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#not a serious commentary on any of the characters
navree · 2 years
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i think my biggest issue with the sequel trilogy is that it’s just such a textbook case of good ideas bad execution on practically every level in every movie and that makes me mad
#personal#star wars#i'm one hundred percent serious here#like tfa was definitely the highlight of that trilogy just because the set up was half the movie and that was good#like the idea that fascism can in fact return based on nostalgia and warped ideals and not as a tyrant but simply#a major political party#like the first order is clearly considered on par with the republic as just a facet of power in the galaxy before starkiller base happens#and the way that they were setting up kylo ren and the way it could be a commentary on how vulnerable kids can be#to things like exploitation and grooming and stuff like that#and just how COOL the concept of 'scavenger who's got a heart of gold and force sensitive stormtrooper who defects' were as characters#and poe of course was just a really good character#but they NEVER delved any deeper in that at all in any way#the last act of tfa wasn't good and then jj left without solving anything so rian had to try#(and i'm saying this as someone who likes rian johnson but finds tlj to just be a mediocre to bad movie)#and so you get good things like luke NOT being the classic star wars mentor but bitter and jaded#and the concept of rose tico as a character and the conflict between poe and laura dern's character#and the idea that rey ISN'T part of a secret special bloodline (tho there still should have been more explanation for why her parents left)#(like they abandoned her specifically because they thought she was force sensitive or smth)#but then also absolute horseshit like reylo (god gag me) and finn and rose's actual plot and basically the entire second half#and then jj comes back and writes the worst star wars movie ever made and retcons basically everything#and butchers basically everything and is basically public enemy number two to me now (behind jon favreau for his lion king crimes)#so anyway yeah literally good ideas but extremely shitty execution all around (and i maintain that kylo should not have been an only child)
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askaceattorney · 1 year
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Dear Koupi,
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Hahahahahahahahahahahahahahahahaha!
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This is a game of Marry, Kiss or Kill. It’s nothing to take seriously.
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We play it with anyone that writes to us. I’m surprised Herr Wright is willing to play at all. He’s usually the old fashioned kind.
- Klavier Gavin
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warrioreowynofrohan · 17 days
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Reading Tolkien’s annotated translation of Beowulf, and learning all kinds of things about LOTR and the Silm from it!
First:
Leave here your warlike shields [from Beowulf]
[Tolkien’s commentary; bold mine:] Note the prohibition of weapons or accoutrements of battle in the hall. To walk in with spear and shield was like walking in nowadays with your hat on. The basis of these rules was of course fear and prudence among the ever-present dangers of a heroic age, but they were made part of the ritual, of good manners. Compare the prohibition against drawing a sword in the officers’ mess. Swords of course also were dangerous; but they were evidently regarded as part of a knight’s attire, and he would not in any case be willing to lay aside his sword, a thing of great cost and often an heirloom.
This gives me some perspective around Tolkien’s probable intended tone for the moment in Meduseld in The Two Towers where Aragon strongly protests against being told to leave Andúril (a sword of very great value and ancientry, and very much an heirloom) with the door-warden. From a contemporary perspective it’s easy to read it as Aragorn being unnecessarily prideful and combative, but this passage strongly indicates that Tolkien intends it to be Théoden who is being unreasonable in that event, an indication - along with many others in the scene, prior to Gandalf dislodging Saruman’s influence - that Théoden is being discourteous and behaving in a manner unworthy of a king who is recieving heroes offering aid. (The fact of Meduseld being a ‘golden hall’ like famous Heorot in Beowulf may be deliberate to strengthen the parallel.)
Second (immediately following the above commentary):
But against this danger [from swords] very severe laws existed protecting the ‘peace’ of a king’s hall. It was death in Scandanavia to cause a brawl in the king’s hall. Among the laws of the West Saxon king Ine is found: ‘If any man fight in the king’s house, he shall forfeit all his estate, and it shall be for the king to judge whether he be put to death or not.’
This adds context to the incident in the story of Túrin in The Silmarillion where Saeros taunts Túrin in Menegroth and Túrin responds by throwing a heavy drinking-vessel at him and injuring him (it’s indicated the injury is serious, so I’d take it along the lines of him giving him a broken nose and knocking out some teeth.) It is stated in at least some versions of the story that death is the punishment for drawing weapons in the king’s hall, in line with the historical customs mentioned here. This gives a further emphasis that what actually happens - Túrin is not punished at all and Mablung strongly reprimands Saeros for provoking him - illustrates that Túrin is, Saeros’ behaviour notwithstanding, in very high favour in Menegroth. (Saeros as the king’s counsellor is also in roughly the same position as Unferth in Beowulf, who taunts the titular character - Beowulf responds heatedly but without violence. Tolkien may be setting up a deliberate contrast here.)
Third:
The word hádor is an adjective meaning ‘clear, bright’…it is almost always found in reference to the sky (or the sun or stars). But that association is in description of brightness…
This was one a lightbulb moment: oh, in the name of Hador Goldenhead (the ancestor of Húrin, Túrin, and Tuor in The Silmarillion), ‘Goldenhead’ isn’t an additional name/epessë so much as it’s a glossed translation of ‘Hador’! The guy with bright, golden hair.
Fourth: Going back to the Rohirrim - Edoras, the name of their capital city/royal court, is basically just the Old English for ‘courts’:
under was very frequently used in describing position within, or movement to within, a confined space, especially of enclosures or prisons, ‘within four walls’. Cf. in under eoderas (eoderas being the outer fences of the courts), ‘in amid the courts’….‘eoder’ means both ‘fence (protection)’ and ‘fenced enclosure, a court’.
I’m also learning a lot about Beowulf - Tolkien’s notes are clarifying a lot of tone and nuances, not to mention the political/diplomatic relationships between the different kingdoms, which were confusing me - but it’s amazing how much it reveals about ways that Tolkien’s knowledge informed his legendarium!
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pixiecaps · 5 months
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Heres a portion of Maxo’s ending monologue and some meta commentary.
q!Maxo: And what if I stay? At least they won’t have that planned out. How can I be so stupid? Of course, they know about the bomb. They literally know everything, see everything, its an all seeing eye, of course. They already knew about my plan.. But there’s a plan they don’t know. And it’s that I’m going to stay here. It’s over. Besides, I’m a danger to everybody, I’m turning into a code. I know now that I’m not the only one but at least it’ll be one less, right? It’s the desperation of not being able to do anything against the Federation. They always get away with it, man. They always get what they want. I don’t- I don’t know why I’m even still walking. … They’ve taken my bomb and stolen my idea and now they’re exploding it. They don’t care. At least, we found a way to escape. (Timer runs out)
cc!Maxo: (Closes game) And like that is how he dies. “Are you coming back as a ghost?” As of right now I am not thinking about returning as a ghost. (Plays sad music) Rest in peace qMaxo. Rest in fucking peace. I did all I could chat. I did all I could. … If I had reached the boat I would not have gotten on. I think what I would’ve wanted is to reach the boat, say goodbye to everybody, and die. But I suppose due to the timer the bomb blew up before that could happen. … So I’ve died. That is how it goes. This was the only thing I could do that the Federation could really not control. Killing myself.
cc!Maxo: (When a chatter mentioned the people who didn’t reach the boat) Chat I only know that I’ve died, it’s what I wanted for my lore. That I would’ve stayed there with the atomic bomb. In a fantasy world like the QSMP, of course I could revive, finally turn into a code, or whatever but for the moment all I know is that I’m dead. And I don’t have anything else scripted, from this moment on I’m dead and thats final. Thats the reality, and thats why I’m not… happy because I will for sure miss the QSMP. But since I personally take roleplay very seriously, for me there is no going back. I am dead. I cannot return as cubito Maxo. I can return as a spirit that haunts Roier once in a while, periodically, I could, I could but qMaxo is dead. It’s sad, I’m not super happy because obviously I spent a really great time on QSMP but by my own lore, man, I couldn’t do it any longer. I couldn’t handle returning to Quesadilla Island knowing I couldn’t do anything against the Federation. If I made a fucking atomic bomb and the boss of Purgatory goes and says, “Oh you have an atomic bomb? Okay. In fact, that’s a good idea. Let’s explode it, run to the boat, returning again to the island that you were in, because thats likely what will happen, and you’ll continue suffering.” I can’t do it anymore. I’ve lost Trump, my son, I’ve lost- I no longer trust people who can kill each other amongst themselves, by the lore.
cc!Maxo: The players themselves are super fun people and I’ve had a good time. What makes me feel shame is that, that I can’t roleplay with them anymore. To say it one way or another. Well, there could be things in the future the admins offer but as a player it makes me feel shame. Also, while it is true that recently I hadn’t been logging in a lot, the times I did I had a good time. I did a lot of cool things with these people.
cc!Maxo: I lost SOFIA, I lost.. everything. Everything that I’ve done, every idea that I had thought of for myself and others has been taken by the Federation. … I think that the Federation has so much control that is impossible to do anything against them. And everything you do against them they’ll use to further confuse the people. … For me I will no longer play [as qMaxo] because I am dead, that’s serious to me, I’ve decided my character has died in an explosion. Another thing is that I could occasionally log on as a spirit or something. If they allow me that then great! But if dying means not being able to play on the QSMP anymore then so be it. … This was necessary for the roleplay. … I didn’t die thinking, “Wow I found the answer.” I didn’t want to die because I found any type of answer. I died because of desperation. To say, look man I couldn’t find any answers.
Maxo mentioned it did leave him with a sour taste in his mouth that he didn’t get the chance to say goodbye to everybody since he ran out of time. So a chatter suggested he does canonical pre recording goodbye video to everybody. He said he’d likely consider it and do it so that his character gets the chance to tell the other characters goodbye and that he’s gone.
Rest in peace qMaxo, the original founder of the Theory Bros, and someone who gave his all to escaping the island no matter the cost.
