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#none of the others talk like that
ronanlynchbf · 8 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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turtleblogatlast · 4 months
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Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.
And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.
After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.
You can just imagine the notoriety they’d accumulate from word of mouth alone.
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average-hua-cheng-fan · 5 months
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another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.
there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.
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rickybaby · 1 month
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‣ Max holds the 100% reply rate to a middle-of-the-night text from him. And most probably George would text back as well
‣ Lando most likely to leave him on read
‣ Nico Hulkenberg would hate to be stuck with Daniel in a lift. Like no shit
‣ Witty banter: Lando. And also Fernando (whatever has been going awn there since testing)
‣ Jack is apparently the one who changed his phone number recently. And definitely not him ‼️
‣ Most likely to get along with his parents: apparently Lando with his Dad (even though it must be noted the answer is based purely on more recent teammates)
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jakeperalta · 2 months
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unpopular opinion I guess but I think maybe not every surprise song choice or mashup is about joe or a hint at tortured poets....
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pocketsizedquasar · 4 months
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TPOC-Prioritized writings on anti-transmasculinity / transandrophobia
transandrophobia / anti-transmasculinity are both theories that have been spearheaded primarily by trans poc, particularly Black transmascs and transfemmes.
unfortunately, as with Everything created by queer and trans poc, particularly Black queer ppl, white trans ppl (regardless of gender, and regardless of whether they "believe" in this form of oppression or not) have coopted these theories and dominated these conversations, such that both "sides" of the "discourse" are divorced entirely from the racial connotations in which these theories were created, and the ways in which they were created specifically as an intervention against white feminism, and to highlight the ways multiple marginalizations affect the marginalization of masculinity. these are theories that explicitly interact with and can only be understood in conjunction with transmisogyny, as well as other oppressions like racism and misogynoir.
*"anti-transmasculinity" as a term and theory was coined by Black trans folks (some of whom's writings are linked below), and is specifically a theory within the context of Black transfeminism antiBlackness, and transmisogynoir, and cannot be divorced from that context. i try be very intentional about my use of the terms 'anti-transmasculinity' and 'transandrophobia' in different places here, because i do not want to dilute the former’s very particular context.
anyway, here's a list of miscellaneous writings on the subjects, with a priority for collecting writing from trans poc (not all of the authors are tpoc, but this list was intended to prioritize tpoc voices). the intention of this is not to be a be-all end-all on the subject, nor exalt any one of these individuals or pieces as exclusively ~correct~ or whatever, but to combat the whitewashed nature of these discussions online, and raise awareness to the myriad of people speaking on this subject. (nor do i claim to speak for any of them, or claim that any of them speak for me. i tried to make sure i didn't platform blatant racists, zionists, transmisogynists, or other bigots, but i'm not pretending to be 100% accurate about that.)
they aren't in any particular order (except the first one, which i think is an extremely foundational text for anti-transmasculinity theory as delineated by its creators, within the context of antiblackness and transmisogyny, and necessary reading to understand anti-transmasculinity as a theory). I tried to group all the links from the same authors together.
This is a non-exhaustive list! I will likely come back and add more writings as I find them. please feel free to recommend to me any works to include (including your own! especially if you yourself are a Black trans person or a trans POC).
Now with an Archived Read-more Link!
Racial-Class Paternalism and the Trojan Horse of Anti-transmasculinity by Nsámbu Za Suékama. if you read nothing else from this list, read this.
“But even as TME struggles escape the mainstream imagination, they persist, and are often both fueling and being fueled by the war on trans women and transfeminine people. Nothing makes this clearer than in how a Western binary system triangulates that war with Anti-transmasculinity. This is why I say that Anti-transmasculinity is a Trojan horse for Transmisogyny. Like the wooden horse in the Greek myth, it might not seem like what it is, for its actual contents and character are invisible, but at the heart of it, there is a violent campaign going on that is key to how the West aims to lay seige to its civilizational "enemies." And, like the walls of the city of Troy, materialist transfeminism has fortified the opposition to Western domination, in such a way that to overcome the stronghold requires a new strategy for the Man, one that follows up the open and vicious attacks on TMA people with a different, more hidden form of warfare.”
“today’s gender paternalism frames any manhood and masculine embodiment outside of (western) cisheteronormativity as not just biologically illegitimate but also the result of a barbaric threat to civilization. And who typically figures as the face of that barbarism but the Black trans woman? Materialist transfeminism has to theorize Anti-transmasculinity.”
