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#not me the series meta
galedekarios · 6 months
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i can't believe it took me this long to realise that almost all of gale's greetings, whether they are:
low approval
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friendly
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romanced in act i
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to romanced in act ii
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to romanced in act iii
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are just variations of asking what he can do for the protag / what they need from him
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ghostbny · 2 months
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Real
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theminecraftbee · 21 days
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Grian had taken her aside quietly. He'd awkwardly talked around the idea of her remembering now; apparently, he didn't know if her victory counted. She'd rubbed the back of her head and hadn't quite realized what he was talking about and said something about the games and, ah. Apparently she does remember now. Apparently the victory counts. Apparently this means he needs to say sorry.
Cleo considers not accepting the apology. Grian would get the wrong idea then. If she said: you don't need to apologize for shit, or maybe, there's nothing to apologize for, he'd take that as: you are exactly as bad as you're convinced you are. Honestly, Cleo's not sure whether that means Grian would decide he'd done nothing wrong or everything, but that's besides the point.
She'd never not remembered, is the point.
Frankly, Cleo hadn't realized people were meant to be not remembering. She's honestly a bit embarrassed not to have figured it out. Surely that can't be right. Cleo has held every single slight and every single ally and every single person she has ever connected to right in her ribcage, next to where her carved-out, unbeating, torn-up heart lies, the entire time these games have gone on. Each game, a new fact carved into the bone that makes them up.
Names ribbon around her memories. Bdubs and the Crastle and Scott and soulmates and Pearl and friend-turned-foe and Etho and survivor and Bigb and traitor and Scar and son and everything else. She wouldn't be the same at all if she didn't remember. Everything she is, it's built on top of everyone that was.
Maybe it's a zombie thing. The undead are said to be memories that can't fade as much as anything else, after all.
But she can't really explain this to Grian, of course. If nothing else, that would require explaining the place he's taken next to her heart, too, and frankly, that's way too mushy for the both of them. What ends up coming out her mouth is: "Oh. Does that really change anything?"
Grian stares at her a moment.
"You know, I guess not?" he says.
"Right then," Cleo says. "Cool. Good to know my victory means nothing then."
Grian squawks. "You can't just say it like that! That's depressing!"
Good enough.
She buries 'not-supposed-to-remember' 'not-sure-if-it-counts' 'laughing-as-scott-dies' and 'I-have-always remembered' in the same place in her ribcage, so she won't forget it, and then she does the thing that sets her apart from the common zombie:
She moves on.
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twinsarekeepers · 2 years
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Broke: I can’t imagine Percy Jackson as blonde. It just doesn’t fit his character.
Woke: Percy having blonde hair opens the door for a meta joke like Annabeth saying he’s the reason the dumb blonde stereotype exists, which fits perfectly with their early stage relationship. Also, surfer vibes.
Bespoke: Percy having blonde hair perfectly encapsulates his character because blonde hair does a thing where it significantly darkens as time passes, which is a direct parallel to how Percy gets “darker” as time passes. AND now that Luke has dark hair, Percy going from blonde to brunette will signify him becoming more like Luke, literally starting to look more like him. And the same applies if Poseidon is cast with dark hair. The change in color would symbolize Percy growing into the powers his father gave him. In this essay, I will—
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paintpanic · 3 months
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veveisveryuncool · 8 months
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when ur fam's a bunch of op warriors but they love you all the same
edit: fixed quality i think hh
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parvuls · 8 months
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no, because - famous person starts dating less famous person and is then gradually overshadowed is a trope. a trope often used to bring external conflict into stories. but jack and bitty are carefully constructed as the opposite of that, and I'm fucking feral over it.
we joke about how jack will eventually be bitty's trophy husband and be thrilled about it, but it definitely has a giant grain of truth in it. it's how they're characterized. bitty is an extrovert; jack is an introvert. bitty reached out and built himself an online audience to deal with his trauma; jack shut himself out and started avoiding the public to deal with his.