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chiriwritesstuff · 2 months
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The Girl in IT - 7. The All Hands Meeting
A Boss! Joel Miller x IT Specialist F! Reader AU
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The LIST │ Series Masterlist
Chapter Rating: E (18+, MDNI)
Chapter Summary: A look into a typical day at Miller Construction Group. Chaos ensues (naturally).
Chapter Warnings and Tags: No outbreak AU, Boss x Employee Relationship, Sugar Daddy Lite, Smut, SO MUCH SMUT, Age Gap, Older Man/Younger woman, So much dirty talk, Office sex, Desk sex, Inappropriate usage of PowerPoint, Tommy fucks around and finds out, No Beta we die like men!
Word Count: 4.4K
A/N: And the hijinks are back! I wanted to try something new this week, and it was the perfect opportunity to showcase all of our fun supporting characters in 'The Girl in IT'! I thought what better way to introduce everyone was to include their commentary, like an episode of 'The Office'! This one is a doozy, and I hope you all enjoy!
#MCG ADMIN 50 members Sarah (HR) Good morning, Team! I hope you're all doing well. I'd like to announce a mandatory All-Hands HR Meeting today at 11 am in Conference Room A, co-facilitated by Tess and me. We'll have a brief presentation, and for those working remotely, please log into Zoom to join the meeting. Following the session, thanks to Bill, we'll have lunch and refreshments provided. Feel free to reach out if you have any questions. Looking forward to seeing all of you soon! Tommy  Sarah, are you gonna bust your Papi's balls in front of everyone for posting that naughty photo? 💀☠️🪦 Frank (Interior Design) Will there be an opportunity for discussion following the presentation? I'm eager to delve into the minds of SlackGate and understand the motivations behind their actions the other day. Connie (Reception) It's clearly because they're fucking, Frank. 🍆🍑🦪 Frank (Interior Design) Who is? Our fearless leader and our shy girl in IT? Until one of them makes it official, it's just hearsay! Is this meeting a hard launch for a new power couple? 👩‍❤️‍💋‍👨 Sarah (HR) Yes, there will be an open-forum discussion after my presentation but NO, we will not be talking about the events of the other day in detail. Connie, this is a professional space and we will conduct ourselves as such. Connie (Reception) Why am I always being singled out?? Frank started it! Frank (Interior Design) Did I not professionally conduct myself? Geez Connie, I'm not the one sending nudes to our Boss when clearly, he has a girlfriend. Wait. Oops? (Sorry Connie 🤡) Bill (Civil) Frank! What do I have to do to get you to behave for once? Frank (Interior Design) Oh, I could think of a few ways... Why don't you come and find out once you're done handling your bratwurst out there? Sarah (HR) I don't get paid enough for this shit.
"Thank you, everyone, for coming together at such short notice. While I'm aware this all-hands meeting was abrupt, recent events in the past few days have made it essential. Tess and I genuinely appreciate your presence as we address these important matters," Sarah says with a bright smile, handing out materials. "Here's an updated Employee Handbook with a few edits. I thought it would be beneficial for us to go through it together. Are there any questions before we begin?"
"Yeah!" Tommy exclaims from the back of the room, his feet casually resting against the edge of the table. "How long until we get to the part of this meeting where we discuss just how much of a bad boy your Daddy was the other day?"
Tommy Look, I love my brother, I do. He's always so serious, so noble, providing for everyone and all that, making sure we have a roof over our heads. Shit, he's gotten me out of a lot of binds in my life- [He looks a bit uncomfortable and clears his throat, nodding.] ... anyway, it's a rare thing to see my brother slip up like that, you know? Didn't think he had it in him, honestly. It's been a few decades since I've seen his twig and berries, but shit, I know he's packing! He's a Miller, for fucks sake!  [he puffs his chest out a little at that, chuckling to himself] But Sugar? She's been a fucking godsend! Never in my life have I seen my big ol brother act a fool, especially over a woman! What can I say? It's great to not be the fuck-up brother for once! I'm gonna milk out SlackGate til the end of time!
"Tommy," Joel warns through his teeth, glaring at his brother. "Cut it out."
Sarah rolls her eyes in response as she fiddles with her laptop, the projector behind her illuminating with her PowerPoint presentation. "Like I was saying, this presentation is just going to go over the changes we have implemented in the last few days, including proper Slack etiquette and conduct. You would think that as grown adults, we would know better than sending inappropriate images and messages through company property and time," she clears her throat, glancing over at Joel, then to Tommy, who winks in her direction knowingly. "...including those who decide to engage and participate in unsanctioned secret channels-"
Frank's hand suddenly shoots up, his face awash in mock outrage. "I'll have you know, the watercooler channel serves a purpose, folks! When I caught wind of this 'secret channel' gossip circulating among the Nosy Nancies in the breakroom, I was appalled! Who would dare to stoop so low—"
"Frank, you invited me to the chat just this morning," Jesse remarks, casually holding up his phone as evidence. "It's titled 'Frank's-secret-slack-chat.' I thought it was some kind of exclusive club or something."
Frank Hi, [waves to you] is this on? Yeah? Hi. I'm Frank.   Listen, Sarah was getting a little too vigilant about monitoring Slack ever since Tommy sent us a little treat last year [he laughs] so I had to do something about it, you know? [It pans out to Frank leaning against his desk chair, typing away on his secret Slack Chat.] The chat started as an open forum for discussion on the everyday going-ons of Miller Construction Group. Do we just so happen to discuss the private lives of our peers? Maybe. Do we mean any harm by it?  [He gives you a wicked smile] Maybe.
"You guys, you know, the longer I keep getting interrupted, the longer we're all going to stay here in this conference room, and the longer we have to wait to eat Bill's food. You know how he is," She looks outside of the window, the smoke from Bill's grill swirls like a plume as he flips over a juicy steak. "He hates it when he has to serve his food cold. As I was saying, it should be obvious that we shouldn't be sending inappropriate images or photos to one another through Slack or e-mail."
"Hey! It was just one time, and it was an accident!" Tommy retorts, "Besides, it was hardly inappropriate, I was just only trying to show Maria this weird rash I got-"
"What does that mean, anyway?" Connie cuts in, casting a glance your way. "Inappropriate photos? And is there a difference between accidentally sending them or doing it on purpose?"
"Yeah," you shoot her a pointed look. "Sending nude photos to someone who doesn't want them is actually considered sexual harassment," you say, raising your voice a bit and turning in your seat. "I mean, you could get arrested for that, Connie," you add with a sing-song tone, a smirk playing on your lips as you glance at her. "You have nothing to worry about though, right?" you challenge, rolling your chair towards Joel, and taking his hand in his. "Not unless you did send naked photos to my boyfriend?"
Connie Look, I didn't know that Mr. Miller and Sugar were boning. I know how this looks- like I don't believe in girl code or something. I am a girls girl! If Sugar was just forthcoming about who gave her those damn hickeys before SlackGate happened, I wouldn't have sent her boyfriend nude photos of myself! A girl's gotta try, you know? I was only trying to shoot my shot! [She looks a bit uncomfortable, picking at a hangnail.] ... but you have to admit, Mr. Miller is H-O-T hot. God. I love me a graying man in flannel. I always thought to myself, there must be a story here. How does a millionaire who looks like that be single all this time? does he have anyone? is it a sugar baby? does he have a secret love child? I mean-  [she looks over her shoulder where Joel is, arms around his chest as he winks at Sugar. There's a hint of jealousy in Connie's eyes.] Is it true, though? Is it really sexual harassment if I send unsolicited photos of myself? Do you think he's gonna press charges? 
"It's true. Sending unsolicited photos of yourself to unsuspecting parties is sexual harassment, Connie. Not to mention creepy," Sarah winces, shooting you an apologetic smile. "So please don't be sending any photos of that nature to anyone that you work with, especially not in the admin group Slack."
"Yeah, Joel!" Tommy chides. "Keep that shlong in your pants, brother!"
Sarah You would think that working for my family is a cakewalk? Please. I've been diagnosed with IBS and GAD since I started working here five years ago. I sometimes take half an edible just to make it to lunchtime.   [Her head rests on her desk, and as the events of SlackGate unfold, an endless barrage of messages from the admin Slack channel floods her monitor. She can't help but groan in response.] Listen. I love my Dad. I've never really had to worry about his behavior at work before, not like how I have to with Uncle Tommy... but what the hell was he thinking? I can't unsee that! What if Ellie was on that chat? Could you imagine the trauma? My trauma?
"Okay, let's turn to page 12, where we'll go over all the recent updates," Sarah announces, clicking through her PowerPoint. A collective gasp echoes in the room as the slide projects onto the screen, revealing an image – the image of Joel. However, where his exposed package would be, an eggplant emoji tastefully takes its place. It resembles one of those generic memes easily made with a phone app, complete with the semi-imposed words 'Keep Calm and Shlong On!' in big bold letters.
"Shit!" she exclaims, hurriedly pressing the ESC button as she tries to close out her PowerPoint. She slams her laptop shut, the tell-tell sound of a crack echoing throughout the conference room. You hear Tess silently scoff in the distance, and Sarah closes her eyes in embarrassment as the room falls silent.
... and then, all hell breaks loose.  
Tommy is beside himself, his face red, and his eyes filled with tears as he doubles over in laughter, clutching at his middle. "Shit, Henry! When I asked you to do this, I honestly didn't think you had the balls to go through with it, but I so owe you, my man!" he exclaims, enthusiastically high-fiving his nephew-in-law. "This is the best fucking day of my life!"
"Henry?!" Sarah exclaims, her face flushed with rage. "This is what you needed to do in the office at 6 am this morning?!"