"Non-Men", maGes, and Black Masculinities by genderfugitive / disrupthehuman
One such argument, which is really a collection of arguments but can be consolidated into one, is that trans men are attempting to take a place alongside cis men in the hierarchy of patriarchy. In other words, while they may not have been so before naming themselves as trans men, they are aspiring to be oppressors. This employs a number of rhetorical devices that I have identified before including the idea that trans men are “betraying” cis womanhood and therefore should be seen as threats unless they act as footsoldiers for transmisogyny. The problem with this is that it treats trans manhoods as embodiments that exist as something which merely aspires to be cis manhood.
"For Those Seeking Fight or Flight: Black Trans*feminist Nihilism" / primer on transmisogynoir by genderfugitive / disrupthehuman (not about anti-transmaculinity specifically (though it does come up), but a very good + important read on Black transfeminism & transmisogynoir, so I'm including it)
anti-transmasculinity needs its own theorizing outside of general "transphobia" by genderfugitive / disrupthehuman
anti-transmasculinity & antiblackness inherently linked (& another) both by genderfugitive / disrupthehuman
There is a hidden epidemic of violence against transmasculine people by Orion Rodriguez
a thread master post linking to multiple threads about anti transmasculinity by Salem L. Void / thewarmvoid
a thread on anti-transmasculinity as an epistemic injustice (translated) originally by magicspeedwagon in French; English translation by Salem L. Void / thewarmvoid
Not transmasc invisibility, but erasure by Salem L. Void / thewarmvoid
Girlboy Boygirl Blues - antitransmasculinity as a denial of individual history & more by Salem L. Void / thewarmvoid
"irl we just kiss" - ‘transmasc vs transfem’ discourse & reactionary ‘boys vs girls’ politics in trans spaces by Salem L. Void / thewarmvoid
transmascs & being treated as predatory by Salem L. Void / thewarmvoid
transmasc mental health statistics by Salem L. Void / thewarmvoid
violent anti-transmasculine hate crimes by Salem L. Void / thewarmvoid
thread on examples of systemic anti-transmasculinity by magicspeedwagon
a thread on anti-transmasculinity and its erasure by storyjunkie
anti transmasculinity & transmisogyny and the degendering of Black people by afrodykee
anti transmasculinity & transmisogyny cannot be theorized in opposition to each other by afrodykee
white transfeminism's anti-transmasculinity by afrodykee
Black trans people & erasure of TPOC voices from the trans community by thatspookyagent
transmasculine nonwhite expereince by thatspookyagent
trans men being silenced by thatspookyagent
queer POC being pushed out of conversations by thatspookyagent
cis women's harm to trans men by novascotioducktoller w/ addition about TMOC by thatspookyagent
medical violence in anti transmasculinity by Caleb / sethpuertoluna
example of medical anti transmasculinity by Dominick / transguyenergy
response to inclusion of a trans man in an ad (thread) by Dominick / transguyenergy
anti-transmasculinity around periods by Dominick / transguyenergy
anti-transmasculinity towards pregnant trans men by Dominick / transguyenergy
transitioning as a transmasc of color by gendercriminals
white (cis) women & racist transandrophobia by dead-lavender-society
transandrophobia as an indigenous trans man by petrichorvoices
examples of transandrophobia by transvermin
the “lost lesbian” narrative & antitransmasculinity by vaguefiend
cis women & transandrophobia by vaguefiend
intersectionality & transandrophobia by visible-schizo-spectrum
more transandrophobia from cis women by cock-holliday
tl;dr : there’s LOTS of theory and discussions out there abt anti-transmasculinity, transandrophobia, how these things relate to other forms of transphobia, how it interacts with other marginalizations, most especially race, and the ways in which it affects transmascs. this information is everywhere. it’s out there. y’all (white ppl) are just refusing to engage with it.
