Blurred Lines
Requested
CEO Wanda Maximoff x Fem! Reader
Warnings: Smut. Strap On (Wanda Receiving) Fingering (Wanda Receiving)
Taglist : @natashamaximoff-69 @canvascoloredin @wizardofstories @louxbloom @wandanats-goodgirl @the-ox-fan20 @ladyqueenxoxo @aemilia19 @wandaromamoff69 @mfd-101 @dorabledewdroop @marvelogic
AN: In memory of our fave Friends actor, Matthew Perry. The guy who brought us all to laughter with the best character ever. RIP Matthew Perry you awesome legend.
Word Count: 2.9k
18+ MINORS DNI
Maximoff Industries, run by the most respected woman in all of New York, of course her recent divorce was publicized and her children were also thrown into the limelight, which made having a private life extremely difficult for her and her family. But one thing she never expected to happen was meeting her secretary's room mate and best friend.
"Who is this?" Wanda asked as she spotted the taller woman standing beside Natasha.
"This is Y/N, my bestie." Nat smiled as she introduced the two.
"It's nice to meet you." Y/N held her hand out for the brunette to shake. "You also look better as a brunette, the red didn't suit you."
"Thank you." Wanda smiled as she shook her hand. "It was my ex who preferred the red."
"Well, he is clearly stupid." Y/N smiled as Nat watched the two. "I have to go back to work." She told them both with a smile, Wanda watched as Y/N disappeared down the hall, biting her lip before she turned to Nat.
"Does she work here?" Wanda asked her as Nat shook her head.
"She had an interview with Peggy in Finances for the assistant supervisor." Nat informed her.
"Can you ask Peggy to see me in my office please." Wanda told her. "Immediately." She entered her office, only waiting a moment before there was a knock on her door.
"You wanted to see me ma'am?" Peggy spoke as she opened the door.
"The interviews from today, who is the highest contender?" Wanda asked as she looked over the schedule she had received.
"There are two who would be extremely beneficial to the company." She started. "Pepper Potts, she is fresh from being Tony Stark's assistant." Wanda shook her head no. "And there is Y/N Y/L/N, she worked closely with Norman Osborn at Oscorp."
"Y/L/N is the obvious option." Wanda stated. "Hire her." She told her as she didn't want to hire her ex brother-in-law's assistant. So the following Monday, Y/N had carpooled with Nat to work, and the two made their way up to Wanda's office. Y/N sat waiting for Ms Maximoff to arrive as Nat started to get to work, sorting through Wanda's schedule for the day.
"Y/N, follow me." Wanda told her as she walked past the two. Y/N was fast on her heels, closing the office door behind her. "I will need you to fill out these forms for me, give Nat your I.D. so she can make photocopies for our company files." Y/N nodded as Wanda spoke. "Also, you and I will be working closely together as you will soon be taking over for Miss Carter, she is retiring soon and I need a fully qualified CFO."
"Yes ma'am." Y/N nodded as she took the forms from her hands.
"I will need the forms back at the end of the day." She told her. "And please call me Wanda."
"Of course Wanda." Y/N smiled as she gazed at Wanda intensely before leaving. Wanda couldn't understand the way she made her feel. She had never really looked at another woman like this before, she didn't even know it was possible since she was forced to marry her Ex by her parents or they would have disowned her. Of course with their passing, she had built up the courage to get out of her marriage as she ran the family business.
As the days turned to weeks, Wanda found herself working late on some days, Y/N was always the one who stayed with her, working on strategy plans to keep some of the company deals that they were at risk of losing.
"Do you want a drink?" Wanda asked Y/N who only hummed a quiet yes, going over the information she had before her eyes.
"I think we need to let go of some employees." Y/N told her. "Cut back by one or two in each department. We can split the work between the remaining employees accordingly."
"I don't want to talk about that right now." Wanda groaned as she took a seat beside Y/N, handing her a glass of bourbon.
"I didn't know you were a hard spirit kind of woman." Y/N teased her, watching as Wanda leaned on the back of the sofa. Observing Y/N's movements as she came up with a viable strategy for the company's future.
"How are you single?" Wanda questioned as she watched Y/N intently, the pen between her teeth as she turned to meet Wanda's gaze.
"I guess I never really found the one." Y/N shrugged. "My ex hated my dedication to my previous job, so she left me. Well, I caught her with my old friend."