bitty finds comfort in being able to talk to others and (as seen in spotlight on eric bittle) considers being a public figure a sort of healing experience: coming out and being a public person (in every manner of speaking, not just sexuality wise) and putting himself in the limelight is such an important part of his journey because he sees it as a way of helping others who were in his situation.
jack grew up in the spotlight as the only son of two prominent figures. he grew up as a child with anxiety with the media's eyes on him as he was compared to his father. he grew up as an overweight teen featuring in trashy gossip columns as he was compared to his mother. he got into rehab in part because of this attention and it only attracted more attention to him. a lot of jack's anxiety stems from the notion of people looking at him and thinking about him and talking about him and judging him, and it's unfortunate because jack's dream is to play hockey, and that comes with even more attention.
but that's the thing: jack and bitty's story is (once again) a demonstration of two people making each other's lives better.
jack's fame thrusts bitty into the spotlight post-cup, and it's a giant push forward in helping him reach a bigger audience and thus grow his independent fame. bitty's growing fame slowly overshadows jack, to the point where ngozi says they'll one day be Eric Bittle and his Athlete Husband. and that means jack gets to play hockey, and win cups, and achieve fame in his own field, but the media's attention slides off him to his husband, and the fans on the street gradually approach bitty more than him, and jack is free to have his success with less of the personal scrutiny.
it's not that jack becomes less important than bitty. it's that bitty gets to stand in front of the direct sun and flourish as a result, while jack gets to stand in the shade bitty creates and flourish as a result. it's symbiosis. it's beautiful.
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mayasaura · 10 months
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The way The Locked Tomb uses cannibalism is so interesting, because while it does serve as a metaphor for intimacy, the series only uses it that way when it's cannibalism of the soul. Cannibalism of the flesh is either extremely limited, or straight up horrific.
Like step six of the Eightfold Word. It's literally presented as "consume the flesh," but Ianthe goes out of her way to specify that a single drop of blood is sufficient. The most unhinged act of intimacy in the series, and it's explictly the soul and only the soul being digested.
Human flesh is only consumed in any volume twice: John's post-apocalyptic survival cannibalism, and Harrow's delicious murder soup. Both those scenes are exactly the opposite of intimate, and about as far from erotic as you can get.
John and Alecto gorging themselves on anonymous strangers was debasing to everyone involved, and not something John ever wanted to be reminded of. Harrow's soup was a desperate attempt at self-defense, like an animal in a trap gnawing through her own leg. It horrified and disgusted everyone at the table, even Ianthe, the number one suspect at making it weird.
I love the overall effect of the layered symbolism, because it allows cannibalism to be explored both ways. Seperately, without one connotation implicating the other. Except for Babs, of course, who gets to be both.
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thebibliosphere · 3 months
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Not to be an unbearable plot tease, but I'm editing/rewriting a chapter from Hunger Pangs book 2, and while I adore all of my characters equally, Vlad and Ursula getting to know each other properly might actually be some of my favorite moments.
His realization that he can pester Ursula to tell him more about random historical events as they actually happened, not how they are portrayed in history books, is so, so sweet. He's like an excited labrador who just found a dinosaur bone.
Ursula's very much not used to this kind of attention.
She's used to people only being interested in her power. And here's a werewolf who couldn't give less of a fuck about exploiting her magic for his own gain, and a vampire who wants to ask her what textile production was like circa the fall of the Ecrecian Empire.
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I want yall to look at this image and tell me if that's not the look of someone longing but knowing it's not the time for what he wants.
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This happened multiple times before and he knew how to respond to Mobius so he could stand back and let him continue.
But that leaves me thinking, how did he figure out? How did he first reacted to Mobius demanding his attention? What did he have to say first to get to the conclusion that he just needed to say "trust me" and "watch" ?
Did he ever tried explaining it to him? How did that go? I need so much answers and that's a perfect opportunity for heartbreaking fics (or in the best of cases a cannon spin off)
But I can't sleep and my heart aches with Loki's tragedy. I feel like a child having watched a very well performed Shakespeare play for the first time in my life.
