#not everything needs a live action adaptation!!!

[tanjir0se]

One of the absolute worst things in my opinion about the live action ATLA remake is the removal of Sokka’s sexism. “Oh the things he said were ‘questionable’ so we ‘updated’ his character”

Wow it’s almost like the character. Had a flaw. It’s almost like he was raised in an extremely patriarchal society where what he was saying was the norm. And it’s almost like he had to unlearn these behaviors as he traveled and became exposed to more ways of life.

Yknow

Like a character arc or something

And don’t even get me started on what this does to the Kyoshi Island events. In the original, it’s meaningful that he wears Kyoshi’s uniform, a woman’s dress, after being so certain that a woman could not be a skilled warrior and did not deserve the respect afforded by the uniform.

And I’m absolutely CERTAIN the new show runners will see this scene and think it will be enough to pay lip service to the ‘woke’ idea of a man in a dress as like a “wow a man in a dress how woke” moment to try to garner the goodwill and sympathy of a younger hipper audience. Except ITS GOING TO RING ENTIRELY HOLLOW because Sokka is not learning anything by doing it! He’s not growing in any way!! It’s literally just. “Haha what if Sokka wore a dress” which is the OPPOSITE of what the original conveys!!!!!

I am BEGGING you absolute sheeple to let this piece of shit flop. It’s disrespectful to the original and honestly just cheap, lazy writing. If you want a good Avatar the Last Airbender: JUST FUCKING WATCH THE ORIGINAL!

#and it goes back to the notion that animation is inherently inferior to live action #which is a. wrong. b. stupid. and c. the reason we have so many dogshit live action adaptations of things #ITS ISNT INHERENTLY BETTER. IT IS USUALLY INHERENTLY WORSE. #the original is a masterpiece on every level and pretending it needs improvement is disrespectful as fuck to the original cast and creators #why do you need to see CGI fire and elements effects #why can’t it be enough to watch the original’s beautifully traditionally animated elements and feel all the love and work that went into it? #are you that much of a little baby that you can’t suspend your disbelief and need everything spelled out to you in shitty computer effects?? #all I can say to that is: #skill issue #idiot #atla #avatar the last airbender #live action atla #come fight me about it you fucking dipshits

[jemmo]

anime adachi and kurosawa are making out in a storage room at the office!!!! im highkey losing my mind!!!!!!

#THEY FULLY MADE OUT #i had no clue what level of intimacy we were gonna get in the anime version #but this was like a full proper make out #like it was long!!!! and they drew attention to everything all the ways they touched and pulled each other closer and adachi was like fully #reciprocating and the line building up to it omg kurosawa saying so the more i touch you the more you’ll know how i feel #yes I haven’t watched the thai version yet I need time to binge but like…. this is a really good adaptation #it feels authentic to the source material and yet they make it feel different to the live action in such good ways #you can see how these characters have the same basis but have been built differently it’s awesome #and also I have a feeling that this will be my favourite tsuge. his character just works a lot better in a anime format than live action #anyway if you haven’t watched the anime adaptation at least watch this it’s the second half of ep 8 #also only ep 8??? we still have a quarter of the show yet and they’ve made out already so idk what we have in store now #cherry magic anime

[hurricanek8art]

Fully withholding all judgment until the finished project is released but. But that new Avatar trailer.

It

I

HOW?!

It's Avatar! It's supposed to be impossible to pull off well in live-action!

HOW DOES IT LOOK GOOD?!?!?!

#i mean i'm still leery about the whole thing #you can have the best cast best production best EVERYTHING and the finished project can still suck if the writing isn't there #and i mean. it's netflix. from everything i've heard about their adaptations on stuff my expectations are in the toilet #but... HOLY COW OMASHU #I need to rewatch it a few times to really soak it in but OMASHU. AND THE ICEBERG. AND THE KYOSHI WARRIORS!!! AND IROH!!!!!!!! #just HOW?!?!?! #avatar the last airbender #atla netflix #atla live action #atla

[sharedtrauma]

I’m so serious about this, there needs to be a graphic novel adaptation of It and I should be involved in the production actually. Please.