Henry's expression crumbles as he witnesses his wife's ire, suddenly realizing that he's just dug himself into a deep hole. "Sarah," he stammers, attempting to regain composure. "This isn't what it looks like—"
Henry Yeah, Tommy asked me to put that meme into Sarah's PowerPoint last night. I would have done it at home, but Sarah doesn't like to bring her laptop home, you know, work-life balance? So I had to make an excuse to come to the office this morning. Was it a dumb ass idea? Yeah, probably. Did I kind of want to get back at Sarah's dad for making my life a living hell? [He looks at you awkwardly, scratching the back of his neck.] Honestly, when you're like five beers in, drinking with Tommy- everything seems like a good idea. He dared me, you know? Said that I'm such a simp, trying to always please Joel. Called me a fucking pussy and everything! What else was I supposed to do? Sarah's going to kill me, huh? Do you think that she's gonna ask for a divorce?
"It's a meme. A meme of my Dad's dick pic with AN EGGPLANT EMOJI?!?! ARE YOU FUCKING KIDDING ME??! WHAT DID YOU MEAN FOR IT TO LOOK LIKE?!" she screams, pulling at her hair. "AND YOU, TOMMY MILLER!" she points at her uncle furiously, "WHAT THE ACTUAL FUCK??!"
"Baby," Henry replies, his hands raised in an attempt to calm her down. "It's just a harmless prank, look—"
"No, you look, Henry! Does it seem like it's just a harmless prank?" she gestures to the room, her eyes wide. "Don't even think about coming to bed tonight. I can't even look at you! How dare you collaborate with Tommy, do you really want to go this way? Because I see you fucking around, and you're about to find out-"
"Oh come on, Sarah! you know these all-hands meetings are dull as fuck, I don't even know why you even bother, no one ever listens anyway!" Tommy exclaims, looking around the room. "Isn't this fun you guys? Come on, lighten up! It's not like y'all haven't seen my dick before! Your Papi's gonna live another day, I think we should all feel as comfortable as we want, fuck the rules!"
"...but Joel's is much bigger than yours!" someone yells amid the chaos, laughter, and banter echoing through the room. Sarah looks around helplessly in a panic, trying to grasp the situation unfolding.
"Hey! I'll have you know that I ain't small!" Tommy yells in retaliation.
"Do you think that this is helping, Uncle Tommy? I'm beginning to believe that the only reason why people don't take me seriously is because of all of the shit that you pull!" Sarah groans, looking like she's at the end of her rope. "I could mention that Tess is helping me facilitate this meeting to scare everyone but she's just off to the side, pretending to not be drinking under the table!"  
Tess [She is sitting off to the side, smiling to herself as the chaos ensues, shaking her head.] I am drinking, because who else thinks it's appropriate to call an all-hands meeting first thing in the morning? I don't even want to be here. It's so fucking pointless, trying to get these shitheads to conform to a set of rules.   [She witnesses Joel storming up to Tommy, his face full of rage and irritation, finger pointed right at him.] This is the consequence of hiring friends and family, isn't it? I tried to tell them it was a bad idea, but who's listening to me? I get it, everyone thinks I'm a bit of a bitch, and well... yeah, I am. Alright, time to rein this in— [She suddenly stands from her seat and walks over to Sarah, who appears to be disassociating into madness.]
"HEY!" Tess bellows, clapping her hands together. The room abruptly falls silent, Joel's hands frozen mid-grab on Tommy's flannel. Forty-eight pairs of eyes pivot towards Tess, a blend of shock and embarrassment spreading across their faces, reminiscent of children caught sneaking cookies from the jar by their mother. "Okay, that's enough!"
Her eyes are narrowed, hands on her hips. "This is what's going to happen. You're going to stop sending each other dick and tit pics through Slack, because as much as it is amusing," she smirks, winking at you, "I would really rather not have to deal with the fallout that comes with it," she shoots a pointed look at Connie, whose eyebrows shoot up to her hairline.  
"The next time someone tries to fuck around and find out? I'm going to take that dirty photo, print a thousand fucking copies of it and stick that shit all over the office. Every fucking inch, every fucking nook and cranny is just gonna be dick and tit central," she paces around the room, placing a warning hand on Frank's shoulder. "As for this secret Slack chat, I'm going to give you all one chance to come clean. If you don't, and Sugar's report doesn't match who outs themselves right now," She scans the room, a smirk on the corner of her mouth appearing in satisfaction. "Yeah, you didn't think that we were monitoring that shit, huh? Well, I'll throw you all a bone: raise your hands if you are in this secret group chat, and I'll consider not docking your pay for insubordination. Your choice."
Frank [Looking at Tess as she slightly stumbles from where she's standing.] Yeah, she's toast.
The majority of the room begins to raise their hands, except you, Tess, Joel, and surprisingly, Frank.
Tess scoffs. "Really Frank? Really?"
"I have no clue what you're trying to imply, and seriously Tess? Are you really going to play that card? Are you going to dock your pay too?" Frank retorts. "I mean, just last night, you were drunkenly telling me that you heard Joel and Sugar-"
"If you utter another word, I'll fire you on the spot, Frank!" Joel shouts from across the room. "I mean it this time!"
Joel and Sugar [Joel wraps his arm around your waist, leaning in to kiss your forehead while gently pushing a strand of hair behind your ears.] There, that's better. Don't hide your face, Mami; you're too beautiful to be hiding all of that, okay? Right, [he clears his throat.] You would think that people would be a little more professional around here, show me a bit of respect— [His gaze shifts to Tommy, who's engaged in laughter and banter with the team, his chest puffed out in triumph. Joel glares at him, shaking his head.] I'd like to think I try really hard to be a good boss. I pay fairly, I allow remote work, and damn it, I take pride in offering the best employee benefits in all of Austin. We even take a company trip to Hawaii every year, for fucks sake! [You squeeze his hand, pressing a kiss to his temple as he takes a frustrated breath.] Papi, if it means anything, I think you're the best boss any of these folks could ever ask for. They don't deserve you. [Joel nods.] Look, I don't know what to tell you. I got the ride of my life that morning, my sweet Mami riding my cock just right, you know? I would have been okay, going into my meeting with blue balls, just as long as Sugar got hers. Your pleasure is my pleasure... but I was just so fucking horny! I started to work out, yeah? Wanted to keep shit tight for my baby, and fuck, I was... what do they young kids say?   Feeling yourself? [Joel nods again, smiling at you.] Yeah, 'feeling myself' or whatever. Anyway, I was in the meeting, and you messaged me, right? saying that you weren't going to be in for lunch? and I don't know if was the disappointment, or if I was just too horny, but fuck. I quickly excused myself and took a quick dick pic in my bathroom. I thought I was in the right Slack channel... so I sent it, and then the guys at The H Group asked me a whole bunch of questions, and then an hour later- Chaos. The messages kept flooding in! Frank was asking about how long I was, and Connie was sending me nude photos of herself- in my fucking office! Wait, what? [Your gaze meets Connie's, nervously seated as Frank goes on and on beside her. Her hands twitch like a possum that just got run over by an 18-wheeler. Yeah. Squirm for me, you think to yourself.] Yeah! And I just sat there, in shock, you know? Like this is the kind of shit that Tommy pulls, and I couldn't believe that I was so fucking stupid! Can you imagine the kind of therapy Sarah's gonna need? What if Ellie saw this?
"Who's up for some snacks?" Tommy calls out to the team, holding a basket filled with rather sizable cucumbers, bananas, and eggplants. "Help yourselves, compliments of Joel!"
Ellie  [at the job site across town, hard hat fixed crookedly on top of her head.] Yeah, I saw it. There is not enough bleach in this world that could ever erase that image from my existence.   [she glares at Sam, who just shrugs.] Thanks a lot, asshole!
"Alright, you degenerates!" Bill booms, bursting through the conference doors wearing a 'Kiss the Cook' apron, tongs in one hand, and a tray piled high with thickly cut steaks in the other. "This steak isn't going to eat itself!" 
The team swarms Bill like seagulls spotting a tasty piece of bread on the boardwalk. Tommy grabs a t-bone with his bare hands, biting into it with the enthusiasm of a caveman.
"Hey," Joel whispers to you, his shoulder gently bumping yours. "Want to help me with something?" You nod eagerly as Joel swiftly guides you out of the conference room, heading towards the executive offices. You giggle as Joel ushers you into the room, pulling you into a kiss, his foot playfully kicking the door shut.
He moves the both of you over to where Tommy's desk is, pushing aside its contents off the tabletop in one fell swoop, the items clattering onto the floor. "Papi, what are you doing?" you ask cheekily as he bends you over the desk, lifting your skirt.  
Joel growls and shoves you down onto the desk, his hands harshly grabbing onto your hips. Your arms scramble to find purchase as you knock over a framed photo of Tommy and Maria, watching helplessly as the image of their smiling faces falls onto the floor. His palm travels across your back, pinning you in place as he fiddles with his zipper with his other hand. "Line item 6," Joel murmurs as his hands begin to travel across the globes of your ass, squeezing and spreading and slapping them until you're so wet you can feel it dripping down your thighs.  
Joel hums in appreciation. "Thats right Mami, get nice and wet for me, okay?" You can feel him pump his cock against you, notching his head at your entrance. "You gonna make a nice mess for me, baby?" he asks through gritted teeth as he strokes through your folds with his dick.
"Yesss," you moan, pushing your ass back toward him.  
Joel pushes into you to the hilt in one brutal thrust as you cry out, grabbing onto the edge of the desk as he begins to pound into you in earnest, his thrusts so hard and punishing that the desk begins to rattle. You squeeze your eyes shut as Joel gathers your hair in his hand, pulling you back towards him. "Fuck baby, I'm gonna come so fucking hard, fill this pussy up and watch as it drips out of you, maybe fuck you again if we still have time-"
You gasp, taking a deep breath as his thrusts become so erratic it pushes you up the desk, lifting one leg onto the surface as Joel angles himself higher, hitting a spot so deep within you that you bite your lip from crying out, not wanting to attract any unwanted attention. You squeeze around his cock as you chase your high, hoping that Joel can maintain his composure long enough so you both can finish together. "No Mami, stay with me, come with me-"
He leans over you, pressing you onto the desk as he grabs onto your shoulders, pounding into you, his breath hot against your neck as he buries his face into it, huffing from exertion. "I'm so close Mami, I'm gonna... Fuck!" He bites your shoulder as he cums in one last brutal stroke, his hands harshly grasping your thighs as you feel his hot spend flow deep into your belly. You rock your hips onto him as his hand goes to your clit, rubbing until you are weak in the knees, your body trembling beneath his. "Fuck Joel," you say a little breathless as you slump onto the table as Joel pulls out of you, his finger probing into you as he pushes his leaking cum back where it belongs. "Come on, lets clean this up and head back before they notice-"
Joel just snorts as he zips up his jeans. "No," he replies nonchalantly as he catches his breath. 
