in 2017. Something about the crazy energetic and happy Ska vibes of Superman meshed with the dour theming of Dark Knight Rises just makes it such a pleasant listen, and makes every change in the lyrics stick out in the funniest way possible. I mean, really:
So here I am Starting fires all the time The fire rising all the time The master plan is on my mind
That's perfection! The choice for song to cover is perfection! Everything about this rip, despite its lackluster views, is absolutely perfect in carrying on this wonderfully stupid little in-joke. I've made mention before that SiIva is the type of channel where nothing truly gets forgotten due to just how many people are on it, and its never not delightful to see that idea confirmed again and again.
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adamwatchesmovies · 13 days
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Black Hawk Down (2001)
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All war films walk a delicate line. You don’t want to portray war in a good light but movies are entertainment. You have to show combat without glorifying it but unless you have a good reason to, you probably shouldn’t show members of the armed forces as monsters (well, unless they're Russian). Black Hawk Down features too many characters to keep track of, the running time is way longer than is probably necessary and the character development is almost non-existent but these “weaknesses” are actually features. This powerful film immerses you in the chaos and trauma of armed combat.
In 1993, Somalia’s civil war rages. United Nations personnel are on a peacekeeping mission when the Mogadishu-based militia suddenly declares them enemies. To put an end to the conflict, United States forces make a move to capture Mohamed Farrah Aidid, the country’s self-proclaimed president. The mission should've been done in thirty minutes. Instead, there's no end in sight, with many men now stuck behind enemy lines.
This is a long movie. The theatrical cut lasts 144 minutes (and there’s an extended edition that’s even longer). Inside it, there are A LOT of characters played by familiar faces: Josh Hartnett, Ewan McGregor, Tom Sizemore, Ewen Bremner, Ioan Gruffud, Jason Isaacs, Tom Hardy, Orlando Bloom, and more. What roles do they play? It’s almost not important. I say this because once the operation goes wrong, you’ll quickly lose track of who’s who. You know you saw one soldier take off parts of their armor because “the operation isn’t going to take long and I won’t need the extra weight”. This almost certainly means they will be shot and killed at some point. The thing is, you can’t remember who it was that did that until they are hit. Once the titular Black Hawk helicopter is shot down, chaos erupts. People die, people are left behind, people are brought back to the camp to be treated and reinforcements are sent out. All hell breaks loose. Names, ranks and personal stories don’t matter anymore. It's all about the enemies all around them, the diminishing resources and the ever-increasing number of wounded. You feel like at any point the characters on-screen could be shot and killed. There are no certainties.
What makes Black Hawk Down so effective is how it shows us the bravery of the men involved in this military catastrophe and the futility of war as a whole. The militia who hound the U.S. troops are seemingly endless. When a man gets shot, there’s another right behind them to pick up their gun and take their spot. You wonder how these people can so carelessly throw their lives away. Did they not see their predecessor die seconds ago? Why do they insist on fighting? At least two scenes beg this question so vividly that they will leave a scar. One involves a woman who reaches for a gun. The other features a boy and his father roaming Mogadishu's streets, looking for soldiers. The U.S. military personnel are in a similar position. Their vehicles are constantly pelted by bullets. Inevitably, the gunner above will get hit and fall down, dead. Less than a second later, someone is ordered to take their place. At the end of the movie, we see the names of the people killed but that feels like an incomplete list. That severed hand we saw. Did it belong to one of the dead, or is it from another soldier who survived despite an injury you can never recover from?
There is so much chaos that Black Hawk Down could’ve easily become a slurry of violence - credit to the editing, cinematography, sound design, and score for making it a well-paced, "easily to follow" story. You only feel the movie’s length at the very beginning when we get at least a couple of paragraphs’ worth of text to set up the stage, and towards the end when all the soldiers are so exhausted they feel like they can’t go on any longer. It’s yet another way in which director Ridley Scott and writer Ken Nolan make you feel the way the characters feel. Then, you're hit with a wallop of a scene that shows no one - not even the people in the country you’re fighting for - can understand the inhumanity of war. I don’t know how anyone could watch this film and think “I need to enlist so I can experience this for real”. Watching it unfold from the comfort of your couch is traumatic enough.