#adapt like everything in the book accurately apart from that one scene I thankfully have yet to read (I’m scared) #I can see it in my mind so clearly I need it to be real #also there should be an animated film/series maybe also. enough with the live action you can’t do the it justice with that #it book #it 1986 #it stephen king

[26labrd]

What do you think of Jamie Bell's version of Tintin in the 2011 movie? I personally find Jamie's delievery of his lines and the facial expressions he makes to be satisfying and attractive so I love it. However, I do recognize some differences in the way movie Tintin acts compared to the comic version.

In the comics Tintin has an easygoing personality and is rarely annoyed. He's very patient yknow. While the movie Tintin looks very done with everyone lol. He's patient too, except that it's the bitch-im-this-close-to-snap kind of patience lol. I don't have a problem with it, I think it adds great comedy, plus it's a realistic & relatable reaction considering how the guy is surrounded by airheaded/distracted characters.

They got his curiosity/obsession and quick-thinking and some other tiny personality details right though. The movie Tintin doesn't feel far away from the original one, it just seems less "childish" and more relatable? Movie Tintin feels 25+ years old to me, meanwhile comic Tintin feels 15-20 years old because of how happy/energetic and "unbothered" he seems with many problems? (Although I think Tintin being 25+ makes more sense even though I know Herge thinks of him as 16-17, smth like that)

A scene I can think of where Jamie's Tintin acted so much like the comic version was when the captain asked him how much he knew about the unicorn and he replied with "Not a lot, that's why I'm asking you" he looked & sounded so cute and very comic Tintin-ish imo.

All in all I love Jamie's Tintin and ngl watching him makes me feel butterflies lol. But I can't help compare him to the comic Tintin and be reminded of their differences. I wonder if that's because of the script or just Jamie's way of portraying him?

Anyways, I wanted to know what you think. Maybe you can write a comparison post about Jamie Bell and Jean Pierre's portrayals of Tintin? Not like a "this one is better" comparison, just an analysis. Yeah just a suggestion.

Thanks for reading this far and I'm excited to read your thoughts on this topic!

sorry it took a little while for me to answer this! it was hard to organize my thoughts – which, it turns out, i have a lot of, so i’m putting this under a cut.

overall, i liked his performance, yeah! i think he’s a fine tintin. i think they did some things really well with him, like his curiosity and drive, as you mentioned, as well as his confidence and self-assuredness (the scene that comes to mind for these is the “we’ve got one bullet” scene). i know jamie bell is a dancer, too, which helped him nail the physical aspects of playing the character.

as for the differences, i think the main ones you listed – his impatience, annoyance, and less easygoing nature – just have to do with the stories they chose to adapt. in crab with the golden claws, tintin is indeed often shown losing his patience with the captain; in unicorn he gets cranky when barnaby and sakharine don’t stop pestering him, and when the woman hogs the phone booth in the rain. it wouldn’t be my personal go-to for a tintin portrayal to have these traits so forefront, but it provides more depth to his character/gives him more of a personality and makes him more well-rounded.

bc like. tintin in the comics is kind of bland LOL. which i'm pretty sure was mostly by design. we see him develop and gain more of a personality as the series progresses but for a lot of it he is kind of left blank. so the script writers had to fill in these gaps and round out the character in order to make the sort of protagonist that could carry a feature-length film. and i think they did a decent job! generally i think movie-tintin’s traits make sense and feel like a natural progression of the comics character. he is still recognizable as tintin, but just an older and more grown-up version of his comics counterpart, like you said.

that being said . there is just something about this version of tintin that is just a little bit off. and i cannot put my finger on it. this section will be more incoherent because i'm really struggling to put it into words lol. but he just doesn’t Feel like tintin to me... like. i think he’s a little too serious tbh . i wish they had let him get a little playful with it, but tonally i dont think it would have worked. and i think there’s just a lightness and a warmth that’s missing from this portrayal. not that i wanted him to be happy all the time or whatever, but he feels closed off in a way that tintin never has to me, so it feels just a little off to see him portrayed like this. like there’s a difference between closed off and reserved, and i think movie-tintin is closed off, whereas comics-tintin is just reserved. i don’t know if that makes any sense. at this point i'm just going off vibe rather than anything concrete that i can cite lol im sorry this is so nebulous