"I'm sorry that happened to you." Wanda spoke softly as Y/N shrugged.
"It's ok." She smiled as she sipped her drink. "Love isn't for everyone."
"I think it is." Wanda spoke as she placed her glass down. "There is someone out there for each of us, it's just that we don't usually see what's right in front of us."
"And what do you see?" Y/N asked as Wanda inhaled deeply.
"You." She spoke as Y/N's eyes darkened as she gazed at Wanda's flushed chest, rising and falling rapidly. "A woman with strong arms and anyone would be lucky to have you. To just be in your embrace for the rest of their life."
"Is that what you want?" Y/N asked as she leaned in slightly.
"I don't know what I want." Wanda whispered, her underwear becoming damp with her arousal. "But I know what I need." With that she closed the gap, taking Y/N's lips on her own, her hands resting on Y/N's shoulders as she moved to straddle Y/N's lap. Her hands instantly held Wanda's waist before her hands ventured up her spine, holding her close as the kiss deepened. Neither of them were drunk enough for this to be known as a drunken mistake, all they both knew was they needed each other.
Y/N lay Wanda down on the sofa, unbuttoning her blouse as she kissed her passionately, their tongues dancing together as Y/N took all control. Wanda became a panting mess as Y/N's hand ventured under her skirt, pushing her underwear aside as her fingers ran through her folds, collecting the arousal before she made tentative movements on her clit.
"Fuck." Wanda gasped as Y/N moved her kisses down, taking a nipple in her mouth as Wanda arched her back, needing more than she was getting at this moment. "More. Please." She whined. "I need more."
Y/N complied as she plunged two fingers deep inside her, watching how Wanda's face changed due to the pleasure she was receiving. Y/N's name falling from her lips as she came undone, a panting mess as she soon calmed down.
"You taste so fine." Y/N smiled as she pulled her fingers from her mouth before kissing Wanda hard.
The next day, the two needed to set boundaries, so that was what they had done in the privacy of Wanda's office.
"We can't be anything more." Wanda told her as she sat in her chair. "I've just gotten through a messy divorce and I have two boys."
"I can be mature and just have fun Wanda." Y/N smirked as Wanda chuckled. "Besides, I am not going to blur the lines, I can keep my emotions in check."
Well, the two of them thought that was the case as what started out as quickies in the office turned into Wanda staying over at Y/N's and sneaking out before Nat woke up.
"We can't keep doing this." Wanda whispered as Y/N locked the office door before approaching her. A solemn look on her face at the realisation of the feelings the two share.
"Wanda." She started as she took Wanda's hands on her own. "We can do this." She held them close to her chest as Wanda closed her eyes, allowing Y/N to pull her closer. "I don't care that you have children or an ex husband. I know I will always be third."
"Second." Wanda corrected her. "It will be my children and then you."
"I thought the company." Y/N started as Wanda shook her head. A small smile on her lips.
"You will always come before the company." Wanda caressed her cheek as Y/N smiled, leaning down and claiming her lips with her own. Her hands soon wrapped around Wanda's waist, pulling her impossibly closer, causing a moan to escape Wanda as she felt the toy concealed within the confines of Y/N's dress pants. "Fuck, are you packing?" She questioned with a raised brow as Y/N just smirked, her hands trailing along Wanda's waist, pulling her blouse out of her skirt. Wanda's hands started to undo Y/N's blouse as they sloppily kissed roughly. Y/N had Wanda on her knees in no time, groaning at the sight of her red painted lips around the silicone toy.
"Fuck. You look so pretty on your knees for me." Y/N groaned as she gripped Wanda's hair, thrusting her hips into Wanda's face. "The great Wanda Maximoff on her knees, my little cock slut." Wanda moaned at her words, her cheeks flushed and her arousal dripping down her thighs. She whimpered as Y/N pulled her hair, pulling her away from the strap, the saliva leaving a string behind as Y/N brought her to her feet. "Face the window." Y/N ordered as Wanda was quick to do as she told. Spreading her legs as she looked over the busy city below, people rushed to and from lunch breaks as she stood bare against the cool glass. Her nipplea hardened against the glass as she moaned as Y/N slapped her ass before massaging it. "Such a good girl." Y/N bit her ear as she teased her with the strap. "Give everyone a good show, I want everyone to see how good I make you feel." Wanda moaned as the toy slipped past her entrance, Y/N's hands on her hips helping her remain steady as her hands were flat against the glass.