#trans#lgbtq#queer#transphobia#transandrophobia#anti transmasculinity#transmisogyny#racism#long post#quasartalks#been compliling this for ages but i think it's finally at a point where i feel comfortable posting it#like i said though it is very much subject to change! i would love to add more things to this#it is extremely shitty that discussions on antitransmasculinity and transandrophobia have been dominated on here by racist yt ppl and their#token trans poc that they so clearly are just using as a shield against when ppl call them out on aforementioned racism.#anyway. dont bother clowning on this post i will just block <3#so much of this 'discourse' boils down to: transmascs and trans men (esp transmascs of color) saying: 'hey i experience this thing'#and other ppl (esp white ppl!) going 'no you don't.' it's so blatant lmao#it's just the complete denial of our Authority to talk about our own experiences. we are not trusted to be authorities on our own lives.#which. where have i heard that before. smells like racism. smells like misogyny.#also bc ppl can't read: none of this means transmascs have it worse than transfemmes; that transfemmes oppress transmascs; or that these#-experiences ONLY happen to transmascs. those are all extremely bad faith readings of these discussions.#AND ALSO to the (especially white) transmascs who also can't read and take these discussions as excuses to be racist & transmisogynist:#we cannot combat transandrophobia & anti transmasculinity without combating transmisogyny. they are linked.#anyway. good night
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anghraine · 7 days
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Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:
I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.
IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.
I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.
Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).
Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.
At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).
Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.
So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.
Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.
Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).
Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.
The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.
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hermemescabin · 3 months
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To be honest I feel like Percy really overestimates the level of animosity between Annabeth and Clarisse because he has personal beef with Clarisse and just assumes she feels the same way.
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glitchedmagic · 8 months
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@theminecraftbee ‘s ficlets about Decked Out eating Tango have been living in my head rent free so here’s a little post-do thing of my own.
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“The server resets tonight.”
It’s been just over two months since Decked Out finished. Just over two months since anyone has seen or heard from Tango.
Zed knows what happened. Not the details. And he certainly couldn’t explain it to anyone else. But he knows.
And the gnawing feeling of guilt has kept him coming back to the dungeon. Every day.
Decked Out is asleep. Zed can walk through the citadel without a desperate need to throw himself to the ravengers. He can even wander below, into the redstone, without being electrocuted to death. Maybe it’s dead, but Zed doubts it. He knows it’s just sleeping. Eventually, it will wake up. It will be hungry and will lure whoever enters this world into its depths.
Maybe that’s when Tango will wake up too.
Zed won’t be here to see it.
“Who knows when you’ll be able to eat again?”
His voice is quiet but he knows the whole dungeon can hear him. He plays with the clasp on his gas mask. Tango’s storage room, where he lays on the dusty floor, has enough oxygen flowing through it still to allow him to breathe without the mask, though he’s already getting a bit of a headache. He’ll put the mask back on soon. Eventually.
“One last snack?”
He’s offered the dungeon himself hundreds of times these past few months. As a player, when it was live, hoping to spark a bit of his friend’s life back into him. Then after. Hoping for something. For a glimpse of flickering blue flame and wide eyes that had long since given up pretending to see.
There’s quiet.
There’s so much guilt in the quiet.
Don’t worry, Zed. Just a few months. Not too big of a project.
All good here. With level one done, the rest will go a lot quicker.
Yeah, level three got away from me a bit. Level four will be smaller, don’t worry.
Audio needed to be reworked, you know how it is. Soon.
Just tired, lost track of time last night.
Not too much longer now.
Don’t worry, I’ll be back to normal when the game’s done. Promise.
Did Tango know he was lying?
Zed is well aware that what he’s doing isn’t good for him. It’s ironic, how Tango pulled away from everyone, to eventually disappear in this cave. And now Zed’s doing the same thing.
It was always Tango pulling Zed out. Into the sun for a stupid game or a ridiculous project.  So it makes sense that without him, Zed can’t bring himself to leave the hole.
“I could break more redstone.” Zed offers the dungeon. “Really get you mad.”
He’d done that. About two weeks after Decked Out went dormant. He hadn’t gotten a reaction at the time. But the next day, everything was repaired.
That had spurred Zed into doing a stakeout. Break some stuff, sit and wait until the dungeon brought Tango out to fix it.
Zed had died down in the redstone, waiting. It hadn’t been a pleasant death.
That’s when Impulse had stepped in, staging his own intervention. But all it had done is make Zed feel more guilty.
An intervention for the guy who failed to do an intervention when Tango needed it most.
See? Ironic.
His head is starting to pound. He puts his mask back on.
“I want my friend back, you stupid castle,” He says through the mask. The dungeon understands him anyways.
He won’t be getting Tango back. He’s known that for much longer than he can admit.
Time passes. His phone dings a few times. It’s just the others. Making preparations. The server resets in just a few hours.
