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#not even show yourself
ambrosiagourmet · 3 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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transannabeth · 10 months
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btw if you borrow dvds or cds from library you can rip them onto your own blanks or onto your hard drive or whatever. librarians don’t care and they won’t know if you do it or not
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golyadkin · 9 months
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I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr
not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work
believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody
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heritageposts · 3 months
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has anyone come across any shareable graphics that show the type of produce (fruits/veggies) that israel exports?
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wigglebox · 1 month
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Newsflash: They sound ridiculous either way
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poorly-drawn-mdzs · 1 year
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Advanced Hall Monitor Technique: Go To Detention
[First] Prev <–-> Next
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jemmo · 3 months
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
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heynhay · 10 months
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i want them fighting like children as in pushing each others faces away, i'm not touching you with a finger a centimeter away, tripping each other in the hallway bc somehow that's flirting do u see the vision or am i alone
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we may never diagnose what the hell their problem is
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crescentfool · 6 months
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happy mochizuki monday!!!
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dayurno · 3 months
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this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it
and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?
anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode
two hours later edit: you're allowed to reblog this! sorry about the confusion
#this has been so upsetting to notice but 🥹whatever#there is a different kind of bitterness to thinking about how ten years have passed#and we are getting new content that changes and maybe even rectifies many of the ways we see and interact w aftg#and none of it not a bit of it addresses the racism#how it’s been ten years and the only thing we really get to show it is a book about a ship between two white men the fandom came up with#after seeing them be Suggested to interact in canon#i understand not wanting to hurt nora sakavics feelings by asking her about this#but imagine how tired we are. Imagine how tired we are#do you know how bad it feels to read through nicky’s worst moments in aftg#and know that he was written this way because he looks like me?#do you understand how exhausting it all is. can you imagine?#the fandom has been so quick to undo the criticism fans of colors have been making since day one#and for what. for what! my doves. for what?#have we come out of it any greater? have we done anything but lie to ourselves?#and anyway this is not some mindless pessimism#this is not me telling you that aftg is bad and you cant love it; cant have it mean anything to you#this is me saying that when we acknowledge these things it makes us better readers and better people#nora sakavic if you are reading this from whatever hellhole america you find yourself in#grabs you by the shoulders. This is not the end#this is not something to sit back and feel bad about#you have opened the floodgates of hell with tsc. kick the door in and release a revised version of aftg#there is a real material way for you to make this better. it is possible and it will not kill you#i would read a revised aftg. my mutuals would. many many many many fans would#making mistakes is not just a human right its a human inevitability#but we do not have to let ourselves get defined by them. We can do hard things#lets go of nora sakavics shoulders. anyway. where were we#aftg#txt#tsc
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artemidesarrow · 11 months
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“Everything I touch turns to shit”
“Shit helps things grow, love”
And just like that I know I will be thinking about this for the rest of my life
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gothicdolores · 6 months
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Okay but can we agree that SOMEONE in the Rick and Morty writers room is clearly part of Yautjafucker fandom because Amy not only got herself a Yautja BF but a CLAN LEADER Yautja bf who wants to be a good step daddy for her son and if that isn’t indicative that at least one of you nerds are holding out on us!!! I KNOW WHAT YOU ARE!!!!
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wild-at-mind · 2 months
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I would honestly call the left's inability to accomodate people with morality-based OCD compulsions an accessibility issue at this point.
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I have the smallest crumb of a theory. But what if howdy is mean to Latter because he’s self-conscious of being the only caterpillar (and repressed) and takes it out on his brother as a consequence. Because social expectations at the time gave him an excuse to do so?
no. ok. hoo boy. Allow Me To Be Insane Over The Most Prominent Thought I've Had Since Seeing The Update (about howdy)
i will try to be as eloquent and articulate as possible. ahem:
THAT FRUITY ASS CATERPILLAR IS REPRESSED AS FUCK, ARE YOU KIDDING ME??? DID YOU SEE THAT SHIT?? MY GOD. HOMEBOY HAS ISSUES STACKED ON ISSUES. GET HIM SOME THERAPY.
ok. ok ok ok. Now allow me to be articulate and eloquent
so obviously Howdy is almost certainly queer in the men-loving flavor. if i'm wrong about this my confidence will never recover. But I'm Willing To Take That Chance. so he's definitely queer, right? his.. well his everything points to it, but the final nail in the coffin are his rainbow suspenders from the group Homewarming artwork from Eddie's prolonged breakdown.
but this update i think showed us deeper into that part of him. and i take the shipping goggles off for genuine analysis, so when i say this i believe that there is Serious Evidence and seems Genuinely Plausible - if Howdy doesn't have feelings for Barnaby, i'll eat my cat.
the above is important to say because it Directly ties in to how Howdy treats Latter AND Eddie.
so. Howdy is likely gay or bi, what have you. i'm guessing gay. he obviously has feelings for Barnaby. SO WHAT I'M SAYING IS that i don't think Howdy treats Latter the way he does because of the caterpillar thing, I think Howdy treats Latter the way he does because Latter is genuine and Howdy is not.
what does this have to do with Eddie? well. look at Latter and Eddie in relation to each other. they're both... how do i say... Open. and not - not effeminate, but yes, for lack of of a better word, effeminate. just enough to make one go "huh." and Howdy treats them the same way - dismissive, apathetic, one could even say avoidant.
i wouldn't be shocked if Howdy picked up on their queerness (and if Latter isn't queer, his comfort with himself / his behavior & interests) and is on the defensive about it - likely subconsciously.
and with Latter specifically. Howdy could have also picked up on the way his other family members treat him if they're all also dismissive - as Seeya seems to be as well. i mean, it fits right in line with the time period! homophobia - internalized in Howdy's case (again, most likely). the blatant favoritism, the dismissive nature, it all adds up. even if no one outright knows, that subconscious recognition (or outright suspicion!) will do this
i mean, Latter makes me think of two things. 1) being the only queer kid in a family (especially large). 2) being a middle child. there was a third but i forgor. it felt important! it's gone now! anyway it's also Super telling comparing how Howdy treats Latter (emotional, earnest, open) to how he treats Beeya (oozing stereotypical masculinity)
tl;dr so i don't think it's really "expectations giving Howdy an excuse" as it is "subconscious / internalized homophobia causes Howdy to act the way he does"
as always, take all this with a Hefty grain of salt!
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softcryz · 3 months
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Cat with homophobia in it's eyes
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skulandcrossbones · 2 months
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Oh dear, what are we gonna do about all this blood? — my liberation notes 1x02
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