Black Hawk Down hits some similar beats as Saving Private Ryan in that its carnage serves a purpose. It makes you wonder how anyone could choose to make war. In one scene I’ll never forget, a soldier’s gun is shot out of their hand. Their thumb is so badly mangled you doubt it can be saved. The weapon? It’s perfectly fine and fires like nothing's happened once it's picked off the ground. That moment says a lot, but rather than condemn the people who choose to serve, it shows that sometimes, you HAVE to intervene if you want a clean conscience. It fills you with all sorts of emotions in so many ways I foresee myself revisiting Black Hawk Down again in the future. Specifically, because it’s so well made on a technical level. (April 1, 2022)
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balu8 · 6 months
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Hawk World #4
by John Ostrander/Timothy Truman; Graham Nolan; Sam Parsons and Tim Harkins
DC
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hokeoutsider · 2 years
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“Hawk and Rabbit”    T-Marie Nolan...Ebay Outsider-Art Auction...Sept 29-Oct 6...Acrylic Painting on Wood...13 3/4″x 11″x 3/8″... Starting Bid $18
https://www.ebay.com/sch/metrolux6/m.html?item=354305296858&rt=nc&_trksid=p2047675.m3561.l2562
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sunflowerpirateart · 1 year
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One of my friends is playing through Dragon Age for the first time and now I miss my boys
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denimbex1986 · 9 months
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'Breaking into Hollywood stardom in the early 2000s, Josh Hartnett fast became a teenage idol through his early work and was fast-tracked to become the next best thing. Initially disillusioned with the celebrity lifestyle, though, he turned down many starring roles in major movies and even resorted to taking a lengthy hiatus from the industry not to lose his passion for acting entirely.
While fans of Hartnett from his earliest roles may lament the lost possibility of what could have been, his carefully selected career trajectory has seen him feature in some bizarre but brilliant films. With Oppenheimer seeing the much-loved movie star back on the big screen in front of mainstream audiences, these 10 films present as the best of a stellar career that may be just hitting its peak.
10. 'O' (2001)
Taking Shakespeare’s classic play Othello and applying it to the basketball scene of a modern American high school, O was an experimental teen drama that was always intriguing despite having some flaws. It focuses on local basketball star Odin (Mekhi Phifer), who is convinced of his girlfriend’s cheating by a conniving friend motivated by jealousy.
While the premise seems difficult to take seriously, O actually produced some genuinely good dramatic moments, and its approach to teenage violence was strikingly mature. It also struck gold in casting Hartnett as the envious villain, allowing him to display his acting chops as a complicated character that was both despicable and entirely believable.
9. 'Wrath of Man' (2021)
A gritty action delight noteworthy for reuniting Guy Ritchie and Jason Statham, Wrath of Man offered intense thrills and a winding story to boot. It follows H (Statham), a mysterious new employee at Fortico Security whose exemplary combat skills prevent a heist and lead his colleagues to question the man and his sketchy past.
With elements of one-man-army action, heist thrills, and even revenge drama, the movie offered up something for all action lovers to enjoy. It also featured Josh Hartnett, who stood out among the star-studded cast with his enjoyably unheroic turn as a fellow Fortico Security guard who gradually finds his courage.
8. '30 Days of Night' (2007)
Based on the comic book miniseries of the same name, 30 Days of Night was a pulsating mixture of blood-and-guts horror and thrilling action. It follows the residents of a remote Alaskan town who struggle to survive a month of no sunlight when a mob of vampires descends upon them, killing most of the townsfolk immediately and leaving the rest in a desperate fight for their lives.
An amalgamation of horror subgenres doused in more than enough gore to keep the genre’s most eager fans satisfied; it kept finding new ways to be intriguing throughout its duration, even with its simple premise. While Danny Huston’s villainous performance received plenty of praise, the film also served as an adequate reminder of Josh Hartnett’s natural ability in leading roles.
7. 'Oh Lucy!' (2017)
An overlooked gem of modern Asian cinema, Oh Lucy! was a dazzling hit of empathetic, tragic fun which blended romance with adventure. The film follows Setsuko (Shinobu Terajima), a lonely office worker in Tokyo who develops a crush on her English teacher and ventures to America to follow him when he abruptly leaves.
The film grounded itself in universal themes, which it explored in quirky yet strikingly honest ways, with the entire cast putting in outstanding and nuanced performances to make it work. It also wasn’t afraid to get quite dark, making for a heartbreaking tragicomedy that thrived off the back of Terajima’s brilliance and used Hartnett’s comedic talent perfectly.
6. 'The Faculty' (1998)
After making his debut in one of the forgettable installments of the Halloween franchise, Josh Hartnett got more opportunities to showcase his potential in the sci-fi/horror The Faculty. From director Robert Rodriguez, it follows a misfit group of high school students who discover their classmates and teachers have been overtaken by parasitic aliens and cook up an unlikely plan to save everyone.
In addition to its overt sci-fi/horror premise, The Faculty also ran with an affectionate focus on teen drama and high school politics, themes brought to life by the film’s surprisingly fantastic cast. Hartnett portrayed Zeke Tyler, an intelligent though problematic youth who holds the answer to defeating the alien race in his drug-dealing antics.
5. 'Lucky Number Slevin' (2006)
A fascinating example of differing opinions, critics were harsh on Lucky Number Slevin, but casual moviegoers loved it. The action crime-thriller follows a wrongly apprehended man. He is dragged into a vicious feud between two rival crime lords, where he is given a violent ultimatum and is tailed by two men as he frantically decides what he’ll do next.