“Was it worth it?” Zed asks. “Not you, dumb dungeon. I’m asking Tango. Was it worth it? Did you make this choice? Did you know the consequences?”
Silence.
“Did you ever consider saying goodbye?”
The thing is? Tango was saying goodbye. In the only way he could. It was in the heartfelt artifacts crafted for each hermit. It was in his own voice, echoing words throughout the dungeon long after his own voice left him. It was in every ounce of the game.
None of them saw it until it was too late.
Zed stands. He has to be at spawn soon. He has stuff to pack. He has his own hole in the ground to say goodbye to.
He takes the long way out. Up into the main room of the citadel.
There’s a small part of him that hopes to see a glint of Tango. That’s what’s supposed to happen, right? A little wisp of blue fire. A soft voice. A gust of wind blowing a loose piece of paper across the floor. Something he can look at and be comforted by.
Nothing happens.
Zed knows that Tango’s gone.
He stands at the door. It’s open just a crack, just like he left it.
The night is clear.
“Goodbye, Tango.”
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infriga · 8 months
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I convinced my mom to try the live action One Piece, because she's the type to like this style of show even though she isn't into animation and would never read manga, but I didn't think I'd be able to convince my dad because he's usually a stickler for more grounded and realistic stories (his favourite genre is war movies, his favourite movie is Saving Private Ryan, for reference). But, when I brought up with him how I figured it probably wouldn't be his thing because it was fantasy, he mentioned to me that he does enjoy some fantastical stuff if it has like an internal universe logic, like Star Wars, and the more I thought about it, the more I remembered that he also enjoys campy fun action adventure stuff that doesn't take itself too seriously like Indiana Jones or Pirates of the Carribean.
And One Piece has both that internal logic for why people can perform crazy feats (even if it isn't explained right away) which I mentioned to him (just that there is a reason why people can do crazy things in this world), as well as the campy fun action adventure thing going for it, especially in the Live Action (the fight against Morgan's base even has a major Indiana Jones vibes ngl). So I explained that to him and asked if he wanted to try it, and he agreed to watching the first episode with me to decide if he'd watch it with my mom and me.
AND HE ACTUALLY SAID IT WAS INTERESTING SO FAR!! Like, he is NOT the kinda guy to enjoy anime or manga or even western cartoons, always refuses to watch anything anime and doesn't show any interest when I talk about it (I've managed to convince him to watch a few movies like Sword of the Stranger but it's obvious that even when he's not bored or doesn't hate it, it still doesn't catch or keep his interest), and he's really picky about anything fantasy or SciFi, if it like sets off his bullshit meter too much he starts nitpicking the logic behind certain abilities, or decisions, or explanations, etc. I once tried to get him to try Gravity Falls and he wanted to stop after the first episode. He's THAT picky.
So the fact that he actually laughed several times while watching the first episode of OPLA with me, commented about Luffy's character positively several times (he seems to think Luffy is really funny which surprised me cause I thought he'd be the most entertained by Zoro but I mean I can't blame him it is Luffy after all), never cringed or criticised or said anything about how ridiculous it was, means a lot coming from him cause he's always really blunt and honest about his opinion on this sort of stuff (which is fine I don't want him to pretend to enjoy stuff when he doesn't). He actually watched the whole first episode without it losing his attention, and seemed to have fun! And he agreed to watch the rest with my mom and me!
This sort of thing is one of the reasons why I dislike when people just dismiss the idea of live action adaptations entirely. I get that people are jaded with past failures, and don't like when live action is treated like a replacement for or improvement from animation when it isn't. But it is a valid medium just as much as animation or comics or writing are, and can be used to produce some amazing things. And the fact is, there are people who have a hard time connecting with other mediums who will otherwise never engage with this media in its original forms. Live Action, when done well and done right, can reach new audiences and welcome them into the fold in ways the original formats never can.
One Piece didn't need the live action to be popular, obviously, and the live action cannot and will not replace the original, nor should it. But I love that we get to have it alongside the manga and anime. It's just more of what we love, it's the cherry on top of an already stellar multi-layered cake. It complements the original rather than taking anything away from it. And for the first time in over a decade I might be able to share One Piece with my parents, who would only ever have a chance of experiencing it and enjoying it in live action. There's just something so awesome about that for me personally. I just wish more live action adaptations would understand what the One Piece live action understood about the adaptation process, and that's how to keep the heart of the story in-tact, so more people from more fandoms could have a chance to share something they love with more people who it would otherwise not reach.