"No?" you ask as you straighten yourself up, frowning at him.  
"Line item six says I bend you over his desk and leave a little souvenir," he motions to the mess on the floor, pens and papers scattered about.  
"He's going to fucking murder you, Joel," you chuckle, pulling him into a kiss.  
"Yeah? Well, he shouldn't have fucked around, because he's about to find out." He simply replies, taking your hand in his. "Come on, little Mami, quickly now, before he realizes we're gone..."
You share a laugh as he guides you back into the conference room. Bill raises an eyebrow at both of you, handing over a plate with steaming steak, as if he just finished cooking it. "I thought I'd save your lunches for last, figured you guys needed some extra time," he says, clearing his throat and nodding towards Tommy, who seems entirely oblivious to your brief disappearance. "You know Tommy, can't resist a good piece of steak," Bill continues, gesturing at Joel. "It's like everything around him disappears for a moment; you could rob him blind, and he wouldn't even notice," he adds with a small smile, placing a hand on Joel's shoulder and giving him a knowing look. "Enjoy your lunch, you two."
Bill Look, I wouldn't call myself a nosy person, but I am perceptive.   [He glances at Frank whispering and giggling to Connie off to the side, rolling his eyes.] Look at them. They think that they're the eyes and ears of this operation, but what they don't know, is that I. Know. Everything. I am a survivalist. I gather intel on all of my surroundings, even if I am surrounded by absolute morons.   [Bill takes another sip of coffee, subtly glancing around him before making eye contact with you, the reader, once more] So if you want to know the real scoop, the real ins-and-outs of this company, and not have to deal with the lunatics in Frank's not-so-secret shit talk club, come to me, I'll set you on the right path. At least I have snacks.   [He looks off to you and Joel, giving a curt nod as he starts to cut into his own steak.] As much as I respect Tommy, he's not the one signing my checks at the end of the day. If there's anything that I value more than anything, it's loyalty. I don't like to play around, hate it when people bite the hands that feed them. People like that need to be taught a lesson. Joel's a good man, and sometimes, we fuck up... but it's how we handle ourselves after the fact that matters. If that means I help out an old friend, well- [he smiles as Tommy walks towards the conference room doors, heading back to his office. Bill smiles out into the distance.]
Taglist: @sarcasm-theotherwhitemeat @gwendibleywrites @brittmb115 @joeldjarin @drewharrisonwriter
@littlebunnybigheartfics @missladym1981 @auteurdelabre @quicax3 @casa-boiardi
@amyispxnk @untamedheart81 @paleidiot @laurrrra @la-vie-est-une-fleur29
@bbiophiliaa @thewiigers (I apologize if I missed anyone, but if you are looking for any of my fic updates, please feel free to follow my updates blog @chiriwritesstuffnotifs!)
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dykedvonte · 12 days
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thoughts on Arcade Gannon!
Arcade is so silly to me but in a serious way.
His whole character centers around the guilt of his father and past and what it would mean to follow in his footsteps and to not. I hate that virtually all his endings are lack luster and sort of sad. He and Veronica get such bittersweet ending slides but all of his stem from the Wasteland not letting him find peace vs Veronica's who struggles to find peace within herself.
He's so smarmy and despite him insisting he's boring he's the most pleasantly (this is a dig at Cass) vocal companion next to Raul for me. His quest is a bitch to start early but it's fun to tote him around. I think it's fun to play around in his idle commentary because I don't think he gets to use his dry whit with the followers a lot (too easy to reveal something about himself and it probably falls flat with how direct and non-tactful the followers seem to be socially).
More people should lean into the "Highly capable in combat but panicky" side of him versus the avoidant type he tries to perpetuate. I mean he starts shooting first of any of my companions' behaviors and his melee weapon is terrifying for a guy who doesn't like to get up close in combat. I feel like he's got a lot of anger bubbling underneath his surface but is scared to let any of it out because he feels that he'd let it become misguided. Then how is he any different than the Enclave who were led by so much misguided hate they were willing to kill all mutated life (minorly mutated humans included).
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anonymousboxcar · 9 months
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TTTE Headcanons: Engines’ TV Habits
This is pretty goofy, but I’m thinking about what sorts of TV the engines might watch if they had a TV or a streaming device in their sheds. Here’s what I’ve come up with so far!
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Henry loves nature shows, of course. In addition, after his fireman lamented his spilt hot cocoa, he wanted to understand why humans care so much about food. This led him to cooking shows, which he found very relaxing. He likes to watch raw, disparate ingredients become something beautiful and complete.
Edward goes for mysteries — lighter, cozier shows like Midsomer Murders, Rosemary & Thyme, and Murder, She Wrote. He’s also a fan of Granada Studios’ 1984 Sherlock Holmes. It tickles the same part of him that enjoys ghost stories, giving him a slight thrill alongside a pleasing mind-teaser.
Gordon watches the news every morning and evening. He likes to feel up-to-date on important events, expounding on them to his colleagues. Any program about opera and orchestral performances also appeals to him. There’s some snobbery involved, but he does enjoy hearing and learning about musical genres.
James likes game and talent shows, often shouting answers and opinions at the TV. He’s so attuned to these shows’ editing that he’ll guess a season winner, set up a betting pool, and rake in all the favors after the finale with a smug grin. (Gordon and Henry only keep placing bets because they want to show him up someday.)
All three big engines indulge in the guilty pleasure of soap operas. They think nobody else knows about this. Pip and Emma “obliviously” intrude on their watch parties to make them squirm.
Thomas and Percy watch ghost hunting shows together. They scoff at the idea of ghosts, accuse each other of being ‘fraidy-cats, and huddle close in fear as an episode progresses. They also watch late-night airings of schlocky films with Toby, whose sly commentary cracks them all up.
On his own, Thomas watches motorsport broadcasts. Bertie hooked him on it not long after they started racing each other. He’s a fan of some F1 drivers and their cars, often comparing notes with Bertie in serious (and sometimes heated) discussions.
Percy has a soft spot for period dramas. He’ll laugh at historical inaccuracies, get invested in all the characters, and ponder common tropes. He’s not afraid to ask about the servants who have to endure the wealthy protagonists’ dramatics.
Toby doesn’t watch much TV outside of what he sees with Thomas and Percy. However, he and Henrietta are partial to some late-night talk shows. If the show’s interviewing someone they’re interested in, or if they think the host is funny, they’ll give an episode a try.
Duck adores How It’s Made. It’s very satisfying for him to watch a bunch of moving parts at work, slotting pieces into their rightful places to assemble something. Other nights, he watches travel shows. They explore locations all around the world, scratching his itch to see what’s beyond his horizon.
Donald watches stand-up comedy specials, going for a good laugh at the end of the day to decompress. Ever since Duck “gifted” him Dilly, he also watches nature programs and shows about training/caring for pets. (He and Dilly are working on some tricks.)
Oliver picks sci-fi shows, with Star Trek and Doctor Who as his favorites. He’s drawn in by the pulpy adventures, moral dilemmas, and complex protagonists. It all makes him feel better about himself: you can mess up on an astronomical scale, but still be capable of good things. You don’t have to be a perfect hero to be a good person.
Douglas enjoys shows about antiques and vintage items — things in the vein of Antique Roadshow, or American Pickers. He’s a sucker for knickknacks that meant something to someone, for all the stories behind each one, and for their loving restorations.
Bill and Ben think fitness shows are hysterical. They’re forever amused by the odd ways the instructors contort their bodies. But they also scheme for their crews to watch these shows, hoping they’ll participate and stay healthy for years to come.
Daisy’ll watch any program about fashion or body art (tattoos, piercings, etc). Being so attentive to her swerves, she’s curious about the ways that humans adorn themselves. She’ll sometimes take inspiration from what she sees, but she’ll always argue that fashion is an art form, pointing to these shows for examples.
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What are your guys’ thoughts/headcanons? I’d love to hear them!
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GASPARE PACCHIEROTTI! (1740-1821)
One of the greatest castrato opera singers of all time, perhaps exceeding Farinelli. Not only a virtuoso possessed of a huge vocal range from soprano to tenor, able to sing any style with great taste and sensitivity to the intention of the composer, a consummate actor, with great intelligence and judgment about drama and music, but also a pleasant, kind, and gentle person, modest to a fault. All the biographers write in praise of his character, and in Susanna Burney's diaries (quoted extensively in Linda Kelley's Susanna, the Captain & the Castrato, in which Pacchierotti is so cute it's criminal, GAH) a portrait emerges of a sweet, shy, and also funny and charming man with a good word for everybody, a serious dedication to his craft, lifelong struggles with stage fright, and deep empathy.
He was also ugly. This didn't stop women from falling in love with him left and right. But he was embarrassed by it and didn't like portraits. The above portrait is flattering, but there are also plenty of surviving images that are... not.
In 2013 Pacchierotti was exhumed and studied by anthropologists. I was really sad to see the commentary around the internet circuit often leaned "freak show", leaning on lurid fascination with bodily difference (rather than similarity, which was also found by the study). He even got skull-shamed for having a weird face. Poor man is 200 years dead and people are still calling him ugly. This was a person who was a lot more than a physical oddity; we can no longer hear his voice, but we can remember his inner beauty.