Using an outstanding cast boasting the likes of Bruce Willis, Morgan Freeman, and Ben Kingsley alongside Hartnett in the starring role, the movie presented as a fun-filled action spectacle. It also utilized a twisty story, heavily stylized characters, and eye-catching set design to make a lasting impression on audiences.
4. 'The Virgin Suicides' (1999)
For much of the early part of his career, Josh Hartnett was considered a heartthrob. It is easy to see how his role in The Virgin Suicides may be a big reason for that. As Sofia Coppola’s directorial debut, it focuses on five sheltered teenage sisters in 1970s America and the neighborhood boys who grow obsessed with them.
Based on Jeffrey Eugenides novel of the same name, the film uses the boys’ reminiscing of their younger days as the framework for the premise, allowing the film to take on a hypnotic, dreamlike meditation of adolescent angst. In what was just his third feature film credit, Hartnett was able to make the part of the young Trip Fontaine a memorable highlight of his career.
3. 'Sin City' (2005)
With its striking stylistic choices, graphic yet cartoonish violence, and forbidden allure, Sin City was a barnstorming, flamboyant dose of comic book ultra-violence. It follows a range of shady characters as they go about their business in the cesspool that is Sin City, with everything from vigilante cops to ex-prostitutes and their lovers getting their time to shine.
Within the chaos, Hartnett appeared as The Salesman — aka The Man or The Colonel — a slick assassin who is hired by a woman who wants to kill herself. His small, condensed story of passion and violence proved to be a perfect introduction to the film, highlighting its neo-noir tone, arresting style, and penchant for jarring and abrupt violence.
2. 'Black Hawk Down' (2001)
Based on real events, Ridley Scott’s grueling yet gripping modern war drama presented a horrifying depiction of combat. Following the American Special Forces units who were sent into Mogadishu to capture two lieutenants of a violent warlord, it shows how the mission went wrong as the soldiers were overrun and two of their Black Hawk helicopters were shot down.
While it was somewhat limited in scope and perspective, Black Hawk Down was incredibly effective as a no-holds-barred nosedive into combat's graphic intensity and abruptness. Hartnett was more than comfortable in the starring role, leading a stellar ensemble cast with aplomb.
1. 'Oppenheimer' (2023)
Oppenheimer should go on to become one of the biggest films of 2023. A commercial smash hit and a critically acclaimed masterpiece from Christopher Nolan, the film follows J. Robert Oppenheimer’s (Cillian Murphy) work on developing the atomic bomb and the political fallout that came as a result of that and his leftist leanings.
Among the many great delights the film offered, one that made many fans happy was seeing Hartnett back on the big screen in a major blockbuster. His supporting role was also quite significant, portraying the Nobel Prize-winning nuclear physicist and Oppenheimer’s colleague Ernest Lawrence, which gave him ample opportunity to showcase his acting talents.'
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highonfilms · 1 year
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Celebrate The Love Of Your Father Through This 25 Memorable Movies!
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richardarmitagefanpage · 10 months
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IMDb added the Red Eye page to their site.
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evilhorse · 2 years
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Get a picture of that thing!
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girl-of-many-fandoms · 4 months
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Insufferable
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Pairing: Tim Bradford x Reader
Summary: Y/N has a lot to say about her lovely T.O.
Warnings: none
MASTERLIST
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"Hey sunshine, haven't seen you since roll call." Y/N shot daggers at her friend as she plopped down into her seat.
"I have had a long morning and that infuriating thing of a man didn't make it any easier." Nolan, Chen and West couldn't help but laugh at their friend's misery. They all had the pleasure of working with officer Bradford one on one so they knew the hell he was giving the rookie.
"I honestly don't know how you all put up with him and his method of training. I swear to God that man is half robot, half man. He's insufferable!"
While she was busy ranting about Tim, she failed to notice her friends were no longer snickering at her rant, smiles long gone frome their face as Tim stood silently behind her hearing every word from her mouth.
"I'll add that right to the list of names I've been called, Boot." Y/N felt all the colour drain from her face hearing Tim's voice directly behind her. She stood up and turned to face him.
"Sir I'm sorry-"
"Save it, let's go." Tim stormed off towards their patrol vehicle, not interested in hearing a thing she had to say.
"Someone's in trouble."
"It was nice knowing you."
"I hate you all." Y/N managed to take a bite out of her sandwich and a large gulp of her soda before trailing behind her clearly ticked off T.O.
Tim sat in the driver's seat, watching her drag her feet back to the car. She wouldn't admit it but the officer scared her even more in this moment as he watched her like a hawk.
He watched silently as she got in and buckled up. With a shake of his head he started the vehicle and pulled away from the curb. He drove past three blocks before he finally said something.
"If you think that I have been hard on you these past couple months, I am about to make your remaining months as a rookie even more insufferable. I could easily make this your last day but that would be me being nice."
Y/N wished that she could've disappeared at this very moment so she wouldn't have to deal with whatever hell Tim was surely going to put her through.
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