Anyway, thank you Oda and the OPLA cast and crew for doing live action right for once!
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tame-a-messenger · 17 days
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Ok, so I know Damien rarely liked anything on Twitter related to his Smosh co-workers. But, he liked a StarKid post, specifically the post where Angela is revealed as a puppeteer for their new show.
They are growing close or they are already close and this alongside his previous likes and replies are not good for my delusions.
AWWW HE LIKED HER STARKID POSTS!
THAT'S SO SWEET!
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This is making me really hopeful that he'll watch the new Starkid Musical when it comes out!
(A gory re-telling of Cinderella? A bunch of really cool giant puppets? fantasy? sounds right up Damien's alley!)(I'm BEGGING him to watch a Starkid musical at this point)(I think he'd really like them!!)
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naturecalls111 · 7 months
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I think I love Sanji so extra much because he’d acknowledge my ‘girl-ness’ in a way that I feel like has not ever been acknowledged in a way I wanted it to be wails
The chivalry intended not with hopeful reciprocation but with admiration. WAILS.
#nc111 talks#like growing up the whole concept of ‘being one of the boys’ was so stupid to me#mostly because I had so many guy friends and I was not appreciative of their treatment of me at all#there were definitely times where I wanted to tell them like. hm. I wish you would respect my girlhood a bit more#I love being a woman. I really do#my girlhood is something I keep very close to me. I was very jealous of other girls in my school who exuded that type of femininity#speaking purely from personal experience - just to make that clear#but I like being and being associated with traits that are quite literally stereotypically aligned with Girl-ness#so hard to explain!! but at its core I just love chivalry though lol#one of my friends was like ugh no I’d never want a guy to hold a door open for me just because I’m a girl#‘I’d want them to hold it open because it’s just a kind thing to do’#and like. yes. core sentiment I totally agree with#but also I Do want to be acknowledged as a girl I spent all of my childhood and teen years having my Girl-ness barely recognised and#it sucked seing the disparity in the treatment#but it also sucked seeing the intent with which these guys treated women chivalrously#which is why Sanji appeals to me. his chivalry is not ill intended or manipulative. ever. and it acknowledges womanhood all the same#OK RAMBLINGGGG#lost the plot. point is I love Sanji because I see him do his little dance while giving Robin a dessert she never had to ask for and I sigh#WISH THAT WERE ME.#edit: none of this matters mostly because I don’t care to date men#but I suppose it’s like. even in my friendships with other girls I feel like there was an inherent establishment that ok so I act as the Guy#And She acts as the girl#when we go out their arms would wrap around mine#and mine never wrapped around theirs. does that make sense#hold their hand as they walked down the stairs in heels. helped them out of cars. you get the image#SANJI WOULD HOLD MY HAND OUT OF A CAR EVERY TIME!!!!!!!!!!!!!!!!!!!!!! I love him#I’d never have to ask! ah. love chivalry.
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heavencasteel420 · 2 months
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Nancy in Fanon: Jonathan, I am so disappointed that you started smoking pot after I nobly taught you that poetry is just another way to rap! I must flee for the arms of Robin Steve?? Eddie???! a guy named Spencer or Grant and he has a watch and an office and a trashcan and a little basketball hoop on it and he plays as hard as he works. Because dammit, he deserves to blow off a little steam!
Nancy in Canon: Get in, loser, we’re going shopping to uncover a government conspiracy and drink vodka and have sex in a bunker! You won’t even know who Vonnegut is by the time I’m through with you!!!
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statementlou · 11 months
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why do you talk about Louis using blue and green signalling as if it isn't about Harry, that what the blue and green are- do you not believe in larrie?
