#not sure if it's real spoilers tho | Explore Tumblr Posts and Blogs

todayisafridaynight · 1 year

Note

Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)

I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.

I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.

Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.

For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.

I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.

The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.

And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.

There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.

You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.

There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.

But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.

There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.

The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.

Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.

I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.

Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.

I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.

I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.

Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.

Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.

So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.

One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.

He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.

I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.

There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.

And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.

It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.

I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.

But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.

I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)

It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!

As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.

The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!

About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.

To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.

As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).

Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).

Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).

Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.

#long post #fave #snap chats #i have more notes down here hi LMAO #honestly i do wonder what Just A Guy masato wouldve been like.. tho tbf before The Murder masato /was/ kind of Just A Guy #an insecure guy with issues sure but i doubt he wouldve gone on to do anything criminal/abhorrent had it not been for That Night #ah but speaking of That Night and arakawa and jo having to talk about it if always wanted to go into that on my own time #i guess more appropriately put it as portray how i imagine that scene went down but thats somethin i can think of another time #and that reminds me ! absolutely no pressure about the commission btw take all the time you need !#im excited to get to it when you are ready though i wont lie but again it's no pressure! im not going anywhere :)#honestly ill be real somehow with all of the films and movies ive seen i didnt get to catch nakai and tsutsumi together on other projects #i know they starred in Musashi together but i didnt realize their co-starship went deeper!#trying to watch japanese medias so hard sometimes because while most of it i can find easy #trying to find movies like 47 Ronin in Debt was arduous and others like Fly Daddy Fly are just impossible 😷#oh well- that just means i have to be extra grateful for the films i have access to #speaking of tsutsumi's characters' mortalities tho ngl one of my favorite roles he plays is toru from Pure (1996)#and him Spoilers dying via metal pipes still guts me it makes me laugh more than it should ☠️☠️#then there's the 'fakeout' deaths from Meishi Game and Why Don't You Play In Hell #or. at least i /think/ the latter was a fake out.... im p sure hirata's just so delusional he's imagining everyones alive #unimportant tho Again im just prattling down here LMAO #one more thing i wanna ramble on is about how jo and arakawa handle aoki's abuse- and its going back into personal anecdotes oopsie #more specifically on how arakawa becomes the main subject of aoki's anger because jo is considerably more docile #at the very least it reminds me of whenever one of my sisters would be in trouble so they'd dodge home leaving my to get yelled at LMAO #rip RGGJo hes stuck in a coma PLEAAASE truly in nature with a tsutsumi character to just. Die ☠️#and lest i neglect catboy canon sawashiro please im howling. that just reminds me of the post bout the sad and old catboy #do i sound insane i think it was the one where theyre sitting at a bar and after drinking they just knock their glass off the table #anyway poor sensitive nose jo cant take him anywhere- allergies are probably going to act up or something lmao #but im running out of tags at this point. thank you for allowing me to talk so long- and im always happy to hear from you !

7 notes · View notes

artiecore · 1 year

Text

i've been thinking a lot about a pmmm x niigo au, which i will write properly and post to ao3 when i'm on my winter break. but for the time being lemme share my pmmm kin assignments for the nightcord at 25:00 characters because i think a lot of people who have thought of this in the past are just doing it based on aesthetics without considering anyone's personality whatsoever:

firstly, and most obviously, kanade is getting assigned homura. mainly because both kanade and homura have a huge "saving people thing." in the case of homura, she made her entire wish to protect madoka, and is doing everything to save her with no regard for her own well being. in the case of kanade, she's doing everything she can to write a song that can save mafuyu. there's other smaller reasons as well—the long hair, the physical weakness, their uninhabitable rooms, their absent parents, their shared belief that they are inherently bad people (re: kanade blaming herself for her father's illness and homura calling herself a devil at the end of rebellion), but their need to save another person, and dependence on saving that person in order to prevent themselves from falling into despair is the most obvious reason.

next most obvious is mizuki being assigned mami. this is because both of them are extremely lonely and have ended up becoming distant from others, while putting up a strong face to avoid people from thinking they need help. after realizing that most other magical girls only do their jobs for their own benefit, mami distanced herself from other magical girls. in addition, she is unable to befriend her peers because they can't understand being a magical girl. however, she still puts on the strong face as a mentor for madoka and sayaka until episode 3, where she ends up breaking down in front of madoka and admitting how lonely it is. mizuki is also extremely lonely—in secret distance, they end up distancing themself from the others in niigo to avoid being hurt by them like they were hurt by their peers in the past, and in my footprints, your destination, they still did their best to shield their loneliness and put on a strong face for ena, even when they were confronted directly by her. both mami and mizuki also have similar aesthetics (present as very feminine), and they both serve as mediators of their respective groups in a sense.