"Oh." Wanda moaned as Y/N snapped her hips, the toy moving out and leaving just the tip inside before thrusting harshly once more.
"Keep your eyes open." Y/N told her as she groaned, fastening her pace as she fucked her. The sound of Wanda's moans and the squelching of her arousal was music to her ears, her now favorite song. "Fuck. You take me so well Wanda." She went harder with each thrust, her fingertips bruising the skin on Wanda's hips. Neither caring for the people in the neighbouring skyscraper having a show. "You have no idea what you do to me." She groaned as she pressed her body up against Wanda's. The heat building between the two as Wanda's orgasm neared.
"I need to cum." Wanda whispered as Y/N grunted at her small tone. "Please let me cum." She pleaded as Y/N's head moved into her neck, licking and biting the skin.
"Let go for me." She whispered as she pressed tender kisses to Wanda's skin. A loud moan left her lips as she came, just in time for her machine to pick up a call.
"Miss Maximoff, the twins school had called, they need to see you asap."
"Fuck." Wanda whimpered as Y/N pulled out, Wanda was quick to gather her clothes, throwing Y/N a blouse, not bothering to see who's it was. "I have to go." Wanda said as she fixed her hair. "But I need you to stay here." She reached inside her desk drawer, a set of handcuffs as she pushed Y/N to sit on her chair, putting the handcuffs on her wrist as she handcuffed her to the chair.
"What?" Y/N tried. "Wanda, what if someone walks in and sees me? I am practically nude with a strap!! And I am wearing your blouse because it is abnormally tight!!"
"Please Y/N." She pleaded as she fixed herself. "Here, I'll be back as soon as I can." She places Y/N's jacket on her lap before placing the keys on the shelf above the bourbon. Y/N groaned as she walked out, leaving Y/N alone and handcuffed to the chair.
"Fuck." Y/N mumbled as she tried to wriggle free, hoping to break the plastic arm rest. Soon giving up and counting the ceiling tiles above. As an uncertain amount of time past, Y/N was left feeling uncomfortable. Soon the phone rang and it was Wanda's voice.
"I'm so sorry Y/N, Billy had a fall and I am currently at the hospital with him." She spoke in a hushed voice. "I know I said I wouldn't be long but we are just waiting for the x-ray results. I'll see you soon." Y/N slammed her head on the desk with a tired groan, closing her eyes for a brief moment, only to look up like a deer in headlights at the sound of keys in the door.
"Oh, I am so happy to see you." Y/N smiled as she saw Nat walk in with some files.
"What are you doing here?" She questioned as she hurriedly closed the door.
"Well, Wanda and I have been having sex, for months." Y/N told her. "And we have obviously had sex earlier and now I am handcuffed to this bloody chair." Y/N gradually raised her voice as she spoke, shaking the chair with her whole body. "But." She took a breath to calm down. "The key is just above the bourbon, so if you would please uncuff me so I can get dressed."
"Y/N." Nat shook her head, an unsure look in her eye. "Wanda will be expecting you as such." She gestured to her posture. "And I can't afford to lose my job because I actually like working here. Without the sex part."
"Come on!" Y/N pleaded as she moved from around the desk, her jacket falling from her lap.
"Oh come on!" Nat covered her eyes as she spotted the arousal stained strap on. "Wheel yourself back."
"Please Nat." Y/N pleaded. "I will buy you anything."
"I need a new Nintendo Switch." She told her. "Yelena borrowed mine and we both know that I will not be getting it back."
"Sold! Now get me free." Y/N told her as Nat moved to get the key.
"So, those nights you had someone in your bedroom, that was Wanda. Our boss?" She questioned as Y/N nodded.
"Yes it was." She answered. "Now please let me out of here!" She begged. "This shirt is unbelievably tight and these cuffs are starting to hurt me."
"You and Wanda do have the same style, which is weird." Nat admitted as she approached her. "But she did look much better in a looser blouse."
"Don't you dare." Y/N snarled. "She is mine." Nat just giggled as she undone one of the cuffs, Y/N massaged their wrist before the door soon opened.
"Nat? What are you?" Wanda rambled as she looked between the two.
"I know about the two of you." Nat told her. "But please don't fire me. I can't live off of Y/N's paycheck."