AND HONESTLY i think for me it also has to do with the fact that they made him do that posh english accent 😭😭😭 it just feels so wrong to me. like maybe i'm just too used to hearing him with a canadian accent (shoutout to the 90s cartoon) but. yeah. and i know that’s not jamie bell’s natural accent either, so it feels doubly weird

all this to say yes, i do like jamie bell as tintin and i think he did a wonderful job, and i think that this version of tintin makes sense, even though he doesn’t quite fully Feel like tintin to me

i don’t know that i'll write a comparison post, just because it seems kind of daunting and because i'm not super confident in my grasp of tintin as a character. which i know is ironic to say, given that i just wrote a bunch about tintin as a character, but this post is largely just opinion, and for something as “official” as a comparison analysis i’d definitely have to go back and reread/rewatch to be able to say anything with any confidence. it's certainly something i'd like to do at some point! i have a lot of thoughts about jean-pierre’s tintin as well and would love any excuse to talk about him. (spoiler alert: i think jean-pierre feels like tintin way more)

but anyway, thanks for your question!

#huge disclaimer it has been a while since i’ve watched the movie #changed my mind a lot while writing this and honestly i still don't know that i'm 100% sure about everything #i always second-guess myself when it comes to this movie lol #i don’t think i could pinpoint whether the differences are script vs performance tbh #idk how much input jamie had but surely they influenced and informed each other on Some level #ask #i could also just make a standalone post gushing about jpt's tintin. he's literally everything to me #i do think another thing that makes the movie and comic versions feel so different despite being very similar on paper #is just. the nature of their respective mediums? like the tone and the look of them #the comic version with its cartoon style and vibrant colors is automatically going to give off a different impression of tintin #when compared to the life-like realism of the movie #which is. kind of the point. it's an Adaptation it's bound to be different #that being said i think 60s tintin manages to nail the vibe of the comics despite being a live action medium #because that's what it was going for! and the 2011 movie wasn't trying to do that #ANYWAY. need to stop before i write another essay in the tags #long post #why am i scared to post this 😭 i just hate sharing my opinion #thoughts #liittleghostt

[satellitefeed]

its in my spirit to hate on the tlou show at this point like its probably fine as a show in itself but like. what made that game special was the fact that triple A video game narratives hadnt been approached in that way before, it was different for the medium but in the context of film its soooo basic like. mentally ill old man takes care of a child and eventually opens his heart to be their new father figure... logan, hunt for the wilderpeople, the man from nowhere, the road, children of men, true grit, leon the professional <- basically any parent-child movie that focuses on ideas of parenthood, responsibility and love thats not in a domestic setting and thats not even touching on the millions of tv storylines that follow this pattern like. its just so devastatingly uninteresting to me and before anyones like "well it makes the narrative more accessible to the people who cant/dont play games" . here u go

#i listed literally any movie i cld think of that involves a parent child relationship kshsjd #but i mean come onnnnn its so stupid to me who CARES abt having this shit be live action #if anything just take the redone cut scenes and stitch it all together to put it in episodes #that would be actually interesting but noooo we NEED live action adaptations of everything and we cant leave any popular media untouched #hollywood please kill yourself #journal #Youtube

[skyeisproductive]

What's this I hear about a live action The Sims movie?! I swear to God if this shit is true, it better all be in Simlish!

#why? #i hate this era of movies #not everything needs a live action adaptation #let things be their own thing! #the sims

[dreamchasernina]

So I had to stop on episode 6. Gonna continue watching tonight. I just have one thing to say so far. People think a good adaptation is the one that follows the story of the original. It’s not. It’s the characters. The characters are the ones that made the original so good. And none of them are as fleshed out here. You cannot seriously tell me the katara you see in the original is the one you see in the live action.

The writers decided to take the struggle and the growth of the characters away. I’m on episode 6. So far, Aang had everything come so easy to him, he didn’t struggle at all. Kyoshi fought for him at Kyoshi island. He enters the spirit world so easily, he finds Roku so freaking fast, he immediately knows Hei Bai is the spirit of the forest, out of nowhere. He learns absolutely nothing through those 6 episode. I could talk for hours about how that scene with Gyatso was a cop out. Why should their main character suffer right? He shouldn’t. So they just make up a scene where Aang meets Gyatso and he just outright tells him there’s nothing he could have done so he shouldn’t feel guilty.

The OG never had that scene. Because the OG knew the audience was smart enough to realize it themselves. There was nothing Aang could have done if he hadn’t run away, he would have died. But Aang needs to realize this himself, he needs to confront his feelings, learn from his mistakes, forgive himself and move on. But these days, writers don’t want their characters going through a journey, nope, the characters are just perfect, from the beginning to end.