"If he had not been a singer, he would probably have been a poet; for his ideas, even in current conversation, ran involuntarily into poetical imagery ... when he was highly animated in conversation, the effusions of his imagination resembled his cadences in music, by their excursionary flights, and impassioned bursts of deep, yet tender sensibility. ... Timidity and animation seemed to balance his disposition with alternate sway; but his character was of a benevolence that had no balance, no mixture whatsoever." -Memoirs of Doctor Burney, by Frances d'Arblay
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good-beans · 2 months
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Concept that just popped into my head: Milgram characters doing "get ready with me" videos
Aw, this was so fun!! I always love your hc style of normal au/everyone's chilling, and tried to go the same route -- it was so cute to think about :D
Haruka: Puts on his outfit for the day and explains everything in great detail. He has lots of comfortable items and fun colors. At the very end he speaks off-camera and you realize Muu was standing there cheering him on the whole time. He gets a lot of encouraging comments, and Muu and Fuuta keep an eye on the account to delete any nasty ones that may come in.
Yuno: Shows her outfit, makeup, nails, and bag she’s taking with her. She tries out a variety of styles (not just sticking to the more feminine looks we see in canon). She gives a bit of a tutorial and tips as well as showing things off. Has a main account for her daytime outfits, and a more private one for her nighttime looks. Mahiru is the only one aware of the latter account.
Fuuta: Layers. Lots of layers. There will be three sweatshirts laid out in front of him and you wonder which he’s going to choose before realizing he’s putting them all on. He focuses most on his sneakers and sportswear. He plays loud music over the videos, not knowing what to say. Has gotten into comment-section arguments over those yellow socks.
Muu: Also does a full look at her appearance: nails, accessories, etc. She mentions where you can buy everything, and it’s unclear whether she was sponsored by these brands or is just excited to talk about them. (Whether they’re actually together or not,) she’ll have Haruka on as a guest a lot to show off couple’s outfit ideas. She definitely has the biggest following, and loves recommending Haruka and the others’ accounts.  
Shidou: He doesn’t really know what he’s doing, but his account is getting tons of views so the others keep encouraging him to make videos. He’s just glad to be connecting with the other prisoners as they show him how to do it. He dresses in a mix of the sleek patterned shirts and dad fits, and both types of videos are equally popular. 
Mahiru: None of the serious-faced flirts or little pouty faces – it’s all smiles for her. Every video is basically a full tutorial – she has captions and a voiceover giving commentary on everything. She has the next biggest following, and interacts constantly. She loves getting questions “what should I wear on an x type date?” “How do I dress to impress x type of person?” because she always comes up with the perfect outfit to help. 
Kazui: A bit confused as well, though he does know a lot about style. His interro question makes it seem like he wanted kids – I think he’d really get into the account as one of those “Dad How Do I” types. He talks about matching things, clothes upkeep, shaving/hairstyling. 
Amane: Also wouldn’t have made the videos without prompting from the others, but enjoys it a lot. She usually talks about practical things instead of “vain” fashion: she’s excited to show off a new raincoat, sturdy shoes, useful pockets, etc. Over time, she leans into outfits that are more cute and colorful, gaining confidence in them. 
Mikoto: He started the account as something for one of his design classes, and got really into it. He likes to challenge himself with unique styles and clothing articles, making pretty much anything work. He keeps everything professional in case an employer/coworker sees, but isn’t afraid to add some flirting and flaunting in there. If he’s open about his plurality, he’ll have some special videos, “choosing an outfit for John today!”
Kotoko: Like Amane, she’s more excited about practical outfits. She’ll show off clothes that have good flexibility, places to store and conceal objects, and heavy duty materials. She’ll rate jackets, boots, and other “military-grade” things for what has worked best for her. She’s very attentive to the accounts that follow her – she does full background checks to make sure her info is being used for justice, not more crime. Mahiru convinces her to do a special where she puts all her piercings in and talks about why she chose them/what they mean.
Es: Experiments with a lot of new styles, trying to figure out what they like. They also just play music in the back, not having much to say about each outfit. They'd rather focus on their series of dressing-up-Jackalope videos, much to his dismay...
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nerdindistress · 7 months
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My mom watched OFMD in an effort to take an interest in my interests. Her commentary and thoughts are just top tier. In the lead up to season 2, I thought I'd share some:
She consistently confuses Izzy for Lucius and Lucius for Izzy, no other characters- just those two. It was so bad at one point I had to start calling Lucius "the dead one".
We were talking about why Stede left Ed, and I mentioned that Stede didn't realize that he was in love with Ed. My mom broke out into laughter and said "Come on, no one is that stupid".
I once dropped an ice cube, tried and failed to pick it up with my foot, and then picked it up with my hand. My mother with a serious face looked me dead in the eye and said "you're Ed".
She finished Season 1 and immediately said "I'm ready for Season 2". This was back in May of 2022.
One time my mother called me, no "hi" no "how are you?"- just "any updates on the pirate show?" When I said "no" she hung up.
There are definitely more, including her reaction to the teaser, but this is what I'll share for now.
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cat-and-fox-hub · 4 months
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Alliance DDLC AU!
Made by Cat, aka Researcher Serif
(TW: suicide, death)
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Welcome, one an’ all to our DDLC AU ft. @cosmica-galaxy's Alliance bois! this has been stewing for a while but I finally done it!
Since the Bois tend to go in trios, I added a two special guests; Veteran & Brown-Coated Cameraman!
Veteran here has a platonic/familial relationship with the Literature Club's resident human, you! But, when it comes to you, dear Viewer, it's another story altogether~.
Brown-coated Cameraman is also like Veteran in terms of relationship with you but also you as well.
Anywaes, I do hope you enjoy!
(Sorry in advance if the format is janky, I'm still experimenting styles for my writing.)
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[Close ups and extra commentary below!]
As a forewarning, I will being using -dere typings, a suffix to that derives from the Japanese onomatopoeia 'deredere' meaning 'lovey dovey' to describe characters that express their affection in different ways, or on different levels, for their personalities with a summarized explanation of what the -dere type is given.
(Also keep in mind that while they take the roles of the DDLC girls, their personality don't exactly match with them. They more take some aspects from them into their base personalities, which has been ever so lovely provided by Rus.)
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The Main Trio! Took some finagling around to put them in roles I think was most suited for them but I decided on this!
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ღ⊱ | Sayori!Cameron |
His base personality is a Dereyandere, mostly a Deredere, a sweet and happy-go-lucky energetic type character, with hints of non-violent Yandere, an obsessive and lovesick character willing to go varying (usually extreme) lengths for their perceived beloved
In this AU, he's more ditzy than his base self and that's pretty much it. Not much change here really.
I chose him because his cheerful and jealous pouty nature just reminds me of Sayori and his yan side reminds me of the Act 4 ending should you choose to delete Monika's file resulting in Sayori becoming the Club President.
ღ⊱ | Yuri!Vee |
His personality is a Kuutsundere, mostly a Kuudere, a calm, and collected character type that usually appears stoic in nature, with hints of Tsundere, a prideful character that seems/acts harsh on the outside but is softer on the inside
In this AU, he's a bit shy and into strange literature like Yuri but no less stoic and mature like his base self
He also adopted the yandere tendencies, obsession with knives, and 'testing' them on himself as Yuri does when his personality values are tampered with
ღ⊱ | Natsuki!DJ |
His base personality is a Deredere with go-with-the-flow/chill vibes from my observations
In this AU, he's a bit more exasperated and possessive than his base self. He's still the chill and happy-go-lucky unit we all know but just a bit more mellow in the way he gets a little more defensive about his feelings towards you, both to you and those that seem to like you too
Basically, Nastuki's tsundereness somewhat cancels out his more joyfully energetic side a tad
Initially, he was in Sayori's role before I started swapping with Cameron for a while. They were going back and forth roles the entire time lol
I was nearly done with drawing this when I realize he'd probably be a bit better as Sayori, but again, I was almost finished so we get this!
( _-ヮ-;)\
ღ⊱ | Monika!Veteran |
His base personality is serious and fatherly-inclined. He doesn't really align to any -dere types but if we were to stick to the whole -dere personality typing, the closest -dere type he'd be is a Jendere, a calm, gentlemanly, and distinguished character type.
There's more terms that attach itself to it like strict, fatherly, kind, and/or elegant which is why I thought this was the closest -dere typing for him
In this AU, he has more yandere tendencies that manifest in a similar way to that of Monika's own tendencies, just in a more guilty, conducted way seeing as he's the eldest, their senior, and shouldn't be causing the destabilization and deaths of his younger, junior club members because his deep love for you.
He's also younger in this AU considering DDLC's setting but that still doesn't offset the DILF vibes he got goin on lol
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ღ⊱ | You've achieved the Bad Endings! |
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ღ⊱ | Sayori!Cameron | "It's, what do you call it, just a little rain cloud! I-I'm fine! Promise!" ღ⊱ | Yuri!Vee | "What to do for my core that flutters when our gazes meet? Ah! I-I apologize, I said too much..." ღ⊱ | Natsuki!DJ | "Whatever's on your mind, I'm sure it was nothing!"
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Hey! You there, looking at the screen! You seemed quite startled when things didn't seem like what they were at first. Especially since you exited so suddenly.
Monika!Veteran's been... watching, among other things. He's been waiting for quite a while for you to return so he's just a bit... antsy, to say the least, so please, don't be too alarmed looking at him!
But, your back! So all is good! And now, without the others in the way...
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ღ⊱ | Monika!Veteran | "Let us spend the rest of our eternity together. What do you say? Just the two of us?"
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Veteran likes to pat his child our resident human like any good dad senior he is!
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The Main Trio giving you some well deserved affection! Veteran seems to have his Dad Instincts™ involuntarily flare up at this though...
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And of course, to top it all off, we have a Bonus Alt! AU ft. Rus' Mimic Trio and special guest, Brown-coated Cameraman!
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ღ⊱ | Sayori!Pal |
His base personality is a Deredere to the max. A chipper and friendly guy to literally everyone he meets
In this Alt AU, his personality hasn't changed much from his base one, really. The only difference is him being a tad clumsy and a bit more somber at certain times, which is from Sayori's clumsy demeanor and depression.