"Can you sit with Billy, he's just outside at your desk." Wanda asked as Nat nodded, closing the door behind her.
"She took the key." Y/N pointed out, just a moment later, Nat opened the door slightly and handed Wanda the key. "How is Billy?" Y/N asked her as she undone the other.
"He is fine, he has a hairline fracture so nothing too serious." Wanda told her as Y/N bent down to put on her pants, soon hearing the blouse tearing causing Wanda to giggle. "I think we need to wear different blouses."
"You think?" Y/N asked with a raised brow.
"It's not my fault you are buff." Wanda squeezed her biceps as she looked up in Y/N's eyes. "But it is a bonus to have strong arms wrapped around me, making me feel safe."
"I'll always keep you safe." Y/N kissed her softly as she grabbed her jacket. "Luckily I have a spare in my office." Y/N approached the door, hand resting on the handle as Wanda spoke.
"I think I love you." She told her, a smile formed on Y/N's face before she turned around to Wanda, approaching her and kissing her softly before pulling away and looking in her eyes.
"I think I love you too." She smiled before kissing her once more before she left the office. Wanda smiled as her heart swelled at the growing love between the two of them. Love comes to us all at different times of our lives, the journey we take to find the one who makes your heartbeat rapidly and your smile grow impossibly bigger. Wanda has finally found that love in the woman who works alongside her.
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The Osborns' 'Weird' Relationship: An Analysis
◇ Spectacular Spider-Man #146 - Gerry Conway/Sal Buscema ◇
Okay, so I know it was awhile ago that I said I might write an analysis of some of the emotional dysfunctional aspects of 616 Norman and Harry Osborn’s relationship, but I really struggled with the format and how I was going to present this.
One thing that I ended up having to do was throw out any speculation on the writers' intent. With comics, you have so many different writers - especially with a long ongoing, popular series like Spider-Man - that I decided to focus a lot more on the patterns I was picking up when I was reading.
But before I go any further:
CW: discussions of child abuse, mental illness, and suicidal ideation
Disclaimer: In this analysis, I am trying to provide an explanation for why Norman might behave the way he does. However, this explanation of Norman’s abuse is not meant to be a justification of his behaviour.
Also, before we start, you are absolutely allowed to disagree with this analysis! Every reader sees/interprets things a little differently, but I've seen other people pick up on the Osborns' relationship being well, strange, so I decided to examine that a little closer.
There were certain things I kept noticing in Norman and Harry's relationship that I found abnormal (you know, apart from Norman's extensive verbal abuse). Things like: Harry's really intense and misplaced loyalty to his father (that interfers with his other relationships.) The way in which Harry feels responsible for his father. The way Harry doesn’t have a strong identity outside of his father, and how his father doesn't allow (or think Harry needs) any emotional privacy. Also, just some of the ways Norman talks to his son don’t make it feel like a normal parent-child relationship.
In particular in this analysis, I did want to talk about emotional incest and enmeshment, which I am going to define now.
The psychological definition of emotional (or covert) incest is when a parent relies on their child for emotional support that they should be getting from another adult. They treat their child like a friend or partner, instead of well, a child.
And
An enmeshed family is one where there is a lack of boundaries, and often, the child isn't allowed to have an individual identity.
I think we see a lot of the after affects of this kind of emotional abuse in Harry as an adult, and while we don't see a whole lot of Harry and Norman's relationship dynamic when Harry is growing up, I do want to start from there, using what flash backs and other information we have.
Actually to give some background on why this kind of abuse occurred, I will go back a bit further than that and talk briefly about Norman’s childhood and his relationship with Harry’s mother.
Norman definitely didn't have a great childhood. His father was a bitter and abusive alcoholic who blamed all of his problems on other people, including his son. And while Norman's mother wasn't abusive towards him, she did fail to protect him. This betrayal from an early age from both his parents would have been a huge contributer to Norman's extensive trust issues (and his drive to be in control so he's not hurt again.)
Norman didn't get the emotional support and attention he needed while growing up, so that's really what he was seeking as a young adult, and he found it in Emily Lyman aka Harry's mother.
Now while I don’t think that Norman and Emily's relationship was perfect like he presents it to be, I do think from his point-of-view this was a great time in his life. He was finally out from under his father's thumb. This beautiful woman believed in him. They had their whole lives ahead of them. The possibilities were endless, and then - she died.