Same said for Zuko. The writers apparently decided to make him softer, have higher morals, not as angry or determined, because that would make Zuko complex and interesting. He was good at heart in the OG show too, but he was spoiled and angry and violent. He’s none of that here, he’s gentle and respectful to everyone and just wants to capture the avatar, but not too much though. Zuko doesn’t even give everything he has to capture Aang, he doesn’t hire pirates, he doesn’t hire June himself (Iroh has to convince him to do it), he doesn’t follow Aang into the fire nation, you don’t feel his desperation, his determination, just how much he wants to go home. How could his journey feel interesting when we don’t see the dramatic shift in his character? The most interesting character in the show is not as ineteresting when he doesn’t go from a spoiled angry hurt teenager to an honorable smart and compassionate young man.

Yes, the story is fine, the visuals are nice, but it’s all very surface level. Everything is just flat.

#avatar: the last airbender #avatar #Netflix #atla #natla #avatar the last airbender #avatar Netflix #atla Netflix #Aang #Zuko #Iroh

[bagofbonesmp3]

some comics should just stay comics. we don't need a live action adaptation of everything. we need to be free. take my hand. I'll show you

#yo.txt

[ash-says]

Tips for Dysfunctional Family Girlies Part 2:

1) Get your basics straight. Education. Boundaries. Financial independence. Further breaking it down and linking it if you get proper education at some point you are bound to get an awareness of this world, if you are able to adapt and improvise yourself and develop your emotional intelligence and get your boundaries straight you will save yourself a lot of unnecessary drama and problems. Education (formal and informal) both will help you in gaining opportunities and if you are financially independent, you are holding the power to make your own decisions.

2) Develop thick skin. Your mom is calling you names. Slut, whore and what not. Your dad doesn't trust you and abuses you physically. So, what now? Are you going to let them define what you are or internalize the anger and use it as a fuel to become successful? Choice is yours.

3) They say you don't owe an explanation to anyone. Sorry to burst your little bubble. Actually you do. We live in a society and have relationships that we need to maintain for survival. This hyper independent stuff is only good to read. We have responsibilities that we need to fulfill. If you don't owe an explanation to anyone then don't cry about a closure from someone too. If you can live by this go ahead and practice it.

4) Stop isolating yourself. That's it. That's the point.

5) First kill the fear inside you. Being a rebel outside the house is no good. Be disciplined. Know how to manipulate your family members in your favor and if you can't just find the weak points and threaten. I know it's difficult to implement but you learn through trial and error. Plus something is better than nothing.

6) Stop glorifying people who treat you with kindness and love. That's the bare minimum. Just because you didn't get it served in a silver spoon doesn't mean it is not served in a silver spoon. People can have ulterior motives and even if they don't fix it in your brain that's normal. No rose colored glasses allowed.

7) Don't be afraid of indulging in your sexuality. No I am not saying go and have sex with people. I mean it in a deeper sense. Connect with the repressed sexual side and try to find healthy outlets. Don't dim yourself to fit in others'expectations or to ease someone's insecurity. Be unapologetic about your wants and desires. Know yourself. It's a powerful energy source if you know how to use it positively.

8) Cry, cry and cry. Wail like a child. No need to keep it all in. No need to act like a macho woman BUT only in front of your god or your belief system. Max in front of your truly trusted people.

9) Question everything as easily as breathing. Doubt every thing. Every action. Every person. What proof do you have to not doubt ? Stop giving benefit of doubts. Stop looking for excuses on how they could be good and instead look for ways in which they can harm you. That's your lottery to be poised and composed. It's just what it is.

10) Obsession. We have it in loads. That's natural to us. So the trick here is to be obsessive. Hella obsessive but about things, topics, goals, subjects, inanimate things,etc. God forbid but never be obsessive about a person. Not even over your dead body. Why? For that I need to make another detailed post I think.