ღ⊱ | Yuri!Buddy |
His personality is a Kuuyandere, majorly a Kuudere with hints of non-violent Yandere
In this Alt AU, he's quieter than his base self and a bit more maniac in his yandere tendencies when his personality values are tampered like Yuri's in DDLC.
He's also has a bit of shyness in the form of hand fidgeting from Yuri's own habit.
ღ⊱ | Natsuki!Fiend |
His base personality is a Kuutsunyandere, mostly a Kuutsundere with hints of non-violent Yandere
In this Alt AU, his tsundere side is a bit more prominent. Still a smug bastard, he's much more susceptible to getting flustered by things that involve his emotions due to Natsuki's influence
ღ⊱ | Monika!Brown-Coated Cameraman |
His base personality is a Megadere, a Deredere whose love is more obsessive and fangirlish in nature, which is rather obvious to everyone else, and sometimes, the love interest themselves
In this AU, his personality is more that of a Yeredere's, similar to a Megadere but even more crazy and obsessive like that of a sweeter, mostly non-violent Yandere which comes from Monika's own yandereness
He also very much leans into Monika's 'why can't I just be the one for once?' as a person who has very strong feelings of love and longing slapped in him
He just loves you so much. Won't you stay with him? Forever?
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Check out my main blog: @researcher-serif
Here's my NSFW blog if that tickles your fancy: @grandfather-of-sin
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gacha-incels · 1 month
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Been boycotting limbus but it's a bit disheartening seeing everyone continue around me with this passing intl women's day. I don't know how to convince my friends to stop without getting into an argument because they're all knee deep into these games. But my real question was.. why? These people are boycotting other products for other things, why are they so adamant with sticking on this when it's proven to have harmed so many people in the small team that made it?
Had a discussion with one who is boycotting and I feel like that "political correctness" seeps into the themes of the game, actually, despite how people tout it as the ultimate anti capitalist game; The City is suffering, workers gruel and die at the whims of corporate overlords, people struggle to find housing, and whatever the fuck Carmen's doing in the light, while it could help people survive longer, is just giving everyone guns ignoring the power structures underneath. It's very strange to me now there's.. no suggestion of uprooting the system at all in the games. No true strikes or protests or even any mentions of unions as far as I know. There's no effort to change what is given
[outside of the seed of light project, which 1. famously Didn't Work and 2. having everyone manifest ego is still just giving everyone guns and going "now don't shoot each other!"],
which is very strange and kind of sad? Like sure maybe an arbiter or something would come and tear it down but surely people would come up with countermeasures? People are really good at adapting around things out of desperation, and surely at least an effort would be mentioned
And then my friend, she suggested something; without project moon's suffering, there would be no project moon. Without the city, project moon can't make games. To end the hell that the characters are in and truly resolve the city's hypercapitalist dystopia, they must stop making money off of them. But they don't want to. They definitely DO want to make more games, noted by the interviews which mention future game concepts such as the distortion detective visual novel. But in order to do so, they must keep the current games "clean" and consistent in their suffering to perpetuate conflict. There is some commentary about capitalism to be had; but it feels more like a "oh, look, people are dying, this is so sad" layer of paint on it at this point rather than something more in depth and meaningful. And I think in enforcing this sort of "we can't fix the system in any meaningful way, let's just live our lives instead and hope something better happens" mindset, it reflects into the players. Kind of ironic how the anti capitalism game must sustain its own horrible systems internally so the owners of the series can: make more money through a very predatory money making system, no less!
Limbus fans don't give a fuck about feminism in kr, they think its a system they cant help fixing so they just play the game as they please and any attempt to disuade them is met with a "stop ruining my fun!!" And "who cares?" The worst ones are the ones who KNOW their money is being funneled into stupid misogynistic shit but don't care! It's insane! I've never seen this level of apathy towards a serious issue before!
Sigh. I hope this ramble is coherent. If I missed talking about something or if you want me to talk more I'm game. Project moon's characters are some of my favorites but you have to admit the themes are surface level shit at some point, especially in later installments of their games. So tired but I'd figure I'd share my thoughts somehow. Take care account admin, youre doing gods work
yeah regarding your first point about fans that keep playing, back in August there was a discussion on this blog here regarding contemporary fandom “culture”- how it makes dropping a piece of media hard for some people and why they feel so quick to defend it. the nature of gacha is also that it gets you into the habit of doing “dailies” which makes them harder to drop, this is not even mentioning sunk cost fallacy. I’ve seen a recent post on the FGO subreddit asking why people still play the game and the top posts by a longshot were ones saying only because they spent so much time and money on it. For a lot of people (even people who think themselves progressives) misogyny is a non-issue as well so they will not take the situation in South Korea that seriously to begin with. This is in addition to it happening to “other” or “foreign” women in the eyes of the western fan. There is also an aggressive “fuck you, I’ve got mine” attitude some of the fans who want to keep playing have in regards to these women. It’s disturbing to watch happen but unfortunately not uncommon. I find some of the worst of it, in this situation specifically, is when westerners try to tell Korean women (who are boycotting and spreading information) that they are the ones spreading misinfo, or there’s no reason for them to boycott, how it’s not that bad for them, how PM actually didn’t do anything wrong, “both sides” are crazy and wrong, “let people enjoy things”, shit like that. like doesn’t it raise any flags for you that the people most affected by PM’s actions, Korean women, deleted entire accounts of fanart, took back fanmade items from PM’s cafe, started a boycott of LC and made posts in english to try and get the word out to international fans? you must think they’re idiots if you believe this is all some misunderstanding and vellmori quit of her own free will. Come on. imo it’s impossible to make any meaningful statement critiquing capitalism when you’re writing it in a game that uses one of the most exploitive types of gambling mechanics. I hope I don’t have to explain to anyone why this is absurd. You don’t need to expose young people to gambling addictions in order to fund new games. At the same time, things an author writes (or things that the reader infers from the writing) do not always reflect their ideologies or actions in real life and they can sometimes seemingly be at odds with one another. This is something fans have to reckon with, and not just by saying “actually hatsune miku made limbus company” or whatever. Personally, I can’t take PM’s “anti capitalist” or “feminist” or “revolutionary” work seriously when in reality they have mistreated employees, sued labor unions, acquiesced to incel demands and then later added a meme into the game from that incel community. On the other hand people struggle to believe Project Moon could do anything wrong like this because of the stories in their games so they vehemently defend PM, which at some point just feels naïve. well hopefully this is the type of answer/discussion you were looking for lol thanks for writing 👍
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olderthannetfic · 5 months
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I do think the disclaimers from authors about NOT ENDORSING!!!! certain behaviors in fics is pretty funny, but I’ll admit I do it too. Oddly I only put warnings for abuse of the self, not the abuse of others. I write a fair bit of fic that “romanticizes” (or seems like it does) suicide/self harm/eating disorders to the point where it can almost be a tutorial of how to do it if I’m graphic enough. So in those I normally just add dead dove tags and put a disclaimer about how the trigger warning is no joke and you shouldn’t do the things that the characters do in the fic. It’s not like a Lifetime Movie end credits where the authors note is filled with hotlines and stuff, just a quick little note that, hey, yeah, if you’re considering this, don’t do it.
Oddly, I don’t think that behavior comes from fandom itself but rather from a completely different corner of the internet — when I struggled with the same stuff that I write about, it was pretty common for everyone’s bio to say that they “don’t promote” or they’re “not pro” and I guess old habits die hard. (Whether or not certain types of depression/SH/ana blogs etc really DONT promote or those words are just a please-don’t-ban-me card is a completely different discussion.)
It’s pretty ironic actually because when I’m on the other side of things (as the reader), reading about it is really cathartic in fic, but triggering (not in a fun way) in “real” books. Like there’s several books I had to DNF or shelf because it got to be too much, but oddly enough fic actually helps me a lot.
WOW that was all way heavier than I intended to get when I first started typing this ask! But yeah, that’s my own personal relationship to “I do not endorse” and I didn’t realize how odd it actually is until I started reading some of these other asks! I don’t think any type of “this is bad, actually” authors note is ever necessary honestly, but I also don’t think they’re that big of a deal — if a note from the writer about how they’re ~totally against the “bad” thing they’re writing about~ really takes you out of the fic that much, I don’t understand that either…it’d be one thing if they rambled on and on but even then I don’t think it’s that big of a deal 🤣 Annoying maybe but no one is required to read the AN.
My general threshold is “would a movie/podcast/real™️ book have a similar Viewer Discretion Adviced notice? If so, your A/N is likely fine and not virtual signal-ly or OTT at all.”
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Heh. I think you're assuming a very different type of PSA from what other people are.
From what I've read, self-harm, suicide, and disordered eating are some of the topics that are a bit Monkey See, Monkey Do. Even support group discussions may increase the desire to cut, for example. It's still not 1:1, and we should be able to make art about serious topics, but a PSA doesn't feel totally absurd here. There are plenty of scientific studies showing measurable increases in people hurting themselves IRL after consuming certain material. Even if you did include a hotline, most people's objection is like "That number isn't valid for where I live", not "No one should ever do this".
I think if you polled people, you'd find that many of the PSA-haters are actually totally fine with "Hey, this fic contains serious depictions of mental illness. Make sure you're up for that today." and similar warnings.
But what people are actually talking about in 99% of "PSAs suck" discussions is rape fantasies.
Some clown writes a fic that is blatant fap material for people who like bodice ripper ravishment, and then they plaster it with "Rape Fantasies Bad" commentary that shows that they're judging themselves and their readers in a puritanical way that's a mega-buzzkill, completely out of keeping with the tone of the fic, and completely out of keeping with the actual scientific evidence.
Rape fantasies are commonplace and not a big deal, and to the extent that any depictions are demonstrably harmful, it's things like mainstream Hollywood movies reinforcing very standard cultural narratives, not somebody's sex pollen fic that's probably full of "It's so wrong, so why is it so hot???" anyway.