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deancasforcutie · 11 months
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the way spn is positively ENTRENCHED in queer cinema history
(see captions for context)
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galedekarios · 7 months
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seeing a post that basically confirmed the obvious disparity in content made me think more about a scene i would have liked to see with gale and that i've been thinking about for a while now.
i always felt a bit sad that his condition is so often treated as a joke by the fandom and to a lesser extent by the game itself. i always thought that this is partially down to the fact that we don't truly get so see gale actively be in pain due to his condition, other than brief glimpses and hints:
we do hear the urgency in his voice when he explains when and why he needs an artefact and the relief in his voice when the protag chooses to help him.
we see it, too, when he is afflicted by the arcane hunger condition:
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we get glimpses of it when he consumes an artefact:
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he mentions it, too, in his dialogues, but it's very much downplayed by gale or phrased in such a way that is meant to overplay it with humour, or perhaps even to distance himself from it by using metaphors:
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that is until we actually get to see it through his eyes, if only for the briefest of moments:
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*Its teeth, its claws, it's unstoppable as it digs through and becomes part of you. And gods, it is ever-hungry...*
gale also has an idle animation where he--quite often--reaches up to touch the orb, perhaps because it flares with pain, like an old wound is wont to do:
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(gif by @bladeofavernus)
from the last conversation we have with gale, and after catching all of these little moments of things he says or does with how the orb affects him, we learn that consuming the magic from artefacts no longer has any effect at all. the only solution that tara and he were able to find no longer works:
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it would scare him and imbalance him, and it would finally destabilise the orb, make it more volatile.
but what happens in the game after that? the orb becoming volatile enough for the artefacts to no longer have an effect has no consequences at all: you are able to do the tiefling party, all quests in the underdark, the entirety of the grymforge, and, should you choose to do so, the entirety of the mountain pass and rosymorn monastery without an incident at all or any mention of the condition itself/any discomfort or fear it might cause.
there's no urgency here, no follow-up, to what the narrative set up... and then we meet deus ex elminster and the orb is stabilised, and the urgency that came before literally is handwaved out of existence.
what i would have liked instead to happen--or at least to bridge the gap between the artefacts no longer working and elminster stabilising it to be used on mystra's behalf--is the following:
i think it would have been nice to have a scene with gale where we do get to see--on a much smaller scale--him losing control over the orb, have the protag and the companions see what he is trying desperately to keep contained within himself, what gnaws at him, what continues to haunt him.
it could happen perhaps after a particular gruelling and intense fight--and there are enough of that in the underdark and at the mountain pass. it could have been a ! conversation, providing both friendship and romance content.
have the orb act up after expending so much energy to manipulate the weave to the fullest of his abilities, have gale manage to reign it in, but barely, show that it takes a lot of power and effort for him to do so.
that it hurts, with none of gale's metaphors to hide behind or jokes to play it off.
have the audience truly see the gravity of what he is going through.
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ghostbny · 3 months
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Bro sleeps with his armor on
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strike-n-brawl · 9 months
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When ur gang small but yall crazy af !!!
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veinsfullofstars · 8 days
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👑 Sworn Partners ⚔️ 
(ID: Kirby series fanart of King Dedede and Meta Knight being cute and in love. Top panel - bust shot of DDD scooping MK up into his arms, smooshing the flustered knight against him in a great big hug as a little flurry of hearts bursts from them. Middle panel - bust shot of DDD holding MK in his arms, gazing down at him with an easy grin as the knight pushes his mask to the top of his head, a fond smile on his face as he gazes back. Bottom panel - bust shot of DDD and MK leaning in together to meet in a kiss, eyes closed and faces flushed, the king holding his knight tighter, the knight gently cupping his king’s cheek. More little hearts hover around them, the biggest just above their heads. In all panels, DDD's crown and MK's armor are - as usual - touched with white highlights and dusted with sparkles. END ID.)
Sketch started some time early 2024, render started 03/18/24, finished 04/15/24.
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charcubed · 6 months
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This is literally a love story.
Loki in season 1 thought love is an imaginary dagger because he’d never had a real love (and everything with Sylvie wasn’t real either) but Mobius has been redefining love for him the entire time and showing him what love is or can properly be!!!!!!!!!!
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