#divine feminine #dark feminine energy #gaslight gatekeep girlboss #girlblogging #glow up #it girl #self care #self love #that girl #becoming that girl #level up journey #level up #dysfunctional family #toxic parents #trauma #trauma survivor #healing #self healing #self development #self improvement #that girl aesthetic #it girl aesthetic #pink pilates girl #pink pilates princess #mental health #wellness #becoming her #ash-says #dream girl #coquette

[botanicalsword]

Moon signs ✧ how they behave

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>> Part II

Moon in Aries

They respond quickly and passionately to situations and want instant satisfaction. They like being the first to get involved in a situation. When they’re close to someone, they tend to be harsh and easily lose their temper with family members. Their impatience also shows up when it comes to money matters.

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Moon in Taurus

They are steady, practical, and don't get easily angry. They don't like change, need financial security, and can attract a lot of money and a comfortable life. They really enjoy living in a comfortable home, but they can become lazy once they're there. They don't often experience poor lifestyle. They know how to handle resources carefully and practically, therefore they can keep wealth for a long time.

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Moon in Gemini

They go through different emotions and feelings, can easily adapt and feel restless. They are curious about what others think and feel, and they can be easily influenced by things happening around them. They are always mentally and physically occupied.

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Moon in Cancer

They strongly and naturally desire comfort, closeness, and a feeling of safety and protection from the outside world and the people around them. They enjoy old furniture and antiques, and they have a sentimental connection to various old items. Their sense of security is tied to nostalgia, and they have a deep emotional attachment to old objects that cannot be easily broken.

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Moon in Leo

These individuals often have a high opinion of themselves and enjoy receiving attention and admiration from others. They strongly desire recognition, acknowledgment, and gratitude. They enjoy spending money to bring themselves happiness, rather than seeking praise from others. They have a strong sense of self-confidence and make bold and assertive investments.

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Moon in Virgo

People with this placement tend to be humble, gentle, and attentive to the needs of others, offering help when necessary. They are highly sensitive to criticism and have been suppressing their emotions for a long time. This makes it challenging for them to express their true feelings, as they try to conceal their inner vulnerability. Consequently, this can create emotional barriers in intimate relationships.

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Moon in Libra

They have a distaste for rough and impulsive behaviors. When the Moon is in this position, it signifies grace, social abilities, and a charismatic personality. They strongly dislike any kind of discord or disharmony. They are highly fearful of arguments and conflicts. They excel in finding compromises and setting aside their ego, but once a limit is crossed, there is no going back.

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Moon in Scorpio

They have a strong inclination to actively engage in current affairs and relationships. They approach life with enthusiasm and focus. They have experienced a childhood filled with intense emotions, which has led to the development of a heightened sixth sense. This allows them to directly perceive the thoughts of others. They possess a sense of ownership when it comes to emotions, although they do not seek to control others' actions. They possess the ability to sense whether or not someone is being deceptive towards them.

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Moon in Sagittarius

They are energetic, proactive, and open-minded individuals with a free-spirited nature. They genuinely interact with others, without hidden agendas, and strive to explore a wider world. Their priority is to find meaning and purpose in everything they undertake. While they may not have overly gentle, delicate, or empathetic personalities, they are also not socially awkward. They are very lucky and hold a strong belief that tomorrow will bring improvement, even when faced with setbacks.

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Moon in Capricorn

They highly regard rationality, desire respect, and exemplify self-discipline as role models. They find comfort in having a sense of control. During their youth, they lacked maternal affection, which has made them very conservative in managing their finances. They frequently felt that they didn't have enough money, so they are extremely cautious when it comes to spending. Their sense of security is derived from tangible savings and real estate.

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Moon in Aquarius

They are amiable and enjoy socializing, but they exhibit a sense of emotional detachment. They are emotionally independent, composed, and inclined to seek truth and make rational decisions. They can come across as emotionally cold and distant, which allows them to be self-reliant in their emotions. However, they may struggle to form deep emotional bonds with others naturally.

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Moon in Pisces

They are highly susceptible to external influences and may tend to see the world in an overly positive light. They possess a vivid imagination and a profound yearning for spirituality and romance. They dislike being confined or constrained. They have a strong sense of empathy and can be easily moved by emotions. They might also make impulsive investment decisions driven by their emotions. While they may not excel in practical service, they frequently offer emotional support and willingly lend an ear to others' worries.

>> qualities of partner that they are in search of

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>> Back to Masterlist ✧ Explicit Content

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#astro #astrology placement #overlays #astro observations #synastry observations #synastry #astro posts #astrology #astro community #astro notes #astro placements #astrology notes #astrology observations #astrology placements #lilith astrology #loa #loa tumblr #astro memes #loa blog #mars synastry #asteroid astrology #law of abundance #air moons #fire moon #water moon #moon signs #moon phases #leo moon #pisces moon #libra moon

[cepheustarot]

Who will appear in your life soon and why?

Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.

✧ Masterlist ✧ Paid readings

Pick a pile. Choose one or more pictures. Trust your intuition.

Pile 1: An optimistic and cheerful person will soon appear in your life, who is looking for the pros and positives in everything. By themself this person is calm, reacts calmly to difficulties and problems in life because he believes that everything can be overcome. This person is able to adapt to sudden changes but prefers a stable life without impulsive changes. They can also be called moderately emotional, they do not dramatize and do not react sharply to anything but they are not stingy with feelings. By the way, they are very good friends, loyal, always ready to support and help, ready to help with solving any problem. They can also be generous, constantly give gifts, can pay the bill at the store / cafe for you, can get tickets and invite you to an event, to a movie, etc. Next to this person, there is a feeling as like a stone wall, you can always rely on them, you feel calmer with them. But this person can be very picky and categorical at times as they may have a peculiar taste and therefore it is difficult to make a choice. This person can also fall into melancholy, apathy at times and at such moments becomes uncommunicative, talks little, shares something, generally closes themself in. During such a period it is important to support them the same way they do and then they will be able to return to their former state soon.  This person will appear in your life as support and help in order to fulfill your goal. They can either directly participate in achieving the goal (for example, motivate, work with you on, be in the role of your coach, etc.), or morally support. To a greater extent I see that this person will play a role in realizing your desires but this does not mean that they will do everything for you, they will inspire you to take action.

Pile 2: A very emotional and sensitive person will soon appear in your life, to some extent i can say that they like to romanticize a lot around them, like to create aesthetics and a certain atmosphere, look beautiful, dress up, decorate a room or something like this. I see that they like to create something with their own hands and their activities have creative features, for example, they can draw, write, create something from clay, they can create compositions from flowers, do scrapbooking and everything like that. As I said earlier, they are very sensitive, they may have developed high emotional intelligence, their facial expressions are very emotional, they may have competent speech in which it is very rare to hear word-parasites. They deeply appreciate the connection with loved ones and if you can get closer and trust each other, then such a person will remain in your life for a long time. They also work a lot of time, they are purposeful but they need to see the result, otherwise their work will come to naught without it. They can become very attached to things because for them it is something memorable and associated with significant events in their lives.  This person will come into your life as an employee, a work partner, you can work on a project with him, make a deal, you can come up with ideas for creating something (here you can also include the creative sphere, for example, you will write a song together, you will work on creating a book, a series of short stories, you will do the feat). Cooperation with him will be painstaking, very saturated, sometimes difficult, as it is difficult to get along with them or you may not agree on some nuances but the result of the work done will definitely please you two and your efforts will pay off, bear fruit.

Pile 3: A somewhat mysterious, cold, detached and introverted person will soon appear in your life. They do not really like to talk about themselves, show their intentions and attitudes to a person not through words but through actions and deeds, through their behavior. This person likes to spend time with himself, they generally may not consciously make many friends, acquaintances, like to be alone, they value their personal space very much. They are also anxious individuals, constantly immersed in their thoughts, they may have low self-esteem which they hide very much behind their behavior. It is difficult for them to make a choice, they are very indecisive and very easily give in to pressure from the outside. They probably have as many complexes and fears. But at the same time, they are very smart, hardworking and diligent, erudite, they like to act according to a plan, they have everything clearly thought out and calculated. They are also passionate about a lot of things and have a lot of knowledge, know a lot of facts, can support almost any topic with this knowledge. They are curious, inquisitive, like to learn new things, explore something.  Speaking of why such a person will appear in your life... To be honest, I don't see any positive aspects here. They play the role of a person here, a third person who spoils relationships with people and they can negatively affect your relationships with friends, family or acquaintances in the company which will cause a strong quarrel between you. So for the most part, this is a warning, be careful! Perhaps these people will want to "take revenge" on you in this way or frame you because they dislike or have a personal dislike for you. They could also be offended by you because of some trifle but for them this trifle looks like a whole tragedy.