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the-far-bright-center · 7 months
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In discussions of TCW-Anakin vs. film-Anakin, I understand why some people see them as being incompatible or entirely different portrayals. But whatever problems I personally have with TCW are more to do with certain OOC dialogue lines that I don't agree with, or the overly-contrived situations that TCW tends to force him into just so an episode or scene can function as a 'meta-commentary' on his character or storyline. Believe me, I have issues with specific aspects of TCW's writing for Anakin, but the fact he's more outwardly 'suave' or 'dashing' than some people expected is not one of them. If anything, I see the 'Skyguy' persona as perfectly in keeping with Anakin as portrayed at the beginning of RotS, and I would argue that a great deal of the TCW characterisation is pulled directly from those Battle of Coruscant scenes. (TCW Anakin is also heavily inspired by Jake Lloyd's Little Ani in TPM, which, lest anyone forget, counts as FILM-Anakin.) The actual baseline 'persona' for both versions of the character isn't actually that different, and I'm tired of this idea that film-Anakin ISN’T supposed to be seen as ‘cool’ in-universe, just as much as I’m tired of the idea that TCW-Anakin ISN’T supposed to be viewed as a figure of pathos by the audience, either.
Imo, they’re both takes on the same character coming from different angles, set at different stages in his life, and portrayed through different mediums (animated series heavy on self-aware, darkly ironic humour in a more contemporary style intended to entertain and increase enjoyment of the Prequels-era and its characters vs. serious Greek tragedy with Shakespearean overtones made with old-Hollywood-style sensibilities as part of a mythic six-film saga). Just because TCW Ani doesn’t shed literal tears on-screen doesn’t mean he’s not emotional or emotionally vulnerable. As far as I remember, there's even a scene where Obi-Wan and Anakin discuss the fact that Anakin has trouble keeping his emotions hidden, which is the opposite of the 'macho' ideal the TCW version gets accused of being. And the amount of times we're constantly bashed over the head with dramatic irony about his fate as Vader in that series surely drives home the point that his trajectory is still a tragic one. (The way he cries out in agony in the Mortis arc, 'I will do such terrible things!' gets to me, every time.) Despite his powers and prowess, TCW Anakin is even shown as being physically vulnerable at times, as well. (See the Jedi Crash storyline which he spends mostly knocked-out unconscious, the nod to his mechanical arm as a liability in the Zillo Beast and Citadel arcs, and the scene of him futilely struggling like a wild beast before being captured with ropes in the Zyggerian arc, or the fact he gets captured and tortured by Dooku in 'Shadow Warrior'.) Fandom makes endless jokes about TCW Ani getting electrocuted every other episode, but then turns around and uses this to fuel the dismissive view of him as just some dumb himbo instead of understanding that this, too, is supposed to add to the character's pathos.
Likewise, fandom claims that film-Ani is 'uncool' and 'cries all the time', which is simply not true. Film-Anakin banters, jokes, laughs, makes daring jumps out of speeders, does bold piloting moves, is in fact an imposing duellist, and so on. Sure, his character is not supposed to be seen as aspirational (obviously!) and the most memorable and dramatic moments of the latter two Prequels films feature him in the midst of extremely intense emotions. But the oft-repeated view of him as 'uncool' completely ignores the fact that by the time that RotS starts, Anakin is also supposed to be a well-known and widely-admired charismatic general, aka the Hero With No Fear, who is viewed as almost singlehandedly saving the Republic. The audience may be privy to Anakin's inner turmoil, but in-story he is supposed to be seen as THE golden boy of the Jedi Order and the Republic. The RotS novelization frequently mentions that Anakin has 'dash', 'boldness', and a 'presence' 'like the Holo-Net hero that he is'. It literally says he's the best at what he does and he KNOWS it. He's not just supposed to be some sad, awkward idiot like the fandom thinks he is (rather, he's supposed to be shown as falling from a 'great height'). By the time of RotS, film Anakin has just as much swagger and self-confidence in his role as General Skywalker as he does in TCW. Just because that side of him is not the main focus of the film doesn't mean it's not supposed to be there.
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maxwell-grant · 7 months
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I’ve noticed once or twice among the pulp hero’s a dude with a crystal ball mysterio helmet in a dark suit. I can’t help but notice that what the Orb look is baller, it’s really distinct from other pulp characters he’s getting grouped with. What’s this guys deal and why is he so different from other pulp dudes?
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(Meme on the left by Questionposting)
Ethel Knapp, twenty, stood in her furnished room and peered at the gas jet. For ten minutes she had been peering at it, trying to summon the courage necessary to turn it on—without a lighted match above it. She had no money. She had come to Great City from her home in Ohio to work. She had no work. She had no way of returning to her mother and father. But she did have a way of saving herself from further hunger and humiliation. 
The gas jet.
She raised her hand toward it. Startled, she paused. A faint rustling sound came into the room. Looking down, she saw an envelope creeping under the door. She took it up, bewildered, and opened it. Inside lay money— currency held together by a band of silver paper—banknotes totalling $200!
“I can’t bear to see suffering, Angel. I can no more help trying to alleviate it than I can help breathing. If there were any other way of taking money from those who hoard it, and giving it to those who desperately need it—if there were any other way than stealing, I’d take that way. But there isn’t.” - The Sinister Sphere
This is The Moon Man. Moon Man was created by C. Frederick Davies and appeared in 38 stories from 1933 to 1937 and was a cross between The Shadow and Robin Hood, a black-clad urban avenger with a unique costume who stole from the rich to provide for the poor and was viciously hunted by law enforcement and the criminal underworld for it, not helped by the fact that his true identity is that of Stephen Tatcher, the 25-year-old police sergeant and son of the police chief, engaged to the daughter of his worst enemy, a lieutenant constantly trying to get Moon Man in the electric chair.
There's three main things that set The Moon Man apart from the other costumed pulp heroes and Shadow imitators from his day: Number one is that, despite looking a lot like Mysterio, he actually had much more in common with Spider-Man than even The Spider himself, in that he was mostly an ordinary schlub driven to help others who had to constantly pull off precarious balancing acts to keep his job and his secret and his life. 2nd being that he is a far more socially conscious character than pretty much all of his contemporaries, dealing with economic inequality, white collar crime, and grey areas where business practices and law enforcement intermingle with criminality to trample the lower class. He's a Depression-era Robin Hood and the stories are dead serious about it.
And third is that The Moon Man is no gentleman thief or dark avenger: He does none of this for the sake of personal fulfillment or revenge, he isn't tabling fights with gangsters to occasionally do an afterschool special or make a half-hearted gesture at social commentary, this is just what he does as a baseline. He is far less preoccupied with fighting crime than he is saving people in bad circumstances, and the stories are highly preoccupied with the people he saves, and the circumstances that The Moon Man is saving them from. For a weird guy in a creepy mask who goes around in a black coat with a gun in hand, he's an unexpectadly compassionate and soft-hearted (even mopey at times) character.
A chuckle came from the silver‐headed man. “You’ve distributed the money, Angel?”
“Yeah. Got it out right away. And it certainly was badly needed, boss.”
“I know… You realize why I selected Martin Richmond as a victim, Angel?”
“I’ve got an idea he ain’t all he seems to be.”
“Not quite that,” answered the voice that came from the silver head. “He’s quite respectable, you know. Social position, wealth, all that. But there’s one thing I don’t like about him, Angel. He’s made millions by playing the market short, forcing prices down.”
“Nothin’ wrong in that, is there?”, Dargan asked.
“Not according to our standards, Angel; but the fact remains that short‐selling had contributed to the suffering of those we are trying to help. I’ve taken little enough from Richmond’s kind, Angel. I must have more— later."
Dargan peered. “I don’t quite get you, boss. You’re takin’ an awful chance—and you don’t keep any of the money for yourself.”
A chuckle came from the silver globe. “I don’t want the money for myself. I want it for those who are perishing for want of the barest necessities of life. What would you do if you saw a child about to be crushed under a truck? You’d snatch her away, even at the risk of your own life."
“Don’t think I’m questioning you, boss.” Dargan hastened to explain. “I’m with you all the way, and you know it"
"Yes, Angel,” said the Moon Man gently, “I know it. You’re the only man in the world I trust. You know what it is to suffer; that’s why you’re with me”.
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The Moon Man lacked much in terms of budget or resources, partially because all of his money went to people in need, and he was under constant threat from the law and underworld alike, each more bloodthirsty than the other in how badly they wanted to mount his Argus helmet on a platter (he didn't even make the helmet himself, he mail-ordered it under his detective arch-enemy’s name). His father is a police chief with a weak heart, which adds an extra pressure to Stephen's secret in that it being revealed will not only lead to his father being fired, but likely dying from shock.
He picks hide-outs with creaky stairs as his main line of defense against intruders, his only line of defense is a gun, he pined over the love of a stubborn lady who initially detested his alter-ego, but eventually learned his secret and grew into a stronger person and even partner as they got engaged. And he only has one other ally he can trust:
He’d gone bad in the ring. A weakened arm made further fighting impossible. He found it just as impossible to find work. He’d drifted downward and outward; he’d become a bum, sleeping in alleys, begging food. Until, mysteriously a message had come to him from the Moon Man. 
Some day Ned Dargan was going to fight again. Some day he was going to get into the ring, knock some palooka for a row, and become champ. And if he ever did, he’d have the Moon Man to thank for it…
His main sidekick from the start, scarred ex-boxer Ned Dargan, was rescued by Moon Man from homelessness and starvation, and he was frequently named “Angel” as it was Dargan’s job to distribute the money, the narrative often filling the reader on the background of the recipients to make them not just anonymous victims, but real people with problems readers in the Depression era would have likely identified with. When we first meet them, Dargan tells him about a steamfitter with a sick daughter who needs money to pay for his kid's treatment, and a pair of kids with a recently deceased mother whose uncles can't afford to take them in and who will go to an orphanage without help, and The Moon Man promises money for all of them.