short answer for the reading challenged trolls to cut down on asks yes I am a larrie, not that anything is wrong with not being one. But longer (much more interesting imo) answer: We know H and L were together, but no one really knows if they are still or again- I personally mostly believe that they are, but I get why people don't think so and can't see any reason to get pressed about it. But you make a solid point- blue and green and certainly things like Louis wearing the H shirt don't potentially signify anything other than larry right? Well that's what makes it so interesting to me- I kind of don't think Louis IS using those things that way! As my recent anon pointed out (and I agree) he wants people to think he is Freddie's dad, he is not presently trying to be perceived as gay in the face of people trying to force him in the closet- he is in charge of his image and is choosing to publicly put forward that he is a guy who got someone pregnant and dates women. And I do think him and H are together, but I don't think he particularly wants to talk to us about that, if that makes sense? But I believe he does want to connect with his beloved fans on a more personal level, to revel in the acceptance and love and shared wink, I know you know I know, me and you until the end, our eyes meet, together we're the greatest- and I think he uses the larry imagery to do that, rather than to talk about his relationship. I could do this for days he gives us SO MANY examples to choose from but just to pick one: the all blue and green lighting for All This Time. Think about it- if he actually had images of a rainbow flag on the screens at his shows or waved one or something, it would make the articles and press and be a whole thing and revive every rumor ever about him in every tabloid! But if he makes the entire lighting and screens for a song blue and green (or wears a shirt with a giant H on it or any of the other one million coded things he does), well so what? No journalist would think a thing of it, nothing to see here- but the larrie majority of his fanbase hears him saying "you were right about everything and yes I am gay and I love you for seeing it" and go completely bananas! It's fucking ingenious tbh, SBB at his finest! And the fact that the song he chose for his current unhinged bluegreener fest was All This Time was for me the thing that really cemented this theory for me; I know some people disagree, but to me that song reads as being about him being closeted and his public life and the fans and choosing this lighting for that rather than for like We Made It or something really feeds my conviction that he is bluegreening on main as a way to tell us that he is gay rather than to tell us anything about his personal relationship. TLDR yeah I DO think he is signaling, a lot, but I don't think it tells us anything about the status of his relationship with Harry or anyone else and the reasons I think they are together don't have anything to do with Louis' stage lighting choices, but also that means I don't think it makes sense to say he's not signaling anything ever because you don't think they're together; both can coexist and I think it's just weird to act like he's not making pretty clear choices
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dyketubbo · 9 months
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not to be a woman womaning all over the place but i feel like if you genuinely like. do not have friends that are women then you have something to work on. if you cant think of any female characters that you treat the same way you do male characters then you have something to work on. if you cant handle even seeing "i dont like being called a guy/bro/lad/etc because it doesnt feel gender neutral to me" but can understand when one of your masc besties is uncomfortable with being called girlie or sister then you have something to work on. if your default in regards to how you handle other people and even characters is to assume masculinity then you have something to work on. if you cant even let women and otherwise feminine people speak about our experiences without bringing up how you suffer too then you have something to work on.
it doesnt matter if youre queer or a poc or a minority in whatever which way, if you do not include women in your life and cant even stand a fucking inch of genuine feminism (and i dont mean terfs but god is it fucking agonizing that thats all you people can think of when you hear feminism anymore) where the point is to treat women, all women, equally then you have something to work on. listen to women, even the ones whose experiences completely dont align with yours (hell ESPECIALLY the ones whose experiences completely dont align with yours). just like how we all have to check ourselves for racism, ableism, queerphobia, we all have to check ourselves for misogyny too. stop acting like it got solved at some point. it still exists and it exists within you and you have to actually fucking work on that. "women should be included in your life and you should listen to them" shouldnt be a hard goddamn pill to swallow.
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lloydfrontera · 1 year
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tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.
but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-
#i talk a lot <3#the greatest estate developer#lloyd frontera#this post was going to be so much more bitter this is me being nice akjshdkahdk#i just....... i'm sad alsjdsjkal#and i don't think i'm wrong to be. like i'm not disapointed bc i don't actually expected lloyd and javier to be together#i'm not that optimistic lmao#but i did have the hope tged would have no romance#because lloyd and javier were already doing so much in the emotional and relationship development front of the plot#that adding romance just feels. awkward. like an aside. an add-on that affects none of the plot and is just there to make sure#no one accidentally gets confused and think those two are in love#and guess what! most of the romance does happen in literal side stories! literally an add-on that does nothing for the plot! i hate it!#it's the heteronormativity and amatonormativity of it all :/#do i think it would've been cool for llojavi to be canon? absolutely! do i think it was necessary for the plot? nope!#they were already perfect the way they are! their friendship is the core of the entire plot and their relationship to each other#is what ultimately moves much of the plot in the latter half!#which is the way relationships should work in fiction! not just have them for the sake of having them!#lloyd didn't need a romantic subplot because the plot was already working perfectly without it!#also what's the point of having a character constantly think about what their idea of 'happy life' is if you're not going to challenge it#it's about the hero's journey of it all!!!#i have things to say dang it!#javier asrahan#tged
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