Thank you for reading! I will be glad of any feedback 🖤

#tarot #tarot cards #pick a card #pick a card reading #pick a pile #pick a pile reading #tarot reading #pac #pick a picture #pick a photo

[cipheramnesia]

This is the process my brain goes through every time I see anything about Netflix Avatar The Last Airbender.

My first reaction is always: Why? The original, although not without flaws, doesn't leave a lot of room to improve. A good remake or adaptation usually involves an updated context or change in perspective that adds to the original work and gives it new meaning. It's a risky undertaking because it usually involves wanting to take on something established as iconic and make it your own. But Netflix is a corporation and seems very risk averse for the most part. Its only investment is in the name recognition of AtLA. It's hard to visualize Netflix deliberately taking a big risk on an expensive show.

My second reaction is: How? The original series is about 1400 minutes over 61 episodes, and it still had to rush the ending. We're looking at 8 episodes of roughly 45-60 minutes per episode for season 1, which would require Netflix to let it run more than 3 seasons, if the series has similar pacing. Historically however Netflix shows have glacial pacing, and rarely make three seasons. Not really sure how they plan to tell the story if the series is anything like the average Netflix series, meaning it either needs to undercut the story or let the series breathe for at least five seasons. But nothing Netflix has done makes me want to watch anything they make as an ongoing series? Why bother, they cancel everything I enjoy. So I wonder how. What's the hook to say "this will be able to provide something new and interesting compared to the original, and will be allowed to tell the complete story."

Which leads me to think, but you can't judge if something is good without seeing it. Except none of this is about whether it's good, I just find myself wondering what are the odds it's worth the effort? They're low, and it has nothing to do with whether or not it's even any good on its own merits.

Following this, I ask myself, what would a good version of this be. Imagine you are making a live action series with eight hour long episodes per season based on a children's cartoon with 20 thirty minute episodes per season. You are trying to encompass a story which was presented over three seasons as a cartoon, and you do not know if you will have more than those eight episodes. It's made for Netflix which, in terms of a company which will protect the hard earned fruits of your artistic labor, is the fox guarding the henhouse. What do you do?

If you are looking to make something good, that respects your audience investment and your own work, you make radical changes to the story. You change the pacing, the character arcs, the plot arcs. You make sure you deliver a complete story in those episodes with as much respect for the original work and as many new ideas as you can.

Except, at that point, what is even the point of a remake. The only way to work with it is either to trust Netflix allowing you to finish the story (which you'd need to be incredibly naive to do), or tell a story so different it may as well be wholly original. And that's where I always end up. Like, it'll probably be fine, but what's the point of it all? Another vanishing digital property to get canceled because of some undefinable failure to return on investment.

I think about it a lot because the two ends of the spectrum seem to be "dunk on every new piece of information" or "wait and see" but the only conclusion I can ever reach is "why even care?" That's been the lesson to take home from digital streaming in general when it comes to series, but Netflix in particular, and honestly for movie series too. If it can't be self contained, the companies who produce and release these kinds of series just cannot be trusted with it, and there are too many good original stories being put out to care anymore about big budget promises that one day they will definitely for sure deliver a finished story, this time for real.

I care enough to think about why I don't feel anything at all about Netflix Avatar. It'll be fine, whatever else. Just fine.

#netflix avatar

[spirantization]

I'm surprised at the hate that Sokka's character arc from NATLA is receiving. To me, Sokka's development and characterization was one of the strongest adaptations the series made.

In the original ATLA, Sokka's character arc revolves around him unlearning his own misogyny. He makes pointedly sexist comments throughout the early episodes like "Leave it to a girl to screw things up!", "There's no way a bunch of girls took us down!", etc.

Sokka's comments have a strong narrative purpose: they give a platform for women in the show (Katara & Suki mostly) to refute his attitude. Katara emphasizes traditional "women's work" (cleaning, cooking, sewing, etc), which forces Sokka to confront its inherent value. Suki is able to prove to him that women can fight too and he learns to respect female warriors. It's a great character arc and it's well-executed.

It's also characterization that is in direct response to the culture and feminism of the 90s and early 00s. The representation of women in the media at that time was...oof. It was not great. One-dimensional love interests whose only purpose is being saved by the male protagonist, mostly. Female protagonists were not as common, and certainly not ones who were depicted as being able to fight, and certainly not in cartoons. Female protagonists in animation were almost exclusively princesses.