Or faked her death and left him because he was so controlling.
Either way, she was gone, and he still a young man was left to go on as a single father.
Interestingly, Norman both blames Harry for Emily's death and compares him to her. Much later in his life, when talking to Harry's grave, Norman says that he tried to be fair to Harry 'even though you were so much like your mother in so many ways.' In this scene, Norman is angry at Harry for dying and thus 'abandoning' him to be alone. And I think that's what Norman felt when Emily died too, this deep sense of abandonment.
◇ Spider-Man: Revenge of the Green Goblin #1 - Roger Stern/Ron Frenz | Peter Parker: Spider-Man #44 - Paul Jenkins/Humberto Ramos ◇
(Later, it's revealed that Harry is not dead. Or maybe he is. I am NOT getting into the whole post-OMD-Harry-is-a-clone mess. For the sake of this analysis, they are the same person. They would have the same memories anyway.)
Now I am going to be piecing some things together and doing a bit of speculating. One thing that always stuck with me is that Harry keeps saying that his and Norman's relationship used to be different, that they used to be 'pals,' and then something changed. While I know a lot of people dismiss this, become Harry is delusional about his father at other points, I do think when Norman became the Green Goblin, there was a shift in their relationship dynamic, and Norman stopped opening up as much to his son.
I still absolutely think Norman was a neglectful and preoccupied father, but I also think that Norman was an emotionally needy person, and once Emily died, Norman (who was most likely extremely depressed and lacking a support system) tried to have Harry meet some of those needs. I say tried to, because Harry was just a little kid, a baby, and he wouldn’t be capable of doing that.
I think a lot about a panel from Spectacular Spider-Man #178 where Harry is talking to his own son Normie Osborn. Normie is a very young child/toddler. While Harry is talking to Normie, and Normie is watching TV, Harry starts hallucinating that his father is in the room. (Both Harry and his father have had psychotic episodes.)
Norman tells Harry that Normie should be listening to Harry, and when Harry says that Normie is just 'a little guy' and 'doesn't really understand all this,' the Norman Sr. hallucination becomes angry and says that Harry was just the same. That Harry was lost in his own head when he was young, and couldn’t hear when Norman talked to him.
◇ Spectacular Spider-Man #178 - J.M. DeMatteis/Sal Buscema ◇
It's interesting the way Norman and Harry differ here. Harry wants his son Normie to be able to enjoy these early years and have this chance to be carefree. Whereas Norman doesn't seem to really understand the concept of childhood and childhood innocence.
I also find it interesting (because I'm obsessed with word choice) that both Norman and Harry use 'pals' to describe their relationship.
◇ Amazing Spider-Man #39 & #40 - Stan Lee/John Romita Sr. ◇
And just in general, Norman and Harry's relationship doesn't seem to fall into the typical parent-child relationship - where the parent takes care of the child and meets the child's emotional needs. Instead, it's more complicated and codependent.
Norman and Harry both view Norman as Harry’s provider and protector. Norman is abusive towards Harry, but he does show deep concern about Harry's safety and worries about what would happen if he (Norman) suddenly died - because he's afraid Harry wouldn't be able to fend for himself.
On the other hand, Norman really doesn't give Harry any tools to become independent or encourage a separate identity, and I think part of that is because subconsciously - as much as he keeps saying he wants Harry to be strong - Norman actually wants Harry to be dependent on him.
Like on one level Norman does want Harry to be strong and be able to think for himself, so that he can take over the company and continue the Osborn legacy (and he is angry at Harry and verbally punishes him for not living up to this). But on a more personal - and like I said before subconscious - level, I do think that Norman wants Harry to have to rely on him. Because Norman doesn't want Harry to be able to leave him. Because he doesn't want to be alone.
And that's the thing, I do think that Norman is also dependent on Harry.
Harry is the nurturer to his father's protector and provider. He cares for and worries about his father a lot, and as much as Norman does not like to be seen as weak, there are quite a few moments where we do see Norman be vulnerable around his son.
Why this happened is probably largely circumstantial. Norman is a very paranoid man, who constantly fears betrayal from those around him. Even with the other adults in Norman's life who he is 'close' to - like J Jonah Jameson and George Stacy, he is not open. He does not trust them. He thinks that people are conspiring against him. However, he doesn't see his young son as a threat, as someone who could turn against him and hurt him. And he pulls Harry into this emotional isolation with him by telling his son not to trust anyone but his family (anyone but Norman.)