next, ena as kyoko. firstly, the daddy issues. oh my god, do they both have those by the bucketload. they both want validation and unconditional love from their fathers, and they both don't get it. in addition, they both have very similar personalities, especially when it comes to handling trauma. kyoko, after her father kills his family and then himself, ends up pushing away mami (see: a different story), and becomes extremely jaded and confrontational. at the same time, she's still extremely compassionate towards others: she tells sayaka about her past in an attempt to help sayaka learn from her own mistakes, the reason she pushed away mami was because she viewed herself as a liability after losing the ability to perform magic (see: a different story), and she ends up sacrificing herself to kill oktavia when sayaka becomes a witch. although her trauma is completely different, ena responds similarly to kyoko—she becomes self-depracating about her own skills, she becomes more "tsundere," she pushes away people she cares about (see: akito in insatiable pale color), and in particular, she's very confrontational towards mafuyu in the main story. at the same time, ena is very compassionate towards the people she cares about. when mafuyu tries to disappear into empty sakai forever, ena shows up and uses her jealousy of mafuyu to try and persuade mafuyu to value her talents more. in the case of mizuki, ena is also willing to do whatever is necessary to try and save someone she cares about. and as a bonus, she also views herself as untalented and inferior (similar to kyoko's belief that she is weaker because she can't do magic).

finally, the most controversial opinion i have, and one which i have never seen before in any other niigo x pmmm au: mafuyu is madoka. NOW I KNOW THAT AESTHETICS WISE, HOMURA AND MAFUYU ARE MORE SIMILAR. purple. i'm aware. they also appear similar on a surface level because they have the whole depression trauma thing going on. I KNOW. but yall gotta understand that homura and mafuyu are almost complete opposites in how they're handling things. mafuyu's depression manifests as her feeling numb, being unable to understand herself or her emotions, and a general feeling of purposelessness. she's a nihilist. she's given up on life, and she feels empty inside. homura is also empty inside, but she understands herself perfectly well—even if she's purely defining herself as the person who will save madoka. they're both severely depressed, but homura's basically the exact opposite of mafuyu in terms of how they're behaving because of it.

but why madoka? well, there's a bunch of reasons. firstly, madoka and mafuyu, on a very surface level, both appear to be perfectly happy, with no problems in their lives whatsoever. episode 1 of madoka magica shows how happy madoka's life is, and how few problems she has. and i know it's hard to remember since we see behind mafuyu's carefully constructed façade so often, but on the surface, mafuyu also seems like she's got it all—honors student, archery club president, class representative, talented at english, aiming for medical school. hell, she's even good at writing lyrics and composing her own songs! but dig a little deeper, and it's a cover for their deeper issues, although it's less extreme in madoka's case (probably due to madoka having a significantly better family than mafuyu). madoka struggles with huge amounts of self-worth issues. she wants to be a magical girl because she believes that this will make her special and give her the sense of identity and purpose that she currently lacks. which is startlingly similar to how mafuyu struggles to understand her identity and desires to have purpose in her life. they're both also extremely comfortable with the idea of disappearing forever. obviously, the entire main story for niigo is about how much mafuyu wants to just disappear, but madoka is also startlingly comfortable with the idea of disappearing and becoming a concept forever—not just because she wants to do the "right thing" or "help others," but also because, deep down, she does not care if she disappears as long as she is able to help other people, and make her life meaningful through doing so. not to mention? both mafuyu and madoka have a huge tendency to put others before themselves, and will do anything to help others. this is most obvious with madoka's wish to prevent witches from existing, as well as all her previous wishes being wishes to help others (whether it be homura, sayaka, mami, or even just a random cat), but also mafuyu originally wanted to be a nurse to help others, which spiraled into her living for others and losing touch with her own sense of self. they're both self-sacrificial and selfless to a fault.

in conclusion: based on personality, kanade = homura, mafuyu = madoka, mizuki = mami, ena = kyoko, and i have way too much free time on my hands in spite of the three essays i have due this week

#pmmm spoilers #pjsk spoilers #niigo spoilers #i will make this au real i promise #because even tho i made these kin assignments #i have way more ideas than just a strict one-to-one mapping of niigo characters onto pmmm characters #also feel free to (politely) disagree with me #because as strongly as i feel about this #i also know these are just opinions #and also i wrote these all in one go #so i'm sure i've probably mischaracterized someone at some point #yall gotta understand how hard ive been brainrotting about this #like this is just the tip of the iceberg too #the tippy top of what i gotta say on this #i have so many thoughts about madoka magica #i have so many thoughts about nightcord at 25:00 #can you tell im autistic

11 notes · View notes