ATLA was progressive in this regard. Katara was a complex female character in a time when there were not a lot of them, in media in general but especially in animation and kid's shows. (I grew up in the 90s; there were no characters like Katara in animation on screen for me.) ATLA incorporated the zeitgeist directly into the story, which is why we have Sokka learning to overcome his sexism in his interactions with Strong Female Characters.

If you go back and watch the original cartoon now, Sokka's sexism feels a bit dated. It's a very 90s, Girl Power, "girls can fight too" style of social commentary. It doesn't match with the media landscape of today. We've got 20 years of media with female superheroes behind us. If your message is "girls can fight too!" the response for the most part is going to be "yes, we know that. And?"

So imagine you're adapting the original ATLA for a live-action remake. You want to keep Sokka's character arc intact, but you want to update it for the 2020s. So what do you do? You look at the conversations that are happening today.

The 90s were about "girls can do everything boys can do", but the 20s are over that. The conversation is more about gender: gender expression, gender roles, gender dynamics. What does is mean to be a woman? What does it mean to be a man?

Sokka's character arc in NATLA is focused on this question: What does it mean to be a man? At the beginning of the series, it's his identity as a warrior that defines him. He needs to be the warrior, the protector, the leader. He's constantly trying to reaffirm this part of his identity, and it's completely tied up in his perception of his value as a man. Instead of his interactions with Suki being about "how could girls possibly be warriors", it shifts to Sokka saying "I'm ALSO a warrior" and trying to justify that to Suki (and mostly himself).

His arc over the series is about him accepting other aspects of himself and relearning how to define his masculinity. He can still have value as man without being the greatest warrior. He can still have value as a man by using his skills as an engineer. He can still have value as a man by offering compassion and kindness to others, like the little girl with the doll & Yue in her final moments. Instead of rigidly defining himself by a specific set of gender roles & expectations, he learns how to define himself through his own strengths and qualities.

I know there are a lot of people who are upset at this change to Sokka's characterization, and the most common thing I see is that it results in changes to Katara's character and her anger in response to Sokka's comments. I think there are valid criticisms to be made about how the show handled the adaptation of Katara's character, but I won't go there with this. In terms of Sokka and his characterization, it was well-done and thematically consistent with the original. It's not an exact port, and it never needed to be. It's still a feminist arc that centres on unlearning harmful misogynistic worldviews, but the focus has shifted from external (roles of women) to internal (his role as a man). And his journey is one that people would benefit from seeing represented.

#atla #avatar the last airbender #natla #netflix avatar #atla meta #there are many criticisms to make about the adaptation but this just isn't one of them

[bonniebugsy]

Studios need to take note from Live Action One Piece: if you want an adaptation to be a critical and financial success, you need to go balls-to-the-wall in terms of adapting the tone. Compare this to live action Cowboy Bebop, Death Note, Last Airbender, Resident Evil. All of these were "watered down" to be more appealing to non-fans. They tried to be everything, and wound up being nothing. OPLA was ridiculously faithful and willing to commit, and it's a huge hit. It's a huge signifier of how well these adaptations can do when the studios aren't cowards.

#one piece #one piece live action #opla

[iwritenarrativesandstuff]

On Kurapika's Self-Imposed Isolation

While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.

I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.

Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."

So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.

The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.

Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.

Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:

[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]

It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...

[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]

...and this...

[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]

...and this.

[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]

This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.

(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)

But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.

Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.

But Kurapika... doesn't come across as a naturally angry person to me at all.

He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness

[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]

...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.

And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.

[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]

Look at him! He's so bright! So happy!

...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?

[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]

Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.

I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.

And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.

[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]

Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.

[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]

#thank you for coming to my ted talk on how kurapika is worsening his own mental health as well as physical health on purpose have a good day #oh my god this took me so long but it was worth it!!! #actual analysis!!! it's been so long!!! #anyways i'm far shakier on my hxh knowledge than other fandoms i've written meta for #so i hope this makes sense. i appreciate additions to it just please be polite! #i also believe that togashi's writing lends itself to multiple interpretations that are equally valid. so much of this #may be my own takeaway. but i do think there's enough evidence to support it #well. i hope you guys suffer... i mean enjoy. #storyrambles #hunter x hunter #hxh #hxh meta #kurapika #call me ace detective the way i am ace. and also a detective #<-analysis tag i missed you