◇Amazing Spider-Man #62 - Stan Lee/John Romita Sr. || Amazing Spider-Man #47 - Stan Lee/John Romita Sr. || Amazing Spider-Man #67 - Stan Lee/John Romita Sr. || Spectacular Spider-Man #200 - J.M. DeMatteis/Sal Buscema◇
That puts Harry in a very difficult position, because he has deal with these adult concerns at such a young age, and he also can't fully open up to anyone else. This strain, along with Norman's exacting standards and scathing criticism, puts a lot of pressure of Harry.
However, Harry is used to being his father's confidant, and he becomes extremely anxious if his father shuts him out - or worse if he doesn't know where his father is. In a way, as much as Harry says that his father is strong and great, I think (at some level) Harry must also see his father as (emotionally) fragile.
This is especially noticeable in Amazing Spider-Man #121, where Harry is supposed to be resting because he has just overdosed, but he can't because he's so worried about how his father will react to possible financial ruin. He goes to him, tells his father that he doesn't need to worry about him, that he can take care of himself, that he's just worried about his father. He then proceeds to collapse in Norman's arms because he is not well.
◇ Amazing Spider-Man #40 - Stan Lee/John Romita || Amazing Spider-Man #61 - Stan Lee/John Romita Sr., Don Heck || Amazing Spider-Man #63 - Stan Lee/Don Heck, John Romita || Amazing Spider-Man #121 - Gerry Conway/Gil Kane ◇
This collapse leads Norman to want to rid Peter Parker/Spider-Man from his life (by killing Peter), because he falsely blames Peter for Harry's drug overdose and also the collapse of Osborn Indistries.
Now Peter’s involvement in the Osborns' personal lives is interesting. Peter is the first person that Harry really opens up to outside of his father - when Harry breaks down and complains that his father had been very distant in the last few years. When Peter responds with the emotional support Harry had never gotten from Norman, Harry draws Peter further into his life by asking him to be his roommate. Harry’s demeanour toward Peter also becomes similar to his attitude towards his father, submissive and eager to please. (He even calls Peter 'sir' at one point when he's trying to get his attention - an address he uses towards his father.)
Peter, however, is so caught up in being Spider-Man that, like Norman, Peter often neglects his relationship with Harry. This leads Harry to be rather passive-aggressive. At one point, Harry offers to make Peter breakfast, but when he hears Peter locking his stuff up, he becomes insulted that Peter would think he would steal from him and storms off to see Norman instead.
This becomes an ongoing element, Harry being torn between Norman and Peter, and seeking love/support from both of them, but seemingly unable to get it.
Now I want to make it quite clear that Norman and Peter are not equally responsible here. Peter is Harry’s age and has troubles of his own. Norman should be acting as Harry’s father, but he really isn't, not emotionally anyway. He is meeting his son's material needs (to an excess), but he is emotionally neglecting his son while also emotionally burdening him with his own troubles. Plus Norman is constantly verbally berating Harry for failing to live up to his impossible expectations - leaving Harry feeling worthless and extremely depressed.
Harry takes drugs to cope with these negative feelings - first abusing prescription medication and then moving on to street drugs. There is even already a note of passive suicidal ideation here, as when Peter asks him how many pills he's taking, Harry's response is 'What’s the difference? Who counts?' (Amazing Spider-Man #97 - Stan Lee/Gil Kane.)
Now I refuse to believe that Harry doesn't understand that there's a possibility of overdose here: he's a chemistry (and business) major with a father who sells drugs for a living. He knows that it is a possibility. So, while he's not actively seeking to end his life, he also doesn't really seem to care if he lives or dies - as long as he can escape from his pain.
Harry does eventually overdose - and it's an overdose that leads Norman to go after Peter & also Peter’s girlfriend (and Harry's friend) Gwen. Norman blames all of Harry’s friends for his condition, but especially Peter. And Norman blames himself for failing to protect his son from them. He threatens to kill Gwen if Peter doesn't end his own life, and when Peter doesn't comply, Norman goes ahead with his threat - throwing Gwen Stacy off the George Washington Bridge. (Amazing Spider-Man #121 - Gerry Conway/Gil Kane.)