The main issue with the stories is that they do get a bit repetitive, but they're also fairly short and quick to read, and the strength of the concept, the assertive characters, the compassion, and the class dynamics that usually remain subtext in these kinds of stories, here becomes much of the text itself.
The Moon Man had a remarkable amount of continuity and consistency for a pulp hero, and only picked up more and more enemies that would constantly frame and target him with no additional allies. In fact, circa the end of the run, both his fiancé Sue as well as Angel are well acquainted with the Moon Man’s secret identity by this point and constantly beg Stephen Thatcher to give up his double life, warning him of increasing danger from both the cops and the mob, and in the last story, Blackjack Jury, he's pressured to give up his identity for good by the two and by how precariously his father's job hangs on him being able to capture Moon Man. The story and the character's run ends without revealing what decision he took.
Steve Thatcher lowered his head as though stubbornly to butt an obstacle. A wild scheme— his! He knew it. But, also, he knew the world— cruel and relentless—and he could not stand by and do nothing to save those who were suffering. The mere thought of letting others perish, while nothing was done to save them, was unendurable.
Beyond the written law was a higher one to which Steve Thatcher had dedicated himself—the law of humanity.
And if he were caught? Would he find leniency at the hands of Gil McEwen and Chief Thatcher? No. He was certain of that. Even if McEwen and the chief might wish to deal kindly with him, they would be unable to. The Moon Man now was a public enemy—his fate was in the hands of the multitude. Steve Thatcher would be dealt with like any common crook—if he were caught.
He remembered Ernest Miller’s daughter, who must go to Arizona or die; he remembered Frank Lauder, who must be cared for; he remembered Bill and Betty Anderson, who must have help.
“It’s got to be done!” he said through closed teeth. “Damn it, it’s got to be done!”
He walked swiftly through the night - The Sinister Sphere
The Moon Man is public domain and has seen some usage in modern pulp stories, but (as far as I can find) never really with the same bite that makes these stories appealing, and it's not difficult to see why the character, despite a fairly respectable run and a striking costume, remained mostly obscure. He certainly wouldn't have had any kind of 50s paperback revival without being heavily edited or rewritten entirely just in case somebody was maybe trying to trojan horse any commie talk somewhere, in a character whose main mission statement was addressing economic inequality and getting in trouble with the police over it. And nowadays, with Mysterio being so popular and "Moon Man" taking on a wholly different noxious meaning online, The Moon Man would require a slight overhaul of costume and a complete overhaul of his name, and unfortunately that entails almost making him a different character
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The Moon Man stories were adapted into a short comics run circa 1940-42 where they completely overhauled his costume and changed the names, titling him The Raven, but otherwise kept the stories mostly the same. I don't have much of anything to say about him, but there is one additional bit of strangeness that followed The Moon Man's largely unsuccessful transition to comics: The Moon Man was never published in Brazil, but there was a Brazilian superhero in 1962 (which still predates Mysterio) with the exact same name and headpiece. Created by artist Gedeone Malagola who, upon being denied the opportunity to publish his own Phantom stories, simply erased the character’s head, added a cape and used a penny to draw a translucent globe for a head, creating a new hero in turn named Homem-Lua (Moon Man). The character lasted for a couple of years as a back-up on fellow superhero Black Ray’s magazine, before it’s end.
The only detail given about his past is that he was born in Brazil, initially operating near his headquarters in São Paulo before becoming a globetrotter. He lacks explicit superpowers, but is feared by criminals around the world and considered to be an immortal who’s been active for over a century, as many supporting characters in the stories claimed that their grandparents had met the hero. A master of technology who flew around in a personalized jet and was able to call upon the aid of indigenous tribes around the world, who believed him to bear the mark of a godlike entity or be said an incarnation of said entity (as a plot point it's as racist as you'd expect, but also gets a bit funny when you consider how the most famous of moon-themed superheroes this side of Japan, Moon Knight, would pan out 15 years later)
He's mostly a fairly cut-n-dry Phantom clone with some oddities here and there, namely: In one adventure, despite the character being supposedly a human, it was said that all who gaze on his face would die. He was never unmasked in the entirety of his run, and he had no compunctions about executing his villains, whether it was by burying them under a stone idol, breaking dams and letting them drown in the ensuing floods, exploding them, or outright sinking daggers into their chests. It's a very stark contrast to the pulp Moon Man, who preferred to avoid conflict entirely and would only use his gun as a last resort. Ultimately, they bear no official connection, but the strangeness of sharing the exact same name and trademark headgear. It's as if one ends where the other begins.
In some ways, I'd argue the original Moon Man is the purest wish fulfillment pulp hero of The Great Depression, because although eventually he'd take on more bizarre villains, the bulk of his stories are about this regular guy who goes around patching up wounds left by the Depression in a case-by-case basis and (barely) outfoxing and surviving repeated attacks from the powers that be only because he hides his true face from the world. He has no extraordinary abilities or resources, but he makes do as best he can with a ticking time bomb hanging above him.
As unfortunate as the character's present circumstances may be I absolutely think he's got what it takes to be striking and memorable and resonant in ways a lot of his fellow costume avengers aren't, and hey, the guy's public domain, so, if anyone wants to take a shot at reviving him or simply plopping him into a story, add another weird chapter to his history, nothing's stopping you. I simply have to believe there's an audience out there who may fall in love with a well-meaning bleeding heart trying his best who, with nothing but theatrics and smarts and a fishbowl helmet for a head, is driven to fight capitalism instead of Spider-Man.
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With a strange, uncanny knowledge the Moon Man selected his victims. Those victims had climbed roughshod to power; some within the law, and others outside the pale. And the Moon Man called on them with a very definite and grim plan— for he walked in the eternal danger of a double menace. If the silent figure had any face at all, it was the face of the man in the moon!
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nonbinarypirat · 4 months
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Heyyy so I saw you were open to questions and doing commentary!! So I was wondering do you think Azz and Iruma’s relationship is different than Clara’s and Iruma’s? And and also would love to hear any love trio thoughts🙏 tysm !!!!
this is a great question!! as a spoiler, i am deeply in love and invested in the soulmate group and love the connections they have together and on one on one ways. yes! i do think they are different in many ways! Here's a little break down on my thoughts on their relationships :) .Get ready for word vomit, i went overboard
Azz and Iruma: Azz and Iruma relationship is one of deep personal openess. That isn't to say that they leave Clara out of their personal feelings, they do, but both of them lacked the normal carefree freedom as kids. Azz because of his brilliance and Iruma because of his parents.
Due to this, we see they often fall into sharing thoughts and anxieties with each other in their solo interactions. Azz and Iruma have also known each other the longest, at least a week or two went by before meeting Clara. So Azz met Iruma VERY much when Iruma was at his weakest moment, when he was so confused about the world he found himself in. And despite the weridness with their relationship at the start, Azz has always been there with Iruma, he's the third person he ever met here. With Azz having toned down is extreme admiration to Iruma this has made these moments possible between them.
I also don't want to make it seem like they don't joke with each other, we have seen that they do. They have both changed so much when it comes to having fun thanks to Clara. Now, they are able to have a shopping day and be silly. But without Clara to really push the envelope when it comes to fun, they have more calculated fun.
Clara and Iruma: Very much a playful cutesy relationship. (I honestly hope we get more interactions of just the two of them in the future.) Clara represents the childhood Iruma never had, never could have, and therefore allows him to explore childlike wonder. How to open up in more expressive ways, carefree exploration, amd fun to the fullest extent. And by doing so, Clara is able to understand Iruma's moods better than most since we let our guards down completely during moments of pure relaxation.
We see this when Clara immediately saw Iruma was upset and needed to let out his emotions and just be a child. She knows when Iruma is genuinely happy and when he's stressed and doesn't know how to express it. And we have seen that Iruma greatly appreciates Clara for letting him experience and understand playing, something he never had the time to do before. And by being around Iruma, Clara has been able to develop strong moral and logical thinking. Clara has always been a character that is more aware of what's going on then she let's on. But I think the childlike part got in the way of full development in this aspect of her character.
With Iruma, she is able to explore and understand more complex ideas and thinking. One issue with being so isolated like Clara was is that she never got to explore any type of critical reasoning. These things can only be developed by interacting with others. And so, in the beginning Clara was very short sighted and immature. Now, she not only has the love trio, she also has the misfits and it's not clear if she would have been able to create this friend circle without meeting Iruma. She has grown so much as a character and I love seeing her be mature and willing to make sacrifices (putting aside Iruma time because Azz needed it more) while still being chaotically happy.
Love Trio: What can I say that probably hasn't been screamed about in a different post. They are soulmates, deeply connected to each other in every way and bring out the best in each other. They don't "complete" each other, more like they allow for each other to be themselves to the fulllest. They all default to too serious/angry (Azz), too hyper/inconsiderate (Clara) and too in his own way/"yes man" (Iruma) when apart and together, make up for their weaknesses and boost their strengths.
Each of them has been important to the other's growth. They all have their place in the love trio and deeply love their roles too. The love trios relationship is based on deep trust, mutual (and healthy) dependency, and joy. By being with each other, they have created a safe space to allow expressiveness and vulnerablity while still leaving room for fun and happiness.
And it's so cute to see how close and personal they all get. Especially Asmodeus who always felt more standoffish to physical affection in the beginnings, even with Iruma besides a hand of the shoulder. As the story progresses, we see them be more comfortable with each other and that shows in their physical closeness. It's just a wonderful design choice on the artistic side of things and perfect for showing them care more for each other. On a personal note, my headcannon is a queerplatonic poly relationship (though sometimes I ship it as a full on romantic relationship) so it's even cuter to me.
anyway, those are my thoughts and interpretations of the relationships! since this post become super duper large, I will make a seperate post about Azz and Clara and link it in the comments because their relationship is shaping up to be very cute too and not just iruma focused :)
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