Peter (as Spider-Man) goes after Norman in revenge, and Norman ends up dying (albeit by his own glider and not Peter’s hand.) Harry eventually figures out that Peter is Spider-Man, and this leads him to think that his and Peter’s friendship wasn't real, that it was entirely a ruse on Peter’s part. That Peter was just getting close to Harry to close in on his father.
Harry ends up forgetting about Peter Parker’s secret identity after his first attack on Peter though, and so for years the threat of Harry's revenge remains dormant. However, even from 'beyond the grave' (Norman, um, kind of faked his death, but Harry didn’t know that) Norman still had a hold on Harry’s psyche.
One early warning sign of the return of Green Goblin might have been that Harry names his child both after his father and himself (Norman Harold Osborn), keeping their names (and identies) close together. Harry also tells young Normie how special a man his grandfather Norman Osborn was. Then Harry begins to hear his father's voice telling him to revenge his death, to kill Spider-Man/Peter Parker.
Harry goes back and forth on how he sees his father. At times, he is able to see his father as who he really was/is, a dangerous criminal who ruined his own life. However, at other points, he calls Norman 'wonderful' and 'the greatest man this world has ever known.' He claims that his father's spirit is in him fuelling all his efforts, and blames Peter for both Norman's and Gwen's deaths.
Of course, it would be hard for anyone to admit that their father killed one of their closest friends, however, I think with Harry it goes even beyond that. Because Harry doesn't have a solid identity outside of his father, he is unable to fully see himself and his father as two separate people. So, in his head, Harry can't admit that his father killed Gwen, because then he would also have to think that he killed Gwen - something I don't think that Harry can wrap his head around doing. It's easier then to blame someone else - Peter/Spider-Man.
When Harry does finally admit that Norman killed Gwen, he still absolutely thinks (pretty understandibly) that it was Peter who ended Norman's life. Because of this, Harry decides that both he and Peter would be better off dead - and that their deaths would protect their loved ones from further harm.
It is only an outpouring of unconditional love from Peter (something Harry had never really felt before) that sways Harry from ending Peter’s life. He carries Peter out of the building where he had set up a timed bomb, but then seemingly dies himself (from side effects of the serum he'd taken to make himself stronger.)
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Break!
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Okay, this is here because this is getting long, but I don’t want to make it a two-parter, but also sometimes people need to take a break and breathe, you know?
I will also be concentrating more on post One More Day Harry in this section, though referring back to earlier comics as well. I will also be talking more about sex and romantic relationships, and how Harry's focus on his father (and Norman seeing himself as the most important person in Harry’s life) complicates things.
The Dan Slott and Joe Kelly runs leading up to and during Dark Reign were the first Spider-Man comics I read, and these were the issues where I first got to see the Osborns' relationship on page. What really struck me then about the relationship was how Norman talks to Harry more like a separated spouse than his grown child: 'I need you,' 'the world could be ours,' 'come home,' 'your place is here, by my side.'
During this period, Harry is pulling away from his father and trying to be independent, and Norman does not like this at all. He mocks Harry’s business ventures, then bombs Harry’s place of business - almost killing Harry’s then girlfriend Lily Hollister in the process. When Harry goes to confront him, Norman says that girlfriends are replaceable and tries to win Harry back. This, however, does not work, and shortly following this, Harry goes no contact.
Norman will not accept this boundary, however, or any boundary really. He admitted earlier to recording and listening to all of Harry’s therapy sessions, and when Harry won't answer his calls or letters, Norman has people spy on his son and report to him on everything Harry is doing. He then gets himself invited to a wedding that Harry is attending.
This is when he tells Harry that he needs him, something that does visibly affect Harry. Peter steps in between Harry and Norman, and tells Norman 'and that's what therapy's for.'
This scene is interesting because Norman does not like admitting that he needs other people, but also because Peter doesn't consider this (entirely) as a ploy on Norman’s part. He does think that Norman is being honest about 'needing' Harry. He just thinks that the way Norman seeks support from his son is unhealthy.
There is also an 'us'-ness in the Norman-Harry relationship, that is more typical of couples. This along with how Harry is thrust into this nurturing role with Norman, makes him (at times) seem more like his father’s spouse than his son.
And when Harry and Norman do end up cutting ties, Harry even says: 'I was never your son.'
◇ Amazing Spider-Man #573 - Dan Slott /John Romita Jr. || Amazing Spider-Man #595 - Joe Kelly/Phil Jimenez || Amazing Spider-Man #598 || Writer: Joe Kelly/Artists: Paulo Siqueira & Marco Checchetto || Amazing Spider-Man #599 - Joe Kelly/Stephen Segovia, Marco Checchetto, Paulo Siqueira ◇
This relationship with his father - before the eventual break up - does also lead to problems in Harry’s romantic relationships.
Because Norman basically sees himself as the centre of the universe and because he is very possessive of the people around him, Harry grew up internalising this idea that he belongs to his father and that he should prioritise Norman above everything else.
And because of this, Harry does tend to elevate and choose his father over his other relationships. Like how when he was seeing Mary Jane Watson, that relationship ended because Harry wouldn’t unlock the door for her - choosing to be alone with his dead father's costume over being with her. His marriage with Liz also deteriorates as Harry obsesses over avenging his father's death and continuing the Osborn legacy.
Of note, in these moments Harry isn't exactly thinking clearly - there are definitely signs of psychic breaks, with Harry having delusions and hallucinations. Still, a huge part of Harry's psyche is consumed by his father - to the detriment of other aspects of his life.
Even after Harry sees Norman as a bad person (acknowledging that his father was Gwen's killer and knowing for sure that Norman has committed countless other heinous crime), Norman still has a hold over his son. Harry still holds out hope for winning his father's love and approval - and completely dismisses his then girlfriend Lily Hollister's encouragement and support. Instead focusing entirely on his father's criticisms.
◇Amazing Spider-Man #595 - Joe Kelly/Phil Jimenez || Amazing Spider-Man Family #4 - J.M. DeMatteis/Val Semeiks || Amazing Spider-Man #390 - J.M. DeMatteis/Mark Bagley◇
◇Amazing Spider-Man #126 - Gerry Conway/Ross Andru || Spectacular Spider-Man #189 - J.M. DeMatteis/Sal Buscema || Amazing Spider-Man #569 - Dan Slott /John Romita Jr.◇
Another thing involving Lily Hollister - a rather controversial decision - was to have her be in sexual relationships with both Harry and Norman Osborn (with the timing being so close together that the paternity of her child was called into question.)
I actually don't think it's so surprising that Norman would go after someone his son was seeing. He is very self-centred and delusion enough to think that he could somehow get away with it.
Also, back in Amazing Spider-Man #96, there was this whole thing about Harry bringing along Norman to watch the girl he was then seeing - Mary Jane Watson - dance. It kind of comes across like Harry is trying to impress his father with how hot his 'girlfriend' is, and Norman is quite publicly enchanted by her.
There is something similar in the Raimi adaption where Harry Osborn wants Mary Jane Watson to dress in black (like Harry’s mother/Norman’s wife used to do) because he wants Norman to be impressed by her/find her attractive. Which people have pointed out is kind of weird/creepy.
Also kind of weird is just how much empathy Harry has towards Lily Hollister after she ditches him for his dad. Like yes, I think it's a coercive relationship, and Norman is much more to blame, but I still think most people would be a little more angry in this situation. And what Harry does say to Lily at the start of her and Norman's relationship is very interesting to me:
'He's an amazing man, Lily...I know, and he takes very special care of his "nice things"...until he doesn't.
I hope you see him for what he is before that happens...
Because when Norman Osborn is through with you, no one gets to have you.'
One) because it's really quite strange to call the father you suspect is sleeping with your ex-girlfriend 'an amazing man'
Two) because the way Harry is saying this makes it seems like it applies to both her and him. The 'I know' in particular stands out, because what he seems to be saying is 'I know exactly what you are feeling/going through right now.'
Which given that she is in 'romantic' relationship with his father certainly raises questions.
◇Amazing Spider-Man: Extra! #3 - Joe Kelly/Dale Eaglesham || Amazing Spider-Man #96 - Stan Lee/Gil Kane◇
In any case, I could probably write more, but this post is already more than long enough. I just find the dynamic between Norman & Harry Osborn fascinating because I don’t think it's one we see as often in fiction, and I love reading about dysfunctional families/relationships.
I also find post-OMD Harry really interesting, because I think it's even rarer to see a person, who was in a relationship like this, have to move on, fully cut ties, and figure out how to build a life for themselves without this person (who they had such codendency with.)
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